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Calvary Collection (page 8)

"Journey to Calvary: A Visual Exploration of Faith, War, and Redemption" Step into the world through a series of captivating artworks and historical references

Background imageCalvary Collection: Jesus is taken down from the cross and restored to his mother

Jesus is taken down from the cross and restored to his mother. The thirteenth Station of the Cross (chromolitho)
668803 Jesus is taken down from the cross and restored to his mother. The thirteenth Station of the Cross (chromolitho) by French School

Background imageCalvary Collection: Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho)

Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho)
668801 Crucifixion: Jesus is nailed to the cross. The eleventh Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Crucifixion)

Background imageCalvary Collection: Jesus dies on the cross. The twelth Station of the Cross (chromolitho)

Jesus dies on the cross. The twelth Station of the Cross (chromolitho)
668800 Jesus dies on the cross. The twelth Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus dies on the cross)

Background imageCalvary Collection: A study of Christ on the Cross with two Angels (black chalk

A study of Christ on the Cross with two Angels (black chalk
FIT412332 A study of Christ on the Cross with two Angels (black chalk, heightened with white on paper) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 51.5x41 cm; Fitzwilliam Museum

Background imageCalvary Collection: Israel Palestine Jeusalem - route of the crucifixion

Israel Palestine Jeusalem - route of the crucifixion
c.1890s Holy Land Israel Palestine photochrome - Jeusalem - route of the crucifixion

Background imageCalvary Collection: Interior of the Chapel of Mount Calvary, Jerusalem, 1800s

Interior of the Chapel of Mount Calvary, Jerusalem, 1800s. Cappella del monte Calvario. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

Background imageCalvary Collection: Native American wigwam, Canadian house

Native American wigwam, Canadian house
Structures of the Native Americans and Canadians. A Canadian loghouse at right and hut or Vig-Wam (wigwam) at left. Man smoking a pipe watching a pot on a fire, with fish and birds hanging above

Background imageCalvary Collection: Centre panel of a Crucifixion triptych, 1490s (oil on panel)

Centre panel of a Crucifixion triptych, 1490s (oil on panel)
BWM152536 Centre panel of a Crucifixion triptych, 1490s (oil on panel) by Master of the Virgo Inter Virgines, (fl.1470-1500); 218.8x196.3 cm; The Bowes Museum, Barnard Castle, County Durham

Background imageCalvary Collection: Crucifixion icon (tempera on panel)

Crucifixion icon (tempera on panel)
JB148422 Crucifixion icon (tempera on panel) by Byzantine, (14th century); Byzantine Museum, Athens, Greece; eJohn Bethell; out of copyright

Background imageCalvary Collection: Christ Carrying the Cross, 1684 (oil on canvas)

Christ Carrying the Cross, 1684 (oil on canvas)
PWI91000 Christ Carrying the Cross, 1684 (oil on canvas) by Mignard, Pierre (1612-95); 150x198 cm; Louvre, Paris, France; (add.info.: Fifth Station of the Cross; ); ePeter Willi; French

Background imageCalvary Collection: Golgotha, 1896 (litho)

Golgotha, 1896 (litho)
AFC210537 Golgotha, 1896 (litho) by Greiner, Otto (1869-1916); 20.7x26.4 cm; Private Collection; German, out of copyright

Background imageCalvary Collection: Crucifixion (oil on panel)

Crucifixion (oil on panel)
BRN198235 Crucifixion (oil on panel) by Austrian School, (15th century); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; Austrian, out of copyright

Background imageCalvary Collection: Charge of the Third Dragoons, illustration from Glorious Battles of English

Charge of the Third Dragoons, illustration from Glorious Battles of English
IL193441 Charge of the Third Dragoons, illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Background imageCalvary Collection: Charge of the French Cavalry, illustration for Glorious Battles of English

Charge of the French Cavalry, illustration for Glorious Battles of English
IL193438 Charge of the French Cavalry, illustration for Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Background imageCalvary Collection: The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503

The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503
FIA4713207 The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503. Dimensions: 138x99 cm. Alte Pinakothek, Munich by Cranach, Lucas, the Elder (1472-1553); Alte Pinakothek

Background imageCalvary Collection: Jesus dies on the Cross (colour litho)

Jesus dies on the Cross (colour litho)
5226662 Jesus dies on the Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus dies on the Cross)

Background imageCalvary Collection: Calvary on the Sabbath following the crucifixion (chromolitho)

Calvary on the Sabbath following the crucifixion (chromolitho)
5224252 Calvary on the Sabbath following the crucifixion (chromolitho) by Morris, Philip Richard (1838-1902) (after); Private Collection; (add.info.: Calvary on the Sabbath following the crucifixion)

Background imageCalvary Collection: Calvary (colour litho)

Calvary (colour litho)
6010914 Calvary (colour litho) by Roberts, David (1796-1864) (after); Private Collection; (add.info.: Calvary. Illustration for The Life of Christ by F W Farrar (Cassell)

Background imageCalvary Collection: Christ and Mary Magdalene, 1908 (marble)

Christ and Mary Magdalene, 1908 (marble)
5242327 Christ and Mary Magdalene, 1908 (marble) by Rodin, Auguste (1840-1917); J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imageCalvary Collection: The Crucifixion, c. 1440 (tempera to canvas laid on wood)

The Crucifixion, c. 1440 (tempera to canvas laid on wood)
3928813 The Crucifixion, c.1440 (tempera to canvas laid on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 34 x 50.2 cm; Metropolitan Museum of Art, New York

Background imageCalvary Collection: The Triumph at Calvary, c. 1874 (oil on canvas)

The Triumph at Calvary, c. 1874 (oil on canvas)
488043 The Triumph at Calvary, c.1874 (oil on canvas) by Inness, George Snr. (1825-94); 51.4x77.2 cm; Minneapolis Institute of Arts, MN

Background imageCalvary Collection: The Deposition, c. 1520 (oil on canvas)

The Deposition, c. 1520 (oil on canvas)
BAL140822 The Deposition, c.1520 (oil on canvas) by Gossaert, Jan (Mabuse) (c.1472-c.1533); 141x106.5 cm; State Hermitage Museum, St. Petersburg, Russia; Flemish, out of copyright

Background imageCalvary Collection: Tulip in a Diamond (with fleur-de-lis corners) 1620-50 (ceramic)

Tulip in a Diamond (with fleur-de-lis corners) 1620-50 (ceramic)
873147 Tulip in a Diamond (with fleur-de-lis corners) 1620-50 (ceramic) by Unknown Artist, (17th century); 12.86 x12.7 x0.95 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Gift of Mr

Background imageCalvary Collection: Jesus is stripped of his garments. The tenth Station of the Cross (chromolitho)

Jesus is stripped of his garments. The tenth Station of the Cross (chromolitho)
668802 Jesus is stripped of his garments. The tenth Station of the Cross (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus is stripped of his garments)

Background imageCalvary Collection: Crucifixion, 1496 (oil on panel)

Crucifixion, 1496 (oil on panel)
KLN146826 Crucifixion, 1496 (oil on panel) by Frueauf, Rueland, the Younger (fl.1498-1545); Stiftsmuseum, Klosterneuburg, Austria; eStiftmuseum Klosterneuburg; Austrian, out of copyright

Background imageCalvary Collection: The Meeting of Sir Colin Campbell (1792-1863) and General Outram illustration from

The Meeting of Sir Colin Campbell (1792-1863) and General Outram illustration from
IL193444 The Meeting of Sir Colin Campbell (1792-1863) and General Outram illustration from Glorious Battles of English History by Major C.H. Wylly, 1920s (colour litho) by Payne, Henry A

Background imageCalvary Collection: Harolds (c. 1022-66) Last Stand, illustration from

Harolds (c. 1022-66) Last Stand, illustration from
IL193437 Harolds (c.1022-66) Last Stand, illustration from Glorious Battles of English of English History by Major C.H. Wylly (colour litho) by Payne, Henry A

Background imageCalvary Collection: Duke William exhorts his troops to prepare themselves manfully

Duke William exhorts his troops to prepare themselves manfully
XIR183142 Duke William exhorts his troops to prepare themselves manfully and prudently for the battle against the English army, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist

Background imageCalvary Collection: Christ on the Cross between St. John and St. Francis (oil on panel

Christ on the Cross between St. John and St. Francis (oil on panel
AGN6732 Christ on the Cross between St. John and St. Francis (oil on panel) (see 136582 for pre-restoration version) by David, Gerard (c.1460-1523); Private Collection; Photo eAgnew s

Background imageCalvary Collection: MS 11060-11061 Hours of the Cross: None, Jesus on the Cross

MS 11060-11061 Hours of the Cross: None, Jesus on the Cross
STC67629 MS 11060-11061 Hours of the Cross: None, Jesus on the Cross, from the Tres Riches Heures du Duc de Berry (vellum) by Hesdin, Jacquemart de (fl.1380-1411); Bibliotheque Royale de Belgique

Background imageCalvary Collection: The Deposition, centre panel of triptych, late 15th-early 16th century

The Deposition, centre panel of triptych, late 15th-early 16th century
FIT69683 The Deposition, centre panel of triptych, late 15th-early 16th century (see 69684 and 69685) by French School; 99.5x70.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageCalvary Collection: Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)

Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas)
ALI281522 Christ on the Cross with the Virgin, Saint John and Saint Dominic (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); San Domenico, Ancona, Italy; Alinari

Background imageCalvary Collection: Altar piece, central panel, detail, the swoon of the Virgin (painted stone)

Altar piece, central panel, detail, the swoon of the Virgin (painted stone)
CLG279626 Altar piece, central panel, detail, the swoon of the Virgin (painted stone) by Richier, Ligier (c.1500-67); Eglise de Hattonchatel, France; (add.info.: retable, panneau central)

Background imageCalvary Collection: Marianne Crucified, illustration from Parlons Francais

Marianne Crucified, illustration from Parlons Francais
CHT224142 Marianne Crucified, illustration from Parlons Francais by Paul Iribe (1883-1935), published by Editions Floury, Paris 1934 (colour litho) by Iribe

Background imageCalvary Collection: The first charge at Hastings: Taillefer the minstrel sword-juggler rode from the ranks

The first charge at Hastings: Taillefer the minstrel sword-juggler rode from the ranks
STC293121 The first charge at Hastings: Taillefer the minstrel sword-juggler rode from the ranks singing and tossing his sword in the air, 1066

Background imageCalvary Collection: Christ Clasping the Cross, 1600-10 (oil on canvas)

Christ Clasping the Cross, 1600-10 (oil on canvas)
SCP38703 Christ Clasping the Cross, 1600-10 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 108x78 cm; Prado, Madrid, Spain; Greek, out of copyright

Background imageCalvary Collection: Jesus Carrying the Cross, c. 1535 (oil on panel)

Jesus Carrying the Cross, c. 1535 (oil on panel)
SCP38681 Jesus Carrying the Cross, c.1535 (oil on panel) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 43x32 cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageCalvary Collection: Calvary, 1649 (oil on oak wood)

Calvary, 1649 (oil on oak wood)
3597122 Calvary, 1649 (oil on oak wood) by Flinck, Govaert (1615-60); 119x90 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Background imageCalvary Collection: The Crucifixion, 1538 (oil on panel)

The Crucifixion, 1538 (oil on panel)
2970582 The Crucifixion, 1538 (oil on panel) by Cranach, Lucas, the Elder (1472-1553); 121.1x82.5 cm; The Art Institute of Chicago, IL, USA; Charles H. and Mary F. S

Background imageCalvary Collection: The Pensive Christ and the Virgin Mary Grieving, c. 1518-20 (oil on wood)

The Pensive Christ and the Virgin Mary Grieving, c. 1518-20 (oil on wood)
3588542 The Pensive Christ and the Virgin Mary Grieving, c.1518-20 (oil on wood) by Holbein the Younger, Hans (1497/8-1543); each panel: 29x19.5 cm; Kunstmuseum, Basel, Switzerland; German

Background imageCalvary Collection: Where They Crucified Him (engraving)

Where They Crucified Him (engraving)
3622623 Where They Crucified Him (engraving) by Morris, Philip Richard (1838-1902) (after); Private Collection; (add.info.: Where They Crucified Him.); © Look and Learn

Background imageCalvary Collection: The Crucifixion (colour litho)

The Crucifixion (colour litho)
3094598 The Crucifixion (colour litho) by German School, (20th century); Private Collection; (add.info.: The Crucifixion. Postcard, early 20th century)

Background imageCalvary Collection: Map of Jerusalem (hand-coloured engraving)

Map of Jerusalem (hand-coloured engraving)
1220330 Map of Jerusalem (hand-coloured engraving) by Unknown Artist, (16th century); Photo eZev Radovan; out of copyright

Background imageCalvary Collection: The Crucifixion (litho)

The Crucifixion (litho)
972476 The Crucifixion (litho) by Balen, Hendrik van the Elder (1575-1632); Private Collection; (add.info.: The Crucifixion)

Background imageCalvary Collection: The Supposed Real Holy Sepulchre at Jerusalem (b / w photo)

The Supposed Real Holy Sepulchre at Jerusalem (b / w photo)
1603604 The Supposed Real Holy Sepulchre at Jerusalem (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Supposed Real Holy Sepulchre at Jerusalem)

Background imageCalvary Collection: Bamberg (engraving)

Bamberg (engraving)
1099097 Bamberg (engraving) by English School, (19th century); Private Collection; (add.info.: Bamberg. Illustration for The Illustrated London News)

Background imageCalvary Collection: Ratisbon and the Valley of the Naab (engraving)

Ratisbon and the Valley of the Naab (engraving)
1053927 Ratisbon and the Valley of the Naab (engraving) by English School, (19th century); Private Collection; (add.info.: Ratisbon and the Valley of the Naab)



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"Journey to Calvary: A Visual Exploration of Faith, War, and Redemption" Step into the world through a series of captivating artworks and historical references. The Return from Calvary (colour litho) by Hans Memling transports us back in time to witness the Passion of Christ unfold. As we delve deeper, we encounter Napoleonic Wars' heavy cavalry depicted in vivid detail – French cuirassiers charging fearlessly into battle. A glimpse at an ancient Jerusalem map from 1774 reveals the sacred grounds where Jesus walked on his path to Golgotha. Night at Golgotha, an oil painting from 1869, captures the solemnity and anguish surrounding Christ's crucifixion. In France's picturesque Honfleur region stands a statue of Jesus Christ on Calvary – a symbol of hope and salvation. Henry Hamilton Bennett's Golgotha and the Crucifixion takes us back to 1893 with its evocative portrayal of this pivotal moment in history. John's depiction shows Mary Magdalene mourning alongside other devoted followers as Christ hangs on the cross. Raphael's masterpiece, The Mond Crucifixion, invites contemplation as we witness Christ's sacrifice for humanity. Another poignant artwork is Christ on the Cross (1884), which conveys both agony and divine grace through skillful brushstrokes. The Descent from the Cross (1729) by Francesco Solimena offers solace as we witness Joseph of Arimathea tenderly lowering Jesus' body after his crucifixion. Lastly, Douleur de Marie-Madeleine depicts Mary Magdalene grieving with profound sorrow over her beloved teacher. Through these diverse artistic interpretations spanning centuries, "Journey to Calvary" invites reflection upon faith, war’s impact on society, and ultimately redemption found within one man’s sacrifice for all humankind.