Callot Collection

Tentation de St Antoine, c1615-1635 (1924)Artist: Jacques Callot
Tentation de St Antoine, c1615-1635 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

The Miseries of War, No. 11. The Hanging, 1633. Artist: Callot, Jacques (1592-1635)
The Miseries of War, No. 11. The Hanging, 1633. Found in the collection of Wallraf-Richartz-Museum, Cologne

Recruitment / Callot
Potential raw recruits are given the once over before they take the Kings shilling. Experienced troops on parade look dashing to encourage & lure those in two-minds

Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccet)
Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccetti), 1612. Private Collection

Elgin Watches Advert
Full page advertisement for Elgin 14 karat gold ladies watches designed by Callot Soeurs Date: 1929

Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town
659174 Study of a Rearing Horse, with a Subsidiary Study of the Same and a View of a Town, (pen and brown ink) by Callot, Jacques (1592-1635); 32.2x18.4 cm; Private Collection; (add.info)

Five fashion sketches by Hemjic on the Riviera, 1925 at the Croisette Cannes. Models from Drecoll, Callot and Alice Bernard Date: 1925

Italian Beggar (engraving)
668419 Italian Beggar (engraving) by French School, (19th century); Private Collection; (add.info.: Italian Beggar.-From an Engraving by Callot)

Callot (coloured engraving)
2802261 Callot (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Callot. Illustration for Le Plutarque Francais by Ed Mennechet (Crapelet)

Elginn Parisienne watches
Advertisement for Elgin Parisienne Watches. Elegant Art Deco woman displaying diamond-set watches designed by Callot. Illustration from Delinator magazine June 1929. Artist anon Date: 1929

Study of a Horse, (pen and brown ink)
827588 Study of a Horse, (pen and brown ink) by Callot, Jacques (1592-1635); 22.8x14.1 cm; Private Collection; (add.info.: Study of a Horse. Jacques Callot (1592-1635). Pen and brown ink

Porte et tour de Nesle, 1640, d apres Callot, Vue prise du Pont-Neuf (engraving)
963078 Porte et tour de Nesle, 1640, d apres Callot, Vue prise du Pont-Neuf (engraving) by French School, (19th century); Private Collection; (add.info.: Porte et tour de Nesle, 1640, d apres Callot)

Gorget, probably Dutch, ca. 1630. Creator: Unknown
Gorget, probably Dutch, ca. 1630

Eight Beggars, 1630. Creator: Wenceslaus Hollar
Eight Beggars, 1630

Die Bettler Zunfft (The Seven Beggars), 1630. Creator: Wenceslaus Hollar
Die Bettler Zunfft (The Seven Beggars), 1630

Six Men and Women Beggars, 1630. Creator: Wenceslaus Hollar
Six Men and Women Beggars, 1630

The Duelliste aux Deux Sabres (The Duelist with Two Sabres), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks)

L Estropieau Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi
L Estropie au Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks)

Le Beveur vu de Face (The Drinker Viewed from the Front), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks)

Le Comedien MasqueJouant de la Guitare (The Masked Comedian Playing the Guitar
Le Comedien Masque Jouant de la Guitare (The Masked Comedian Playing the Guitar), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Le Duelliste a L Epee et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures)

L Homme au Gros Dos Orned Une Rangee de Boutons
L Homme au Gros Dos Orne d Une Rangee de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Le Bossu a La Canne (The Hunchback with a Cane), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

L Homme Masqueaux Jambes Torses (The Masked Man with Crooked Legs)
L Homme Masque aux Jambes Torses (The Masked Man with Crooked Legs), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures)

Le Buveur Vu de Dos (The Drinker Seen from Behind), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks)

L Estropiea la Bequille et a La Jambe de Bois
L Estropie a la Bequille et a La Jambe de Bois (The Cripple with a Crutch and a Wooden Leg), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

L Homme au Gros Ventre Orned une Rangee de Boutons
L Homme au Gros Ventre Orne d une Rangee de Boutons (Man with a Large Belly Decorated with a Row of Buttons), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

L Hommes Appretant a Tirer son Sabre (Man Preparing to Draw his Sword), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures)

L Homme au Ventre Tombant et au Chapeau Tres Elevé
L Homme au Ventre Tombant et au Chapeau Tres Eleve (The Man with a Drooping Belly and a Very Tall Hat), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Le Joueur de Flageolet (The Flageolet Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Le Jouer de Vielle (The Hurdy-Gurdy Player), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes)

Les Danseurs au Luth (The Dancers with a Lute), from Les Caprices Series B, The Nancy Set, 1617-20

Les Danseurs a la Flute et au Tambourin (Two Dancers Playing the Flute and the Tambourine), from Les Caprices Series B, The Nancy Set, 1617-20

L Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees

Frontispiece, from Varie Figure Gobbi, suite appelee aussi Les Bossus, Les Pygmees, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616-22

The Triumph of David, from a fan by Jacques Callot. Creators: Charles-Nicolas Cochin
The Triumph of David, from a fan by Jacques Callot. David rides in triumph to Jerusalem preceded by Saul and holding Goliaths head. After Jacques Callot

Epitaph and Portrait of Jacques Callot, 1635-36. Creator: Abraham Bosse
Epitaph and Portrait of Jacques Callot, 1635-36

Portrait of Jacques Callot, ca. 1636. Creator: Abraham Bosse
Portrait of Jacques Callot, ca. 1636

CALLOT / PEASANT AMBUSH
General scene : Peasants ambush ravaging soldiers Date: 1633

Callot, (c1592-1635), 1830. Creator: Unknown
Callot, (c1592-1635), 1830. Jacques Callot (c1592-1635) French baroque printmaker and draftsman, contributed to the development of old master prints

Landing of troops at the siege of La Rochelle, 1630. Artist: Callot, Jacques (1592-1635)
Landing of troops at the siege of La Rochelle, 1630. From a private collection

The Miseries and Misfortunes of War, folio 2: The Enrollment of the Troops, 1633. Private Collection

The Miseries and Misfortunes of War, folio 4: Scene of Pillage, 1633. Private Collection

The Miseries and Misfortunes of War, folio 13: The Stake, 1633. Private Collection

The Miseries and Misfortunes of War, folio 8: Attack on a Coach, 1633. Private Collection

The Miseries and Misfortunes of War, folio 6: Destruction of a Convent, 1633. Private Collection

The Miseries and Misfortunes of War, folio 14: The Wheel, 1633. Private Collection

All Professionally Made to Order for Quick Shipping

"Exploring the Artistic World of Jacques Callot: From Miseries of War to Fashion Sketches" Jacques Callot, a renowned artist from the 17th century, left an indelible mark on the art world with his diverse range of works. One such masterpiece is "Tentation de St Antoine, " created between 1615 and 1635. This captivating piece transports viewers into a realm where temptation intertwines with spirituality. In another notable creation titled "The Miseries of War, No. 11: The Hanging, " Callot exposes the grim realities faced during times of conflict. With meticulous detail, he captures the anguish and despair that war brings upon humanity. Callot's talent extended beyond traditional art forms as seen in his recruitment illustrations. These powerful depictions shed light on the process of enlisting soldiers for battle, showcasing both their courage and vulnerability. Even in unexpected places like Elgin Watches advertisements or fashion sketches by Hemjic on the Riviera in 1925, traces of Callot's influence can be found. His ability to capture movement and elegance shines through these seemingly unrelated subjects. One cannot overlook Callot's skillful engravings either; whether it be depicting an Italian beggar or adding color to his artwork, he mastered various techniques to bring life to his creations. Amongst his studies lies a mesmerizing portrayal of horses - their strength and grace captured effortlessly with pen and brown ink strokes. These pieces showcase not only Callot's artistic prowess but also his deep understanding of animal anatomy. Furthermore, we are transported back in time through engraved scenes like "Porte et tour de Nesle. " Inspired by Callot himself, this engraving offers us a glimpse into historical architecture viewed from Pont-Neuf bridge. Lastly, let us not forget about other artists who drew inspiration from Callot's legacy; unknown creators crafted exquisite pieces like Dutch Gorget circa 1630, showcasing the enduring impact of Callot's work.