Buxtehuder Collection

Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera
XKH145294 Visit of the Angel, from the right wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; German

The Nativity, from the Buxtehude Altar, 1400-10 (tempera on panel)
XKH166197 The Nativity, from the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 108.5x93 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Crowning of the Virgin, from the right wing of the Buxtehude Altar, 1400-10
XKH145297 The Crowning of the Virgin, from the right wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 109.5x94 cm; Hamburger Kunsthalle, Hamburg

The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel)
XKH145296 The Dormition, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 110.5x94.5 cm; Hamburger Kunsthalle, Hamburg

The Annunciation to the Shepherds and the Marriage at Cana, from the right wing of
XKH145295 The Annunciation to the Shepherds and the Marriage at Cana, from the right wing of the Buxtehude Altar, 1400-10 (tempera on oak) by Master Bertram of Minden (c.1345-c.1415)

The Buxtehude Altar, right wing, 1400-10 (tempera on panel)
XKH145293 The Buxtehude Altar, right wing, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); 108.5x93 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Annunciation to St. Joachim and the Adoration of the Magi, from the left wing
XKH145292 The Annunciation to St. Joachim and the Adoration of the Magi, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel) (detail of 159469)

Joachims Sacrifice and the Circumcision of Christ, from the left wing of the Buxtehude Altar
XKH145291 Joachims Sacrifice and the Circumcision of Christ, from the left wing of the Buxtehude Altar, 1400-10 (tempera on panel) (detail of 159469) by Master Bertram of Minden (c.1345-c.1415)

The Visitation and the Dispute with Doctors, from the Buxtehude Altar, 1400-10 (tempera
XKH145289 The Visitation and the Dispute with Doctors, from the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg

The Annunciation and the Flight into Egypt, from the Buxtehude Altar, 1400-10 (tempera
XKH145288 The Annunciation and the Flight into Egypt, from the Buxtehude Altar, 1400-10 (tempera on panel) by Master Bertram of Minden (c.1345-c.1415); Hamburger Kunsthalle, Hamburg, Germany; German

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The Buxtehude Altar, created between 1400-10, is a masterpiece of tempera on panel. It consists of various panels depicting significant biblical scenes and events. One such panel is the "Visit of the Angel, " which shows an angel appearing to Mary with news of her impending pregnancy. The delicate brushstrokes and vibrant colors bring this divine encounter to life. Another captivating scene from the altar is the "Nativity of the Virgin and the Massacre of the Innocents. " This juxtaposition highlights both joyous beginnings and tragic endings. The tender depiction of baby Mary's birth contrasts sharply with Herod's cruel order to kill innocent children. Intriguingly, we also find "Meeting at the Golden Gate and Presentation in the Temple" depicted on another panel. These two interconnected events showcase moments in Mary's life that foreshadow her role as Jesus' mother. The artist skillfully captures emotions through facial expressions, emphasizing their significance. "The Nativity" panel transports us to Bethlehem, where we witness Christ's humble birth surrounded by adoring figures like Joseph, shepherds, and angels. The artist masterfully creates a serene atmosphere using soft lighting techniques that evoke a sense of awe. Moving onto other panels within this altarpiece, we encounter scenes such as "Joachim's Sacrifice, " "Circumcision of Christ, " and "Annunciation to St. Joachim. " These episodes shed light on important aspects surrounding Jesus' early life while honoring his lineage through Joachim. On one side wing lies "The Crowning of the Virgin, " showcasing Mary being crowned Queen of Heaven by God himself—an exquisite portrayal filled with symbolism representing her elevated status among all saints. Meanwhile, on the opposite wing rests "The Dormition, " illustrating Mary's peaceful death surrounded by mourning disciples—a poignant reminder that even holy figures are mortal beings who eventually return to dust.