Buttock Collection

Mans body. Nude man with outstretched arms, seen from behind

Brotherly Affection; Affetto fraterno, c. 1900 (oil on canvas)
1197530 Brotherly Affection; Affetto fraterno, c. 1900 (oil on canvas) by Chierici, Gaetano (1838-1920); 33x42 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Titania and Bottom from William Shakespeares A Midsummer-Nights Dream
1199541 Titania and Bottom from William Shakespeares A Midsummer-Nights Dream, (pencil and w/c on paper) by Fitzgerald, John Anster (1832-1906)

Human muscle structure, artwork
Human muscle structure. Computer artwork showing the muscle structure of the gluteal region of a human. The sciatic nerve can also be seen (yellow)

Boot, Bore, Bowl, Brig, Bull, Bung, Buoy, Burn, Bush, Bust, Butt, Butt (engraving)
8649985 Boot, Bore, Bowl, Brig, Bull, Bung, Buoy, Burn, Bush, Bust, Butt, Butt (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Boot, Bore, Bowl, Brig, Bull)

Wrestling: Cumberland and Westmorland Style, The Buttock (colour litho)
8628428 Wrestling: Cumberland and Westmorland Style, The Buttock (colour litho) by English School, (20th century); Private Collection; (add.info.: Cumberland and Westmorland Style, The Buttock)

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209609 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

Thomas Beauchamp, 11th Earl of Warwick, 1313-1369, English nobleman and military commander
FLO4678215 Thomas Beauchamp, 11th Earl of Warwick, 1313-1369, English nobleman and military commander. He wears plate armour and chainmail, and carries his staff of office as Marshal of the Army

Standing Nude in a Landscape, (oil on panel)
827266 Standing Nude in a Landscape, (oil on panel) by Riemerschmid, Rudolph (1873-1953); 69x65 cm; Private Collection; (add.info.: Standing Nude in a Landscape. Rudolf Riemerschmid (1873-1953)

Firelight, (oil on canvas)
650906 Firelight, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 76.2x92.1 cm; Private Collection; (add.info.: Firelight. Joseph Henry Sharp (1859-1953). Oil on canvas

Portrait of a rare white rhinoceros, Ceratotherium simium, from behind. Masai Mara National Reserve, Kenya

Nude Boy Standing; Stehender Knabenakt, (oil on canvas)
652939 Nude Boy Standing; Stehender Knabenakt, (oil on canvas) by Rohlfs, Christian (1849-1938); 80x53.3 cm; Private Collection; (add.info.: Nude Boy Standing; Stehender Knabenakt)

The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre)
XAM54144 The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre) by Prehistoric; H:11cm cm; Naturhistorisches Museum, Vienna, Austria; (add.info.: Female figurine)

Sistine Chapel Ceiling (1508-12): sketches of the figure of Eve from the scene of The Original Sin (charcoal on paper)
AII80143 Sistine Chapel Ceiling (1508-12): sketches of the figure of Eve from the scene of The Original Sin (charcoal on paper) by Buonarroti

A Standing Nude, (oil on panel)
989275 A Standing Nude, (oil on panel) by Verhas, Frans (1827-1897) (after); 88x59.7 cm; Private Collection; (add.info.: A Standing Nude. Frans Verhas (1827-1897). Oil on panel

Comical Sketch
A comical sketch depicting a scene of two men in conversation, with a view of a city behind them, one of which is saying how his daughter was born with a crushed strawberry upon her buttock

Shakespeare: Bottom and the Fairy Queen, A Midsummer Night's Dream, Act IV, Scene I (colour litho)
7155652 Shakespeare: Bottom and the Fairy Queen, A Midsummer Night's Dream, Act IV, Scene I (colour litho) by Jackson

The Boudoir, 1896 (oil on canvas)
650811 The Boudoir, 1896 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 72.4x48.8 cm; Private Collection; (add.info.: The Boudoir. Kenneth Hayes Miller (1876-1952). Oil on canvas, 1896

Woman being fitted for protective armour against unwanted advances (coloured engraving)
7186225 Woman being fitted for protective armour against unwanted advances (coloured engraving) by French School, (19th century); Private Collection; (add.info)

Cathedral (Cathedrale Notre-Dame). Interior. Chapel of Joan of Arc (La Chapelle de Jeanne d'Arc). Sculpture group
6271079 Cathedral (Cathedrale Notre-Dame). Interior. Chapel of Joan of Arc (La Chapelle de Jeanne d'Arc). Sculpture group

Cupids miss (litho)
7186044 Cupids miss (litho) by German School, (20th century); Private Collection; (add.info.: Cupids miss. Illustration from Bilder-Lexicon Kulturgeschichte (Verlag fur Kulturforschung)

Nel cratere del Vesuvio, La e orlo del cratere; At the bottom of the crater of Vesuvius
7152931 Nel cratere del Vesuvio, La e orlo del cratere; At the bottom of the crater of Vesuvius, Lava and edge of the crater (b/w photo) by Hielscher

Medical assistance (watercolour)
7186154 Medical assistance (watercolour) by Geiger, Peter Johann Nepomuck (1805-80); Private Collection; (add.info.: Medical assistance)

Nel cratere del Vesuvio, Lava e cono d eruzione; At the bottom of the crater of Vesuvius, Lava and Cone (b / w photo)
7152930 Nel cratere del Vesuvio, Lava e cono d eruzione; At the bottom of the crater of Vesuvius, Lava and Cone (b/w photo) by Hielscher

Comforts of a Rum p ford stove (colourized engraving)
7239629 Comforts of a Rum p ford stove (colourized engraving) by Williams, Charles (19th century) (after); Private Collection; (add.info.: Luxury, or the Comforts of a Rum p ford)

Bottom of Kimberley Mine, showing French and Central-Companies Workings (litho)
7156169 Bottom of Kimberley Mine, showing French and Central-Companies Workings (litho) by English School, (19th century); Private Collection; (add.info.: Bottom of Kimberley Mine)

Where is Pease-Bottom, scene from A Midsummer Nights Dream, by William Shakespeare (colour litho)
7148186 Where is Pease-Bottom, scene from A Midsummer Nights Dream, by William Shakespeare (colour litho) by English School, (20th century); Private Collection; (add.info.: Where is Pease-Bottom)

Fancy Portrait, Mrs Trimmer (engraving)
7167147 Fancy Portrait, Mrs Trimmer (engraving) by English School, (19th century); Private Collection; (add.info.: Fancy Portrait, Mrs Trimmer)

Nude Lying Down; Liegende, 1917 (black crayon on paper)
1768979 Nude Lying Down; Liegende, 1917 (black crayon on paper) by Schiele, Egon (1890-1918); 45.8x29.9 cm; Private Collection; (add.info.: Nude Lying Down; Liegende. Egon Schiele (1890-1918)

Lying Down; Liegende, 1918 (black crayon on paper)
1768303 Lying Down; Liegende, 1918 (black crayon on paper) by Schiele, Egon (1890-1918); 43.8x29.5 cm; Private Collection; (add.info.: Lying Down; Liegende. Egon Schiele (1890-1918)

Mora Girl at an Open Door, 1903 (oil on canvas)
827020 Mora Girl at an Open Door, 1903 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 73.3x57.2 cm; Private Collection; (add.info.: Mora Girl at an Open Door. Anders Leonard Zorn (1860-1920)

Nude, (oil on canvas)
650370 Nude, (oil on canvas) by Hawthorne, Charles Webster (1872-1930); 50.8x40.6 cm; Private Collection; (add.info.: Nude. Charles Webster Hawthorne (1872-1930). Oil on canvas

Adam and Eve; Adam und Eva, 1910 (oil on canvas)
656406 Adam and Eve; Adam und Eva, 1910 (oil on canvas) by Macke, August (1887-1914); 40.5x49 cm; Private Collection; (add.info.: Adam and Eve; Adam und Eva. August Macke (1887-1914). Oil on canvas

Liegender Frauenakt, 1911 (oil on canvas)
652883 Liegender Frauenakt, 1911 (oil on canvas) by Rohlfs, Christian (1849-1938); 80.6x60.4 cm; Private Collection; (add.info.: Liegender Frauenakt. Christian Rohlfs (1849-1938). Oil on canvas

Standing Nude; Stehender Akt, 1913 (watercolour and pencil on paper)
652632 Standing Nude; Stehender Akt, 1913 (watercolour and pencil on paper) by Schiele, Egon (1890-1918); 44.2x30.8 cm; Private Collection; (add.info.: Standing Nude; Stehender Akt)

Nude Woman Bathing; Femme Nue Assise, 1910 (oil on canvas)
825627 Nude Woman Bathing; Femme Nue Assise, 1910 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 27x22 cm; Private Collection; (add.info.: Nude Woman Bathing; Femme Nue Assise)

After the Bath (Nude Study); Apres le Bain (Etude de Nue), 1910 (oil on canvas)
825588 After the Bath (Nude Study); Apres le Bain (Etude de Nue), 1910 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 45x35 cm; Private Collection; (add.info)

Le Fond de St, 1876 (oil on canvas)
825253 Le Fond de St, 1876 (oil on canvas) by Pissarro, Camille (1830-1903); 59x71 cm; Private Collection; (add.info.: Le Fond de St. Antoine, Pontoise. Camille Pissarro (1830-1903). Oil on canvas

The dramas of the deep sea, a diver attacked and clutched by the tentacles of a huge octopus (Colour Litho)
2815159 The dramas of the deep sea, a diver attacked and clutched by the tentacles of a huge octopus (Colour Litho) by Beltrame

Reclining Female Nude, c. 1844-45 (oil on canvas)
PWI82399 Reclining Female Nude, c.1844-45 (oil on canvas) by Millet, Jean-Francois (1814-75); 33x41 cm; Musee d Orsay, Paris, France; ePeter Willi; French, out of copyright

The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes
CHT163190 The Hottentot Venus, Bushman woman, from L Histoire Naturelle des Mammiferes by Etienne Geoffroy Saint-Hilaire (1772-1844) and Frederic Cuvier (1773-1838), 1824 (colour litho) by Last

Nude (Back View), 1930 (gelatin silver print)
1197691 Nude (Back View), 1930 (gelatin silver print) by Stone, Sasha (1895-1940); 29.2x39.4 cm; Private Collection; Photo eChristies Images; German, out of copyright

Young Woman and Parasol; Jeune Femme au Parasol, (oil on panel)
824289 Young Woman and Parasol; Jeune Femme au Parasol, (oil on panel) by Morot, Aime Nicolas (1850-1913); 56.2x45.5 cm; Private Collection; (add.info)

Nude Study, c. 1858 (pencil on paper)
989108 Nude Study, c.1858 (pencil on paper) by Degas, Edgar (1834-1917); 43.8x29 cm; Private Collection; (add.info.: Nude Study; Etude de Nu. Edgar Degas (1835-1917). Pencil on paper

Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt
1767983 Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt, Ruckenansicht, 1918 (charcoal on paper) by Schiele

Nude Women; Femmes Nues, 1921-1923 (oil on board laid down on cradled panel)
825726 Nude Women; Femmes Nues, 1921-1923 (oil on board laid down on cradled panel) by Pascin, Jules (1885-1930); 61x49 cm; Private Collection; (add.info.: Nude Women; Femmes Nues)

A Nude Throwing, (pen and brown ink)
651826 A Nude Throwing, (pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 30.5x24.7 cm; Private Collection; (add.info.: A Nude Throwing)

All Professionally Made to Order for Quick Shipping

"Buttock: A Playful Exploration of the Human Form" In the realm of a man's body, the buttocks stand as a testament to strength and grace. Just like Titania and Bottom from William Shakespeare's enchanting play, "A Midsummer-Night's Dream, " they captivate with their allure. The intricate web of human muscle structure is beautifully showcased in artwork that celebrates this comical sketch. From "Nude Boy Standing; Stehender Knabenakt" to "A Standing Nude, " oil on canvas and panel bring forth an appreciation for the natural form. Shakespeare himself immortalized Bottom and the Fairy Queen in Act IV, Scene I, where their whimsical encounter adds a touch of magic to our perception of these captivating curves. "The Boudoir" painted in 1896 takes us into an intimate space where sensuality intertwines with artistry. Meanwhile, "Standing Nude; Nu Debout - Stand Naakt" captures the essence of vulnerability through black chalk and wash on paper. Buttocks have even been depicted as armor against unwanted advances in a colored engraving titled "Woman being fitted for protective armor. " This portrayal reminds us that every part of our bodies can be celebrated for its unique beauty. As we delve deeper into artistic expressions, we find ourselves transported to Notre-Dame Cathedral's Chapel of Joan of Arc. Here, a sculpture group called "The Rehabilitation of Joan of Arc" showcases plaster craftsmanship signed by EPINCHON (?), reminding us that even historical figures are not immune to appreciating this aspect of human anatomy. Finally, Cupid misses his mark in litho form aptly named "Cupid's Miss. " It serves as a lighthearted reminder that sometimes love may take unexpected turns but remains ever-present throughout our journey. In all its forms – from Shakespearean tales to delicate artwork – buttocks invite us to embrace both humor and sensuality, reminding us that the human body is a canvas for exploration and celebration.