Bureau Collection (page 7)

Flat, interior design (b / w photo)
3652313 Flat, interior design (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Flat, interior design)

Secretaire a abattant, 1820-25 (mahogany, mahogany veneer, pine, black marble, ormolu
2969072 Secretaire A abattant, 1820-25 (mahogany, mahogany veneer, pine, black marble, ormolu, & brass) by American School, (19th century); 145.4x133x48.4 cm; The Art Institute of Chicago, IL

Lord Kitchener walking down steps alone of War Office. His first public appearance as Secretary for War. On the steps in the light-coloured top hat is Mr F E Smith, MP, Chief of the new Press Bureau

Place du parvis Notre-Dame au quinzieme siecle (engraving)
963412 Place du parvis Notre-Dame au quinzieme siecle (engraving) by French School, (19th century); Private Collection; (add.info.: Place du parvis Notre-Dame au quinzieme siecle)

Liberty Loan, Preparing the Bonds at Washington U. S. A 1917
Women worker at the bureau printing presses, bonds had to go through lots of processes before the finish result was ready to be purchased by the public. Date: 1917

George II bureau (walnut)
3248379 George II bureau (walnut) by English School, (18th century); 98.5x91x51 cm; Private Collection; Photo eChristies Images; English, out of copyright

Bureau-cabinet, Vizagapatam, c. 1720-30 (ivory, teak, ebony & tortoiseshell)
3241980 Bureau-cabinet, Vizagapatam, c.1720-30 (ivory, teak, ebony & tortoiseshell) by Anglo-Indian School, (18th Century); 211x110x62 cm; Private Collection; (add.info)

Bureau-cabinet, Vizagapatam, c. 1720-30 (ivory, teak, ebony & tortoiseshell)
3241979 Bureau-cabinet, Vizagapatam, c.1720-30 (ivory, teak, ebony & tortoiseshell) by Anglo-Indian School, (18th Century); 211x110x62 cm; Private Collection; (add.info)

The Missive, (oil on panel)
651190 The Missive, (oil on panel) by Jacquet, Gustave (1846-1909); 32x21 cm; Private Collection; (add.info.: The Missive. Gustave Jean Jacquet (1846-1909). Oil on panel

Dear Polly, (oil on canvas)
650538 Dear Polly, (oil on canvas) by Guy, Seymour Joseph (1824-1910); 54.8x42 cm; Private Collection; (add.info.: Dear Polly. Seymour Joseph Guy (1824-1910). Oil on canvas

Bureau cabinet (red & gilt japanning) (see also 746618)
746619 Bureau cabinet (red & gilt japanning) (see also 746618) by Anglo-Dutch School, (18th Century); 198x90x56.5 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

The Letter (oil on panel)
CH402412 The Letter (oil on panel) by Baugniet, Charles (1814-86); 55.9x44.4 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Un poste du telegraphe multiple Baudot, au bureau central des telegraphes de la rue de Grenelle, a Paris (engraving)
3640376 Un poste du telegraphe multiple Baudot, au bureau central des telegraphes de la rue de Grenelle, a Paris (engraving) by French School

Bureau central du telephone de Paris (engraving)
3655501 Bureau central du telephone de Paris (engraving) by French School, (19th century); Private Collection; (add.info.: Bureau central du telephone de Paris)

Charles I returns to Whitehall (b / w photo)
3631042 Charles I returns to Whitehall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Charles I returns to Whitehall)

Illustration from Moeurs Administratives, Dessinees D apres Nature
740212 Illustration from Moeurs Administratives, Dessinees D aprAs Nature by Henri Monnier, lithographed by Delpech, pub. Paris, c.1828 (hand-coloured litho) by Monnier

Sous-chef, illustration from Moeurs Administratives
740208 Sous-chef, illustration from Moeurs Administratives, Dessinees D aprAs Nature by Henri Monnier, lithographed by Delpech, pub

Employe, illustration from Moeurs Administratives, Dessinees D apres Nature
740207 EmployA©, illustration from Moeurs Administratives, Dessinees D aprAs Nature by Henri Monnier, lithographed by Delpech, pub

A George III Carlton House Desk, c. 1800 (wood)
PAR220146 A George III Carlton House Desk, c.1800 (wood) by English School, (19th century); 106.7x157.5x87.6 cm; Private Collection; ePartridge Fine Arts, London, UK; English, out of copyright

Men at an exhibit of safety devices at the American Institute of Social Service, New York
MNY380913 Men at an exhibit of safety devices at the American Institute of Social Service, New York, 1906-07 (silver gelatin print) by Byron Company (fl.1890-1942)

Hotel Records Office, New York, 1908 (silver gelatin print)
MNY380729 Hotel Records Office, New York, 1908 (silver gelatin print) by Byron Company (fl.1890-1942); 20.3x25.4 cm; Museum of the City of New York, USA; eMuseum of the City of New York; American

Mrs. K. Duer at her desk, New York, 1906 (silver gelatin print)
MNY381390 Mrs. K. Duer at her desk, New York, 1906 (silver gelatin print) by Byron Company (fl.1890-1942); 25.4x19.2 cm; Museum of the City of New York

The illiterate or woman writing a letter for her maid Painting by Odoardo Borrani
JLJ4571465 The illiterate or woman writing a letter for her maid Painting by Odoardo Borrani (1834-1905) 1869 Private collection by Borrani

Portrait en pied de Charles Maurice de Talleyrand Perigord
JLJ4569038 Portrait en pied de Charles Maurice de Talleyrand Perigord, Prince de Benevent (1754-1838) Painting by Francois Gerard (1770-1837). 1808. Dim. 0, 32 x 0, 22 m

Visit of the Italian theologian and philosopher Saint Thomas Aquinas (Tommaso d
JLJ4645362 Visit of the Italian theologian and philosopher Saint Thomas Aquinas (Tommaso d Aquino, 1225-1274) to Saint Bonaventure (Giovanni di Fidanza, San Bonaventura)

Portrait of Francois Marie Arouet Voltaire (1694-1778) in his work cabinet Painting of
JLJ4646916 Portrait of Francois Marie Arouet Voltaire (1694-1778) in his work cabinet Painting of the 18th century. Dim. 0, 43 x 0, 35 m Paris

Louis XIV bureau plat (ormolu, brass, tortoiseshell & ebony) (see also 1209563)
1209564 Louis XIV bureau plat (ormolu, brass, tortoiseshell & ebony) (see also 1209563) by Boulle, Andre Charles (1642-1732) (attr)

Portrait en pied de Armand Jean Le Bouthillier de Rance, abbe de la Trappe (1626 - 1700)
JLJ4611932 Portrait en pied de Armand Jean Le Bouthillier de Rance, abbe de la Trappe (1626 - 1700). Painting by Hyacinthe Rigaud (1659-1743), 18th century. Abbaye de la Grande Trappe, Soligny

Benjamin Franklin, Printer, c. 1928 (oil on canvas)
NYH154556 Benjamin Franklin, Printer, c.1928 (oil on canvas) by Dunsmore, John Ward (1856-1945) (after); 71.1x91.4 cm; Collection of the New-York Historical Society

Charles Dickens (1812-70) at his desk, 1858 (b / w photo)
DHM137867 Charles Dickens (1812-70) at his desk, 1858 (b/w photo) by Watkins, Herbert (b.1829); Charles Dickens Museum, London, UK; eCharles Dickens Museum; eCharles Dickens Museum, London; English

Paris: Bureau of the Musee Spitzer (b / w photo)
6008002 Paris: Bureau of the Musee Spitzer (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Bureau of the Musee Spitzer)

Lettre I J K L Invalide Juge Kroumir Lecon. Gravure in "Petit alphabet illustre"
DUV4212938 Lettre I J K L Invalide Juge Kroumir Lecon. Gravure in " Petit alphabet illustre". Pellerin, imprimeur-editeur, epinal. Bibliotheque enfantine. Serie mignonne

Coreen chef and his secretary - engraving, 19th century
LSE4098767 Coreen chef and his secretary - engraving, 19th century by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Bureau pneumatique de la place de la Bourse, a Paris (engraving)
3640375 Bureau pneumatique de la place de la Bourse, a Paris (engraving) by French School, (19th century); Private Collection; (add.info.: Bureau pneumatique de la place de la Bourse, a Paris)

Dix heures et demie, illustration from Moeurs Administratives
740214 Dix heures et demie, illustration from Moeurs Administratives, Dessinees D aprAs Nature by Henri Monnier, lithographed by Delpech, pub

Surnumeraire, illustration from Moeurs Administratives
740205 Surnumeraire, illustration from Moeurs Administratives, Dessinees D aprAs Nature by Henri Monnier, lithographed by Delpech, pub

Biedermeier secretaire-commode, second quarter of the 19th century (walnut & mahogany)
694068 Biedermeier secretaire-commode, second quarter of the 19th century (walnut & mahogany) by German School, (19th century); 148.5x114.3x63 cm; Private Collection; Photo eChristies Images; German

Desk, 1775-90 (mahogany, zebrawood, & white pine)
2968840 Desk, 1775-90 (mahogany, zebrawood, & white pine) by Huntington, Felix (1749-1823) (attr.to); 109.8x112.5x56 cm; The Art Institute of Chicago, IL

Portrait of a Young Girl at a Desk, 1904 (oil on canvas)
651301 Portrait of a Young Girl at a Desk, 1904 (oil on canvas) by Verdier, Jules (1862-1926); 92.5x73.5 cm; Private Collection; (add.info.: Portrait of a Young Girl at a Desk)

The Messenger
NOO57110 The Messenger by Webb, Charles Meer (1830-1895); Private Collection; Photo eJohn Noott Galleries, Broadway, Worcestershire, UK; English, out of copyright

Mechanical cylinder bureau, the mounts attributed to Francois Redmond, c
486554 Mechanical cylinder bureau, the mounts attributed to Francois Redmond, c.1777-80 (ormolu-mounted, brass-inlaid amboyna, tulipwood, stained sycamore & marquetry) (see also 486603) by Roentgen

Interior, Chelsea, 1901 (coloured chalk, charcoal & pencil on light paper)
CH401359 Interior, Chelsea, 1901 (coloured chalk, charcoal & pencil on light paper) by Orpen, William (1878-1931); 43x27 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Transitional table a la Bourgogne, detail (ormolu mounted tulipwood & marquetry
CH463011 Transitional table a la Bourgogne, detail (ormolu mounted tulipwood & marquetry) (see also 463012, 463013 and 463014) by Roussel

The Public Writer (colour engraving)
CHT307889 The Public Writer (colour engraving) by Wille, Pierre Alexandre (1748-1821) (after); Bibliotheque des Arts Decoratifs, Paris

Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving)
963439 Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving) by French School, (19th century); Private Collection; (add.info.: Place du Parvis en 1650)

The Red Hat, (oil on canvas)
656893 The Red Hat, (oil on canvas) by Lavery, John (1856-1941); Private Collection; (add.info.: The Red Hat. Sir John Lavery (1856-1941). Oil on canvas

Design for a Writing Table (pen and ink with grey wash over graphite on wove paper)
XYC151485 Design for a Writing Table (pen and ink with grey wash over graphite on wove paper) by Chippendale, Thomas (1718-79); 21.9x32.9 cm; Yale Center for British Art, Paul Mellon Collection

Ladys bonheur de jour writing table, 1765
BWM162497 Ladys bonheur de jour writing table, 1765 (tulipwood veneer on oak mounted with Sevres porcelain plaques and gilt bronze) by Carlin, Martin (c.1739-85); The Bowes Museum, Barnard Castle

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"Bureau: A Journey Through Time and Space" Step into the world of "bureau" as we embark on a captivating journey that spans history, art, aviation, technology, and more. From T. E. Lawrence to Colonel Dawnay and Commander Hogarth, this word holds tales of remarkable individuals who have left their mark. Imagine yourself in wartime Britain, where a powerful poster titled "Comrades in Arms" evokes patriotism and unity during challenging times. Meanwhile, an enchanting painting called "Girl Reading" takes us back to 1916 with its delicate strokes on canvas. In the skies above us, the North American SNJ-2 Texan N66082 soars gracefully through clouds while the United States Coast Guard's Lockheed SC-130B Hercules 1342 stands tall as a symbol of strength and protection. Venturing further into different landscapes brings us to the breathtaking Narrow Slot Canyon in Utah's Grand Staircase-Escalante region—a hidden gem under the watchful eye of the Bureau of Land Management. Transportation takes center stage as we witness a bustling telephone bureau exchange from 1889—where connections were made through wires—and visit Yokohama Pier's Customs Office in Japan for glimpses into international trade. The intricate process behind money-making unfolds before our eyes at Washington D. C. 's Bureau of Engraving and Printing. Steam printing presses hum with activity while numbering machines meticulously create banknotes—an art form within itself captured by line engravings dating back to 1890. But it doesn't stop there; medical advancements come into play with X-ray technology, radium treatments, and life-saving surgeries—the three recognized treatments for ailments that once seemed insurmountable. As our journey nears its end, we encounter the North American Rockwell OV-10A Bronco N646—a versatile aircraft used for various missions across land and sea—symbolizing adaptability in ever-changing times.