British Artist Collection (page 8)

An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms
1764778 An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms, c.1898-99 (oak) by Mackintosh

An English pewter plate with turquoise enamels (pewter, enamel)
1764753 An English pewter plate with turquoise enamels (pewter, enamel) by Bigatti, Giovanni (19th century); 25.2. diam. cm; Private Collection; (add.info)

An English pewter inkstand (pewter)
1764751 An English pewter inkstand (pewter) by Bigatti, Giovanni (19th century); 14.3. diam. cm; Private Collection; (add.info.: An English pewter inkstand designed by Archibald Knox (1864-1933)

Four spoons for Miss Cranstons Tearooms
1764747 Four spoons for Miss Cranstons Tearooms by Mackintosh, Charles Rennie (1868-1928); 15. long cm; Private Collection; (add.info.: Four spoons for Miss Cranstons Tearooms)

Portrait of a Nawab, c. 1856-62 (oil on canvas)
1196708 Portrait of a Nawab, c. 1856-62 (oil on canvas) by Hudson, Benjamin (fl.1847-62); 71x61 cm; Private Collection; (add.info.: Hudson, Benjamin (fl.1847-1862)); Photo eChristies Images; British

The Kremlin, Moscow, (pencil, ink, w / c, pastel and gouache on paper)
1195774 The Kremlin, Moscow, (pencil, ink, w/c, pastel and gouache on paper) by Bourne, John Cooke (1814-96); 73.7x106 cm; Private Collection; Photo eChristies Images; British, out of copyright

Fresh Lavender, 1909 (oil on canvas)
1199636 Fresh Lavender, 1909 (oil on canvas) by Margetson, William Henry (1861-1940); 91.4x61 cm; Private Collection; Photo eChristies Images; English, out of copyright

Sea Nymph, (bodycolour on brown paper)
1199589 Sea Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of William Michael Rossetti, 1846 (pencil on buff paper)
1199579 Portrait of William Michael Rossetti, 1846 (pencil on buff paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.8x10.8 cm; Private Collection; Photo eChristies Images; English

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Head of a Roman Model, (oil on paper laid down on canvas)
1199532 Head of a Roman Model, (oil on paper laid down on canvas) by Leighton, Frederic (1830-96); 24.6x20.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Lachesis: Study of Jane Morris Seated in a Chair Sewing, 1860s (pencil on paper)
1199530 Lachesis: Study of Jane Morris Seated in a Chair Sewing, 1860s (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82)

A frieze featuring stylized botanical motifs with classical foliate border, c
1195213 A frieze featuring stylized botanical motifs with classical foliate border, c.1893 (bronze-plated wrought-iron) by Adler, Dankmar (1844-1900) & Sullivan

The White Owl, 1856 (oil on board)
1199479 The White Owl, 1856 (oil on board) by Webbe or Webb, William J. (1831-1904); 45x26.3 cm; Private Collection; (add.info.: Webbe or Webb, William J)

Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)
1199477 Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 33x21 cm; Private Collection; Photo eChristies Images; English, out of copyright

Tower of Belem, c. 1825-6 (w / c)
1199469 Tower of Belem, c. 1825-6 (w/c) by Landseer, Charles (1799-1879); 30.5x39.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Bedouin Encampment Before the Temple of Hathor at Dendera, Egypt, 1867 (pencil
1197496 Bedouin Encampment Before the Temple of Hathor at Dendera, Egypt, 1867 (pencil, w/c & bodycolour on paper) by Vacher, Charles (1818-83); 69.8x129.5 cm; Private Collection; (add.info.: Vacher)

Kitchen Utensils, (oil on panel)
1197124 Kitchen Utensils, (oil on panel) by Hunter, George Leslie (1877-1931); 47x39.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Sir Galahad, 1867-1892 (oil on canvas)
1767297 Sir Galahad, 1867-1892 (oil on canvas) by Hughes, Arthur (1832-1915); 89x113.5 cm; Private Collection; (add.info.: Concieved in 1867, completed in 1892); Photo eChristies Images; English

A Garden by the Sea (oil on canvas)
1767296 A Garden by the Sea (oil on canvas) by Topham, Frank William Warwick (1838-1924); 43.8x35.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Olivia and Viola (oil on panel)
1767280 Olivia and Viola (oil on panel) by Hook, James Clarke (1819-1907); 60.4x74.3 cm; Private Collection; (add.info.: Olivia and Viola. James Clarke Hook (1819-1907). Oil on panel

An earthenware group of Politos Menagerie of Wonderful Burds
1766841 An earthenware group of Politos Menagerie of Wonderful Burds and Beasts from Most Parts of the World, c.1830 (earthenware) by Sherratt

A View of the Houses of Parliament from the River Thames, London (oil on canvas)
1766776 A View of the Houses of Parliament from the River Thames, London (oil on canvas) by Greenhalgh, Thomas (fl.1884); Private Collection; (add.info)

The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas)
1766750 The Favourites of the Emperor Honorius (AD 384-423) (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

Lady in a Garden by Moonlight, 1892 (oil on board)
1766747 Lady in a Garden by Moonlight, 1892 (oil on board) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Lady in a Garden by Moonlight. John Atkinson Grimshaw (1836-1893)

The Gladiators Wife, 1884 (oil on canvas)
1766745 The Gladiators Wife, 1884 (oil on canvas) by Leighton, Edmund Blair (1853-1922); Private Collection; (add.info.: The Gladiators Wife. Edmund Blair Leighton (1853-1922). Oil on canvas

A Cottage at Freshwater, Isle of Wight (watercolour and bodycolour heightened with
1766732 A Cottage at Freshwater, Isle of Wight (watercolour and bodycolour heightened with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: A Cottage at Freshwater)

Old Manor House (watercolour with scratching out)
1766719 Old Manor House (watercolour with scratching out) by Allingham, Helen (1848-1926); 23x24.2 cm; Private Collection; (add.info.: Old Manor House. Helen Allingham (1848-1926)

Cottage at West Horsley, Surrey (watercolour with scratching out)
1766689 Cottage at West Horsley, Surrey (watercolour with scratching out) by Allingham, Helen (1848-1926); 14.3x13.0 cm; Private Collection; (add.info.: Cottage at West Horsley, Surrey)

Going to Church, 1880 (oil on canvas)
1766677 Going to Church, 1880 (oil on canvas) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Going to Church. John Atkinson Grimshaw (1836-1893)

The Angel of the Sea, 1906 (oil on canvas)
1766667 The Angel of the Sea, 1906 (oil on canvas) by Frampton, Edward Reginald (1872-1923); 121.9x68.6 cm; Private Collection; (add.info.: The Angel of the Sea. Edward Reginald Frampton (1872-1923)

Instructing the Lawyer (oil on canvas)
1766663 Instructing the Lawyer (oil on canvas) by Morgan, Walter Jenks (1847-1924); Private Collection; (add.info.: Instructing the Lawyer. Walter Jenks Morgan (1847-1924)

Roses and Oranges, c. 1920 (oil on canvas)
1766661 Roses and Oranges, c.1920 (oil on canvas) by Peploe, Samuel John (1871-1935); Private Collection; (add.info.: Roses and Oranges. Samuel John Peploe (1871-1935). Oil on canvas

Summer on the Firth of Fourth (oil on canvas)
1766658 Summer on the Firth of Fourth (oil on canvas) by Hardie, Charles Martin (1858-1916); Private Collection; (add.info.: Summer on the Firth of Fourth. Charles Martin Hardie (1858-1916)

Streetscene, Cassis, c. 1913 (oil on panel)
1766626 Streetscene, Cassis, c.1913 (oil on panel) by Peploe, Samuel John (1871-1935); Private Collection; (add.info.: Streetscene, Cassis. Samuel John Peploe (1875-1935). Oil on panel

Prometheus Freed by Hercules, 1781-1785 (oil on canvas)
1766412 Prometheus Freed by Hercules, 1781-1785 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63x75 cm; Private Collection; (add.info.: Prometheus Freed by Hercules)

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

Self-portrait of the Artist (oil on canvas)
1772157 Self-portrait of the Artist (oil on canvas) by Watson, George Spencer (1869-1934); 76.2x63.5 cm; Private Collection; (add.info.: Self-portrait of the Artist)

Mischief and Repose, 1909 (oil on canvas)
1772135 Mischief and Repose, 1909 (oil on canvas) by Godward, John William (1861-1922); 38.4x76.9 cm; Private Collection; (add.info.: Mischief and Repose. John William Godward (1861-1922)

Portrait of Prince Albert, 1842 (oil on canvas)
1772125 Portrait of Prince Albert, 1842 (oil on canvas) by Lucas, John (1807-74); 101.7x87.6 cm; Private Collection; (add.info.: Portrait of Prince Albert. John Lucas (1807-1874). Oil on canvas

Poster advertising Canadian Pacific, 1933 (colour lithograph)
1770108 Poster advertising Canadian Pacific, 1933 (colour lithograph) by Shoesmith, Kenneth (1890-1939); 100x64 cm; Private Collection; (add.info.: Poster advertising Canadian Pacific)

The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)
1199603 The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper) by Grimshaw, John Atkinson (1836-93); 38x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Miss Gertrude Vanderbilt, 1888 (oil on canvas)
1199601 Miss Gertrude Vanderbilt, 1888 (oil on canvas) by Millais, John Everett (1829-96); 240x157.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

Cobweb Houseleek and Canna Leaved Strelitzia, 1806 (hand-coloured engraving)
1195413 Cobweb Houseleek and Canna Leaved Strelitzia, 1806 (hand-coloured engraving) by Edwards, Sydenham Teast (c.1768-1819) (after); 27x21 cm; Private Collection; Photo eChristies Images; English

Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
1195384 Venus and Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Ophelia, (pencil, pen and black ink and brown wash, on paper)
1199574 Ophelia, (pencil, pen and black ink and brown wash, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22.3x17.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas)
1199555 Portrait of Mrs. W. K. D Arcy, 1902 (oil on canvas) by Dicksee, Frank (1853-1928); 137.2x156.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

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British Artist: Capturing the Essence of Time and Place From the picturesque landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster, British artists have long been celebrated for their ability to transport us to different worlds through their art. In 1939, a Southern Railway poster advertising Ramsgate showcased the artist's mastery of color lithography, enticing viewers with its vivid depiction of sun-kissed beaches and inviting waters. Meanwhile, Children on the Beach, St. Ives painted in 1886 captures the innocence and joy of youth against a backdrop of crashing waves and golden sands. Not limited to capturing idyllic scenes, British artists also excelled at portraying powerful subjects such as Eclipse - a Dark Chestnut Racehorse held by a Groom with a Jockey astride. This masterpiece showcases both strength and elegance while highlighting the bond between man and animal. Moving from grandeur to intimacy, A Lady Walking in a Garden portrays tenderness as she stands full length holding her small child's hand. The artist skillfully captures this fleeting moment that encapsulates love and protection. The Milkmaid created in 1902 using pencil and watercolor demonstrates an artist's attention to detail as they bring everyday life into focus. Similarly, The Wappenshaw: A Shooting Match immerses us in an oil-on-paper scene where we can almost hear gunshots echoing across fields. Delving further into history is Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom from 1815 which showcases not only artistic talent but also serves as documentation for equine enthusiasts seeking insight into past bloodlines. Artists throughout history have also found inspiration in nature itself; April from Twelve Months of Flowers transports us back to 1730 with its delicate yet vibrant colors engraved onto paper. Likewise, Laurel Tree hand-coloured etching invites us into lush gardens, evoking a sense of tranquility and beauty.