Brazier Collection (page 10)

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River view with large rock, 1601 (oil on copper)
7412458 River view with large rock, 1601 (oil on copper) by Brill or Bril, Paul (1554-1626) (after); 22.8x29.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: copy after Paul Bril)

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The small horse, 1505 (engraving)
7414931 The small horse, 1505 (engraving) by Durer or Duerer, Albrecht (1471-1528) (after); 16.2--10.6 cm; Rijksmuseum, Amsterdam

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3673872

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The Temptation of Saint Anthony (Oil on wood)
7393516 The Temptation of Saint Anthony (Oil on wood) by Stevens, Pieter (1567-1624); 56, 5 x 99, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The descent from the cross to the torch, 1654 (Etching)
7393349 The descent from the cross to the torch, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 3 x 16, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Temptation of Saint Anthony, 17th Century (Oil on wood)
7393521 The Temptation of Saint Anthony, 17th Century (Oil on wood) by Borcht, Lazarus van der (1580-1627); 18, 5 x 24, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Charity, 1469, (tempera grassa on wood)
7146307 Charity, 1469, (tempera grassa on wood) by Pollaiolo, Piero del (1443-96); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Charity, 1469, Piero del Pollaiolo)

Book of Hours, vol 137, 2v, 16th century (Bound in red velour, with metal corners)
6333412 Book of Hours, vol 137, 2v, 16th century (Bound in red velour, with metal corners) by Flemish School, (16th century); 209x142 cm; Courtesy of the Trustees of Sir John Soane's Museum

Portrait of Pietro Secco Suardo, 1563 (oil on canvas)
7146887 Portrait of Pietro Secco Suardo, 1563 (oil on canvas) by Moroni, Giovanni Battista (c.1525-79); 183x104 cm; Galleria degli Uffizi, Florence, Tuscany

Fame, 1665-70 (oil on canvas)
7146898 Fame, 1665-70 (oil on canvas) by Schalken or Schalcken, Godfried (1643-1706); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Fame, 1665-70, Godfried Schalken, oil on canvas)

Boat-building near Flatford Mill, 19th century (oil on canvas)
7146837 Boat-building near Flatford Mill, 19th century (oil on canvas) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; (add.info.: Boat-building near Flatford Mill)

A Gypsy Woman, 1909 (oil on canvas)
7381653 A Gypsy Woman, 1909 (oil on canvas) by Kozakiewicz, Anton (1841-1929); 82 X 54.5 cm; National Museum, Krakow, Poland; (add.info.: by Antoni Kozakiewicz (1841-1929))

San Gennaro emerges unscathed from the furnace, 1646 (oil on copper)
7062867 San Gennaro emerges unscathed from the furnace, 1646 (oil on copper) by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); Duomo di San Gennaro, Naples

Spanish Revolution of 1854 (lithograph)
CUL4872299 Spanish Revolution of 1854 (lithograph) by Halen, Francisco de Paula van (d.1887); (add.info.: by VAN HALEN, Francisco de Paula (1810-1887). Spanish painter. Spain. Revolution of 1854

The Pentecost, 1365-70 circa, (panel)
7129073 The Pentecost, 1365-70 circa, (panel) by Orcagna, Andrea di Cione (c.1308-68); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: The Pentecost, 1365-70 circa)

Nero looking at Rome burning, 1912 (illustration)
1823097 Nero looking at Rome burning, 1912 (illustration) by Sienkiewicz, Henryk (1846-1916); (add.info.: Roman emperor Neron looking at Rome burning on july 19, 1964)

Boy holding a bat (painting)
7129339 Boy holding a bat (painting) by Bigot, Trophime (c.1595-p.1650); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Boy holding a bat, maestro Jacomo (Trophime Bigot), Doria Pamphilj gallery

Sacrifice to Pan, c. 1640 (oil on canvas)
7352687 Sacrifice to Pan, c.1640 (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 218x316 cm; Private Collection; (add.info.: Artist: Castiglione)

Girl with a lantern (painting)
7129337 Girl with a lantern (painting) by Bigot, Trophime (c.1595-p.1650); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Girl with a lantern, maestro Jacomo (Trophime Bigot)

The Mocking of Christ, 1612-13, (painting)
7130058 The Mocking of Christ, 1612-13, (painting) by Honthorst, Gerrit van (1590-1656); Santa Maria della Vittoria, Rome, Italy; (add.info.: The Mocking of Christ, 1612-13, Gerard van Honthorst)

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Prehistory: Cavemen, 1881 (Engraving)
7304328 Prehistory: Cavemen, 1881 (Engraving) by Demarle, Alphonse (1826-1896); Private Collection; (add.info.: Prehistory)

Prehistory: the discovery of fire, 1881 (Engraving)
7304327 Prehistory: the discovery of fire, 1881 (Engraving) by Demarle, Alphonse (1826-1896); Private Collection; (add.info.: Prehistory)

Prehistory: human habitat, 1881 (Engraving)
7304325 Prehistory: human habitat, 1881 (Engraving) by Demarle, Alphonse (1826-1896); Private Collection; (add.info.: Prehistory)

Servio Tullio with his hair on fire, 1640 (oil on canvas)
7352696 Servio Tullio with his hair on fire, 1640 (oil on canvas) by Assereto, Giovacchino (1600-49); 162x136 cm; Musei di Strada Nuova, Genoa, Liguria

The calumny of Apelles, 1495 circa, (tempera on wood)
7146327 The calumny of Apelles, 1495 circa, (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 62x91 cm; Galleria degli Uffizi, Florence, Tuscany

Dewi Uma
7129537 Dewi Uma by Javanese School; Nyoman Gunarsa museum, Semarapura, Bali, Indonesia; (add.info.: Dewi Uma, unknown artist, Nyoman Gunarsa museum, Semarapura, Bali)

Vanitas, allegory of vanity, 17th century (oil on canvas)
7129371 Vanitas, allegory of vanity, 17th century (oil on canvas) by Bigot, Trophime (c.1595-p.1650); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Vanitas, allegory of vanity)

The fire in the borgo, c. 1501-1520 (fresco)
7146030 The fire in the borgo, c.1501-1520 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Sala delle Muse, Vatican Museums, Vatican City; (add.info.: The fire in the borgo)

Autumn at Indalsliden, 1889 (gouache)
7350907 Autumn at Indalsliden, 1889 (gouache) by Osslund, Helmer (1866-1938); Thiel Gallery, Stockholm, Sweden; (add.info.: by Helmer Osslund (1866-1938))

Statue. The prophet Elias (Profeta Elias). With its fire sword. Polychrome wood. Baroque. 18th century
6265921 Statue. The prophet Elias (Profeta Elias). With its fire sword. Polychrome wood. Baroque. 18th century. by Unknown artist, (18th century); Museo Parroquial de Tapices de Pastrana

Penissieres, War in the Vendee, France, 1832 (engraving)
1721673 Penissieres, War in the Vendee, France, 1832 (engraving) by French School, (19th century); (add.info.: Penissiere fights during war of Vendee, France, 1832, engraving)

French Soldiers in the Trenches, Chemin des Dames, 1917 (b/w photo)
1700344 French Soldiers in the Trenches, Chemin des Dames, 1917 (b/w photo) by French Photographer (20th century); (add.info)

the outer faces: angels ministering to the damned. Triptych, c. 1505-30 (oil on panel)
7340971 the outer faces: angels ministering to the damned. Triptych, c.1505-30 (oil on panel) by Master of the Antwerp Adoration

Our Lady gives the rosary to Saint Dominic, 133x75cm, 19th century (oil)
7242748 Our Lady gives the rosary to Saint Dominic, 133x75cm, 19th century (oil) by Unknown Artist, (19th century); Brakel, East Flanders, Belgium; (add.info.: Parish church (Nederbrakel)

The arrival of the 13th Dalai Lama (d. 1933) in India, illustration from Le Petit Journal
CHT176301 The arrival of the 13th Dalai Lama (d.1933) in India, illustration from Le Petit Journal, 20th March 1910 (colour litho) by French School

The Blacksmith's Shop, 1885 (oil on canvas)
7333473 The Blacksmith's Shop, 1885 (oil on canvas) by MacGeorge, William Stewart (1861-1931); 94.5x118.3 (framed) cm; Perth Museum & Art Gallery, Scotland; (add.info.: Artist: MacGeorge)

The kitchen of the pilgrim camp in Nazareth. Anonymous, The Pilgrim, 10/6/1882 (print)
7338374 The kitchen of the pilgrim camp in Nazareth. Anonymous, The Pilgrim, 10/6/1882 (print) by French School, (19th century); Private Collection; Photo © Caricadoc

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"Brazier: A Journey Through Time and Culture" Step into the world of brazier, a word that encompasses a multitude of stories and experiences. From the pages of Sir Gawain and the Green Knight by William McLaren to the vibrant colours derived from coal tar in colour litho prints, this humble object has left its mark throughout history. Imagine yourself in the Cave of Plato, surrounded by Jan Saenredam's intricate engravings or Cornelis Cornelisz. Van Haarlem's captivating artwork from 1604. These masterpieces transport us to another era where braziers provided warmth and light during long winter nights. In a surprising turn of events, even amidst war, braziers played a role in fostering peace. The Christmas Truce saw soldiers gathering around these fiery companions as they put their weapons aside for a moment of unity and camaraderie. The Snowball - Guilty or Not Guilty illustration from Pears Annual, Christmas 1906 captures the innocence and mischief associated with snowball fights while highlighting how braziers were essential for warming up after such playful escapades. But it is not only in times of leisure that braziers find their purpose; they also play an important role within domestic life. Joyce Dennys' Perfect Wife: No. X reminds us how these objects became an integral part of creating cozy homes where families gathered around them on chilly evenings. Braziers have witnessed grand spectacles too, like Pauline Baynes' Frost Fair on the Thames painting depicting bustling crowds enjoying festivities on frozen waters illuminated by countless braziers scattered across the scene. From street sausage sellers enticing passersby with sizzling delights to salep merchants offering warm beverages in Thessaloniki, Greece – these vendors relied on braziers to keep their products hot and appealing even during colder months.