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Bound Collection (page 9)

"Bound: A Captivating Journey Through Art, Nature, and History" "The Thief - Antonio Maria Fabres y Costa's masterpiece captures the essence of boundless desire

Background imageBound Collection: Great Expectations - Timely Rescue of Pip, 1862 (engraving)

Great Expectations - Timely Rescue of Pip, 1862 (engraving)
2563239 Great Expectations - Timely Rescue of Pip, 1862 (engraving) by Unknown Artist, (19th century); 15x10 cm; Free Library of Philadelphia; (add.info.: Published by Gardner A)

Background imageBound Collection: Assault of a famous convent in Russia by a large band of evildoers (Colour Litho)

Assault of a famous convent in Russia by a large band of evildoers (Colour Litho)
2814970 Assault of a famous convent in Russia by a large band of evildoers (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageBound Collection: Miss Roberts as Ethel Sportington in Morocco Bound

Miss Roberts as Ethel Sportington in Morocco Bound
Miss Roberts as the Hon Ethel Sportington in Morocco Bound, a farcical musical comedy Date: 1890s

Background imageBound Collection: Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink

Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink
2971511 Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper)

Background imageBound Collection: The sirens, 1929 (litho)

The sirens, 1929 (litho)
3060298 The sirens, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one of two)

Background imageBound Collection: Three dancing scenes - one from a Universal Movie

Three dancing scenes - one from a Universal Movie
Three dancing scenes from 1929 - top from the Universal Pictures film Broadway with Glen Tryon (Universals first talking picture with technicolour sequences)

Background imageBound Collection: Chicago Chic, fashion statements from 1929

Chicago Chic, fashion statements from 1929. Four girls from the Chicago Company of Follow Thru (top) with Dorothy Daw, Nayan Pearce, Lilian Bind and Olive Olsen

Background imageBound Collection: Chinese woman with bound feeet, China, 19th century

Chinese woman with bound feeet, China, 19th century

Background imageBound Collection: Group of young Chinese women with bound feet

Group of young Chinese women with bound feet
19th century vintage photograph: Group of young Chinese women with bound feet

Background imageBound Collection: The flagellation, c. 1496 / 97 (woodcut)

The flagellation, c. 1496 / 97 (woodcut)
1217324 The flagellation, c. 1496/97 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 38.5x27.539x27.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Background imageBound Collection: Ecce Homo (oil on canvas)

Ecce Homo (oil on canvas)
BFM286662 Ecce Homo (oil on canvas) by Dujardin, Karel (1626-78); 80x62 cm; Schlossmuseum, Schloss Friedenstein, Gotha, Germany; Bildarchiv Foto Marburg

Background imageBound Collection: St. Sebastian Tended by Irene, 1625 (oil on canvas)

St. Sebastian Tended by Irene, 1625 (oil on canvas)
ALM283489 St. Sebastian Tended by Irene, 1625 (oil on canvas) by Brugghen, Hendrick Ter (1588-1629); 149x119.4 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageBound Collection: Front cover of A Compleat Sett of Mapps of England and Wales in General

Front cover of A Compleat Sett of Mapps of England and Wales in General
XYC261682 Front cover of A Compleat Sett of Mapps of England and Wales in General... 1724 (leather) by Badeslade, Thomas (1718-50); Yale Center for British Art, Paul Mellon Collection

Background imageBound Collection: Detail from the ceremonial footstool of Tutankhamun (c. 1370-52 BC) New Kingdom (wood)

Detail from the ceremonial footstool of Tutankhamun (c. 1370-52 BC) New Kingdom (wood)
XZL149478 Detail from the ceremonial footstool of Tutankhamun (c.1370-52 BC) New Kingdom (wood) by Egyptian 18th Dynasty (c.1567-1320 BC); Egyptian National Museum, Cairo

Background imageBound Collection: Apollo flaying Marsyas (oil on canvas)

Apollo flaying Marsyas (oil on canvas)
HLK143663 Apollo flaying Marsyas (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; French

Background imageBound Collection: Remarkable appearance in the sky always opposite the sun (top) and The Devils Thumb

Remarkable appearance in the sky always opposite the sun (top) and The Devils Thumb
STC204384 Remarkable appearance in the sky always opposite the sun (top) and The Devils Thumb, ships boring and warping in the pack (bottom)

Background imageBound Collection: The Martyrdom of St Thecla, detail from the High Altar (alabaster)

The Martyrdom of St Thecla, detail from the High Altar (alabaster)
XJL186917 The Martyrdom of St Thecla, detail from the High Altar (alabaster) by Johan, Pere (1398-1458); Tarragona Cathedral, Catalonia, Spain; Spanish, out of copyright

Background imageBound Collection: Front cover of an edition of Notre-Dame de Paris

Front cover of an edition of Notre-Dame de Paris
BMR179969 Front cover of an edition of Notre-Dame de Paris by Victor Hugo (1802-85) published by Editions Perrotin, Paris, 1844 (leather and gold) by French School

Background imageBound Collection: St. Sebastian, c. 1459 (tempera on panel)

St. Sebastian, c. 1459 (tempera on panel)
5978162 St. Sebastian, c.1459 (tempera on panel) by Mantegna, Andrea (1431-1506); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Martyrdom of Saint Sebastian)

Background imageBound Collection: Christ before Caiaphas. 1512 (Burin engraving on copper)

Christ before Caiaphas. 1512 (Burin engraving on copper)
5890592 Christ before Caiaphas. 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; (add.info.: Joseph ben Caiaphas was)

Background imageBound Collection: Going Shoppping (watercolour with scratching out)

Going Shoppping (watercolour with scratching out)
1766740 Going Shoppping (watercolour with scratching out) by Allingham, Helen (1848-1926); 16.5x11 cm; Private Collection; (add.info.: Going Shoppping. Helen Allingham (1848-1926)

Background imageBound Collection: Je trouvai mes bras et mes jambes attaches a la terre

Je trouvai mes bras et mes jambes attaches a la terre
CHT170162 Je trouvai mes bras et mes jambes attaches a la terre... illustration from Les Voyages de Gulliver by Jonathan Swift (1667-1745) (colour litho) by Lix

Background imageBound Collection: A Son of his Father, (oil on canvas)

A Son of his Father, (oil on canvas)
985313 A Son of his Father, (oil on canvas) by Wyeth, Newell Convers (1882-1945); 76.5x81.3 cm; Private Collection; (add.info.: A Son of his Father. Newell Convers Wyeth (1882-1945). Oil on canvas

Background imageBound Collection: The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)

The Battery and Harbour, New York, c. 1811-1812 (oil on canvas)
985116 The Battery and Harbour, New York, c.1811-1812 (oil on canvas) by Birch, Thomas (1779-1851); 73x103.5 cm; Private Collection; (add.info.: The Battery and Harbour, New York)

Background imageBound Collection: A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho)

A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho)
1198408 A poster advertising Simplex Amsterdam bicycles, 1907 (colour litho) by Hoeksema, Daniel (1879-1935); 115x52 cm; Private Collection; (add.info.: Hoeksema)

Background imageBound Collection: A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w / c)

A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w / c)
1196894 A Hindu Temple in the Fort of Rohtas, Bihar, (pencil and w/c) by Daniell, Thomas (1749-1840) & William (1769-1837); 37.4x53.6 cm; Private Collection; Photo eChristies Images; English

Background imageBound Collection: The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe

The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe
656787 The Afternoon Sun, Outer Port of Dieppe; L Apres-Midi, Soleil, Avant-Port de Dieppe, 1902 (oil on canvas) by Pissarro

Background imageBound Collection: Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper. )

Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper. )
652358 Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper.) by Luce, Maximilien (1858-1941); 26.1x34.2 cm; Private Collection; (add.info)

Background imageBound Collection: The Press Gang, (pencil and watercolour)

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

Background imageBound Collection: A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)

A Bird s-Eye View of the Docks at Buenos Aires, (watercolour)
828300 A Bird s-Eye View of the Docks at Buenos Aires, (watercolour) by Martino, Eduardo de (1838-1912); 60.9x91.4 cm; Private Collection; (add.info.: A Bird s-Eye View of the Docks at Buenos Aires)

Background imageBound Collection: Saint Sebastian, (oil on panel)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

Background imageBound Collection: Bedouins on Route, (oil on canvas)

Bedouins on Route, (oil on canvas)
989482 Bedouins on Route, (oil on canvas) by Schreyer, Adolf (1828-99); 80x127 cm; Private Collection; (add.info.: Bedouins on Route. Adolf Schreyer (1828-1899). Oil on canvas

Background imageBound Collection: The Exit of Ruggero I, King of Sicily, from the Palazzo Reale, (oil on canvas)

The Exit of Ruggero I, King of Sicily, from the Palazzo Reale, (oil on canvas)
989359 The Exit of Ruggero I, King of Sicily, from the Palazzo Reale, (oil on canvas) by Sciuti, Giuseppe (1832-1911); 228.6x280 cm; Private Collection; (add.info.: The Exit of Ruggero I)

Background imageBound Collection: The Farewell; Der Abschied, 1920 (oil on canvas)

The Farewell; Der Abschied, 1920 (oil on canvas)
1769279 The Farewell; Der Abschied, 1920 (oil on canvas) by Gramatte, Walter (1897-1929); 95.3x77.8 cm; Private Collection; (add.info.: The Farewell; Der Abschied.); Photo eChristies Images; German

Background imageBound Collection: Female Nude; Madchenakt, 1911 (pencil on paper)

Female Nude; Madchenakt, 1911 (pencil on paper)
1768306 Female Nude; Madchenakt, 1911 (pencil on paper) by Schiele, Egon (1890-1918); 54.3x34.6 cm; Private Collection; (add.info.: Female Nude; Madchenakt. Egon Schiele (1890-1918). Pencil on paper

Background imageBound Collection: One of the Newspaper Corridors at the British Museum, 1899 (b / w photo)

One of the Newspaper Corridors at the British Museum, 1899 (b / w photo)
5227042 One of the Newspaper Corridors at the British Museum, 1899 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageBound Collection: A Holiday Crowd bound for Coney Island, Ulmer Park and Bath Beach (b / w photo)

A Holiday Crowd bound for Coney Island, Ulmer Park and Bath Beach (b / w photo)
5215052 A Holiday Crowd bound for Coney Island, Ulmer Park and Bath Beach (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: A Holiday Crowd bound for Coney Island)

Background imageBound Collection: Straitjacket owned by Harry Houdini, c. 1915 (khaki canvas, leather & metal rivets)

Straitjacket owned by Harry Houdini, c. 1915 (khaki canvas, leather & metal rivets)
3063501 Straitjacket owned by Harry Houdini, c.1915 (khaki canvas, leather & metal rivets) by Swanfeldt Tent & Awning Co. (fl.1915); Private Collection; (add.info.: Harry Houdini, born Erik Weisz)

Background imageBound Collection: Making Ready, 1917 (oil on canvas)

Making Ready, 1917 (oil on canvas)
1767634 Making Ready, 1917 (oil on canvas) by Ufer, Walter (1876-1936); 76.2x91.4 cm; Private Collection; (add.info.: Making Ready. Walter Ufer (1876-1936). Oil on canvas. Painted in 1917

Background imageBound Collection: Hoboken at Midnight, 1872 (oil on canvas)

Hoboken at Midnight, 1872 (oil on canvas)
1767460 Hoboken at Midnight, 1872 (oil on canvas) by Silva, Francis Augustus (1835-86); 35.6x61 cm; Private Collection; (add.info.: Hoboken at Midnight. Francis Augustus Silva (1835-1886)

Background imageBound Collection: The Princess Tied to a Tree (oil on canvas)

The Princess Tied to a Tree (oil on canvas)
884217 The Princess Tied to a Tree (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 106.4x92.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBound Collection: The Visitor, 1881 (oil on canvas)

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

Background imageBound Collection: In the Wake of the Hunters, 1896 (oil on canvas)

In the Wake of the Hunters, 1896 (oil on canvas)
823313 In the Wake of the Hunters, 1896 (oil on canvas) by Russell, Charles Marion (1865-1926); 58.5x89 cm; Private Collection; (add.info.: In the Wake of the Hunters)

Background imageBound Collection: Saint Nicholas, (oil on panel)

Saint Nicholas, (oil on panel)
823290 Saint Nicholas, (oil on panel) by Weir, Robert Walter (1803-89); 75x62 cm; Private Collection; (add.info.: Saint Nicholas. Robert Walter Weir (1803-89). Oil on panel

Background imageBound Collection: In Front of the Port of Dieppe; Avant Porte de Dieppe, 1918-1920 (503 x 616cm)

In Front of the Port of Dieppe; Avant Porte de Dieppe, 1918-1920 (503 x 616cm)
825364 In Front of the Port of Dieppe; Avant Porte de Dieppe, 1918-1920 (503 x 616cm) by Loiseau, Gustave (1865-1935); 50.3x61.6 cm; Private Collection; (add.info)

Background imageBound Collection: Young Girl with Flowers in her Hat; Jeune Fille au Chapeau Fleuri, c

Young Girl with Flowers in her Hat; Jeune Fille au Chapeau Fleuri, c
824553 Young Girl with Flowers in her Hat; Jeune Fille au Chapeau Fleuri, c.1900-1905 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 55x46 cm; Private Collection; (add.info)

Background imageBound Collection: La Repudiee, 1882 (oil on canvas)

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright



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"Bound: A Captivating Journey Through Art, Nature, and History" "The Thief - Antonio Maria Fabres y Costa's masterpiece captures the essence of boundless desire. " "In 'The Young Martyr, ' we witness the unbreakable spirit that remains bound to one's beliefs. " "Emigrant Ship Leaving Belfast: The bittersweet farewell as dreams set sail, forever bound to new horizons. " "T lymphocytes and cancer cells locked in a battle for life – an intricate dance of binding forces. " "Anaesthetic inhibiting an ion channel: Unveiling the delicate balance between numbness and pain-bound consciousness. " "Suffragettes - Christmas Dinner in Holloway: Bound by solidarity, these brave women fought for equality with every bite. " "Shooters Hill stands tall, silently witnessing the ever-changing world below – steadfastly bound to its roots. " "Angerona Goddess guards her secrets within a timeless embrace – eternally bound by ancient mysteries. Siberian Tiger / Amur Tiger - in winter snow: Majestic beauty roams freely yet remains intricately tied to its snowy domain. Netsuke demon queller and small demon unite in a captivating bond from Japan's Meiji Period. Agnus Dei whispers serenity through Caravaggio's brushstrokes – forever bound to divine grace. Lockheed (P2V-5) Neptune MR1 soars above clouds, dutifully serving while tethered by loyalty to the Royal Air Force. Embark on this extraordinary journey where artistry meets nature’s wonders and history intertwines with human emotions; discover how our lives are shaped by what binds us together or holds us captive.