Blacksmith Collection (page 9)

The Forge of the Vulcan (oil on canvas)
CH376213 The Forge of the Vulcan (oil on canvas) by Thulden, Theodore van (1606-79); 169x121.3 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Plate 378. Blacksmith, Hammering on Anvil, Two Hands, 1872-85 (collotype on paper)
3950348 Plate 378. Blacksmith, Hammering on Anvil, Two Hands, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 28.6x38.9 cm; Addison Gallery of American Art, Phillips Academy

Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper)
3950346 Plate 374. Blacksmiths, Two Models, Hammering on Anvil, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.5x31.9 cm; Addison Gallery of American Art, Phillips Academy

A Mule being shod at London Zoo in 1924 (b / w photo)
2967822 A Mule being shod at London Zoo in 1924 (b/w photo) by Bond, Frederick William (1887-1942); Zoological Society of London; eZoological Society of London; British, out of copyright

Victorian Christmas card with anvil and hammer (chromolitho)
731712 Victorian Christmas card with anvil and hammer (chromolitho) by English School, (19th century); Private Collection; (add.info.: Victorian Christmas card with anvil and hammer)

Alexandre Millerand and Albert Thomas as blacksmiths forging peace
698813 Alexandre Millerand and Albert Thomas as blacksmiths forging peace, front cover illustration from Le Rire Rouge, 31st July 1915 (colour litho) by Leandre

Detail from a vase depicting artisans (ceramic)
XIR229310 Detail from a vase depicting artisans (ceramic) by Chinese School, Ming Dynasty (1368-1644); Golestan Palace Library, Tehran, Iran; Chinese, out of copyright

Vulcan Presenting Arms to Venus for Aeneas, 1756 (oil on canvas)
CLK339923 Vulcan Presenting Arms to Venus for Aeneas, 1756 (oil on canvas) by Boucher, Francois (1703-70); 41.2x45.3 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Mr Herbert Herkomer (colour litho)
612805 Mr Herbert Herkomer (colour litho) by Gould, Francis Carruthers (1844-1925); Private Collection; (add.info.: Mr Herbert Herkomer, Painter, sculptor, blacksmith etc, 26 January 1884)

Making Traps, illustration from L Art de l Artillerie
XDT217878 Making Traps, illustration from L Art de l Artillerie by Wolff de Senftenberg, late 16th century (pencil & w/c on paper) (b/w photo) by German School, (16th century); Min

The Forge, 1906 (oil on panel)
XKH226764 The Forge, 1906 (oil on panel) by Kardorff, Konrad von (1877-1945); 43.5x59.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Forge of Vulcan (pen & ink with wash, heightened with gouache on paper)
CTS413016 The Forge of Vulcan (pen & ink with wash, heightened with gouache on paper) by Mola, Pier Francesco (1612-66); 26x40.5 cm; eThe Devonshire Collections

An Army Forge, 1876 (etching)
497594 An Army Forge, 1876 (etching) by Forbes, Edwin Austin (1839-95); 47.9x60.5 cm; Gilder Lehrman Collection, New York, USA; (add.info.: Created by Forbes, a member of the French Etching Club)

The Blacksmiths Shop. 1871 (oil on canvas)
ONT162841 The Blacksmiths Shop. 1871 (oil on canvas) by Krieghoff, Cornelius (1815-72); 56.5x92.1 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario

Hot coals, illustration from The Works of Hippocrates, 1934 (colour litho)
STC445969 Hot coals, illustration from The Works of Hippocrates, 1934 (colour litho) by Kuhn-Regnier, Joseph (1873-1940); Private Collection; (add.info.: puis, elles se servent de ces infirmes)

Forgerons latoukas (engraving)
2814416 Forgerons latoukas (engraving) by French School, (19th century); Private Collection; (add.info.: Forgerons latoukas. Illustration for Le Tour Du Monde (Hachette, 1867 1H)

Bladesmith, 1867 (oil on canvas)
AIS5354046 Bladesmith, 1867 (oil on canvas) by Fortuny y CarbAo (Fortuny i Marsal), Mariano JoseMarAia Bernardo (1838-74); 75x 52 cm; Prado, Madrid, Spain; (add.info.: Espadero)

A Provencal Forge (oil on canvas)
1772149 A Provencal Forge (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.8x92.1 cm; Private Collection; (add.info.: A Provencal Forge. Henry Herbert La Thangue (1859-1929)

The fire by Brueghel Jan I (1568-1625) 1621 (oil on canvas)
GIA5035881 The fire by Brueghel Jan I (1568-1625) 1621 (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Private Collection; eGiancarlo Costa; Flemish, out of copyright

The Village Blacksmith (chromolitho)
733251 The Village Blacksmith (chromolitho) by American School, (19th century); Private Collection; (add.info.: The Village Blacksmith.); Look and Learn / Barbara Loe Collection

At the Forge, 1790 (pen and w / c over pencil on paper)
BIR115508 At the Forge, 1790 (pen and w/c over pencil on paper) by Rowlandson, Thomas (1756-1827); 19.3x26.5 cm; Birmingham Museums and Art Gallery; English, out of copyright

Going Out in the Morning, a Scene in Windsor Forest, c. 1801 (pen & w / c on paper)
NP125737 Going Out in the Morning, a Scene in Windsor Forest, c.1801 (pen & w/c on paper) by Rowlandson, Thomas (1756-1827); 38.1x53.3 cm; Private Collection; (add.info)

Ms 62 f. 215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours
FIT58517 Ms 62 f.215r St. Eligius making a Shrine; St. Eligius at an Anvil, from a Book of Hours, c.1445-50 (vellum) by Master of the Rohan Hours, (fl.1420-30); Fitzwilliam Museum

Vulcans Forge, c. 1660 (oil on canvas)
BOO73036 Vulcans Forge, c.1660 (oil on canvas) by Giordano, Luca (1634-1705); 192.5x151.5 cm; State Hermitage Museum, St. Petersburg, Russia; Italian, out of copyright

The Main Street, Grez-sur-Loing, 1884 (w / c on paper)
BFA161266 The Main Street, Grez-sur-Loing, 1884 (w/c on paper) by Kennedy, William (1859-1918); Private Collection; Photo eThe Fine Art Society in Edinburgh, Scotland; Scottish, out of copyright

Craftsmen and their workshops (chromolitho)
5226737 Craftsmen and their workshops (chromolitho) by European School, (19th century); Private Collection; (add.info.: Craftsmen and their workshops)

Sweenys Virginia Melodies, c. 1840 (litho)
6366840 Sweenys Virginia Melodies, c.1840 (litho) by American School, (19th century); Boston Public Library, Boston, Massachusetts

The Village Blacksmith, 1918 (w / c on paper)
2601933 The Village Blacksmith, 1918 (w/c on paper) by Tozer, Henry Spernon (c.1870-1940); Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

The Blacksmiths Forge, (oil on panel)
823516 The Blacksmiths Forge, (oil on panel) by Soyer, Paul (1823-1903); 29.7x45.7 cm; Private Collection; (add.info.: The Blacksmiths Forge. Paul Constant Soyer (1823-1903). Oil on panel

"The Emperor immediately set about blowing the bellows"(engraving)
2781248 " The Emperor immediately set about blowing the bellows" (engraving) by English School, (19th century); Private Collection; (add.info)

A military blacksmith shoeing horses by a ruin (oil on canvas) (pair to 702587)
702588 A military blacksmith shoeing horses by a ruin (oil on canvas) (pair to 702587) by Bloemen, Pieter van (1657-1720); 53.3x62.2 cm; Private Collection; Photo eChristies Images; Flemish

The English Smith (colour photo)
3106051 The English Smith (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The English Smith)

Trades in Regency England: Grinding cutlery, iron works and flax spinning
6340305 Trades in Regency England: Grinding cutlery, iron works and flax spinning by Taylor, Isaac (1730-1807); (add.info.: Trades in Regency England: Grinding cutlery, iron works and flax spinning)

Trades in Regency England: blacksmith, Jappanner and goats
6340292 Trades in Regency England: blacksmith, Jappanner and goats by Taylor, Isaac (1730-1807); (add.info.: Trades in Regency England: blacksmith, Jappanner and goats)

Vulcans Forge, 1565 (oil on panel)
SCP9647 Vulcans Forge, 1565 (oil on panel) by Vasari, Giorgio (1511-74); 38x28 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

Blacksmith
LLM454312 Blacksmith by Landseer, Edwin (1802-73) (after); Private Collection; (add.info.: Blacksmith. Illustration for The Landseer Series of Picture Books (T Nelson, c 1880)

Blacksmiths, c. 1870s (b / w photo)
495532 Blacksmiths, c.1870s (b/w photo) by Hooper, Willoughby Wallace (1837-1912); Private Collection; (add.info.: Photograph taken while Hooper was serving with the Madras Light Infantry in South)

Relief depicting the interior of a forge (stone)
XIR226145 Relief depicting the interior of a forge (stone) by Roman, (2nd century AD); Museo della Civilta Romana, Rome, Italy; out of copyright

Carpentry Workshop in Kupang, Timor, plate 6 from Le Costume Ancien et Modern
STC222050 Carpentry Workshop in Kupang, Timor, plate 6 from Le Costume Ancien et Modern by Jules Ferrario, published c.1820s-30s (colour litho) by Citterio

A Farriers Shop, engraved by Willam Pether (c. 1781-1821), 1771 (mezzotint)
XYC277136 A Farriers Shop, engraved by Willam Pether (c.1781-1821), 1771 (mezzotint) by Wright of Derby, Joseph (1734-97) (after); 50.5x35.2 cm; Yale Center for British Art, Gift of Paul Mellon

The Barn of Marechal-Ferrant, 1820-21 (oil on canvas)
LEF221032 The Barn of Marechal-Ferrant, 1820-21 (oil on canvas) by Gericault, Theodore (1791-1824); 33x41 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

The smithy, Penshurst, Kent (colour litho)
977956 The smithy, Penshurst, Kent (colour litho) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: The smithy, Penshurst, Kent.); © Look and Learn

The anvil (chromolitho)
977665 The anvil (chromolitho) by French School, (19th century); Private Collection; (add.info.: The anvil. French educational card, late 19th/early 20th century.); © Look and Learn

Vulcan (chromolitho)
975889 Vulcan (chromolitho) by French School, (19th century); Private Collection; (add.info.: Vulcan. French educational card, late 19th/early 20th century.); © Look and Learn

The Smiths Yard, 1895 (lithograph)
1066718 The Smiths Yard, 1895 (lithograph) by Whistler, James Abbott McNeill (1834-1903); 29.7x21.1 cm; Dallas Museum of Art, Texas, USA; gift of Carnegie Inc.; American, out of copyright

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"The Artistry and Craftsmanship of the Blacksmith: A Glimpse into History" Step back in time to 1844, as we explore the captivating world of blacksmiths. Renowned artist Edwin Henry Landseer brings their trade to life with his masterpiece "Shoeing. " This painting beautifully captures the skill and dedication required to forge horseshoes, a vital task for horses' well-being. Fast forward to 1875, where we discover an array tools that were essential for their craft. These instruments served as extensions of their hands, allowing them to shape metal with precision and finesse. Intriguingly, even political figures found inspiration in the blacksmith's trade. Bismarck himself was depicted as a blacksmith in 1938, symbolizing his strength and ability to shape nations just like iron at the anvil. Venturing outside the confines of the forge, we witness blacksmiths engaging with their surroundings. Whether it be conversing with fellow craftsmen or taking a momentary break from work, these images reveal glimpses into their daily lives beyond forging metal. The bond between a blacksmith and his equine companions is undeniable. In countless artworks from the 19th century onwards, we see skilled artisans carefully shoeing horses – ensuring both comfort and protection for our four-legged friends. Delving deeper into history reveals colored engravings showcasing Horseshoers hard at work during this era. The vibrant depictions highlight not only their expertise but also serve as testaments to how integral they were within society. Traveling further back in time through oil paintings takes us to c. 1770s when "The Iron Forge Viewed from Without" mesmerized viewers with its depiction of flames dancing amidst billowing smoke—an atmospheric glimpse into this age-old profession.