Black Ink Collection (page 42)

Fa licien Rops (Belgian, 1833-1898), Washerwomen, c
Fa© licien Rops (Belgian, 1833-1898), Washerwomen, c.1884-1887, counterproof of an etching with pen and black ink, black and white chalk, and gray wash

Isaac de Moucheron, Dutch (1667-1744), Landscape with a Natural Arch, watercolor and pen and black ink over traces of black chalk on laid paper

Johann Friedrich Stock, German (died 1866), View of Muhlendamm, 1834, pen and black ink with gray wash on wove paper

Jacob de Wit, Dutch (1695-1754), The Four Fathers of the Church, pen and black ink with brown wash with white heightening on brown laid paper

Luigi Ademollo, Italian (1764-1849), Moses and Aaron before Pharaoh, with the Rods Turned into Serpents, pen and black ink, with black wash and white gouache on wove paper

Donato Creti, Italian (1671-1749), Apollo Standing in a River Landscape, 1720-1730, pen and brown and black ink on laid paper; laid down

Giuliano Traballesi, Italian (1727-1812), The Nativity, pen and black ink with brown wash, heightened withwhite, on (brown paper?)

Giuseppe Maria Mitelli, Italian (1634-1718), A Caricature with Ball Players, iron gall ink on laid paper, with black ink borders

Style of Willem van de Velde the Younger, Marine, pen and black ink with gray wash

Lodewyk Toeput, Flemish (c. 1550-1603-1605), Summer Harvest in an Extensive Landscape, pen and black ink with blue and gray wash over black chalk on laid paper

Wigerus Vitringa, Dutch (1657-1721), River Landscape with a Ferry Boat, pen and black ink and watercolor on laid paper mounted on board

Carl Gotthard Langhans, German (1732-1808), Death Stalking a Woman, pen and black ink with gray wash on laid paper

Sebald Beham, German (1500-1550), Saint Nicholas, pen and black ink

Ludwig Emil Grimm, German (1790-1863), The Artists Brother-in-Law, Ludwig Hassenpflug, Preparing to Play the Piano, 1826, pen and black ink over graphite on wove paper

Master of the Coburg Roundels, German (15th Century), Female Figure Kneeling in Prayer [verso], c. 1490, pen and black ink on antique laid paper

Primary Master of the Strassburg Chronicle, German (active 1480s and 1490s), Maximilian, Duke of Austria, on Horseback, 1492

Jakob Walther, German (active 1584-1604), A Mastiff with a Gold-Tooled Collar, pen and black ink with gray and brown wash, with touches of gold ink, over traces of black chalk on laid paper

Hans SaOEss von Kulmbach, German (c. 1485-1522), A Standing Apostle Holding a Book, c. 1510 or before, pen and black ink on laid paper, lightly washed pink

German 16th Century, Christ Disputing with the Doctors, c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper

German 16th Century, Christ Healing the Lame [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper

Jean-Louis Forain, -Qu est-ce vous voulez? -Les louis de 1871, French
Jean-Louis Forain, -Qu est-ce vous voulez? -Les " louis" de 1871, French, 1852-1931, c. 1914-1919, brush and black ink and black crayon on laid paper

Jean-Louis Forain, Rassurez vous; je suis gauche. French, 1852-1931, c. 1914-1919, black crayon and brush and black ink on wove paper

Jean-Louis Forain, Au Piree. -Le depart des boches. French, 1852-1931, c. 1914-1919, black crayon and brush and black ink corrected with white gouache on wove paper

Jean-Louis Forain, En somme ca n est que du materiel humain. French
Jean-Louis Forain, En somme ca n est que du " materiel humain.", French, 1852-1931, c. 1914-1919, brush and black ink and black crayon on wove paper

Jean-Louis Forain, Quand le boche se retire... French, 1852-1931, probably 1917, black crayon and brush and black ink on wove paper

Jean-Louis Forain, Celui qui tira sur Clemenceau, French, 1852-1931, in or after 1919, brush and black ink with black crayon on laid paper

Georges Hurtrel, French (active 1870-1887), Scribe Writing and the Author Presenting His Book, in or before 1870, pen and black ink with black wash, heightened with white and gold

Jean-Louis Forain, Mother and Child Visited by Soldier in Hospital, French, 1852-1931, c. 1914-1919, brush and black ink and black crayon on laid paper

Jean-Louis Forain, Sur la ligne de feu, French, 1852-1931, c. 1914-1919, black crayon with brush and black ink on wove paper

Fa lix Bracquemond, Coastal Landscape, French, 1833-1914, brush and black ink with
Fa© lix Bracquemond, Coastal Landscape, French, 1833-1914, brush and black ink with (faded) blue wash on brown wove paper

Fa lix Bracquemond, Chicks, French, 1833-1914, brush and black ink with touches of
Fa© lix Bracquemond, Chicks, French, 1833-1914, brush and black ink with touches of gray wash over graphite on brown paper

Jean-Louis Forain, -Un farman? -non, c est un boche. French, 1852-1931, c. 1914-1919, black crayon and brush and black ink on laid paper

Cla ment-Pierre Marillier, French (1740-1808), An Ancient Sacrifice, c. 1800, pen
Cla© ment-Pierre Marillier, French (1740-1808), An Ancient Sacrifice, c. 1800, pen and black ink with gray wash, heightened with white, on laid paper

Charles Meryon, French (1821-1868), Tikao, naturel d Akaroa, pen and black ink over graphite

Honora Daumier, French (1808-1879), The Prodigal Son, pen and black ink with wash
Honora© Daumier, French (1808-1879), The Prodigal Son, pen and black ink with wash on laid paper

Louis-Felix de La Rue after Raphael, French (1731-1765), The Prophets Hosea and Jonah, pen and black ink and gray wash over graphite on laid paper

Jacques Louis Franazois Touza, French (1747-1807), Loaned Kiss, in or before 1795
Jacques Louis Franazois Touza©, French (1747-1807), Loaned Kiss, in or before 1795, pen and black ink and watercolor

Style of Hubert Robert, The Seesaw, pen and black ink and watercolor on laid paper

French 18th Century Follower of Giovanni Battista Piranesi, Roman Prison, second half 18th century, pen and black ink with brown

Studio of Claude Nicolas Ledoux, Portal of the Haśtel d Uzašs, rue Montmartre, Paris, 1768 or 1784, pen and black ink with watercolor on laid paper

Julius Caesar Ibbetson, British (1759-1817), Skaters on the Serpentine in Hyde Park, 1786, pen and black ink and watercolor on laid paper; laid down

British 19th Century, A Mountainous Landscape, first half 19th century, pen and black ink with gray wash over graphite on wove paper

Jost Amman, Swiss (1539-1591), Apollo, c. 1580, pen and black ink on laid paper

Jost Amman, Swiss (1539-1591), The Jester, 1586, pen and black ink

Swiss 16th Century, A Man in Armor, black chalk, pen and black ink, and gray wash heightened with white on red-orange prepared laid paper

Christoph Murer, Swiss (1558-1614), Joshua and the Israelites before the Walls of Jericho, c. 1600, pen and black ink and gray wash on laid paper

Thomas Malton, British (1748-1804), Milsom Street in Bath, 1784, pen and gray and black ink with gray wash and watercolor over graphite on laid paper

Luca Penni, Italian (1500-1504-1556), The Banquet of Achelous, c. 1545, pen and black ink with brown and blue-gray washes, heightened with white gouache on paper washed light brown

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"Exploring the Timeless Beauty of Black Ink: From Ancient Goddesses to Captivating Artworks" Delve into the captivating world of black ink, where its deep hues and intricate strokes have mesmerized artists and art enthusiasts for centuries. In the 1800s, an unknown creator skillfully depicted The Goddess Kali, exuding power and mystique through every stroke. Similarly, Gajalakshmi emerged as a symbol of prosperity with elephants adorning her presence in another enigmatic artwork from that era. Travel back further to the 17th century when Abraham Hondius captured the intensity of a Boar Hunt using black ink as his medium. The dynamic lines bring forth the adrenaline-filled chase on paper, showcasing both artistic talent and storytelling prowess. Meanwhile, Johann Baptist Enderle's Saint Ignatius Leaving Antioch transports us to a different time altogether with its masterful use to depict historical narratives. Beyond paintings, it has found its place in practicality. Chippendale Drawings Vol II showcases exquisite designs for Library Bookcases and Tables crafted with precision and elegance. These drawings serve as a testament to how even functional objects can be transformed into works of art through meticulous detailing. Intriguingly diverse forms emerge within this realm; NIPA UNITED presents contemporary calligraphy that merges tradition with modernity while Anuman peony line art captures delicate beauty through minimalistic yet striking lines. The versatility extends beyond pen alone - Marstrand Castle comes alive in charcoal sketches combined with pen strokes by an artist who effortlessly captures architectural grandeur. Furthermore, Kartikeya stands tall among other divine figures portrayed in rich blacks during the 1800s. Lastly, Lakshmi and Sarasvati grace us with their presence on canvas – two goddesses brought to life by unknown creators who harnessed the power to convey their divine essence.