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Betrothal Collection (page 7)

"Betrothal: A Timeless Union of Hearts and Traditions" In the enchanting world of love, betrothals have long been a symbol of commitment and anticipation

Background imageBetrothal Collection: THE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 a

THE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 a
THE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 A

Background imageBetrothal Collection: Marriage of the Virgin Mary. Main gate. Relief. Milan Cathed

Marriage of the Virgin Mary. Main gate. Relief. Milan Cathed
Italy. Milan Cathedral. Main gate. The marriage of the Virgin Mary

Background imageBetrothal Collection: Betrothal rings 1912

Betrothal rings 1912
Betrothal, puzzle, posy and true-love rings were usual worn on the third finger. The ring symbolizing a circle implying our repects (or regards)

Background imageBetrothal Collection: CAMPIN, Robert. The Betrothal of

CAMPIN, Robert. The Betrothal of
Piece of chess representing an elephant belonging to Charlemagne. Hindu art. Sculpture on ivory. FRANCE. Ό E-DE-FRANCE. Paris. National Library

Background imageBetrothal Collection: Engagement of Princess May to Prince George 1893

Engagement of Princess May to Prince George 1893
On May 1893 the betrothal of Duke of York, later King George V to Princess May, (1867 - 1953) later Queen Mary consort, daughter of the Duke and Duchess of Teck, was announced. Date: 1893

Background imageBetrothal Collection: Betrothal Virgin ca 1770 Pen brown ink wash black chalk

Betrothal Virgin ca 1770 Pen brown ink wash black chalk
Artokoloro

Background imageBetrothal Collection: Betrothal of the Princess Isabella to Richard

Betrothal of the Princess Isabella to Richard

Background imageBetrothal Collection: The Village Agreement, 1761 (oil on canvas)

The Village Agreement, 1761 (oil on canvas)
XIR83473 The Village Agreement, 1761 (oil on canvas) by Greuze, Jean Baptiste (1725-1805); 92x117 cm; Louvre, Paris, France; French, out of copyright

Background imageBetrothal Collection: The Marriage of the Virgin, c. 1763 (oil on canvas)

The Marriage of the Virgin, c. 1763 (oil on canvas)
XIR476000 The Marriage of the Virgin, c.1763 (oil on canvas) by Deshays de Colleville, Jean Baptiste (1729-65); Musee de la Chartreuse, Douai, France; (add.info.: Le Mariage de la Vierge); French

Background imageBetrothal Collection: Studio of Rembrandt van Rijn, The Betrothal of the Holy Virgin, pen and brown ink

Studio of Rembrandt van Rijn, The Betrothal of the Holy Virgin, pen and brown ink with brown wash on laid paper

Background imageBetrothal Collection: Albrecht DaOErer, The Betrothal of Maximilian with Mary of Burgundy, German, 1471 - 1528

Albrecht DaOErer, The Betrothal of Maximilian with Mary of Burgundy, German, 1471 - 1528, 1511, woodcut

Background imageBetrothal Collection: Detail of the Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St

Detail of the Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St
XIR434157 Detail of the Meeting of Etherius and Ursula and the Departure of the Pilgrims, from the St. Ursula Cycle, c.1490-96 (oil on canvas) (detail of 56472) by Carpaccio

Background imageBetrothal Collection: Signor Marsilio Cassotti and his Wife, Faustina, 1523 (oil on canvas)

Signor Marsilio Cassotti and his Wife, Faustina, 1523 (oil on canvas)
XIR38619 Signor Marsilio Cassotti and his Wife, Faustina, 1523 (oil on canvas) by Lotto, Lorenzo (c.1480-1556); 71x84 cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageBetrothal Collection: The Betrothal of the King of Spain: the Kings Envoy Formally Asking the Duke

The Betrothal of the King of Spain: the Kings Envoy Formally Asking the Duke of Montpensier for the Hand of the Infanta Mercedes, 1878

Background imageBetrothal Collection: THE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 a died 1905)

THE BETROTHAL by OTTO ERDMANN. Otto Wilhelm Eduard Erdmann (born 1834 a died 1905) was a German Realism-Impressionism painter, famous for his fine interior scenes with figures from the 18th century

Background imageBetrothal Collection: The Tsar choosing a Bride, c. 1886 (oil on canvas)

The Tsar choosing a Bride, c. 1886 (oil on canvas)
BAL265726 The Tsar choosing a Bride, c.1886 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); 65x101 cm; State Art Gallery, Perm; Russian, out of copyright

Background imageBetrothal Collection: The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini

The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini
XCF259752 The Portrait of Giovanni (?) Arnolfini and his Wife Giovanna Cenami (?) (The Arnolfini Marriage) 1434 (oil on panel) (detail of 1765) by Eyck

Background imageBetrothal Collection: Eliezer Asking for Rebecca to Marry Isaac, 1562 (oil on panel)

Eliezer Asking for Rebecca to Marry Isaac, 1562 (oil on panel)
XIR249257 Eliezer Asking for Rebecca to Marry Isaac, 1562 (oil on panel) by Vos, Maarten de (1532-1603); 107x168 cm; Musee des Beaux-Arts, Rouen

Background imageBetrothal Collection: The Engagement (b / w photo)

The Engagement (b / w photo)
XIR248260 The Engagement (b/w photo) by Stella, Jacques (1596-1657); Private Collection; (add.info.: Les fiancailles; (see also 293652)); French, out of copyright

Background imageBetrothal Collection: The Medici Cycle: Exchange of the Two Princesses of France and Spain, 9th November 1615

The Medici Cycle: Exchange of the Two Princesses of France and Spain, 9th November 1615
XIR17702 The Medici Cycle: Exchange of the Two Princesses of France and Spain, 9th November 1615, 1621-25 (oil on canvas) by Rubens, Peter Paul (1577-1640); 394x295 cm; Louvre, Paris

Background imageBetrothal Collection: The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c

The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c
XIR159390 The Engagement of St. Ursula and Prince Etherius, detail of the black musicians, c.1520 (oil on panel) by Master of Saint Auta (fl.1512-29); 68x73 cm; Museu Nacional de Arte Antiga, Lisbon

Background imageBetrothal Collection: Marriage of the Virgin, from the Dome Altar, 1499 (tempera on panel)

Marriage of the Virgin, from the Dome Altar, 1499 (tempera on panel)
XKH145507 Marriage of the Virgin, from the Dome Altar, 1499 (tempera on panel) by Stumme, Absolon (15th century); 233x171 cm; Hamburger Kunsthalle, Hamburg

Background imageBetrothal Collection: Jewish Engagement Celebration, from the Judisches Ceremoniel, by Paul Christian Kirchner

Jewish Engagement Celebration, from the Judisches Ceremoniel, by Paul Christian Kirchner
XJF115898 Jewish Engagement Celebration, from the Judisches Ceremoniel, by Paul Christian Kirchner, 1726 (engraving) by German School, (18th century); Private Collection; German, out of copyright

Background imageBetrothal Collection: The Marriage Contract

The Marriage Contract
BAL16045 The Marriage Contract by Horemans, Jan Josef the Elder (1682-1759); Private Collection; Flemish, out of copyright

Background imageBetrothal Collection: Marriage of Edward II (1284-1327) and Isabella of France (1292-1358) (engraving)

Marriage of Edward II (1284-1327) and Isabella of France (1292-1358) (engraving)
XJF144063 Marriage of Edward II (1284-1327) and Isabella of France (1292-1358) (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Background imageBetrothal Collection: Marriage a la Mode: I - The Marriage Settlement, c. 1743 (oil on canvas)

Marriage a la Mode: I - The Marriage Settlement, c. 1743 (oil on canvas)
XOS1109256 Marriage a la Mode: I - The Marriage Settlement, c.1743 (oil on canvas) by Hogarth, William (1697-1764); 69.9x90.8 cm; National Gallery, London

Background imageBetrothal Collection: The Discovery

The Discovery
BAL11016 The Discovery by Roberts, Thomas Edward (1820-1901); Roy Miles Fine Paintings; English, out of copyright



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"Betrothal: A Timeless Union of Hearts and Traditions" In the enchanting world of love, betrothals have long been a symbol of commitment and anticipation. One such remarkable betrothal took place between Princess Elizabeth and Lieutenant Philip Mountbatten, captivating hearts worldwide. Their engagement at Buckingham Palace in 1947 marked the beginning of a legendary love story that would later unfold. The portrait by Louis Wain captures the essence of betrothed bliss as it depicts a radiant bride and groom on their special day. Love radiates from their eyes, promising an eternal bond filled with joy and devotion. Giovanni Arnolfini's iconic painting showcases another timeless moment - after marriage. This masterpiece by Firs Sergeevich Zhuravlev immortalizes the couple's union, capturing their deep affection for each other. Reminiscent of classic romance is "The Jewish Bride, " an exquisite oil painting from 1667 that portrays tenderness and intimacy between two souls bound together in matrimony. Delving into history, we uncover tapestries depicting "The Betrothal and Marriage" of Marie de Bourgogne to Maximilian, transporting us back to fifteenth-century Brussels or Tournai. These intricate woolen threads interwoven with silk tell tales of noble unions steeped in tradition. Yet not all stories are without twists; "The Cuckold Bridegroom" reminds us that even amidst celebrations, challenges may arise within relationships. Boris Artemyevich Chorikov's illustration transports us to Ivan III's marriage to Sophia Palaiologina in 1472 – a reminder that every union has its unique journey. Venturing beyond borders brings us to Turkmenistan customs where engagements extend beyond mere moments but continue as cherished traditions passed down through generations since 1881. However, not all aspects surrounding they are rosy.