Benozzo Gozzoli Collection

The Journey of the Magi, 1459-1461. Artist: Benozzo Gozzoli
The Journey of the Magi, 1459-1461. Balthazar from The Magi Chapel, Palazzo Medici Riccardi, Florence, Italy. From The Connoisseur Volume 94, edited by Edward Wenham

Procession of Melchior, from the Chapel of the Magi (fresco) (detail of 70601)
ALG293853 Procession of Melchior, from the Chapel of the Magi (fresco) (detail of 70601) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence

The Journey of the Magi, 1459-60 (fresco)
3493741 The Journey of the Magi, 1459-60 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence, Italy; (add.info.: by Benozzo di Lese di Sandro Gozzoli (1420-97))

The Journey of the Magi, 1459-60 (fresco)
884954 The Journey of the Magi, 1459-60 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence, Italy; (add.info.: by Benozzo di Lese di Sandro Gozzoli (1420-97))

Landscape with a castle, detail from the Procession of the Magi Kings to Bethlehem, 1459 (fresco)
3493737 Landscape with a castle, detail from the Procession of the Magi Kings to Bethlehem, 1459 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence

A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St
6204267 A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St

Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St
6204266 Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St

Detail of the wall with St. Jerome leaving Rome, Chapel of St. Jerome, 1452 (fresco)
6204268 Detail of the wall with St. Jerome leaving Rome, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia

Chapel of St. Jerome, 1452 (fresco)
6204265 Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St)

Life of St. Francis, in the vault of the central apse, 1450 (fresco)
6204245 Life of St. Francis, in the vault of the central apse, 1450 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia

Detail with St. Jerome taking the thorn from the lions paw, Chapel of St. Jerome, 1452 (fresco)
6204272 Detail with St. Jerome taking the thorn from the lions paw, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia

Chapel of St. Jerome, 1452 (fresco)
6204264 Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St. Francis)

Christ the judge and angels, detail, 1447-49
6262744 Christ the judge and angels, detail, 1447-49 by Angelico, Fra (Guido di Pietro) (c.1387-1455) & Gozzoli, Benozzo di Lese di Sandro (1420-97); Duomo (Cathedral of Santa Maria Assunta)

The Prophets, 1447-49 (fresco)
6262747 The Prophets, 1447-49 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena... 1481
Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors, 1481. Detail from a larger artwork

Mosaic Portraits in the South Kensington Museum (engraving)
1620568 Mosaic Portraits in the South Kensington Museum (engraving) by English School, (19th century); Private Collection; (add.info.: Mosaic Portraits in the South Kensington Museum)

Pencil Outline of a Part of the Fresco of "The Friends of Job"
1218062 Pencil Outline of a Part of the Fresco of " The Friends of Job" in the Camposanto, Pisa, attributed to Taddeo Gaddi, 14 - 16 May 1845 (graphite on wove paper) by Ruskin

Drawing of Abraham parting from the Angels from Benozzo Gozzolis "
1218063 Drawing of Abraham parting from the Angels from Benozzo Gozzolis " Story of Abraham and Hagar" in the Camposanto, Pisa

St Thomas Aquinas, Benozzo Gozzoli (engraving)
3635822 St Thomas Aquinas, Benozzo Gozzoli (engraving) by English School, (19th century); Private Collection; (add.info.: St Thomas Aquinas, Benozzo Gozzoli)

Portrait of Benozzo Gozzoli, by himself, from the fresco in the Chapel of the Riccardi Palace, Florence (litho)
5198535 Portrait of Benozzo Gozzoli, by himself, from the fresco in the Chapel of the Riccardi Palace, Florence (litho) by American School

Study after Gozzoli, 1858. Creator: Elihu Vedder
Study after Gozzoli, 1858

The Raising of Lazarus, mid 1490s. Creator: Benozzo Gozzoli
The Raising of Lazarus, mid 1490s

Saint Ursula with Two Angels and Donor, c. 1455 / 1460. Creator: Benozzo Gozzoli
Saint Ursula with Two Angels and Donor, c. 1455/1460

The Conversion of Saint Paul. Creator: Benozzo Gozzoli
The Conversion of Saint Paul

Head of a Man, Two Studies of a Womans Profile, and a Study of An Angel (verso), c. 1458

Cow and calf, mid-late 15th centuy, (1943). Creator: Benozzo Gozzoli
Cow and calf, mid-late 15th centuy, (1943). Drawing in the Gallerie dell Accademia, Venice. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Benozzo Gozzoli, ca 1568
Benozzo Gozzoli. From: Giorgio Vasari, The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, ca 1568. Private Collection

The Vintage and Drunkenness of Noah, 1469-1484 (1870). Artist: Franz Kellerhoven
The Vintage and Drunkenness of Noah, 1469-1484 (1870). After a copy belonging to Mr Ambroise Firmin Didot. From the Camposanto, Pisa

Adoration of the Magi, 1882. Fragment of a fresco in the Medici Palace (Palazzo Riccardi). From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Mystical Marriage of St Catherine, 1466 (1930). Artist: Benozzo Gozzoli
Mystical Marriage of St Catherine, 1466 (1930). Original found in the collection of the Municipal Gallery, Terni. From Apollo magazine, volume XII, no 69 (September 1930)

Umbria Perugia Beroide S. Antonio Abate frescoes
Umbria Perugia Beroide S. Antonio Abate. Remaining views are of frescoes by Benozzo Gozzoli

Old Italian Masters Portrait Benozzo Gozzoli
Old Italian Masters: Portrait of Benozzo Gozzoli, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving

Benozzo Gozzoli, C. 1421 A

Saints Nicholas Tolentino Roch Sebastian Bernardino
Artokoloro

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Benozzo Gozzoli: A Master of Fresco Painting Benozzo Gozzoli, an Italian Renaissance painter, was renowned for his exceptional frescoes that adorned various chapels and churches. One of his most famous works is the "Procession of Melchior, " a captivating detail from the Chapel of the Magi's fresco. This masterpiece showcases Gozzoli's meticulous attention to detail and vibrant color palette. In another remarkable fresco called "The Journey of the Magi, " created between 1459-60, Gozzoli depicts the biblical story with great skill and imagination. The composition transports viewers into a world filled with awe-inspiring landscapes and intricate architectural elements. Gozzoli's talent in creating breathtaking landscapes is evident in his work titled "Landscape with a castle. " This detail from the Procession of the Magi Kings to Bethlehem captures nature's beauty while complementing the narrative unfolding before our eyes. Not limited to religious subjects, Gozzoli also painted secular scenes like his fake polyptych found in the Chapel of St. Jerome. This piece features depictions of Virgin Mary and Child alongside saints such as Anthony of Padua, St. Jerome, St. John, and St. Louis of Toulouse. Within this chapel, one can admire further details showcasing Gozzoli's mastery; for instance, there is a captivating depiction showing St. Jerome leaving Rome on a wall panel. Another notable work by Gozzoli includes his frescoes depicting scenes from the life of St. Francis in the vaulted central apse area dating back to 1450. These paintings exhibit not only technical brilliance but also convey deep spiritual meaning through their subject matter. One cannot overlook Gozzoli's ability to capture emotion within his artistry; an example being seen in a detail where he portrays St. Jerome tenderly removing thorns from a lion’s paw—a testament to the artist's ability to convey compassion and empathy.