Bending Collection (page 9)

Two Dancers; Deux danseuses evoluant, c. 1889 (charcoal and pastel on paper)
1768146 Two Dancers; Deux danseuses evoluant, c.1889 (charcoal and pastel on paper) by Degas, Edgar (1834-1917); 61.9x47.9 cm; Private Collection; (add.info.: Two Dancers; Deux danseuses evoluant)

Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt
1767983 Long-haired Nude, Leaning Forward, Back View; Langhaariger Akt, vornubergebeugt, Ruckenansicht, 1918 (charcoal on paper) by Schiele

Peasant Working; Paysan travaillant, 1882-1883 (oil on panel)
1767824 Peasant Working; Paysan travaillant, 1882-1883 (oil on panel) by Seurat, Georges Pierre (1859-91); 16x25 cm; Private Collection; (add.info.: Peasant Working; Paysan travaillant)

A New Sign for the Old Inn, 1870 (oil on canvas)
1767432 A New Sign for the Old Inn, 1870 (oil on canvas) by Bacon, Henry (1839-1912); 90.2x116.8 cm; Private Collection; (add.info.: A New Sign for the Old Inn. Henry Bacon (1839-1912)

An Afternoon Visit, (oil on panel)
827081 An Afternoon Visit, (oil on panel) by Piltz, Otto (1864-1910); 38.5x49.5 cm; Private Collection; (add.info.: An Afternoon Visit. Otto Piltz (1864-1910). Oil on panel

A Shady Spot, c. 1920 (oil on canvas)
826723 A Shady Spot, c.1920 (oil on canvas) by Clausen, George (1852-1944); 61x51 cm; Private Collection; (add.info.: A Shady Spot. Sir George Clausen (1852-1944). Oil on canvas. Painted circa 1920

The Fountain des Lices in St, 1895 (oil on canvas)
825245 The Fountain des Lices in St, 1895 (oil on canvas) by Signac, Paul (1863-1935); 65.8x82 cm; Private Collection; (add.info.: The Fountain des Lices in St. Tropez; La Fontaine des Lices a St)

Dancer Standing, in Profile; Danseuse Debout, de Profil, c
825137 Dancer Standing, in Profile; Danseuse Debout, de Profil, c.1880 (pastel on tan paper laid down on board) by Degas, Edgar (1834-1917); 59.8x44.9 cm; Private Collection; (add.info)

The Pickers; La Cueillette, 1890 (pastel on paper)
825084 The Pickers; La Cueillette, 1890 (pastel on paper) by Pissarro, Camille (1830-1903); 40x29.2 cm; Private Collection; (add.info.: The Pickers; La Cueillette. Camille Pissarro (1830-1903)

Admiring the Baby, (oil on canvas)
827361 Admiring the Baby, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 127x91.5 cm; Private Collection; (add.info.: Admiring the Baby. George Goodwin Kilburne (1839-1924). Oil on canvas

The Bath; Le Bain, (oil on canvas)
824520 The Bath; Le Bain, (oil on canvas) by Lebasque, Henri (1865-1937); 62x51 cm; Private Collection; (add.info.: The Bath; Le Bain. Henri Lebasque (1865-1937). Oil on canvas

A Quiet Afternoon, (watercolour and gouache)
827347 A Quiet Afternoon, (watercolour and gouache) by Blommers or Bloomers, Bernardus Johannes (1845-1914); 29.3x37.9 cm; Private Collection; (add.info.: A Quiet Afternoon)

A Beautiful Connoisseur, 1874 (watercolour and gouache)
827233 A Beautiful Connoisseur, 1874 (watercolour and gouache) by Moragas y Torras, Tomas (1837-1906); 49.8x35.8 cm; Private Collection; (add.info.: A Beautiful Connoisseur)

Pigsty, Nursery; Schweinekoben, Wochenstube, 1887 (oil on board)
1196349 Pigsty, Nursery; Schweinekoben, Wochenstube, 1887 (oil on board) by Liebermann, Max (1847-1935); 49.8x64.4 cm; Private Collection; Photo eChristies Images; German, out of copyright

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Visiting Uncle, (oil on canvas)
658934 The Visiting Uncle, (oil on canvas) by Brozik, Vaclav (Wenzel von) (1851-1901); 94.5x140.5 cm; Private Collection; (add.info.: The Visiting Uncle. Vaclav Brozik (1851-1901). Oil on canvas

At the Fair; En la Feria, (oil on canvas)
659118 At the Fair; En la Feria, (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 19x22.5 cm; Private Collection; (add.info.: At the Fair; En la Feria)

At the Spring, 1870 (oil on canvas)
659075 At the Spring, 1870 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 76.2x91.5 cm; Private Collection; (add.info.: At the Spring. Frederick Richard Pickersgill (1820-1900)

After the Ball, (oil on panel)
658728 After the Ball, (oil on panel) by Baugniet, Charles (1814-86); 54x67.9 cm; Private Collection; (add.info.: After the Ball. Charles Baugniet (1814-1886). Oil on panel

Hide and Seek, 1876 (oil on canvas)
658477 Hide and Seek, 1876 (oil on canvas) by Ludovici, Albert Snr. (1820-94); 45x35.5 cm; Private Collection; (add.info.: Hide and Seek. Albert Ludovici, Sr. (1820-1891). Oil on canvas. Dated 1876

Gathering Spring Flowers, (oil on canvas)
658278 Gathering Spring Flowers, (oil on canvas) by King, Henry John Yeend (1855-1924); 61x91.5 cm; Private Collection; (add.info.: Gathering Spring Flowers. Henry John Yeend King (1855-1924)

Thaumalea Amherstiae (Lady Amhersts Pheasant), 1870-1872 (hand-coloured lithograph)
991229 Thaumalea Amherstiae (Lady Amhersts Pheasant), 1870-1872 (hand-coloured lithograph) by Keulemans, Johan Gerard (1842-1912) & Wolf

Kneeling woman, 1912 (gouache, w / c & pencil on paper)
993711 Kneeling woman, 1912 (gouache, w/c & pencil on paper) by Schiele, Egon (1890-1918); 30.8x48.2 cm; Private Collection; (add.info.: Kniende Frau); Photo eChristies Images; Austrian

A Sheperdess Picking Flowers, (red chalk on paper)
990043 A Sheperdess Picking Flowers, (red chalk on paper) by Robert, Hubert (1733-1808); 36.6x28.5 cm; Private Collection; (add.info.: A Sheperdess Picking Flowers. Hubert Robert (1733-1808)

A Hatful of Bittersweet, 1877 (oil on canvas)
823039 A Hatful of Bittersweet, 1877 (oil on canvas) by Brownscombe, Jennie Augusta (1850-1936); 71.4x51.5 cm; Private Collection; (add.info.: A Hatful of Bittersweet)

Advertising poster for the mineral water Vitalis, 1895 (colour lithograph)
1770026 Advertising poster for the mineral water Vitalis, 1895 (colour lithograph) by Hohenstein, Adolfo (1854-1928); 122x90 cm; Private Collection; (add.info)

Windsor, 1878 (etching)
6198443 Windsor, 1878 (etching) by Haden, Francis Seymour (1818-1910); 33.2x44.5 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; British

Woman at the Tub from Elles, 1896 (litho)
CH12619 Woman at the Tub from Elles, 1896 (litho) by Toulouse-Lautrec, Henri de (1864-1901); Private Collection; Photo eChristies Images; French, out of copyright

Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper)
3950206 Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.7x42.9 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper)
3950203 Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x34.3 cm; Addison Gallery of American Art, Phillips Academy

Plate 184. Walking on Hands and Feet, 1872-85 (collotype on paper)
3950193 Plate 184. Walking on Hands and Feet, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x36.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 211. Stooping and Lifting Hand-Kerchief; Parasol in Left Hand
3950468 Plate 211.Stooping and Lifting Hand-Kerchief; Parasol in Left Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x35.4 cm; Addison Gallery of American Art

Plate 440. Stooping and Rinsing Tumbler, 1872-85 (collotype on paper)
3950261 Plate 440. Stooping and Rinsing Tumbler, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x35.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 225. Removing Water Jar from Shoulder to the Ground, 1872-85 (collotype on paper)
3950207 Plate 225. Removing Water Jar from Shoulder to the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x44.3 cm; Addison Gallery of American Art, Phillips Academy

The whole story of the Jaguar and the Hedgehog and the Tortoise
STC405568 The whole story of the Jaguar and the Hedgehog and the Tortoise and the Armadillo all in a heap, illustration from Just So Stories for Little Children by Rudyard Kipling, pub

Child bending over, Italy, c. 1960 (gelatin silver print)
494345 Child bending over, Italy, c.1960 (gelatin silver print) by Villani, Achille (1870-1945); Alinari

Hermes tying his sandal, Roman copy of a Greek original attributed to Lysippos
PWI94606 Hermes tying his sandal, Roman copy of a Greek original attributed to Lysippos, 1st or 2nd century AD (marble) (see 164619-164620 for details) by Lysippos (fl.370-310 BC) (after); height

A Woman Bends Down to Kiss a Child (pencil, pen, ink & wash on paper)
UCL273983 A Woman Bends Down to Kiss a Child (pencil, pen, ink & wash on paper) by Flaxman, John (1755-1826); 17.2x12.3 cm; UCL Art Museum, University College London, UK; eUCL Art Museum

Boys playing American football. Date: circa 1970s

The Woman Taken in Adultery (after Rembrandt), c. 1845 (oil on canvas)
3506268 The Woman Taken in Adultery (after Rembrandt), c.1845 (oil on canvas) by Unknown Artist, (19th century); 84.5x68.5 cm; Herbert Art Gallery & Museum, Coventry

Nobody Of Any Importance (coloured engraving)
3641905 Nobody Of Any Importance (coloured engraving) by Bennett, Charles Henry (1828-67); Private Collection; (add.info.: Nobody Of Any Importance)

King Edgar with Queen Elfrida receivng the homage of eight tributary Princes at Chester, 973 AD (colour litho)
3643323 King Edgar with Queen Elfrida receivng the homage of eight tributary Princes at Chester, 973 AD (colour litho) by Herbert

Bombed shop, London Road, Manchester
Bombed shop in London Road, Manchester, May 1939, believed to be caused by an IRA bomb. 1939

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"Bending: A Multifaceted Journey Through Art, Nature, and Culture" In the captivating painting "The Return of the Prodigal Son" by Rembrandt Harmensz van Rijn, we witness a profound moment of bending. The prodigal son humbly bends his knee in repentance as he returns to his father's embrace, symbolizing forgiveness and redemption. Similarly, Titian's masterpiece "Noli Me Tangere" portrays Mary Magdalene at the feet of Jesus Christ. Her posture reflects both reverence and surrender as she bends before her savior. Moving from art to nature's wonders, Coumeenoole beach on Ireland's Dingle peninsula invites us to contemplate the power in harmony with natural forces. The rugged cliffs gracefully bend towards the crashing waves, reminding us of our own need for flexibility amidst life's challenges. Across cultures and festivities, monks lighting khom loy candles during Thailand's Loi Krathong festival demonstrate a spiritual form of bending. Their actions represent humility and devotion as they bend their bodies while igniting these beautiful lanterns that light up the night sky. Meanwhile, on Wando Island in South Korea, a line of women planting rice showcases physical bending intertwined with resilience. Despite flooded paddy fields testing their endurance, these women stoop low to ensure bountiful harvests - a testament to human adaptability. Creativity takes center stage when an elephant paints using its trunk. This astonishing display reveals not only incredible dexterity but also how animals can bend their skills beyond what is conventionally expected. In colder climes like ice fishing scenes depict individuals patiently bent over frozen lakes or rivers; it represents dedication and perseverance even in harsh conditions where one must adapt techniques for survival. Shifting gears into medical marvels captured through X-rays; neck vertebrae extended reveal intricate details about our body’s ability to flexibly support movement while maintaining stability.