Bend Collection (page 6)

Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper)
3950206 Plate 224. Stooping and Lifting Water Jar to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.7x42.9 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper)
3950203 Plate 221. Stooping and Lifting 12 lb basket to Head, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x34.3 cm; Addison Gallery of American Art, Phillips Academy

Plate 211. Stooping and Lifting Hand-Kerchief; Parasol in Left Hand
3950468 Plate 211.Stooping and Lifting Hand-Kerchief; Parasol in Left Hand, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x35.4 cm; Addison Gallery of American Art

Plate 440. Stooping and Rinsing Tumbler, 1872-85 (collotype on paper)
3950261 Plate 440. Stooping and Rinsing Tumbler, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.3x35.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 225. Removing Water Jar from Shoulder to the Ground, 1872-85 (collotype on paper)
3950207 Plate 225. Removing Water Jar from Shoulder to the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x44.3 cm; Addison Gallery of American Art, Phillips Academy

The whole story of the Jaguar and the Hedgehog and the Tortoise
STC405568 The whole story of the Jaguar and the Hedgehog and the Tortoise and the Armadillo all in a heap, illustration from Just So Stories for Little Children by Rudyard Kipling, pub

Dancer
Catherine W

The Cresta Run - a repair party at work
Workmen busy tuning up what is one of the most famous toboggan runs in the world - the Cresta Run in St. Moritz - at Battledore and Shuttlecock, two well known turns. Date: 1924

Herblay, La River (oil on canvas)
LEF220699 Herblay, La River (oil on canvas) by Signac, Paul (1863-1935); 60x91.5 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

The Letters (colour litho)
3642897 The Letters (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter S. Postcard, early 20th century.); © Look and Learn

The Letter K (colour litho)
3642890 The Letter K (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter K. Postcard, early 20th century.); © Look and Learn

French racing driver Henri Farman crashing on a bend during a qualifying race for the Gordon Bennett Cup in
3097506 French racing driver Henri Farman crashing on a bend during a qualifying race for the Gordon Bennett Cup in the Auvergne (colour litho) by French School

Motoring: a dangerous turn (colour litho)
3104191 Motoring: a dangerous turn (colour litho) by Sager, Xavier (1870-1930); Private Collection; (add.info.: Motoring: a dangerous turn)

Burford Bridge Hotel, Dorking, Surrey. Date: circa 1908

View of William Street, Galway, Ireland, with snow on the ground. Date: circa 1912

Bobsleigh (chromolitho)
2782833 Bobsleigh (chromolitho) by European School, (19th century); Private Collection; (add.info.: Bobsleigh. Liebig card, published in late 19th or early 20th century)

Michigan Street, South Bend, Indiana, USA. Date: 1904

La Nouvelle Route, Cotignac, 1937 (oil on canvas)
1217655 La Nouvelle Route, Cotignac, 1937 (oil on canvas) by Pissarro, Lucien (1863-1944); 65x55 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

A Bend in the River Loing, 1896 (oil on canvas)
1217427 A Bend in the River Loing, 1896 (oil on canvas) by Sisley, Alfred (1839-99); 38x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Road racing at Phoenix Park, Dublin, Ireland, with Sir Malcolm Campbell at the wheel of No. 1, a Mercedes. 20th century

Motor racing track course at Avus, Berlin, Germany. 1930s

Two drivers on the Monaco Grand Prix circuit
The Monaco Grand Prix 1935, with a Maserati leading Lord Howes Bugatti on a bend. 1935

The Tugela River (b / w photo)
1593056 The Tugela River (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Tugela River. Illustration for The Illustrated London News, 23 December 1899)

Postcard booklet, Rio Grande and National Park, Texas, USA
Postcard booklet, view of the Rio Grande River in Big Bend National Park, Texas, USA. Date: 1942

Lord Clives (pencil & w / c on paper)
1214682 Lord Clives (pencil & w/c on paper) by Beilby, William (1740-1819); 16.4x10.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

The Mill Stream (oil on canvas)
615723 The Mill Stream (oil on canvas) by Thaulow, Fritz (1847-1906); 50.8x66 cm; Private Collection; Photo eChristies Images; Norwegian, out of copyright

Plate 503. Miscellaneous - Stooping, etc, 1885 (collotype on paper)
3950435 Plate 503. Miscellaneous - Stooping, etc, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 25.2x29.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 477. Child, Stooping, Lifting a Goblet, and Drinking, 1885 (collotype on paper)
3950425 Plate 477. Child, Stooping, Lifting a Goblet, and Drinking, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.6x35.7 cm; Addison Gallery of American Art, Phillips Academy

Plate 320. Lifting a 50 lb Dumb-Bell, 1872-85 (collotype on paper)
3950308 Plate 320. Lifting a 50 lb Dumb-Bell, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.2x45.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 501. Miscellaneous, Stooping, Kneeling, etc. 1872-85 (collotype on paper)
3950281 Plate 501. Miscellaneous, Stooping, Kneeling, etc. 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.2x40.8 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 401. Emptying Bucket of Water, 1872-85 (collotype on paper)
3950233 Plate 401. Emptying Bucket of Water, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 25.4x28.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 219. Stooping and Lifting Broom and Sweeping, 1872-85 (collotype on paper)
3950201 Plate 219. Stooping and Lifting Broom and Sweeping, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.9x44.3 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 213. Lifting and Emptying Basket, 1872-85 (collotype on paper)
3950200 Plate 213. Lifting and Emptying Basket, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x40.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 150. Descending Stairs; Stooping, Lifting Pitcher, Turning
3950184 Plate 150. Descending Stairs; Stooping, Lifting Pitcher, Turning, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.5x29.5 cm; Addison Gallery of American Art

Plate 149. Descending Stairs; Stooping to Lift a Pitcher, 1872-85 (collotype on paper)
3950183 Plate 149. Descending Stairs; Stooping to Lift a Pitcher, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.8x35.1 cm; Addison Gallery of American Art, Phillips Academy

Plate 216. Bending to Fill Water Jar; Placing Jar on Head, 1885 (collotype on paper)
3950393 Plate 216. Bending to Fill Water Jar; Placing Jar on Head, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x39.2 cm; Addison Gallery of American Art, Phillips Academy

Plate 323. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper)
3950311 Plate 323. Lifting and Letting Down Two 50-lb Dumb-Bells, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.8x43.3 cm; Addison Gallery of American Art, Phillips Academy

A Bend on, Porlock Hill (colour litho)
726586 A Bend on, Porlock Hill (colour litho) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: A Bend on, Porlock Hill.); © Look and Learn

View on the Amstel: the road on the Amsteldijk leading to Trompenburg, c
695914 View on the Amstel: the road on the Amsteldijk leading to Trompenburg, c.1649-50 (pen & ink with brown wash & white bodycolour on paper) by Rembrandt Harmensz

The loop at Agony Point at Tindharia on the Darjeeling Himalayan Railway
STC247569 The loop at Agony Point at Tindharia on the Darjeeling Himalayan Railway, 1880s (albumen print) by English Photographer

Chippenham Mill, 1809 (oil on canvas)
450186 Chippenham Mill, 1809 (oil on canvas) by Barker, Benjamin (1776-1838); 107x84.5 cm; The Holburne Museum, Bath, UK; eHolburne Museum; English, out of copyright

Le Chene Et Le Roseau (engraving)
2787212 Le Chene Et Le Roseau (engraving) by Johannot, Tony (1803-52) (after); Private Collection; (add.info.: Le Chene Et Le Roseau)

Plate 312. Heaving a 75-lb Rock, 1885 (collotype on paper)
3950058 Plate 312.Heaving a 75-lb Rock, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 38.7x30.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Truing an electric motor commutator on a motor-driven bench lathe, south bend (b / w photo)
6004154 Truing an electric motor commutator on a motor-driven bench lathe, south bend (b/w photo) by English Photographer

Huddersfield Broad Canal, Canker Lane, Huddersfield, Yorkshire (photo)
5996754 Huddersfield Broad Canal, Canker Lane, Huddersfield, Yorkshire (photo) by English Photographer, (20th century); Private Collection; (add.info.: Huddersfield Broad Canal, Canker Lane)

Bicycling, c. 1887 (colour print)
5672330 Bicycling, c.1887 (colour print) by Sandham, Henry (1842-1912); Private Collection; English, out of copyright

The Letter X (colour litho)
3642901 The Letter X (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter X. Postcard, early 20th century.); © Look and Learn

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"Bend: A Fusion of Art, Speed, and Boundless Creativity" In the vibrant world of automotive marvels, a fiery red Ford Shelby Mustang GT500 2010 roars through the streets of Richmond Hill View in Surrey, England on a memorable summer day - June 28th, 2010. Ethel Davies, the mastermind behind this captivating creation, leaves an indelible mark on the realm of automobile design. Meanwhile, across oceans and continents in Japan, a Nissan 300ZX gracefully navigates its way through winding roads. This sleek masterpiece pays homage to the ingenuity and precision that Japanese engineering is renowned for. Just as Igor Stravinsky's compositions bend musical boundaries with their avant-garde nature and unconventional rhythms; these automobiles challenge traditional notions of speed and power. They embody Stravinsky's spirit by pushing limits and embracing innovation. Artistic brilliance transcends mediums as we delve into Edgar Degas' mesmerizing pastel creation "The Tub" from 1886. The delicate strokes beautifully capture moments frozen in time - much like our vehicles suspended mid-bend during exhilarating drives. As we shift gears towards luxury sedans, Maserati Quattroporte Sport GT emerges as a symbol of opulence fused with performance. Its elegant lines effortlessly glide along highways while exuding sophistication at every turn. From Germany comes BMW's powerful two-wheeled wonder - the BMW 1200GS motorcycle. It bends perceptions by conquering rugged terrains with ease while offering riders an adrenaline-fueled adventure like no other. A whimsical encounter takes place when Golliwog meets Bulldog – an unexpected union that challenges societal norms through playful imagery. Just as these characters defy expectations by bending stereotypes; our automobiles redefine conventions with their unique designs. Breaking barriers extends beyond machines to include remarkable individuals such as Mrs Roy Eccles who became the first woman to circuit race tracks fearlessly. Her determination and resilience bend gender norms, inspiring generations to follow their dreams.