Bemrose And Sons Collection

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham. From A Catalogue of the Pictures

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport. From A Catalogue of the Pictures

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

A Welsh Stream, 1843. Artist: William James Muller
A Welsh Stream, 1843. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

River Scene with Children (The Young Anglers), 1843. Artist: William James Muller
River Scene with Children (The Young Anglers), 1843. Painting held at the National Trust, Cragside House, Northumberland. From A Catalogue of the Pictures

Gillingham, 1842. Artist: William James Muller
Gillingham, 1842. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Landscape with Old Cottages: Winter, 1833. Artist: William James Muller
Landscape with Old Cottages: Winter, 1833. Painting held at the National Museums Liverpool, Liverpool. From A Catalogue of the Pictures

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Hampton Bridge, 1800. Artist: Thomas Rowlandson
Hampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II
Looking towards Bellagio, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I
Craigmillar Castle, c1821. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cathedral Town on a River, c1825. Artist: Samuel Prout
Cathedral Town on a River, c1825. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View in the Forum, Rome, c1823. Artist: Samuel Prout
View in the Forum, Rome, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cottages at Glastonbury, c1819. Artist: Samuel Prout
Cottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Off Plymouth, c1827. Artist: Samuel Prout
Off Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

St. Michaels Mount, Cornwall, 1878. Artist: Samuel Phillips Jackson
St. Michaels Mount, Cornwall, 1878. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Milking in the Field, c1847. Artist: Samuel Palmer
Milking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Windsor, 1785. Artist: Paul Sandby
Windsor, 1785. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Old Cottages on the Brent, looking towards Harrow, 1830. Artist: Patrick Nasmyth
Old Cottages on the Brent, looking towards Harrow, 1830. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

The Edge of the Wood, c1824. Artist: Patrick Nasmyth
The Edge of the Wood, c1824. Painting held at the Glasgow Museums Resource Centre, Glasgow. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

A Rough Road, 1826. Artist: Patrick Nasmyth
A Rough Road, 1826. Painting held at the Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Valley of the Tweed, c1803. Artist: Patrick Nasmyth
The Valley of the Tweed, c1803. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

In the Bristol Channel, 1787. Artist: Nicholas Pocock
In the Bristol Channel, 1787. Painting held at the Government Art Collection, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

West Gate, Winchester, 1779. Artist: Michael Angelo Rooker
West Gate, Winchester, 1779. Manchester Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Cottage Scenery with Cattle, at Ambleside, 1803. Artist: Julius Caesar Ibbetson
Cottage Scenery with Cattle, at Ambleside, 1803. Painting held at the Ferens Art Gallery, Kingston upon Hull. A Catalogue of the Pictures

An Unmarried Sailors Return, c1800. Artist: Julius Caesar Ibbetson
An Unmarried Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

A Married Sailors Return, c1800. Artist: Julius Caesar Ibbetson
A Married Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Gipsy Beggars, c1795. Artist: Julius Caesar Ibbetson
Gipsy Beggars, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Women Washing Clothes in a Welsh Stream, 1790. Artist: Julius Caesar Ibbetson
Women Washing Clothes in a Welsh Stream, 1790. Painting held at the Glasgow Museums Resource Centre, Glasgow. From A Catalogue of the Pictures

The Gamekeepers Cottage, Somerset, 1904. Artist: John William North
The Gamekeepers Cottage, Somerset, 1904. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Near Rickmansworth, c1896. Artist: John William Buxton Knight
Near Rickmansworth, c1896. Painting held at the Bury Art Museum, Bury. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Bangor Is-y-Coed, Denbighshire, c1795. Artist: John Warwick Smith
Bangor Is-y-Coed, Denbighshire, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Fisherfolk at St. Ives, 1893. Artist: John Robertson Reid
Fisherfolk at St. Ives, 1893. Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Cliffs at Barlow, c1877. Artist: John Mogford
Cliffs at Barlow, c1877. Painting held at the Gallery Oldham, Oldham. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

The Goatherd, 1895. Artist: John MacAllan Swan
The Goatherd, 1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

The Sandpits, 1856. Artist: John Linnell
The Sandpits, 1856. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

The Mill in Combe Neath, c1776. Artist: John Laporte
The Mill in Combe Neath, c1776. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Windsor Forest, c1835. Artist: James Stark
Windsor Forest, c1835. Painting held at the Bradford Museums and Galleries, Bradford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Willow Stream, c1839. Artist: James Stark
The Willow Stream, c1839. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures

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"Bemrose and Sons: A Journey through Artistic Landscapes" Step into the picturesque world of Bemrose and Sons, where artistry meets nature in captivating harmony. St. Albans, 1809, captured by George Sidney Shepherd, transports us to a time when tranquility reigned supreme. In 1820, Patrick Nasmyth's "A Woodmans Cottage" invites us to explore the rustic charm nestled within the woods. The strokes of his brush reveal a serene haven untouched by time. Travel back even further with Peter Monamy's "Men of War, " circa 1720, as we embark on an adventure across treacherous seas alongside valiant sailors who braved the unknown. Patrick Nasmyth returns in 1820 with "A View of the Thames: Greenwich in the distance, " offering a glimpse into London's bustling riverfront and its timeless allure. William Leighton Leitch takes us to mystical realms with "Warlock Knowe" in 1872. Its ethereal beauty enchants our senses while leaving room for imagination to wander freely. George Fennell Robson captures Durham Cathedral from Prebends Bridge around 1832, showcasing architectural grandeur against a backdrop of natural splendor—a testament to man-made marvels blending seamlessly with nature's grace. Enter William Shayer's world through his masterpiece "A Gipsy Encampment, " circa 1788. Here we witness vibrant scenes filled with life and culture that transcend time itself. William Shayer returns once more in c1841 with "Coast Scene, With Figures and Horses. " This painting immerses us in coastal serenity as figures gracefully interact amidst majestic waves crashing upon sandy shores. Seek solace within William Shayer's tranquil oasis depicted in "A Shady Corner" from 1840—a place where one can escape daily worries under nature’s comforting embrace.