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Bellezza Femminile Collection

"Bellezza Femminile: A Captivating Journey through Art and History" Immerse yourself in the enchanting world of "bellezza femminile" as you explore Fontanellato

Background imageBellezza Femminile Collection: Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection

Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears"
5895106 Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears", detail, (ivory and bronze) by Guiraud-Riviere

Background imageBellezza Femminile Collection: Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection

Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears"
5895105 Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Isadora Duncan and two bears", (ivory and bronze) by Guiraud-Riviere

Background imageBellezza Femminile Collection: Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366072 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imageBellezza Femminile Collection: Portrait of unknown woman, II century

Portrait of unknown woman, II century
2655108 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

Background imageBellezza Femminile Collection: St. George and the Dragon', 1460-65 (tempera on panel, water gilding and silver leaf)

St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf)
5973949 St. George and the Dragon", 1460-65 (tempera on panel, water gilding and silver leaf) by Italian School, (15th century); Pinacoteca Tosio Martinengo, Brescia

Background imageBellezza Femminile Collection: Night, 1821 (marble)

Night, 1821 (marble)
5973925 Night, 1821 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " La notte")

Background imageBellezza Femminile Collection: Plate decorated by a beautiful womans bust, with a crown of thorns motif

Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica)
6298552 Plate decorated by a beautiful womans bust, with a crown of thorns motif, first half of the 16th century (majolica) by Italian School, (16th century); Museo Regionale della Ceramica, Deruta

Background imageBellezza Femminile Collection: Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)

Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)
6204117 Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageBellezza Femminile Collection: Detail with two ladies, Camera Pinta (Painted Room) (fresco)

Detail with two ladies, Camera Pinta (Painted Room) (fresco)
6204082 Detail with two ladies, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Background imageBellezza Femminile Collection: Detail of the frescoes, Camera Pinta (Painted Room)

Detail of the frescoes, Camera Pinta (Painted Room)
6204068 Detail of the frescoes, Camera Pinta (Painted Room) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria, Italy; (add.info.: Frescoes realized between 1392 and 1416)

Background imageBellezza Femminile Collection: Portrait of an oriental woman

Portrait of an oriental woman
6200616 Portrait of an oriental woman by Caffi, Ippolito (1809-66); Private Collection; (add.info.: Ippolito Caffi: " Ritratto di donna orientale: Fatima di Smirne", olio su tela)

Background imageBellezza Femminile Collection: Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding

Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas)
6200596 Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas) by Sala

Background imageBellezza Femminile Collection: 'Hebe as cupbearer of Jupiters Eagle', 1790 (oil on canvas)

"Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas)
6343073 " Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas) by Landi, Gaspare (1756-1830); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Ebe)

Background imageBellezza Femminile Collection: The three Graces, detail of legs and feet, 1812-17 (marble)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: Plate decorated by a womans bust, 18th century (majolica)

Plate decorated by a womans bust, 18th century (majolica)
6300048 Plate decorated by a womans bust, 18th century (majolica) by Italian School, (18th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria, Italy; (add.info.: School of Laterza)

Background imageBellezza Femminile Collection: Detail of an old man, probably Jupiter, holding a young woman on his thigh, perhaps Dione

Detail of an old man, probably Jupiter, holding a young woman on his thigh, perhaps Dione
6255433 Detail of an old man, probably Jupiter, holding a young woman on his thigh, perhaps Dione by Italian School, (16th century); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

Background imageBellezza Femminile Collection: Detail of the frescoes, Camera Pinta (Painted Room) (fresco)

Detail of the frescoes, Camera Pinta (Painted Room) (fresco)
6204075 Detail of the frescoes, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Background imageBellezza Femminile Collection: The Sleep of Innocence, 1841 (oil on canvas)

The Sleep of Innocence, 1841 (oil on canvas)
6200617 The Sleep of Innocence, 1841 (oil on canvas) by Schiavoni, Natale (1777-1858); Private Collection; (add.info.: Natale Schiavoni: " Il sonno dell innocenza", olio su tela)

Background imageBellezza Femminile Collection: Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200606 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Background imageBellezza Femminile Collection: Bust of Woman, Lucia of the Betrothed, 1852 (oil on canvas)

Bust of Woman, Lucia of the Betrothed, 1852 (oil on canvas)
6200591 Bust of Woman, Lucia of the Betrothed, 1852 (oil on canvas) by Molteni, Giuseppe (1800-67); Salford Museum and Art Gallery, Lancashire

Background imageBellezza Femminile Collection: Faith in God, 1835 (marble)

Faith in God, 1835 (marble)
6200524 Faith in God, 1835 (marble) by Bartolini, Lorenzo (1777-1850); Museo Poldi Pezzoli, Milan, Italy; (add.info.: Lorenzo Bartolini: " Fiducia in Dio", scultura in marmo)

Background imageBellezza Femminile Collection: Flora, detail, 1838-40 (marble)

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Background imageBellezza Femminile Collection: Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

Background imageBellezza Femminile Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageBellezza Femminile Collection: The Graces and Cupid, 1820-22 (Carrara marble)

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageBellezza Femminile Collection: The three Graces, detail of the embrace, 1812-17 (marble)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: Day, 1821 (marble)

Day, 1821 (marble)
5973923 Day, 1821 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Il Giorno")

Background imageBellezza Femminile Collection: 'Venus orders Psyche to fetch the Waters of the Styx', 1792, oil on canvas

"Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas
6343071 " Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas. by Gianni, Felice (1760-1823); Private Collection; (add.info)

Background imageBellezza Femminile Collection: S. Magdalene, 1501 (tempera on panel)

S. Magdalene, 1501 (tempera on panel)
6262964 S. Magdalene, 1501 (tempera on panel) by Signorelli, Luca (c.1450-1523); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageBellezza Femminile Collection: Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)

Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas)
6200605 Portrait of Countess Teresa Zumali Marisili and her son Giuseppe, 1833 (oil on canvas) by Hayez, Francesco (1791-1882); Museo Civico, Lodi

Background imageBellezza Femminile Collection: Veiled Dame, 1845 (marble)

Veiled Dame, 1845 (marble)
6200538 Veiled Dame, 1845 (marble) by Monti, Raffaele (1818-81); Royal Castle of Racconigi, Turin, Italy; (add.info.: Raffaele Monti: " Donna velata", 1845, scultura in marmo)

Background imageBellezza Femminile Collection: Portrait of unknown woman, II century

Portrait of unknown woman, II century
2655109 Portrait of unknown woman, II century by Roman, (2nd century AD); Museo Archeologico, Fiesole, Tuscany, Italy; (add.info.: Fiesole, Archaeological Museum: portrait of unknown woman)

Background imageBellezza Femminile Collection: Cupid and Psyche, detail, 1800-03 (marble)

Cupid and Psyche, detail, 1800-03 (marble)
6343037 Cupid and Psyche, detail, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageBellezza Femminile Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343030 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageBellezza Femminile Collection: Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageBellezza Femminile Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageBellezza Femminile Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageBellezza Femminile Collection: Bust of Eleonora d Este, 1819 (marble)

Bust of Eleonora d Este, 1819 (marble)
5973926 Bust of Eleonora d Este, 1819 (marble) by Canova, Antonio (1757-1822); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: The princess, who was loved by Torquato Tasso)

Background imageBellezza Femminile Collection: Portrait of a gentlewoman as Salome, c. 1537 (oil on panel)

Portrait of a gentlewoman as Salome, c. 1537 (oil on panel)
5973961 Portrait of a gentlewoman as Salome, c.1537 (oil on panel) by Moretto, Alessandro Bonvicino (1498-1554); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageBellezza Femminile Collection: Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: 'Dancer', (bronze)

Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: "Dancer", (bronze, silver and ivory)
5895112 Fontanellato, Labirinto della Masone, Franco Maria Ricci Art Collection: " Dancer", (bronze, silver and ivory) by Chiparus, Dimitri (1886-1947); (add.info.: Fontanellato)

Background imageBellezza Femminile Collection: Portrait of Countess Orsay (drypoint)

Portrait of Countess Orsay (drypoint)
5894119 Portrait of Countess Orsay (drypoint) by Boldini, Giovanni (1842-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageBellezza Femminile Collection: Cupid and Psyche, 1800-03 (marble)

Cupid and Psyche, 1800-03 (marble)
6343040 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageBellezza Femminile Collection: Cupid and Psyche, 1800-03 (marble)

Cupid and Psyche, 1800-03 (marble)
6343036 Cupid and Psyche, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageBellezza Femminile Collection: 'Hebe', 1800-5, marble statue

"Hebe", 1800-5, marble statue
6343035 " Hebe", 1800-5, marble statue. by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Ebe, 1819, di Bertel Thorvaldsen (1770 - 1844)



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"Bellezza Femminile: A Captivating Journey through Art and History" Immerse yourself in the enchanting world of "bellezza femminile" as you explore Fontanellato, a charming town that houses the Labirinto della Masone and the prestigious Franco Maria Ricci Art Collection. Among its treasures lies an exquisite piece titled "Isadora Duncan and two bears, " a captivating detail crafted from ivory and bronze. This artwork transports us to another era, where grace meets strength. As we delve deeper into the realm of feminine beauty, our gaze is drawn towards a mesmerizing painting called "Harem Slave. " Created in 1838, this oil on canvas masterpiece evokes both mystery and sensuality, capturing the essence of femininity within its brushstrokes. Moving forward in time, we encounter the Medici Chapel's remarkable fresco titled "Descent of Christ to the Limbo. " Painted with meticulous detail in 1522, it showcases not only artistic skill but also portrays women with profound emotion and devotion. The allure of female beauty knows no bounds as we uncover a portrait dating back to II century. Though her identity remains unknown, her timeless elegance transcends centuries. Continuing our journey through art history brings us face-to-face with St. George battling against a fearsome dragon. Painted between 1460-65 using tempera on panel technique embellished with water gilding and silver leaf accents; this masterpiece exemplifies bravery intertwined with feminine grace. Night falls upon us as we encounter an ethereal marble sculpture aptly named "Night. " Crafted in 1821 by skilled hands, it captures nocturnal beauty personified - mysterious yet alluring. A stunning plate adorned with a beautiful woman's bust catches our attention next; created during the first half of the 16th century using majolica technique. Its crown-of-thorns motif adds an intriguing juxtaposition of beauty and pain.