Be Right Back Collection

Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
1768005 Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 45.7x67.7 cm; Private Collection; (add.info)

Hoar Frost at Huelgoat, Finistere; Gelee Blanche au Houelgouat Finistere
652588 Hoar Frost at Huelgoat, Finistere; Gelee Blanche au Houelgouat Finistere, 1903 (oil on canvas) by Loiseau, Gustave (1865-1935); 61x81.5 cm; Private Collection; (add.info)

The Abandoned House; La Maison Abandonee, 1887 (oil on canvas)
825625 The Abandoned House; La Maison Abandonee, 1887 (oil on canvas) by Sisley, Alfred (1839-99); 38.3x55.9 cm; Private Collection; (add.info.: The Abandoned House; La Maison Abandonee)

Dancer with a Bouquet; La Danseuse au Bouquet, (oil on canvas)
656178 Dancer with a Bouquet; La Danseuse au Bouquet, (oil on canvas) by Degas, Edgar (1834-1917); 38.5x32.5 cm; Private Collection; (add.info.: Dancer with a Bouquet; La Danseuse au Bouquet)

A Study from Life, 1928 (oil on canvas)
1199619 A Study from Life, 1928 (oil on canvas) by Watson, George Spencer (1869-1934); 96.2x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas)
823394 Sunset in Campagna; Abendstimmung in der Campagna (oil on canvas) by Arnz, Albert (1832-1914); 94x134 cm; Private Collection; (add.info.: Sunset in Campagna; Abendstimmung in der Campagna)

Ariadne Abandoned by Theseus, (oil on canvas)
990305 Ariadne Abandoned by Theseus, (oil on canvas) by Kauffmann, Angelica (1741-1807); 71x89 cm; Private Collection; (add.info.: Ariadne Abandoned by Theseus. Angelica Kauffmann (1741-1807)

Margot, 1881 (oil on canvas)
988981 Margot, 1881 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 60.6x49.5 cm; Private Collection; (add.info.: Margot. Henri de Toulouse-Lautrec (1864-1901). Oil on canvas

Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour)
659797 Church and Ancient Uninhabited House at Ludlow, 1871-72 (pencil and watercolour) by Boyce, George Price (1826-97); 39.4x52.1 cm; Private Collection; (add.info)

The Letter; La Lettre, (oil on canvas)
824464 The Letter; La Lettre, (oil on canvas) by Helleu, Paul Cesar (1859-1927); 59.7x73.6 cm; Private Collection; (add.info.: The Letter; La Lettre. Paul Cesar Helleu (1859-1927). Oil on canvas

The Garden Door, 1906-1907 (oil on canvas)
822683 The Garden Door, 1906-1907 (oil on canvas) by Coleman, Charles Caryl (1840-1928); 56.5x33 cm; Private Collection; (add.info.: The Garden Door. Charles Caryl Coleman (1840-1928). Oil on canvas

The Abandoned House; La Maison Abandonnee, c. 1886 (oil on canvas)
825139 The Abandoned House; La Maison Abandonnee, c.1886 (oil on canvas) by Sisley, Alfred (1839-99); 36x54.5 cm; Private Collection; (add.info.: The Abandoned House; La Maison Abandonnee)

The Mandoline Player, 1862 (oil on canvas)
987349 The Mandoline Player, 1862 (oil on canvas) by Ribot, Auguste Theodule (1823-91); 73x59.7 cm; Private Collection; (add.info.: The Mandoline Player; Le Jouer de Mandoline)

Moorish Procession, (oil on canvas)
989493 Moorish Procession, (oil on canvas) by Constant, Jean Joseph Benjamin (1845-1902); 99.7x134 cm; Private Collection; (add.info.: Moorish Procession. Benjamin Constant (1845-1902)

Pink and White Roses in a Champagne Flute, 1874 (oil on canvas)
1768879 Pink and White Roses in a Champagne Flute, 1874 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 40.3x35 cm; Private Collection; (add.info)

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"Be Right Back: Exploring the Depths of Abandonment and Beauty" In the painting "Abandonment (The Two Friends); L'abandon (Les deux amies), 1895, " we witness a poignant scene of two friends parting ways, leaving behind an air of uncertainty and longing. The artist captures their emotions with delicate brushstrokes, evoking a sense of abandonment that resonates deeply within us. Moving on to "Hoar Frost at Huelgoat, Finistere; Gelée Blanche au Houelgouat Finistere, " we are transported to a frost-covered landscape where nature seems to have abandoned its vibrant colors. Yet, amidst this wintry stillness, there is an undeniable beauty in the glistening ice crystals that adorn every surface. "The Abandoned House; La Maison Abandonee, 1887" invites us into a dilapidated dwelling left behind by its former inhabitants. Through skillful use of light and shadow, the artist conveys both melancholy and fascination for forgotten spaces that hold stories untold. In contrast, "Dancer with a Bouquet; La Danseuse au Bouquet" celebrates movement and grace as the dancer twirls with her bouquet held high. Though seemingly abandoned by her audience's gaze, she finds solace in her artistry—a reminder that even when alone, one can find solace in their passions. "A Study from Life, 1928" presents us with an intimate portrait capturing fleeting moments frozen in time. The subject's contemplative expression hints at thoughts left unsaid—an invitation for viewers to ponder their own unspoken narratives. "The Visitor, 1881" transports us to a tranquil countryside scene bathed in warm hues of sunset. A solitary figure stands before an empty house—perhaps waiting for someone who will never return or simply seeking solace in solitude. As day turns into night, "Sunset in Campagna.