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Bartolo Collection

"Bartolo: A Journey through Art and History" Step into the world of Bartolo, a name that echoes through time and space

Background imageBartolo Collection: Madonna and child, Bartolo di Fredi, Siena, active 1353-1410, national gallery of ancient art

Madonna and child, Bartolo di Fredi, Siena, active 1353-1410, national gallery of ancient art, Rome, Italy
5309693 Madonna and child, Bartolo di Fredi, Siena, active 1353-1410, national gallery of ancient art, Rome, Italy by Bartolo di Fredi

Background imageBartolo Collection: Christ Blessing, c. 1520 (oil on wood)

Christ Blessing, c. 1520 (oil on wood)
3614043 Christ Blessing, c.1520 (oil on wood) by Solario, Andrea (c.1466-1524); 203.8x130.8 cm; Metropolitan Museum of Art, New York

Background imageBartolo Collection: Le Barbon from Personages de Comedie, pub. 1922 (pochoir print)

Le Barbon from Personages de Comedie, pub. 1922 (pochoir print)
2966853 Le Barbon from Personages de Comedie, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageBartolo Collection: Costume design for Don Bartolo, from The Marriage of Figaro

Costume design for Don Bartolo, from The Marriage of Figaro
GIA938513 Costume design for Don Bartolo, from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1905 (colour litho) by Caramba

Background imageBartolo Collection: The Wedding (chromolitho)

The Wedding (chromolitho)
735239 The Wedding (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Wedding. Liebig card)

Background imageBartolo Collection: The Count, the Countess, Figaro and Susannah, and Antonio the Gardener (chromolitho)

The Count, the Countess, Figaro and Susannah, and Antonio the Gardener (chromolitho)
735237 The Count, the Countess, Figaro and Susannah, and Antonio the Gardener (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Count, the Countess)

Background imageBartolo Collection: Entrance of the Peasants (chromolitho)

Entrance of the Peasants (chromolitho)
735235 Entrance of the Peasants (chromolitho) by European School, (19th century); Private Collection; (add.info.: Entrance of the Peasants)

Background imageBartolo Collection: Detail of angels by Ghiberti on Baptistery doors, Florence

Detail of angels by Ghiberti on Baptistery doors, Florence
Detail of three angels by Lorenzo Ghiberti on the bronze doors which he designed for the Baptistery in Florence, Italy. Date: 15th century

Background imageBartolo Collection: Lorenzo Ghiberti and detail from Baptistery doors, Florence

Lorenzo Ghiberti and detail from Baptistery doors, Florence
Portrait of Lorenzo Ghiberti (Lorenzo di Bartolo, 1378-1455), Italian artist, goldsmith and sculptor, with a detail of the Annunciation from the bronze doors which he designed for the Baptistery in

Background imageBartolo Collection: The Countess in Disguise (chromolitho)

The Countess in Disguise (chromolitho)
735240 The Countess in Disguise (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Countess in Disguise)

Background imageBartolo Collection: 'The Mountebanks, 'at the Lyric Theatre (engraving)

"The Mountebanks, "at the Lyric Theatre (engraving)
1614534 " The Mountebanks, " at the Lyric Theatre (engraving) by Almond, William Douglas (1866-1916); Private Collection; (add.info.: " The Mountebanks, " at the Lyric Theatre)

Background imageBartolo Collection: Aerial view of Ceuta, Spanish city in Morocco, North Africa

Aerial view of Ceuta, Spanish city in Morocco, North Africa. Date: circa 1930

Background imageBartolo Collection: Scene from Messers Gilbert and Alfred Celliers New Comic Opera

Scene from Messers Gilbert and Alfred Celliers New Comic Opera, The Mountebanks at the Lyric Theatre (engraving)
1055850 Scene from Messers Gilbert and Alfred Celliers New Comic Opera, The Mountebanks at the Lyric Theatre (engraving) by Paget

Background imageBartolo Collection: Cherubino, the Count, Susannah and Basilio (chromolitho)

Cherubino, the Count, Susannah and Basilio (chromolitho)
735236 Cherubino, the Count, Susannah and Basilio (chromolitho) by European School, (19th century); Private Collection; (add.info.: Cherubino, the Count, Susanna and Basilio)

Background imageBartolo Collection: Scene from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1868 (engraving)

Scene from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1868 (engraving)
473622 Scene from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1868 (engraving) by Engerth, Eduard (1818-97); Bibliotheque des Arts Decoratifs, Paris

Background imageBartolo Collection: Saint Benedict (on gold ground panel)

Saint Benedict (on gold ground panel)
1766797 Saint Benedict (on gold ground panel) by Bartolo, Andrea di (1389-1428); 38.8x15.2 cm; Private Collection; (add.info.: Saint Benedict. Andrea di Bartolo (1389-1428). On gold ground panel

Background imageBartolo Collection: In the House of Dr. Bartolo, a scene from Beaumarchais comedy

In the House of Dr. Bartolo, a scene from Beaumarchais comedy
2604203 In the House of Dr. Bartolo, a scene from Beaumarchais comedy The Barber of Seville, c.1834 (oil on canvas) by Stephanoff, Francis Phillip (1790-1860); Bourne Gallery, Reigate, Surrey

Background imageBartolo Collection: The Long Lost Son (chromolitho)

The Long Lost Son (chromolitho)
735238 The Long Lost Son (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Long Lost Son)

Background imageBartolo Collection: The Adoration of the Magi, ca. 1390. Creator: Bartolo di Fredi

The Adoration of the Magi, ca. 1390. Creator: Bartolo di Fredi
The Adoration of the Magi, ca. 1390

Background imageBartolo Collection: The Adoration of the Shepherds, 1374. Creator: Bartolo di Fredi

The Adoration of the Shepherds, 1374. Creator: Bartolo di Fredi
The Adoration of the Shepherds, 1374

Background imageBartolo Collection: The Crucifixion. Creator: Andrea di Bartolo

The Crucifixion. Creator: Andrea di Bartolo
The Crucifixion

Background imageBartolo Collection: Virgin Annunciate, c1410. Artist: Andrea di Bartolo

Virgin Annunciate, c1410. Artist: Andrea di Bartolo
Virgin Annunciate, c1410. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageBartolo Collection: Adoration of the Magi, 1380s. Artist: Bartolo di Fredi

Adoration of the Magi, 1380s. Artist: Bartolo di Fredi
Adoration of the Magi, 1380s. From the Pinacoteca Nazionale, Siena, Italy

Background imageBartolo Collection: Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo

Madonna and Child, late 14th / early 15th century. Artist: Taddeo di Bartolo
Madonna and Child, late 14th/early 15th century

Background imageBartolo Collection: Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo

Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo
Epiphany, late 14th/early 15th century

Background imageBartolo Collection: Fresco of the Israelites crossing the Red Sea, 14th century. Artist: Bartolo di Fredi

Fresco of the Israelites crossing the Red Sea, 14th century. Artist: Bartolo di Fredi
Fresco of the Israelites crossing the Red Sea from the Collegiata in San Gimignano, 14th century

Background imageBartolo Collection: Fresco in San Gimignano, 14th century. Artist: Bartolo di Fredi

Fresco in San Gimignano, 14th century. Artist: Bartolo di Fredi
Fresco in San Gimignano of the Israelites after crossing the Red Sea, 14th century

Background imageBartolo Collection: A Pink Flowering Plant Growing Beside A Red Wall; Baja California Sur, Mexico

A Pink Flowering Plant Growing Beside A Red Wall; Baja California Sur, Mexico

Background imageBartolo Collection: BARTOLO, Domenico di. History of the Spedale

BARTOLO, Domenico di. History of the Spedale
DOMENICO DI BARTOLO (1400-1447). Pope Celestine III Grants Autonomy to the Hospital of Siena in 1192. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital)

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). Marriage of

DOMENICO DI BARTOLO (1400-1447). Marriage of an Orphan. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Pilgrim Hall. Sienese School. Renaissance art

Background imageBartolo Collection: The Last Aztecs - Maximo and Bartolo

The Last Aztecs - Maximo and Bartolo
Two sideshow exhibits, Maximo and Bartola, both sufferes of microcephaly, who were billed by freakshow promoters as The Last Aztecs

Background imageBartolo Collection: Andrea del Castagno (c. 14211457). Italian painter. The Las

Andrea del Castagno (c. 14211457). Italian painter. The Las
Andrea del Castagno (or Andrea di Bartolo di Bargilla) (c. 14211457). Italian painter from Florence. The Last Supper. Fresco. Church of Sant Apollonia. Florence. Italy

Background imageBartolo Collection: Pre-Columbian Art. Aztec. Pyramid of Tenayuca. Mexico State

Pre-Columbian Art. Aztec. Pyramid of Tenayuca. Mexico State
Pre-Columbian Art. Aztec. Pyramid of Tenayuca. San Bartolo Tenayuca. Tlalnepantla de Baz. Mexico State

Background imageBartolo Collection: Andrea di Bartolo, Italian (documented from 1389-died 1428), The Presentation of the Virgin

Andrea di Bartolo, Italian (documented from 1389-died 1428), The Presentation of the Virgin, c. 1400, tempera on panel

Background imageBartolo Collection: Six scenes from the opera The Marriage of Figaro, by Wolfgang Amadeus Mozart

Six scenes from the opera The Marriage of Figaro, by Wolfgang Amadeus Mozart
XJL379429 Six scenes from the opera The Marriage of Figaro, by Wolfgang Amadeus Mozart (1756-91) by.; Bibliotheque-Musee de L Opera National de Paris, France; (add.info.: The Marriage of Figaro)

Background imageBartolo Collection: Domenico di Bartolo, Madonna and Child Enthroned with Saint Peter and Saint Paul

Domenico di Bartolo, Madonna and Child Enthroned with Saint Peter and Saint Paul, Italian, c. 1400-1447, c. 1430, tempera (?) on panel

Background imageBartolo Collection: Virgin and Child, c1400. Tempera. Taddeo di Bartolo (c1362-1422) Italian painter

Virgin and Child, c1400. Tempera. Taddeo di Bartolo (c1362-1422) Italian painter of the Sienese school

Background imageBartolo Collection: Adoration of the Magi painting on panel. Taddeo di Bartolo (c1362-1422) Italian

Adoration of the Magi painting on panel. Taddeo di Bartolo (c1362-1422) Italian painter of the Sienese school. The three kings bring the symbolic gifts of Gold

Background imageBartolo Collection: Bartolus of Sassoferrato, Italian lawyer

Bartolus of Sassoferrato, Italian lawyer
Bartolus of Sassoferrato (1313-1357), Italian lawyer and law professor. Bartolus was famous in his own lifetime for his work on Medieval Roman law

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). The building

DOMENICO DI BARTOLO (1400-1447). The building of the hospital. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Pilgrims Hall

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). The building

DOMENICO DI BARTOLO (1400-1447). The building of the hospital. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital). Pilgrim Hall. Renaissance art

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). Pope Celestine

DOMENICO DI BARTOLO (1400-1447). Pope Celestine III Grants Autonomy to the Hospital of Siena in 1192. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital)

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). History of the

DOMENICO DI BARTOLO (1400-1447). History of the Spedale: Cure of the Sick. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital)

Background imageBartolo Collection: TADDEO di BARTOLO (1362-1422). The Assumption

TADDEO di BARTOLO (1362-1422). The Assumption

Background imageBartolo Collection: DOMENICO DI BARTOLO (1400-1447). Distribution

DOMENICO DI BARTOLO (1400-1447). Distribution of Alms. 1441-1444. ITALY. Siena. Ospedale di Santa Maria della Scala (Santa Maria della Scala Hospital)

Background imageBartolo Collection: Mozart / Nozze / Liebig 4

Mozart / Nozze / Liebig 4
(The Marriage of Figaro) Figaro is assailed by the elderly Marcellina, who recognises him as her long- lost son by Dr Bartolo

Background imageBartolo Collection: Rossini / Barbiere / Quartet

Rossini / Barbiere / Quartet
The celebrated quintet ( Buona sera... ) in Act Two - involving Almaviva, Rosina, Basilio, Bartolo and Figaro



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"Bartolo: A Journey through Art and History" Step into the world of Bartolo, a name that echoes through time and space, connecting various artistic masterpieces and historical narratives. From Madonna and child to costume designs, this captivating figure has left an indelible mark on art. Bartolo di Fredi, an artist hailing from Siena in the 14th century, showcases his talent in the National Gallery of Ancient Art in Rome. His works transport us back to a bygone era where religious devotion was beautifully depicted through the tender embrace of Madonna and child. Domenico di Bartolo's "History of the Spedale" takes us on a visual journey as we delve into tales of compassion and care within hospital walls. This intricate piece reveals not only artistic prowess but also sheds light on societal values during that period. Moving forward in time, we encounter Christ Blessing rendered with oil on wood around 1520. The anonymous artist behind this masterpiece captures divinity itself radiating from Christ's gentle gaze – a testament to faith's enduring power. Le Barbon from Personages de Comedie introduces us to another facet of Bartolo's influence – humor. Published in 1922 as a pochoir print, it reminds us that laughter transcends centuries and brings joy across generations. Costume design for Don Bartolo emerges from Mozart's opera "The Marriage of Figaro. " It exemplifies how art intertwines with performance; every stroke contributes to creating characters who come alive onstage. "The Wedding, " portrayed through vibrant chromolitho prints, invites us into scenes filled with love and celebration. The Countess disguises herself amidst these festivities while Antonio the Gardener adds charm with his presence – all captured vividly by talented artists throughout history. As we explore Florence's Baptistery doors adorned with Ghiberti's angelic details, we witness divine craftsmanship at its finest.