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Baroque Style Collection (page 6)

Step into the opulent world of Baroque style, where grandeur and extravagance reign supreme

Background imageBaroque Style Collection: Aix en Provence. Facade of the Church of St. Catherine of the 17th century, 20 rue Mignet

Aix en Provence. Facade of the Church of St. Catherine of the 17th century, 20 rue Mignet. Architect Pierre Pavillon
JEB4952951 Aix en Provence. Facade of the Church of St. Catherine of the 17th century, 20 rue Mignet. Architect Pierre Pavillon. Historical monument since 1924.; (add.info.: Aix en Provence)

Background imageBaroque Style Collection: The Betrothal of Tobias and Sara (oil on canvas)

The Betrothal of Tobias and Sara (oil on canvas)
8682969 The Betrothal of Tobias and Sara (oil on canvas) by Cavallino, Bernardo (1616-54); Prado, Madrid, Spain; (add.info.: by Bernardo Cavallino)

Background imageBaroque Style Collection: The curing of Tobias, c.1600-50 (oil on canvas)

The curing of Tobias, c.1600-50 (oil on canvas)
8682968 The curing of Tobias, c.1600-50 (oil on canvas) by Bellis, Antonio de (c.1616-c.1656); Prado, Madrid, Spain; (add.info)

Background imageBaroque Style Collection: Landscape along a River (oil on canvas)

Landscape along a River (oil on canvas)
8682943 Landscape along a River (oil on canvas) by d'Arthois, Jacques (1613-86); Prado, Madrid, Spain; (add.info.: By Jacques d'Arthois)

Background imageBaroque Style Collection: Peaches, grapes, and plums with a dragonfly, snail, caterpillar, moths

Peaches, grapes, and plums with a dragonfly, snail, caterpillar, moths, and other insects on a stone ledge
8725167 Peaches, grapes, and plums with a dragonfly, snail, caterpillar, moths, and other insects on a stone ledge, 1683 (oil on canvas) by Ruysch

Background imageBaroque Style Collection: Sunflower, bindweed and two-tone tulip, 1685 (oil on canvas)

Sunflower, bindweed and two-tone tulip, 1685 (oil on canvas)
8725165 Sunflower, bindweed and two-tone tulip, 1685 (oil on canvas) by Ruysch, Anna Elisabeth (1666-1741); 33.5x29.6 cm; Private Collection; (add.info)

Background imageBaroque Style Collection: Maria Dolorosa - Ceramic sculpture, 17th century baroque art, Seville (Spain)

Maria Dolorosa - Ceramic sculpture, 17th century baroque art, Seville (Spain)
JEB4936618 Maria Dolorosa - Ceramic sculpture, 17th century baroque art, Seville (Spain); (add.info.: Maria Dolorosa - Ceramic sculpture, 17th century baroque art)

Background imageBaroque Style Collection: Saint Francis receives stigmas, c.1675-80 (oil on canvas)

Saint Francis receives stigmas, c.1675-80 (oil on canvas)
CUL4934561 Saint Francis receives stigmas, c.1675-80 (oil on canvas); 178x208 cm; (add.info.: Baroque Art SPAIN. ANDALUSIA. Cadiz. Museo de Cadiz. SPAIN. ANDALUSIA. Cadiz)

Background imageBaroque Style Collection: Frederick the Great, King of Prussia, and Johann Sebastian Bach

Frederick the Great, King of Prussia, and Johann Sebastian Bach
3118655 Frederick the Great, King of Prussia, and Johann Sebastian Bach; (add.info.: Scene depicting Frederick the Great (1712-1786) King of Prussia

Background imageBaroque Style Collection: Signature of Elias Gottlob Haussmann

Signature of Elias Gottlob Haussmann
3078386 Signature of Elias Gottlob Haussmann; (add.info.: Signature of Elias Gottlob Haussmann (1695-1774) a German painter. Dated 18th Century.); Universal History Archive/UIG

Background imageBaroque Style Collection: Bartolome Esteban Murillo, After an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain

Bartolome Esteban Murillo, After an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791
3473249 Bartolome Esteban Murillo, After an etching in Retratos de Los Espanoles Ilustres, Madrid, Spain, pub. 1791; (add.info.: Bartolome Esteban Murillo, 1617 - 1682. Spanish Baroque painter)

Background imageBaroque Style Collection: Portrait of Antoine Coysevox (Coyzevox) (1640-1720) French Baroque sculptor

Portrait of Antoine Coysevox (Coyzevox) (1640-1720) French Baroque sculptor
ETI4397217 Portrait of Antoine Coysevox (Coyzevox) (1640-1720) French Baroque sculptor. Goblin tapestry panel adorning the Gallery of Apollo. Realised by A. de Brancas around 1858-1860

Background imageBaroque Style Collection: France, Lorraine, Meurthe-et-Moselle (54), Nancy: La porte Saint Georges (17th century)

France, Lorraine, Meurthe-et-Moselle (54), Nancy: La porte Saint Georges (17th century) cote exterieur, 1875
LUX4704144 France, Lorraine, Meurthe-et-Moselle (54), Nancy: La porte Saint Georges (17th century) cote exterieur, 1875; (add.info.: France, Lorraine, Meurthe-et-Moselle (54)

Background imageBaroque Style Collection: An Allegorical Subject (The Just Ruler), c.1636 (oil on oak)

An Allegorical Subject (The Just Ruler), c.1636 (oil on oak)
BAL99430 An Allegorical Subject (The Just Ruler), c.1636 (oil on oak) by Poorter, Willem de (1608-48); 50.2x37.5 cm; National Gallery, London, UK; (add.info.: by Willem de Poorter)

Background imageBaroque Style Collection: Rest on the Flight into Egypt, c. 1640 (oil on wood)

Rest on the Flight into Egypt, c. 1640 (oil on wood)
XOS5878805 Rest on the Flight into Egypt, c. 1640 (oil on wood) by Poerson, Charles (1609-67); 57.5x67.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Charles Poerson)

Background imageBaroque Style Collection: Winter Landscape, c. 1680-1718 (oil on copper, mounted on wood)

Winter Landscape, c. 1680-1718 (oil on copper, mounted on wood)
XOS5883930 Winter Landscape, c. 1680-1718 (oil on copper, mounted on wood) by Griffier, Jan (c.1645-1718); 32x41 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Jan Griffier)

Background imageBaroque Style Collection: The Judgment of Paris, 1602 (oil on copper)

The Judgment of Paris, 1602 (oil on copper)
XOS5880389 The Judgment of Paris, 1602 (oil on copper) by Wtewael, Joachim Anthonisz. (1566-1638); 25.5x30.5 cm; Cleveland Museum of Art, OH

Background imageBaroque Style Collection: Flowers in a Vase, c.1669 (oil on wood)

Flowers in a Vase, c.1669 (oil on wood)
XOS5880018 Flowers in a Vase, c.1669 (oil on wood) by Verelst, Simon Peeterz (1644-1721); 41x37 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Simon Verelst)

Background imageBaroque Style Collection: Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 (oil on canvas)

Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 (oil on canvas)
XOS5871914 Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 (oil on canvas) by Hals, Frans (1582/3-1666); 82x67 cm; Cleveland Museum of Art, OH

Background imageBaroque Style Collection: Dutch Ships in a Gale, c.1620 (oil on panel)

Dutch Ships in a Gale, c.1620 (oil on panel)
8812151 Dutch Ships in a Gale, c.1620 (oil on panel) by Porcellis, Jan (1584-1632); 26.7 x 35.6 cm; National Maritime Museum, London

Background imageBaroque Style Collection: Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)

Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas)
CUL4932397 Miracle of the Virgin of Atocha in the Works of the Casa de la Villa. c.1680. (oil on canvas); 210x305 cm; (add.info.: Miracle of Our Lady of Atocha)

Background imageBaroque Style Collection: Series of the Genesis or the Creation of Man, c.1630 (silk and wool)

Series of the Genesis or the Creation of Man, c.1630 (silk and wool)
CUL4903608 Series of the Genesis or the Creation of Man, c.1630 (silk and wool); 330x260 cm; (add.info.: God creates Woman)

Background imageBaroque Style Collection: The Wreck of the Amsterdam, c.1630 (oil on canvas)

The Wreck of the Amsterdam, c.1630 (oil on canvas)
8812152 The Wreck of the Amsterdam, c.1630 (oil on canvas) by Wieringen, Cornelis Claesz van (c.1580-1633); oil on canvas cm; National Maritime Museum, London

Background imageBaroque Style Collection: The Dutch ship Oosterwijk, leaving the shore, is described from two angles

The Dutch ship Oosterwijk, leaving the shore, is described from two angles
MMM5459822 The Dutch ship Oosterwijk, leaving the shore, is described from two angles. Grisaille on wood, 1654, by Willem van de Velde (1611-1693)

Background imageBaroque Style Collection: View of the facade and the approach, designed for Cardinal Pietro Aldobrandini by Giacomo della

View of the facade and the approach, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602)
BEN106241 View of the facade and the approach, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo); Villa Aldobrandini, Frascati, Rome

Background imageBaroque Style Collection: Dutch Ships at Anchor off a Fortified Scandinavian Town, 1625 (oil on panel)

Dutch Ships at Anchor off a Fortified Scandinavian Town, 1625 (oil on panel)
8812153 Dutch Ships at Anchor off a Fortified Scandinavian Town, 1625 (oil on panel) by Willaerts, Adam (1577-1669); 63.5 x 101.6 cm; National Maritime Museum, London

Background imageBaroque Style Collection: Nativite Detail Painting by Giuseppe Vermiglio (1585-1635) Biblioteca Braidense di Brera Milan Italy

Nativite Detail Painting by Giuseppe Vermiglio (1585-1635) Biblioteca Braidense di Brera Milan Italy
QUA5034888 Nativite Detail Painting by Giuseppe Vermiglio (1585-1635) Biblioteca Braidense di Brera Milan Italy; (add.info)

Background imageBaroque Style Collection: View of the villa from the lower piazza, designed for Cardinal Pietro Aldobrandini by Giacomo

View of the villa from the lower piazza, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602)
BEN106240 View of the villa from the lower piazza, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602) 1601 (photo); Villa Aldobrandini, Frascati, Rome

Background imageBaroque Style Collection: The Madonna and Child appearing to Saints Ambrosius, Francis of Sales and Nicholas of Bari

The Madonna and Child appearing to Saints Ambrosius, Francis of Sales and Nicholas of Bari (black chalk)
8679943 The Madonna and Child appearing to Saints Ambrosius, Francis of Sales and Nicholas of Bari (black chalk, pen & brown ink, & brown wash on paper) by Maratta or Maratti

Background imageBaroque Style Collection: A Fishing Boat off a Rocky Coast in a Storm with a Wreck, c.1664-65 (oil on panel)

A Fishing Boat off a Rocky Coast in a Storm with a Wreck, c.1664-65 (oil on panel)
8812154 A Fishing Boat off a Rocky Coast in a Storm with a Wreck, c.1664-65 (oil on panel) by Bellevois, Jacob Adriaensz. (1621-75); 82.5 x 121.9 cm; National Maritime Museum, London

Background imageBaroque Style Collection: Mussel Fishing, 1622 (oil on canvas)

Mussel Fishing, 1622 (oil on canvas)
8812150 Mussel Fishing, 1622 (oil on canvas) by Porcellis, Jan (1584-1632); 36.3 x 60.4 cm; National Maritime Museum, London, UK; (add.info.: By Jan Porcellis); © National Maritime Museum

Background imageBaroque Style Collection: The island of Onrust, off the coast of Batavia (now Jakarta, Indonesia)

The island of Onrust, off the coast of Batavia (now Jakarta, Indonesia), equipped with all the infrastructures
MMM5461438 The island of Onrust, off the coast of Batavia (now Jakarta, Indonesia), equipped with all the infrastructures necessary for commercial activities

Background imageBaroque Style Collection: Port San Stefano shipyard (Italy). Oil on canvas by Reinier Nooms (1623-1667)

Port San Stefano shipyard (Italy). Oil on canvas by Reinier Nooms (1623-1667)
MMM5459684 Port San Stefano shipyard (Italy). Oil on canvas by Reinier Nooms (1623-1667).; National Maritime Museum, London, UK; (add.info.: Port San Stefano shipyard (Italy)

Background imageBaroque Style Collection: View of the Teatro dell'Aqua (Water Theatre) a semicircular nymphaeum with statuary and fountains

View of the Teatro dell'Aqua (Water Theatre) a semicircular nymphaeum with statuary and fountains
BEN106245 View of the Teatro dell'Aqua (Water Theatre) a semicircular nymphaeum with statuary and fountains, designed for Cardinal Pietro Aldobrandini by Giacomo della Porta (1532-1602)

Background imageBaroque Style Collection: Daphne and Apollo, 1636-38 (oil on canvas)

Daphne and Apollo, 1636-38 (oil on canvas)
SCP36863 Daphne and Apollo, 1636-38 (oil on canvas) by Thulden, Theodore van (1606-79); Prado, Madrid, Spain; (add.info.: By Theodore van Thulden after Peter Paul Rubens)

Background imageBaroque Style Collection: Notre-Dame-de-Bonne-Nouvelle Chapel, Notre Dame de Bayeux Cathedral

Notre-Dame-de-Bonne-Nouvelle Chapel, Notre Dame de Bayeux Cathedral
7134898 Notre-Dame-de-Bonne-Nouvelle Chapel, Notre Dame de Bayeux Cathedral; Bayeux, Normandy, France; (add.info.: Cathedral of Our Lady of Bayeux Notre-Dame-of-Good News Chapel late 16th century)

Background imageBaroque Style Collection: Ecce Homo (oil on copper)

Ecce Homo (oil on copper)
CUL4934978 Ecce Homo (oil on copper); 57x46 cm; (add.info.: RIBERA, Jose (1588-1652) Cadiz. Museo de Cadiz); AIC

Background imageBaroque Style Collection: MURILLO, Bartolome Esteban (1617-1682). Ecce Homo. (81.3 x 67.4 cm.). Ecce Homo (81.3 x 67.4 cm.)

MURILLO, Bartolome Esteban (1617-1682). Ecce Homo. (81.3 x 67.4 cm.). Ecce Homo (81.3 x 67.4 cm.)
CUL4934942 MURILLO, Bartolome Esteban (1617-1682). Ecce Homo. (81.3 x 67.4 cm.). Ecce Homo (81.3 x 67.4 cm.). Religious school of Sevilla.Christ wearing the purple robe

Background imageBaroque Style Collection: Charles, Lord Strange, 1639 (oil on canvas)

Charles, Lord Strange, 1639 (oil on canvas)
8698253 Charles, Lord Strange, 1639 (oil on canvas) by Dyck, Anthony van (1599-1641); 69.8 x 56.9 cm; Private Collection; (add.info.: Portrait of Charles, Lord Strange)

Background imageBaroque Style Collection: Ferdinand III, Saint Ferdinand of Castile (1201-1252). King of Castile (1217-1252)

Ferdinand III, Saint Ferdinand of Castile (1201-1252). King of Castile (1217-1252) and Leon (1230-1252)
CUL4932152 Ferdinand III, Saint Ferdinand of Castile (1201-1252). King of Castile (1217-1252) and Leon (1230-1252). Saint Ferdinand. MURILLO, Bartolome Esteban (1617-1682). Baroque art

Background imageBaroque Style Collection: A Spanish three-masted ship anchored off the coast of Naples (Italy)

A Spanish three-masted ship anchored off the coast of Naples (Italy), seen from a paved pier in the city
MMM5461748 A Spanish three-masted ship anchored off the coast of Naples (Italy), seen from a paved pier in the city, towards the lighthouse and the buildings of the Mediterranean port by Willaerts

Background imageBaroque Style Collection: Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper)

Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper)
CH15836 Autograph manuscript, Cantata BWV 180 Schmucke dich o liebe Seele by J.S. Bach (ink on paper) by Bach, Johann Sebastian (1748-78); Private Collection; Photo © Christie's Images

Background imageBaroque Style Collection: Scicli, Sicily. A woman walking in front of San Giovanni Evangelista church on a sunny

Scicli, Sicily. A woman walking in front of San Giovanni Evangelista church on a sunny summer day

Background imageBaroque Style Collection: Church of Saint Ildefonso or Igreja de Santo Ildefonso, Porto, Portugal

Church of Saint Ildefonso or Igreja de Santo Ildefonso, Porto, Portugal

Background imageBaroque Style Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background imageBaroque Style Collection: Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

Background imageBaroque Style Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background imageBaroque Style Collection: Our Lady of Good Counsel, c.1680 (oil on copper)

Our Lady of Good Counsel, c.1680 (oil on copper)
XOS5884700 Our Lady of Good Counsel, c.1680 (oil on copper) by Perez, Bartolomeo (1634-93); 50x40 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting Bartolome Perez)



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Step into the opulent world of Baroque style, where grandeur and extravagance reign supreme. From the breathtaking sunrise illuminating the Dresden Frauenkirche in Germany to the majestic Al Khazneh (The Treasury) in Petra, Jordan, these architectural marvels transport us to a bygone era. In Rome's Piazza Navona, Lazio, Italy, one can witness the splendor of Baroque artistry at its finest. Admire The Continence of Scipio, an exquisite oil painting that captures the essence of this artistic movement. Nearby stands St. Michaels gold-domed cathedral in Kiev, Ukraine - a testament to both faith and architectural brilliance. As you stroll through Piazza Navona once more, you'll encounter the Fountain of Four Rivers; its intricate design and flowing waters epitomize Baroque aesthetics. In Maastricht's Markt square at dusk, gaze upon Stadhuis city hall as it exudes an enchanting charm that only Baroque architecture can possess. Venturing further into Germany's Franconia region lies Marienberg Fortress in Wurzburg - a formidable stronghold adorned with ornate details that showcase Baroque craftsmanship at its peak. In Rome again but this time within Italy itself is Narcissus - a sculpture embodying vanity and self-reflection with every delicate curve. Artistic mastery extends beyond canvas as Saint Luke healing the hydropic child illustrates compassion through paintbrush strokes on wood panel. Meanwhile, Penitent Magdalen evokes deep emotion with its rich colors and textured brushwork on canvas. Lastly, Antonio Canova's masterpiece Psyche revived by the kiss of Love mesmerizes all who behold it; marble brought to life through meticulous sculpting techniques embodies love's transformative power. Baroque style captivates our senses with its lavishness and attention to detail across continents and centuries. It reminds us that beauty knows no bounds when expressed through the hands of talented artists and architects.