Baron Detlev Von Collection

Hovering Angel, 18th century, (1928). Artist: Follower of Tiepolo
Hovering Angel, 18th century, (1928). Pen and wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

Two Boys, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Two Boys, mid 18th century, (1928). Pencil on paper. At one time known to have been in the collection of G Bellingham Smith, London

The Nile, 1752, (1928). Artist: Giovanni Battista Tiepolo
The Nile, 1752, (1928). River-god resting, chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Nude back, 1751, (1928). Artist: Giovanni Battista Tiepolo
Nude back, 1751, (1928). Seated male nude, back view. Chalk on paper. Staatsgalerie, Stuttgartt, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Nereids and Triton, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Nereids and Triton, c1753-1762, (1928). Nereids and a triton with a dolphin, , pen with wash on white paper. British Museum, London

Old Man seated, 18th century, (1928). Artist: Pupil of Tiepolo
Old Man seated, 18th century, (1928). Pen and wash on paper. At one time known to have been in the collection of the Kupferstichkabinett, Berlin, Germany

St. Anna, mid 18th century, (1928). Artist: Lorenzo Tiepolo
St. Anna, mid 18th century, (1928). Head of an old woman looking up (St Anne?), chalk on paper. At one time known to have been in the collection of the late Professor W Bateson, London

A Shop with smoked Wares, 1791, (1928). Artist: Giovanni Domenico Tiepolo
A Shop with smoked Wares, 1791, (1928). Pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

Cows watering, mid-late 18th century, (1928). Artist: Giovanni Domenico Tiepolo
Cows watering, mid-late 18th century, (1928). Cows drinking, pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London

The Citadel of Brescia, mid-late 18th century, (1928). Artist: Giovanni Domenico Tiepolo
The Citadel of Brescia, mid-late 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Man prostrated in prayer, 1765-1770, (1928). Artist: Giovanni Battista Tiepolo
Man prostrated in prayer, 1765-1770, (1928). Man turned to the right, prostrated in prayer, chalk on paper. Study for the Angel of the Annunciation owned by the Duque de Luna

Angel with Monstrance, 1767-1769, (1928). Artist: Giovanni Battista Tiepolo
Angel with Monstrance, c1767, (1928). Chalk on paper. Part study for the San Pasqual de Baylon, painted 1767-1769, for the high altar of the Monastery Church of Aranjuez which was never erected

Venus resting and other figures, c1762-c1766, (1928). Artist: Giovanni Battista Tiepolo
Venus resting and other figures, c1762-c1766, (1928). Chalk on paper. Study for the ceiling fresco in the Salle de Gardes of the Royal Palace in Madrid, Spain

Man in a Big Cloak seen from behind, 1752, (1928). Artist: Giovanni Battista Tiepolo
Man in a Big Cloak seen from behind, 1752, (1928). Chalk on paper. Staatsgalerie, Stuttgart, Germany. Italian Venetian painter and printmaker Giovanni Battista Tiepolo (1696-1770)

Female Faun, c1761, (1928). Artist: Giovanni Battista Tiepolo
Female Faun, c1761, (1928). Faun with tambourine, chalk on paper. Study for the decoration of the banqueting hall of the Villa Pisani in Stra, Venice, Italy. Staatsgalerie, Stuttgart, Germany

Satyr holding up a festoon, c1761, (1928). Artist: Giovanni Battista Tiepolo
Satyr holding up a festoon, c1761, (1928). Chalk on paper. Study for the decoration of the Great Hall of the Villa Pisani in Stra, Venice, Italy. Staatsgalerie, Stuttgart, Germany

Madonna in clouds surrounded by Angels, c1754, (1928). Artist: Giovanni Battista Tiepolo
Madonna in clouds surrounded by Angels, c1754, (1928). Chalk on paper. Study for ceiling painting in the Chiesa della Pieta in Venice, Italy

God the Father and Angels, c1754, (1928). Artist: Giovanni Battista Tiepolo
God the Father and Angels, c1754, (1928). God the Father holding a crown aloft and surrounded by Angels, chalk on paper. Study for ceiling painting in the Chiesa della Pieta in Venice, Italy

Hovering Genius, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Hovering Genius, mid 18th century, (1928). Hovering genius, a sun-disk in the right hand, chalk on paper. At one time known to have been in the collection of the Kupferstichkabinett, Dresden

Head of a Youth, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Youth, mid 18th century, (1928). Head of a youth seen from in front, chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of a Youth, almost in profile and looking up, mid 18th century, (1928). Artist
Head of a Youth, almost in profile and looking up, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of an Old Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of an Old Man, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Young Man, almost in profile and looking up, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the late Professor W Bateson, London

Head of a Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Boy, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Head of a Laughing Boy, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Laughing Boy, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Young Man, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Young Man, mid 18th century, (1928). Chalk on paper. At one time known to have been in the collection of the Staatliche Sammlungen, Weimar, Germany

Head of a Girl with a Turban, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Head of a Girl with a Turban, mid 18th century, (1928). Head of a young girl with a turban, chalk on paper. Collection of Dr Hans Wendland, Lugano, Switzerland

Head of an Old Man, c1755, (1928). Artist: Giovanni Battista Tiepolo
Head of an Old Man, c1755, (1928). Head of an old bearded man turned to the right, chalk on paper. Study for the altarpiece, The Miracle of the Foot Healed in the church at Mirano, Italy

St. Anthony of Padua, c1755, (1928). Artist: Giovanni Battista Tiepolo
St. Anthony of Padua, c1755, (1928). Study for the upper half of a monk and for a hand grasping drapery, chalk on paper. Study for the altarpiece

Study for a page in the Kaisersaal, 1751-1752, (1928). Artist: Giovanni Battista Tiepolo
Study for a page in the Kaisersaal for the Apollo on the Staircase-hall of Wü rzburg Residence, and Studies of Legs for the Death of Hyacinthus in Bü ckeburg, 1751-1752, (1928)

Hovering Cupids and one of the Horae with a sun steed, 1752-1753, (1928). Artist
Hovering Cupids and one of the Horae with a sun steed, 1752-1753, (1928). One of the Horae with a sun-steed, above three hovering cupids, chalk on paper

Nude lying down, the upper half of the body partly raised, 1752, (1928). Artist
Nude lying down, the upper half of the body partly raised, 1752, (1928). Male nude. Chalk on paper. Staatsgalerie, Stuttgart, Germany

Officer encamped beside a cannon, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Officer encamped beside a cannon, 1752-1753, (1928). Chalk on paper. Study for the ceiling frescoes of the staircase-hall in the Wü rzburg Residence, Germany

Nude resting, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Nude resting, mid 18th century, (1928). Male nude. Chalk on paper. At one time known to have been in the collection of Dr Hans Wendland, Lugano, Switzerland

Nude seated, 1715-1716, (1928). Artist: Giovanni Battista Tiepolo
Nude seated, 1715-1716, (1928). Seated nude figure turned to the right, chalk on paper. Staatsgalerie, Stuttgart, Germany

Figures and heads of Orientals, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Figures and heads of Orientals, mid 18th century, (1928). Pen on paper. At one time known to have been in the University Collection, Wü rzburg, Germany

Officer resting, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Officer resting, 1752-1753, (1928). Chalk on paper. Study for Balthasar Neumann in the ceiling frescoes of the staircase-hall in the Wü rzburg Residence, Germany

The Annunciation, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
The Annunciation, mid 18th century, (1928). Pen with wash on paper. At one time known to have been in the Former Orloff Collection, Paris, France

Madonna with Saints and Angels, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna with Saints and Angels, mid 18th century, (1928). The Madonna surrounded by Saints and Angels, pen with wash. At one time known to have been in the Former Orloff Collection, Paris, France

A Well, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
A Well, mid 18th century, (1928). A well against a wall, pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

Group of Orientals, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Group of Orientals, mid 18th century, (1928). Studies for a group of Orientals, pen on paper. At one time known to have been in the University Collection, Wü rzburg, Germany

Africa, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
Africa, 1752-1753, (1928). A Moorish woman; a male nude back; two hands folded in prayer, chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence

Madonna with Saints, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Madonna with Saints, mid 18th century, (1928). The Madonna and Child surrounded by Saints, pen with wash on paper. At one time known to have been in the Former Orloff Collection, Paris, France

An Oriental Dealer in Jewels and two European Merchants, 1752-1753, (1928). Artist
An Oriental Dealer in Jewels and two European Merchants, 1752-1753, (1928). An Oriental Jewel-dealer offers his wares to two Europeans, chalk on paper

Woman bending to the right but looking up, mid 18th century, (1928). Woman bending to the right with head turned up to the left, pen with wash on paper

A running Ostrich, 1752-1753, (1928). Artist: Giovanni Battista Tiepolo
A running Ostrich, 1752-1753, (1928). Chalk on paper. Study for the Africa section, frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Angel, c1753-1762, (1928). Artist: Giovanni Battista Tiepolo
Angel, c1753-1762, (1928). Angel sitting on a cloud, her right elbow resting on her left knee, pen with wash on white paper. British Museum, London

Interior to a Farmyard, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Interior to a Farmyard, mid 18th century, (1928). Interior of a courtyard, pen with wash on paper. At one time known to have been in the collection of Herr FW Boehler, Lucerne, Switzerland

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Baron Detlev von, a connoisseur of art and collector extraordinaire, possessed an exquisite taste that spanned across centuries. His collection was a treasure trove of artistic masterpieces, each piece telling its own captivating story. Among his prized possessions was the ethereal painting "Hovering Angel, " a mesmerizing creation from the 18th century by an anonymous follower of Tiepolo. The delicate brushstrokes seemed to breathe life into the celestial figure, evoking a sense of divine presence. Adjacent to it hung "Two Boys, " another gem by Giovanni Battista Tiepolo himself. This mid-18th-century artwork captured youthful innocence with vibrant colors and playful expressions, showcasing Tiepolo's mastery in portraying human emotions. "The Nile" stood as a testament to Tiepolo's versatility as an artist. Painted in 1752, this masterpiece depicted the majestic river flowing through ancient Egypt, transporting viewers back in time with its meticulous attention to detail and rich symbolism. In contrast to these grandiose works, it also appreciated intimate portrayals like "Nude Back. " Created in 1751 by Giovanni Battista Tiepolo, this painting celebrated the beauty of the human form while exuding sensuality through its subtle composition. "Nereids and Triton" further showcased Giovanni Battista Tiepolo's talent for mythological scenes. Painted between c1753-1762, this enchanting artwork transported viewers beneath the waves where mythical creatures frolicked amidst swirling currents—a true visual feast for any admirer of classical tales. The baron's collection extended beyond just paintings; sculptures held their place too. An old man seated on a stone bench caught visitors' attention with his weathered features—his sculptor being one of Tiepolo's pupils who skillfully captured every wrinkle and crease on display. Religious themes were not overlooked either; "St.