Barocci Collection

Blessed Michelina of Pesaro, 1606. Creator: Barocci, Federigo (1528-1612)
Blessed Michelina of Pesaro, 1606. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome

The circumcision of Christ. Artist: Barocci, Federigo (1528-1612)
The circumcision of Christ. Private Collection

Head of a woman, 1568. Creator: Barocci, Federigo (1528-1612)
Head of a woman, 1568. Found in the Collection of the Musee des Beaux-Arts et d'Archeologie, Besancon.

Saint Francis of Assisi Receiving the Stigmata, 1594-1595. Creator: Barocci, Federigo (1528-1612)
Saint Francis of Assisi Receiving the Stigmata, 1594-1595. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

Head of the Virgin. Creator: Barocci, Federigo (1528-1612)
Head of the Virgin. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

The Ascension, ca. 1593. Creator: Cornelis Bloemaert
The Ascension, ca. 1593

The Descent from the Cross, 1615-31. Creator: Charles David
The Descent from the Cross, 1615-31

Christ crucified
3359313 Christ crucified by Barocci or Baroccio, Federico Fiori (c.1535-1612); Galleria Colonna, Rome, Italy; (add.info.: Christ crucified, Federico Barocci, Colonna Gallery, Rome, Italy)

Head of Saint Francis Looking Upwards to the Left, (black
659221 Head of Saint Francis Looking Upwards to the Left, (black, red and white chalk on grey paper) by Barocci or Baroccio

Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red
659254 Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red, yellow and white chalk, on faded blue paper) by Barocci or Baroccio

The Madonna del Gatto by Barocci
The Madonna del Gatto (Madonna of the Cat) by Federico Barocci. circa 1575

The Madonna del Popolo, (black, white red chalk, pen, brown ink and wash)
991403 The Madonna del Popolo, (black, white red chalk, pen, brown ink and wash) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 54.9x38.2 cm; Private Collection; (add.info)

Study for the Head of Christ (black chalk, red, pink and white pastel on light grey paper
1766780 Study for the Head of Christ (black chalk, red, pink and white pastel on light grey paper) by Barocci or Baroccio

The Descent from the Cross, 1606. Creator: Francesco Villamena
The Descent from the Cross, 1606

The Entombment, 1589. Creator: Philippe Thomassin
The Entombment, 1589

The Rest on the Return from Egypt, 1575. Creator: Cornelis Cort
The Rest on the Return from Egypt, 1575

The Holy Family, 1577. Creator: Cornelis Cort
The Holy Family, 1577

The Visitation, the Virgin and Saint Elizabeth embracing in the center, flanked by other figures, after Barocci, 1589

Saint Francis, ca. 1600-1604. Creator: Federico Barocci
Saint Francis, ca. 1600-1604

The Descent from the Cross, 1569. Creator: Barocci, Federigo (1528-1612)
The Descent from the Cross, 1569. Found in the Collection of Cattedrale di San Lorenzo, Perugia

Monsignore Giuliano della Rovere (1559-1621). Found in the Collection of Art History Museum, Vienne

Nativity. Artist: Barocci, Federigo (1528-1612)
Nativity. Found in the collection of Museo del Prado, Madrid

Christ on the Cross. Artist: Barocci, Federigo (1528-1612)
Christ on the Cross. Found in the collection of Museo del Prado, Madrid

The circumcision of Christ. Private Collection

The Madonna of the Cat ( La Madonna del Gatto ), c1575, (1906). Artist: Anthony Cardon
The Madonna of the Cat ( La Madonna del Gatto ), c1575. After Federico Barocci (c1533-1612). Painting held in The National Gallery, London

Study of a Sleeping Baby, c16th century, (1903). Artist: Federico Barocci
Study of a Sleeping Baby, c16th century. After a drawing in coloured chalks by Federico Barocci (c1526-1612). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

The Madonna of the Cat (La Madonna del Gatto), ca. 1575. Artist: Barocci, Federigo (1528-1612)
The Madonna of the Cat (La Madonna del Gatto), ca. 1575. Found in the collection of the National Gallery, London

Madonna del Popolo, 1579. Artist: Barocci, Federigo (1528-1612)
Madonna del Popolo, 1579. Found in the collection of the Galleria degli Uffizi, Florence

The Miracle of the Sacred Belt, ca 1600-1610. Artist: Barocci, Federigo (1528-1612)
The Miracle of the Sacred Belt, ca 1600-1610. Found in the collection of the Albertina, Vienna

Head of an Old Bearded Man, 1584-1586. Artist: Barocci, Federigo (1528-1612)
Head of an Old Bearded Man, 1584-1586. Found in the collection of the Albertina, Vienna

Head of a Woman, 1568-1569. Artist: Barocci, Federigo (1528-1612)
Head of a Woman, 1568-1569. Found in the collection of the Albertina, Vienna

Portrait of a Girl, 16th or early 17th century. Artist: Federico Barocci
Portrait of a Girl, 16th or early 17th century. Found in the collection of the Regional A Deineka Art Gallery, Kursk, Russia

BAROCCI, Federico Fiori da Urbino, called Federico (1526-1612). The Nativity. Mannerism art. Oil on canvas

The Virgin seated on a cloud, 1580-84. Creator: Federico Barocci
The Virgin seated on a cloud, 1580-84

Federigo Barocci
FEDERIGO BAROCCI (1526 - 1612) Italian artist Date: circa 1670

Marriage Virgin Lunette 1580-1600 Pen brown ink
Artokoloro

Christ Virgin Appearing Saint Francis 1562-1602
Artokoloro

Drawings Prints, Print, Holy, Family, Infant, John, Baptist, Artist, Hendrick Goltzius
Drawings and Prints, Print, The Holy Family with the Infant John the Baptist, Artist, Hendrick Goltzius, Federico Barocci, Netherlandish, Muhlbracht 1558-1617 Haarlem, Italian, Urbino ca

Virgin seated cloud 1580-84 Etching engraving
Artokoloro

Head Old Woman Looking Lower Right Saint Elizabeth
Artokoloro

Cornelis Cort after Federico Barocci (Netherlandish, 1533 - 1578), The Rest on the Return from Egypt, 1575, engraving on laid paper

Antoine Aubert after Jean-Baptiste Joseph Wicar after Federico Barocci (French, born c. 1783), Federico Barocci, engraving and stipple engraving on wove paper

Federico Barocci (Italian, probably 1535 - 1612), Two Nude Youths [recto], c. 1565-1567, black chalk heightened with white, contours (of standing figure) incised, on blue paper

Head of a Boy (recto), Figure Studies (verso); Federico Barocci, Italian, about 1535 - 1612; about 1586 - 1589; Black, red

Federico Barocci, Quintilia Fischieri, Italian, probably 1535-1612, probably c. 1600, oil on canvas

Giacomo Barozzi Da Vignola (1507-1573)
GIACOMO BAROZZI DA VIGNOLA (1507-1573). Italian Renaissance architect. Undated engraving

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Barocci, also known as Federigo Barocci, was a renowned Italian artist from the late 16th and early 17th centuries. His works encompassed various themes, showcasing his exceptional talent and mastery of different techniques. One of his notable creations is "Blessed Michelina of Pesaro, " painted in 1606. This piece captures the serene beauty of Blessed Michelina, radiating her spiritual grace through delicate brushstrokes. Another remarkable artwork by Barocci is "The Circumcision of Christ. " Here, he skillfully depicts the biblical scene with meticulous attention to detail and vibrant colors that bring life to the composition. "The Descent from the Cross" is another masterpiece attributed to Barocci but completed by Charles David between 1615-31. This emotionally charged painting portrays the sorrowful moment when Christ's body is taken down from the cross after crucifixion. In his depiction of Christ crucified, Barocci showcases his ability to convey deep religious sentiment through powerful imagery. The intensity captured in this artwork resonates with viewers on a profound level. Barocci's studies also demonstrate his versatility as an artist. In pieces like "Head of Saint Francis Looking Upwards to the Left" and "Study for the Head of a Bearded Man Turned to the Left, " he explores human expressions and features using black and red mediums, creating striking contrasts that draw attention to these captivating faces. Among Barocci's religious-themed artworks are "The Madonna del Gatto" and "The Madonna del Popolo. " These pieces showcase his expertise in utilizing various materials such as chalk, pen, brown ink, washes, pastels - all contributing to intricate details that enhance their overall beauty. His study for "The Head of Christ" demonstrates not only technical excellence but also reveals Barocci's ability to capture divine essence through subtle shades on light grey paper – an exquisite representation of his artistic vision.