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Bare Collection (page 7)

"Bare: A Captivating Collection of Artistic Expressions" Immerse yourself in the world of art, where every stroke and detail tells a story

Background imageBare Collection: Head Of A Girl

Head Of A Girl
A portrait sketch study of a young woman with bare shoulders, she is looking over her left one, thoughtfully. Date: circa 1921

Background imageBare Collection: Nigel, A Zulu

Nigel, A Zulu
A portrait oil painting of Nigel, a muscular Zulu man, wearing a black and white striped wrap which reveals a bare shoulder and half torso

Background imageBare Collection: Samson And The Lion

Samson And The Lion
This sculpture forms a depiction of part of Samson's Riddle, chapter 14 of the Book of Judges. Samson encounters a Philistine lady in the city of Timnah, whom he decides to marry

Background imageBare Collection: Cloud-encircled peak of Mount Fuji from Lake Motosu, Japan

Cloud-encircled peak of Mount Fuji from Lake Motosu, Japan. Date: circa 1910s

Background imageBare Collection: Royal Tournament Rehearsal

Royal Tournament Rehearsal
Life Guards rehearsing a display of bare-back horse-jumping for the Royal Tournament, to be held at Olympia the following week. Date: 1932

Background imageBare Collection: Water Seller, Cairo, Egypt

Water Seller, Cairo, Egypt

Background imageBare Collection: Glynis Johns, British actress

Glynis Johns, British actress Date: 1951

Background imageBare Collection: Forerunner of a gym treadmill or running machine

Forerunner of a gym treadmill or running machine
Gymnastic mill - forerunner of a gym treadmill or running machine Date: 1893

Background imageBare Collection: November in the Cornfields, a photographic study, by B Ward-Thompson

November in the Cornfields, a photographic study, by B Ward-Thompson. Showing furrows, bare earth, trees and a bonfire. Date: 1910

Background imageBare Collection: Poster, Automobiles Le Brun, 4 Grande Rue, Montrouge. Date: 1899

Poster, Automobiles Le Brun, 4 Grande Rue, Montrouge. Date: 1899

Background imageBare Collection: Richard III

Richard III - with Lady Anne Neville, who is on her way to bury the late King Henry VI. 1862

Background imageBare Collection: Ann Sidney, beauty queen and actress

Ann Sidney, beauty queen and actress
Ann Sidney (b 1944), winner of the 1964 Miss World contest, representing the UK. She later acted in TV and film. Seen here looking coy with a drink in her hand. Date: circa 1960s

Background imageBare Collection: Dame Edna Everage and Larry Hagman on a chat show

Dame Edna Everage and Larry Hagman on a chat show
Comic personality, Melbourne housewife and superstar (or gigastar) Dame Edna Everage (played by the Australian comedian Barry Humphries, b 1934) with the American actor Larry Hagman (b 1931)

Background imageBare Collection: Old Mother Hubbard: went to the cupboard

Old Mother Hubbard: went to the cupboard
Old mother hubbard went to the cupboard to get her poor dog a bone, but when she came there the cupboard was bare, and so the poor dog had none

Background imageBare Collection: OLD MOTHER HUBBARD

OLD MOTHER HUBBARD
She went to the baker's to buy him some bread, but when she came back the poor dog was dead. She went to the joiner's to buy him a coffin

Background imageBare Collection: Carlina, 1909 (oil on canvas)

Carlina, 1909 (oil on canvas)
GLS267746 Carlina, 1909 (oil on canvas) by Nicholson, William (1872-1949); 157.5x121.9 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageBare Collection: Dancer adjusting her shoulder strap, c. 1895-1900 (charcoal & pastel on paper)

Dancer adjusting her shoulder strap, c. 1895-1900 (charcoal & pastel on paper)
3550952 Dancer adjusting her shoulder strap, c.1895-1900 (charcoal & pastel on paper) by Degas, Edgar (1834-1917); 28x47 cm; Glasgow Museums

Background imageBare Collection: Nude Grand Arabesque, First Time (bronze)

Nude Grand Arabesque, First Time (bronze)
3551031 Nude Grand Arabesque, First Time (bronze) by Degas, Edgar (1834-1917); 48.5x23x34.5 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageBare Collection: Nude Grand Arabesque, First Time (bronze)

Nude Grand Arabesque, First Time (bronze)
3551030 Nude Grand Arabesque, First Time (bronze) by Degas, Edgar (1834-1917); 48.5x23x34.5 cm; Glasgow Museums, UK; (add.info.: ); © CSG CIC Glasgow Museums Collection

Background imageBare Collection: Spring, 1897 (metal and w/c on vellum)

Spring, 1897 (metal and w/c on vellum)
GLS314115 Spring, 1897 (metal and w/c on vellum) by Macdonald, Frances (1874-1921); Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageBare Collection: The Poet and the Siren, 1889 (bronze)

The Poet and the Siren, 1889 (bronze)
744578 The Poet and the Siren, 1889 (bronze) by Rodin, Auguste (1840-1917); 12.5x25x13 cm; Burrell Collection, Glasgow, Scotland; (add.info)

Background imageBare Collection: Woman Sitting on Bank of Stream, c. 1895 (gouache on board)

Woman Sitting on Bank of Stream, c. 1895 (gouache on board)
3550963 Woman Sitting on Bank of Stream, c.1895 (gouache on board) by Pissarro, Camille (1830-1903); 13.9x11.4 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageBare Collection: Woman Bathing, c. 1897 (pastel on primed canvas)

Woman Bathing, c. 1897 (pastel on primed canvas)
3550948 Woman Bathing, c.1897 (pastel on primed canvas) by Degas, Edgar (1834-1917); 78.7x63.5 cm; Burrell Collection, Glasgow

Background imageBare Collection: The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)

The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper)
XYC222358 The Descent of Odin, design 83 from The Poems of Thomas Gray, 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art

Background imageBare Collection: The Poet and the Siren, 1889 (bronze)

The Poet and the Siren, 1889 (bronze)
744577 The Poet and the Siren, 1889 (bronze) by Rodin, Auguste (1840-1917); 12.5x25x13 cm; Burrell Collection, Glasgow, Scotland; (add.info)

Background imageBare Collection: Montagna Mia, c. 1923 (oil on canvas)

Montagna Mia, c. 1923 (oil on canvas)
3620062 Montagna Mia, c.1923 (oil on canvas) by Swynnerton, Annie Louisa (1844-1933); 112x183 cm; Manchester Art Gallery, UK; (add.info)

Background imageBare Collection: Reclining Nude, c. 1902 (black crayon on brown paper)

Reclining Nude, c. 1902 (black crayon on brown paper)
6366788 Reclining Nude, c.1902 (black crayon on brown paper) by Sickert, Walter Richard (1860-1942); 16 x 25.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery ; Manchester Art Gallery

Background imageBare Collection: The Future, 1925 (oil on canvas)

The Future, 1925 (oil on canvas)
5951403 The Future, 1925 (oil on canvas) by Green, Madeline Emily (1884-1947); 92x61.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: Peace, 1874-80 (bronze)

Peace, 1874-80 (bronze)
5911875 Peace, 1874-80 (bronze) by Bates, Harry (1850-99); 53.5x26.3 cm; Manchester Art Gallery, UK; (add.info.: Part of a pair of relief panels, mounted in architectural frames of plain, dark wood)

Background imageBare Collection: Study For Pygmalion And Galatea, c. 1797 (chalk on paper)

Study For Pygmalion And Galatea, c. 1797 (chalk on paper)
6041274 Study For Pygmalion And Galatea, c.1797 (chalk on paper) by Gauffier, Louis (1761-1801); 18.1x24.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: Calypso's Isle, 1897 (oil on canvas)

Calypso's Isle, 1897 (oil on canvas)
3085164 Calypso's Isle, 1897 (oil on canvas) by Draper, Herbert James (1864-1920); 84x147 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper)

Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper)
5648389 Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper) by Valette, Adolphe (1876-1942); 61x45.5 cm; Manchester Art Gallery

Background imageBare Collection: The Shepherd Boy (marble)

The Shepherd Boy (marble)
5934322 The Shepherd Boy (marble) by Thorvaldsen, Bertel (1770-1844); 101x85x57 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)

The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)
3929995 The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block) by Burgess, Arthur (1844-87); 14x10 cm; Manchester Art Gallery

Background imageBare Collection: Noonday, 1895 (oil on canvas)

Noonday, 1895 (oil on canvas)
3526725 Noonday, 1895 (oil on canvas) by Stott, William Edward (1859-1918); 72x92 cm; Manchester Art Gallery, UK; (add.info.: Impressionistic, hazy rural scene)

Background imageBare Collection: Samson Betrayed, 1850 (oil on canvas)

Samson Betrayed, 1850 (oil on canvas)
940195 Samson Betrayed, 1850 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 243.8x306 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: Time, Truth and Justice, c. 1716 (oil on canvas)

Time, Truth and Justice, c. 1716 (oil on canvas)
MAN443319 Time, Truth and Justice, c.1716 (oil on canvas) by Thornhill, James (1675-1734); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageBare Collection: Mercury, Herse and Aglauros (oil on canvas)

Mercury, Herse and Aglauros (oil on canvas)
MAN368389 Mercury, Herse and Aglauros (oil on canvas) by Ricci, Sebastiano (1658-1734) (school of); 88.5x58.8 cm; Manchester Art Gallery, UK; (add.info.: Episode from Ovid's Metamorphoses (8 AD)

Background imageBare Collection: The Sacred Grove, Beloved of the Arts and the Muses, 1884-89 (oil on canvas)

The Sacred Grove, Beloved of the Arts and the Muses, 1884-89 (oil on canvas)
2967963 The Sacred Grove, Beloved of the Arts and the Muses, 1884-89 (oil on canvas) by Puvis de Chavannes, Pierre (1824-98); 93x231 cm; The Art Institute of Chicago, IL, USA; Potter Palmer Collection

Background imageBare Collection: Portrait of Paul Cezanne (1839-1906) in front of his painting The Large Bathers, 1904 (b/w photo)

Portrait of Paul Cezanne (1839-1906) in front of his painting The Large Bathers, 1904 (b/w photo)
MMT217621 Portrait of Paul Cezanne (1839-1906) in front of his painting The Large Bathers, 1904 (b/w photo) by French Photographer, (20th century); Musee Marmottan Monet, Paris

Background imageBare Collection: Ring-a-Ring-of-Roses, 1910 (oil on canvas)

Ring-a-Ring-of-Roses, 1910 (oil on canvas)
868274 Ring-a-Ring-of-Roses, 1910 (oil on canvas) by Stuck, Franz von (1863-1928); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageBare Collection: Narcissus, 1548-1565 (marble)

Narcissus, 1548-1565 (marble)
7146278 Narcissus, 1548-1565 (marble) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Narcissus, 1548-1565, Benvenuto Cellini, marble)

Background imageBare Collection: Group of Pan and Daphnis, 2nd century (marble)

Group of Pan and Daphnis, 2nd century (marble)
7146745 Group of Pan and Daphnis, 2nd century (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Group of Pan and Daphnis (or Olympus), roman art, marble

Background imageBare Collection: Silenus and the young Bacchus, 1571-74, (bronze)

Silenus and the young Bacchus, 1571-74, (bronze)
7146881 Silenus and the young Bacchus, 1571-74, (bronze) by Duca, Giacomo (Jacopo) del (1520-1604); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Silenus and the young Bacchus)

Background imageBare Collection: Bacchus, 1496-97 (marble)

Bacchus, 1496-97 (marble)
7146160 Bacchus, 1496-97 (marble) by Sansovino, Jacopo (Jacopo Tatti) (1486-1570); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Bacchus, 1496-97, Michelangelo Buonarroti)

Background imageBare Collection: Honour triumphant over deceit, 1561 (marble)

Honour triumphant over deceit, 1561 (marble)
7146188 Honour triumphant over deceit, 1561 (marble) by Danti, Vincenzo (1530-76); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Honour triumphant over deceit, 1561)

Background imageBare Collection: The Doryphoros of Polycletus, 1st/2nd century AD (marble)

The Doryphoros of Polycletus, 1st/2nd century AD (marble)
7146761 The Doryphoros of Polycletus, 1st/2nd century AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The Doryphoros of Polycletus)

Background imageBare Collection: Statue of fighting Hercules, from the Horti Maecenatini (marble)

Statue of fighting Hercules, from the Horti Maecenatini (marble)
2561921 Statue of fighting Hercules, from the Horti Maecenatini (marble) by Roman; Musei Capitolini, Rome, Italy; (add.info.: MC inv. 1088 pentelic marble ); Photo © Stefano Baldini



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"Bare: A Captivating Collection of Artistic Expressions" Immerse yourself in the world of art, where every stroke and detail tells a story. From "The Thief" by Antonio Maria Fabres y Costa to Millais' captivating portrayal of Moses, these paintings leave us bare with their raw emotions. Intrigue fills the air as we witness the power play between two prizefighters in an English ring. Their muscles tense, their faces determined; they stand bare before each other, ready for battle. But art is not limited to canvas alone. Enter the realm of dance, where a rock and roll couple moves with such passion that they seem to shed all inhibitions. Their bodies intertwine gracefully yet fiercely on the dance floor, leaving us breathless and exposed to their energy. And then there's Mr. Sutherland Macdonald's tattooed masterpiece - a testament to human expression through ink on skin. The intricate designs reveal stories untold, baring one's soul for all to see. In Leon-Maxime Faivre's "Deux meres (Two Mothers), " we are confronted with maternal love stripped down to its core essence. Two women embrace their children tightly, exposing vulnerability and strength simultaneously. A controversial piece from the 17th century emerges – "Monk Spanks Nun. " This painting challenges societal norms as it lays bare hidden desires and forbidden pleasures within religious confines. Tarot Card 6 - L'Amoureux (The Lover or Lovers) reveals intimate connections between souls laid bare under celestial influence. Love knows no boundaries as hearts intertwine in this mystical depiction. Nature too has its way of revealing truth when fog embraces Roche Harbor chapel on San Juan Island in Washington state during fall season. The quaintness accentuated by vibrant colors leaves everything exposed yet mysterious at once. Speed meets elegance with Bugatti Veyron Grand Sport Sang Bleu – a car that bares its power and beauty on the road.