Ballet Russe Collection

STRAVINKSY: RITE OF SPRING. The last page of the score of the Rite of Spring, by Igor Stravinsky, 1912

BALLET: RITE OF SPRING. A soloist from the first English production of Igor Stravinsky s
BALLET: RITE OF SPRING. A soloist from the first English production of Igor Stravinskys ballet The Rite of Spring, choreographed by Vaslav Nijinsky, 1913

VASLAV NIJINSKY (1890-1950). Russian ballet dancer and choreographer. Dancing in Les Orientales, c1911

TAMARA KARSAVINA (1885-1978). Russian ballerina, in the ballet, Petrushka, by Igor Stravinksy, 1911

Nijinskys Faun Costume in L Apres Midi d un Faune
CHT171825 Nijinskys Faun Costume in L Apres Midi d un Faune by Claude Debussy (1862-1918) from the front cover of the programme for the 7th season of the Ballets Russes, 1912 (colour litho) by Bakst

Costume Design for a Sultan (w / c on paper)
STC94410 Costume Design for a Sultan (w/c on paper) by Bakst, Leon (1866-1924); Private Collection; The Stapleton Collection; Russian, out of copyright

VASLAV NIJINSKY (1890-1950). Russian dancer and choreographer, dancing the title role in " Petrouchka", c1911

Nijinsky performing the Danse Siamoise from Les Orientales, 1910 (b/w photo)
XJF397692 Nijinsky performing the Danse Siamoise from Les Orientales, 1910 (b/w photo) by French Photographer, (20th century); Private Collection; (add.info)

Ballet scene with Tamara Karsavina (1885-1978) 1914 (pochoir print)
STC227552 Ballet scene with Tamara Karsavina (1885-1978) 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Karsavina, 1914 (pochoir print)
STC226942 Karsavina, 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; (add.info.: resembles Vaslav Nijinsky in L apres-midi d un Faune ; ); The Stapleton Collection

Ballet scene with Tamara Karsavina (1885-1978) 1914 (pochoir print)
STC227553 Ballet scene with Tamara Karsavina (1885-1978) 1914 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Nijinski and the Karsavina dancing in the Ballet Le Spectre de la Rose by Carl Maria von Weber (1786-1826)
CHT163650 Nijinski and the Karsavina dancing in the Ballet Le Spectre de la Rose by Carl Maria von Weber (1786-1826) at the Paris Chatelet Theatre, 5th June 1912 (sepia photo) by Bert, A

Stephane Mallarme - illustration
3772801 Stephane Mallarme - illustration by Manet, Edouard (1832-83); (add.info.: Stephane Mallarme-illustration for the French Symbolist poets L apres-midi d un faune)

Tamara Platnovna Karsavina (1885-1978) as The Firebird
CHT171873 Tamara Platnovna Karsavina (1885-1978) as The Firebird by Igor Stravinsky (1882-1971) from the front cover of Le Theatre magazine, May 1911 (colour litho) by French School

Costume of a Guest for the ballet Legend of Joseph, c
SRM92434 Costume of a Guest for the ballet Legend of Joseph, c.1914 (gouache & pencil on paper) by Bakst, Leon (1866-1924); 31.2x22.8 cm; State Russian Museum, St

Sketch for the design of a curtain for the ballet Scheherazade
SRM96586 Sketch for the design of a curtain for the ballet Scheherazade, 1910 (tempera on cardboard) by Serov, Valentin Aleksandrovich (1865-1911); 56x72 cm; State Russian Museum, St

Costume design for Salome in Dance of the Seven Veils, 1909 (w / c)
BAL75814 Costume design for Salome in Dance of the Seven Veils, 1909 (w/c) by Bakst, Leon (1866-1924); 46.5x29.9 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Set Design for Thamar, 1912 (w / c on paper)
XIR59429 Set Design for Thamar, 1912 (w/c on paper) by Bakst, Leon (1866-1924); Musee des Arts Decoratifs, Paris, France; Russian, out of copyright

Shariar, King of the Indies and China, costume design for Diaghilevs production
BAL78080 Shariar, King of the Indies and China, costume design for Diaghilevs production of Scheherazade, 1910 (litho) by Bakst, Leon (1866-1924); Private Collection; Russian, out of copyright

The Great Eunuch, costume design for Diaghilevs production of the ballet Scheherazade
BAL78082 The Great Eunuch, costume design for Diaghilevs production of the ballet Scheherazade, 1910 (litho) by Bakst, Leon (1866-1924); Private Collection; Russian, out of copyright

Zobeide, the favourite concubine and leader of the harem of Shariar, costume design
BAL78081 Zobeide, the favourite concubine and leader of the harem of Shariar, costume design for Diaghilevs production of the ballet Scheherazade, 1910 (litho) by Bakst

IGOR STRAVINSKY (1882-1971). American (Russian-born) composer. Stravinsky (seated) photographed at Lausanne, Switzerland, in 1915 with Russian painters Mikhail Larionov (rear) and Leon Bakst

WASLAW NIJINSKY (1890-1950). Russian dancer. Dancing in Pavillon d Armide. Drawing by Frank Havilland, 1913

ANNA PAVLOVA (1885-1931). Russian dancer. Photographed in 1915

ANNA PAVLOVA (1885-1931). Russian ballerina. Photographed in 1914 at New York City for a performance of the St. Petersburg Imperial Opera Ballet at the Metropolitan Opera House

BALLET: PETROUCHKA. American publicity photograph, c1916, by Jean de Strelecki, for a Ballets Russes production of Petrouchka, choreographed by Michel Fokine with music by Igor Stravinsky

LE SACRE DU PRINTEMPS. Four soloists from the English premiere of Le Sacre du Printemps. Photographed in 1913

LE SACRE DU PRINTEMPS. Dancers from the Ballets Russes at the English premiere of Le Sacre du Printemps. Photographed in 1913

DAPHNIS AND CHLOE, 1912. Design by Leon Bakst, 1912, for Michel Fokines ballet Daphnis et Chloe, with music by Maurice Ravel

STRAVINSKY: FIREBIRD. Tamara Karsavina in the title role of Stravinskys The Firebird
STRAVINSKY: FIREBIRD. Tamara Karsavina in the title role of Stravinskys " The Firebird, " 1910

Maurice Ravel (right) with Nijinsky at the piano on the stand of which is the score of Daphnis and Chloe, 1912
RAVEL AND NIJINSKY, 1912. Maurice Ravel (right) with Nijinsky at the piano on the stand of which is the score of " Daphnis and Chloe, " 1912

Dancers from the Ballets Russes at the English premiere of Le Sacre du Printemps. Photographed in 1913
LE SACRE DU PRINTEMPS. Dancers from the Ballets Russes at the English premiere of Le Sacre du Printemps. Photographed in 1913

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"Ballet Russe: A Captivating Journey into Russian Ballet" Immerse yourself in the enchanting world of Ballet Russe, where passion and artistry collide to create breathtaking performances. From the iconic Stravinsky's "Rite of Spring" to the mesmerizing dances choreographed by Vaslav Nijinsky and performed by Tamara Karsavina, this era of ballet is a testament to the beauty and innovation that emerged from Russia. As you gaze upon the last page of Stravinsky's score for "Rite of Spring, " you can almost hear the powerful music reverberating through your soul. It was within these notes that a revolution in dance took place, challenging traditional norms and pushing boundaries like never before. Witness Vaslav Nijinsky, a remarkable dancer and choreographer who brought Les Orientales to life with his graceful movements. His performance captivated audiences as he effortlessly transported them to distant lands filled with mystery and allure. Tamara Karsavina, another luminary ballerina, graced the stage in Petrushka, her elegance shining through every step. Her portrayal captured hearts worldwide as she breathed life into characters with her exquisite technique and emotive expressions. The costumes designed for these productions were nothing short of spectacular. Adorned in vibrant colors and intricate details, they transformed dancers into sultans or ethereal beings from other realms. Each costume added an extra layer of magic to already spellbinding performances. Nijinsky once again stole the spotlight as he danced passionately in various roles throughout his career. Whether it was performing solo or alongside Karsavina, his talent knew no bounds. The intensity emanating from each photograph reminds us why he remains an icon even today. Karsavina's poise radiated gracefulness as she glided across stages during numerous ballet scenes. With every movement meticulously crafted, she embodied perfection itself - a true embodiment of the Ballet Russe era.