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Avon Collection (page 8)

Avon, a picturesque region in England's United Kingdom, is adorned with breathtaking landscapes and iconic landmarks

Background imageAvon Collection: View looking up the river, taken from below the Rope Walk and Wapping, c

View looking up the river, taken from below the Rope Walk and Wapping, c
2832389 View looking up the river, taken from below the Rope Walk and Wapping, c.1804, 1825 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageAvon Collection: View from the Stone Bridge, Head of Quay (St Giles ), 1826 (pencil & w / c on paper)

View from the Stone Bridge, Head of Quay (St Giles ), 1826 (pencil & w / c on paper)
2832382 View from the Stone Bridge, Head of Quay (St Giles ), 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Stone Bridge, Head of Quay (St Giles ), including a view of the Host Street Sugar

Stone Bridge, Head of Quay (St Giles ), including a view of the Host Street Sugar
2832381 Stone Bridge, Head of Quay (St Giles ), including a view of the Host Street Sugar House, 1824 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery

Background imageAvon Collection: The Quay, looking North, with the Old Corn Exchange, 1825 (pencil & w / c on paper)

The Quay, looking North, with the Old Corn Exchange, 1825 (pencil & w / c on paper)
2832380 The Quay, looking North, with the Old Corn Exchange, 1825 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Quakers Bridge (end of the Ropewalk), 1821 (pencil & w / c on paper)

Quakers Bridge (end of the Ropewalk), 1821 (pencil & w / c on paper)
2832368 Quakers Bridge (end of the Ropewalk), 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Castle Street Tunnel, 1821 (pencil & w / c on paper)

Castle Street Tunnel, 1821 (pencil & w / c on paper)
2832363 Castle Street Tunnel, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Union Street Bridge with the Bastion, Back of the George Inn and Newgate

Union Street Bridge with the Bastion, Back of the George Inn and Newgate
2832355 Union Street Bridge with the Bastion, Back of the George Inn and Newgate, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: St Johns Bridge from Pipe Lane, off Lewins Mead, 1821 (pencil & w / c on paper)

St Johns Bridge from Pipe Lane, off Lewins Mead, 1821 (pencil & w / c on paper)
2832354 St Johns Bridge from Pipe Lane, off Lewins Mead, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Broad Weir, junction of the River Frome and Castle Ditch (pencil & w / c on paper)

Broad Weir, junction of the River Frome and Castle Ditch (pencil & w / c on paper)
2832190 Broad Weir, junction of the River Frome and Castle Ditch (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Queen Elizabeth passing down the Avon to visit Hungroad, 1574, 1916 (oil on canvas)

Queen Elizabeth passing down the Avon to visit Hungroad, 1574, 1916 (oil on canvas)
2830907 Queen Elizabeth passing down the Avon to visit Hungroad, 1574, 1916 (oil on canvas) by Parsons, Arthur Wilde (1854-1931); 168x211.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: The River Avon (oil on canvas)

The River Avon (oil on canvas)
2829462 The River Avon (oil on canvas) by Syer, John (1815-85); 92.5x131 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: View across the Floating Harbour, with St George s, Brandon Hill, and the Cathedral

View across the Floating Harbour, with St George s, Brandon Hill, and the Cathedral
2829300 View across the Floating Harbour, with St George s, Brandon Hill, and the Cathedral, c.1825 (pencil & w/c on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery

Background imageAvon Collection: Clifton from the Overfall Dam, 1837 (oil on canvas)

Clifton from the Overfall Dam, 1837 (oil on canvas)
2829272 Clifton from the Overfall Dam, 1837 (oil on canvas) by Pyne, James Baker (1800-70); 114.3x182.9 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Gathering Peascods (b / w photo)

Gathering Peascods (b / w photo)
3626602 Gathering Peascods (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Gathering Peascods)

Background imageAvon Collection: Newcastle (b / w photo)

Newcastle (b / w photo)
3626601 Newcastle (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Newcastle. A square country dance to the tune of an old ballad)

Background imageAvon Collection: Guys Cliffe House, Near Warwick (photo)

Guys Cliffe House, Near Warwick (photo)
727544 Guys Cliffe House, Near Warwick (photo) by English Photographer, (20th century); Private Collection; (add.info.: Guys Cliffe House, Near Warwick)

Background imageAvon Collection: Charlecote

Charlecote
LLM457692 Charlecote by Lydon, Alexander Francis (1836-1917); Private Collection; (add.info.: Charlecote. Illustration for Pictureque Views of Seats by F O Morris (William Mackenzie)

Background imageAvon Collection: View across the Floating Harbour, c. 1825 (pencil & w / c on paper)

View across the Floating Harbour, c. 1825 (pencil & w / c on paper)
2829301 View across the Floating Harbour, c.1825 (pencil & w/c on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Holy Trinity Church, Stratford-on-Avon (photo)

Holy Trinity Church, Stratford-on-Avon (photo)
727518 Holy Trinity Church, Stratford-on-Avon (photo) by English Photographer, (20th century); Private Collection; (add.info.: Holy Trinity Church, Stratford-on-Avon)

Background imageAvon Collection: Looking towards the Mouth of the Avon, possibly 1832 (oil on canvas)

Looking towards the Mouth of the Avon, possibly 1832 (oil on canvas)
2830903 Looking towards the Mouth of the Avon, possibly 1832 (oil on canvas) by Horlor, Joseph (1809-87); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: View between St Vincents Rocks, showing Mr. Courtney taking his terrific flight

View between St Vincents Rocks, showing Mr. Courtney taking his terrific flight
2832601 View between St Vincents Rocks, showing Mr. Courtney taking his terrific flight, 1826 (pencil & w/c on paper) by Rowbotham

Background imageAvon Collection: Redcliffe Back, before the Floating Harbour, 1804 (pencil & w / c on paper)

Redcliffe Back, before the Floating Harbour, 1804 (pencil & w / c on paper)
2832444 Redcliffe Back, before the Floating Harbour, 1804 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Totterdown, looking towards Knowle, 1821 (pencil & w / c on paper)

Totterdown, looking towards Knowle, 1821 (pencil & w / c on paper)
2832436 Totterdown, looking towards Knowle, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Totterdown, showing Knowle Hill, the Bath Road and the Brislington Turnpike

Totterdown, showing Knowle Hill, the Bath Road and the Brislington Turnpike
2832435 Totterdown, showing Knowle Hill, the Bath Road and the Brislington Turnpike, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageAvon Collection: Windsor Terrace, Clifton, from the South of the Avon, 1819 (pencil & w / c on paper)

Windsor Terrace, Clifton, from the South of the Avon, 1819 (pencil & w / c on paper)
2832427 Windsor Terrace, Clifton, from the South of the Avon, 1819 (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Harfords Bridge (Bedminster Bridge), 1821 (pencil & w / c on paper)

Harfords Bridge (Bedminster Bridge), 1821 (pencil & w / c on paper)
2832415 Harfords Bridge (Bedminster Bridge), 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: View of St Mary Redcliffe from the Gibb slip prior to formation of Floating Harbour

View of St Mary Redcliffe from the Gibb slip prior to formation of Floating Harbour
2832412 View of St Mary Redcliffe from the Gibb slip prior to formation of Floating Harbour, also showing the breaming of the bottom of a ship, 1826 (pencil & w/c on paper) by Rowbotham

Background imageAvon Collection: Eastern Wapping Dock, with the launch of the barque Avon, 1826 (drawing

Eastern Wapping Dock, with the launch of the barque Avon, 1826 (drawing
2832403 Eastern Wapping Dock, with the launch of the barque Avon, 1826 (drawing, watercolour) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Scotts Yard, called Nova Scotia, near the Overfall Dam, 1826 (w / c & pencil on paper)

Scotts Yard, called Nova Scotia, near the Overfall Dam, 1826 (w / c & pencil on paper)
2832402 Scotts Yard, called Nova Scotia, near the Overfall Dam, 1826 (w/c & pencil on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Cumberland Basin, with the paddle steamers St. George and George IV

Cumberland Basin, with the paddle steamers St. George and George IV
2832396 Cumberland Basin, with the paddle steamers St. George and George IV and the Earl of Liverpool, 1826 (pencil & w/c on paper) by Rowbotham

Background imageAvon Collection: Old Floating Dock, Hotwell Road, looking towards Clifton and Goldney Rotunda

Old Floating Dock, Hotwell Road, looking towards Clifton and Goldney Rotunda
2832392 Old Floating Dock, Hotwell Road, looking towards Clifton and Goldney Rotunda, 1827 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageAvon Collection: Tomss (Tombs ) Dock, Canons Marsh, 1826 (pencil & w / c on paper)

Tomss (Tombs ) Dock, Canons Marsh, 1826 (pencil & w / c on paper)
2832384 Tomss (Tombs ) Dock, Canons Marsh, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Weir within the Castle Precincts, diverging from Castle Ditch (Narrow Weir)

Weir within the Castle Precincts, diverging from Castle Ditch (Narrow Weir)
2832362 Weir within the Castle Precincts, diverging from Castle Ditch (Narrow Weir), 1820 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Horseshoes Bridge, Ropewalk, 1821 (pencil & w / c on paper)

Horseshoes Bridge, Ropewalk, 1821 (pencil & w / c on paper)
2832352 Horseshoes Bridge, Ropewalk, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Bridewell Bridge, looking north towards St Michaels Church

Bridewell Bridge, looking north towards St Michaels Church
2832345 Bridewell Bridge, looking north towards St Michaels Church, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Bridewell Bridge, looking South, 1821 (pencil & w / c on paper)

Bridewell Bridge, looking South, 1821 (pencil & w / c on paper)
2832344 Bridewell Bridge, looking South, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Ferry slip from Temple Back to St Philip s, 1823 (w / c over pencil on paper)

Ferry slip from Temple Back to St Philip s, 1823 (w / c over pencil on paper)
2831658 Ferry slip from Temple Back to St Philip s, 1823 (w/c over pencil on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: View down the Avon with Hotwells and Clifton, c. 1825 (w / c on paper)

View down the Avon with Hotwells and Clifton, c. 1825 (w / c on paper)
2831211 View down the Avon with Hotwells and Clifton, c.1825 (w/c on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Bristol Riots: The Burning of the Toll-Houses on Prince Street Bridge with St Mary

Bristol Riots: The Burning of the Toll-Houses on Prince Street Bridge with St Mary
2831190 Bristol Riots: The Burning of the Toll-Houses on Prince Street Bridge with St Mary Redcliffe, c.1831 (oil on paper) by Muller

Background imageAvon Collection: Looking towards Stone Bridge (Giles Bridge), 1826 (pencil & w / c on paper)

Looking towards Stone Bridge (Giles Bridge), 1826 (pencil & w / c on paper)
2832604 Looking towards Stone Bridge (Giles Bridge), 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Bristol from Coronation Road with Cumberland Road, the New Cut

Bristol from Coronation Road with Cumberland Road, the New Cut
2832479 Bristol from Coronation Road with Cumberland Road, the New Cut and a view of the churches of Bristol, 1827 (drawing, watercolour) by Rowbotham

Background imageAvon Collection: Entrance to the Bathurst Basin from the New Cut, 1822 (pencil & w / c on paper)

Entrance to the Bathurst Basin from the New Cut, 1822 (pencil & w / c on paper)
2832447 Entrance to the Bathurst Basin from the New Cut, 1822 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: The Paragon, Windsor Terrace and St Vincents Parade, 1823 (w / c over pencil on paper)

The Paragon, Windsor Terrace and St Vincents Parade, 1823 (w / c over pencil on paper)
2832423 The Paragon, Windsor Terrace and St Vincents Parade, 1823 (w/c over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; (add.info.: a colour drawing)

Background imageAvon Collection: St Augustines Back, 1824 (pencil & w / c on paper)

St Augustines Back, 1824 (pencil & w / c on paper)
2832376 St Augustines Back, 1824 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: St Jamess Back, 1820 (pencil & w / c on paper)

St Jamess Back, 1820 (pencil & w / c on paper)
2832372 St Jamess Back, 1820 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageAvon Collection: Frome Bridge (formerly Traitors Bridge), 1821 (pencil & w / c on paper)

Frome Bridge (formerly Traitors Bridge), 1821 (pencil & w / c on paper)
2832369 Frome Bridge (formerly Traitors Bridge), 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: The back of the St Peters Hospital (formerly The Mint

The back of the St Peters Hospital (formerly The Mint
2832164 The back of the St Peters Hospital (formerly The Mint) from the Floating Harbour (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageAvon Collection: Warwick Pageant, 1906: Queen Elizabeth goes down the Avon, Episode X (colour litho)

Warwick Pageant, 1906: Queen Elizabeth goes down the Avon, Episode X (colour litho)
6029183 Warwick Pageant, 1906: Queen Elizabeth goes down the Avon, Episode X (colour litho) by English School, (20th century); Private Collection; (add.info.: Queen Elizabeth goes down the Avon)



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Avon, a picturesque region in England's United Kingdom, is adorned with breathtaking landscapes and iconic landmarks. The Clifton Suspension Bridge, an engineering marvel built by Brunel, gracefully spans the Avon Gorge in Bristol. Its majestic presence captivates visitors from all corners of the world. Narrowboats gently sway on the tranquil waters of the Kennet and Avon Canal at Bathampton near Bath. These charming vessels offer a unique way to explore the idyllic surroundings while immersing oneself in nature's beauty. In Bradford-on-Avon, Wiltshire, an old bridge stands proudly over the meandering River Avon. This timeless scene evokes a sense of nostalgia as it transports you back to simpler times. Further south lies Somerset's River Brue, where Glastonbury Tor majestically rises in the distance. This enchanting view showcases nature's harmony with man-made wonders. Every year in Bristol, Avon comes alive during the vibrant Bristol Balloon Festival. As colorful hot air balloons fill the sky above this lively cityscape, spectators are left awe-inspired by this magical spectacle. Travel back in time to 1940s Mudeford and experience England's rich history along its shores. The quaint charm of this coastal town will transport you to another era filled with nostalgia and memories waiting to be made. The Royal Crescent in Bath is a UNESCO World Heritage Site that exudes elegance and grandeur. Its striking Georgian architecture is perfectly complemented by Avon's natural beauty surrounding it. Returning once more to Bristol's Clifton Suspension Bridge towering over Avon Gorge, one cannot help but feel humbled by human ingenuity harmonizing with nature's splendor. Lastly, immerse yourself in Bath's allure as you stroll alongside River Avon through its historic streets lined with architectural gems. This captivating city effortlessly blends past and present into a tapestry of cultural richness for all who visit.