Fraud Blocker Skip to main content

Avanzi Collection

Avanzi, the remnants of ancient Rome, tell a tale of grandeur and resilience

Background imageAvanzi Collection: Firenze, Fiesole, Avanzi del Teatro Romano (b / w photo)

Firenze, Fiesole, Avanzi del Teatro Romano (b / w photo)
3631070 Firenze, Fiesole, Avanzi del Teatro Romano (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Firenze, Fiesole, Avanzi del Teatro Romano)

Background imageAvanzi Collection: Tempj del Sole della Luna o come altri d Iside e

Tempj del Sole della Luna o come altri d Iside e
Tempj del Sole e della Luna, o come altri, d Iside e Serapi, Piranesi, Giovanni Battista, 1720-1778, Etching, 1748?-1749?

Background imageAvanzi Collection: Veduta degli avanzi del Tempio della Pace Piranesi

Veduta degli avanzi del Tempio della Pace Piranesi
Veduta degli avanzi del Tempio della Pace, Piranesi, Giovanni Battista, 1720-1778, Etching, 1749?-1750, The etching, from the Vedute di Roma, shows the Basilica of Maxentius or Constantine

Background imageAvanzi Collection: View of the Frigidarium at the Baths of Diocletian, from the Views of Rome series, c

View of the Frigidarium at the Baths of Diocletian, from the Views of Rome series, c
XJF497236 View of the Frigidarium at the Baths of Diocletian, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageAvanzi Collection: View of the Temple of Isis, Pompeii, engraved by Francesco Piranesi, 1788 (etching)

View of the Temple of Isis, Pompeii, engraved by Francesco Piranesi, 1788 (etching)
XJF497242 View of the Temple of Isis, Pompeii, engraved by Francesco Piranesi, 1788 (etching) by Desprez, Louis Jean (1743-1804) (after); Private Collection; (add.info)

Background imageAvanzi Collection: View of the Villa of Maecenas in Tivoli, from the Views of Rome series, c

View of the Villa of Maecenas in Tivoli, from the Views of Rome series, c
XJF497240 View of the Villa of Maecenas in Tivoli, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageAvanzi Collection: View of the Baths of Trajan, from the Views of Rome series, c. 1760 (etching)

View of the Baths of Trajan, from the Views of Rome series, c. 1760 (etching)
XJF497232 View of the Baths of Trajan, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageAvanzi Collection: View of the Aqueduct of Nero, from the Views of Rome series, c. 1760 (etching)

View of the Aqueduct of Nero, from the Views of Rome series, c. 1760 (etching)
XJF497234 View of the Aqueduct of Nero, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageAvanzi Collection: View of the ruined portico of the Villa dei Sette Bassi, from the Views of Rome series, c

View of the ruined portico of the Villa dei Sette Bassi, from the Views of Rome series, c
XJF497230 View of the ruined portico of the Villa dei Sette Bassi, from the Views of Rome series, c.1760 (etching) by Piranesi

Background imageAvanzi Collection: View of the Temple of Concord with the Arch of Septimius Severus and the Church of Santa Martina

View of the Temple of Concord with the Arch of Septimius Severus and the Church of Santa Martina
XJF497215 View of the Temple of Concord with the Arch of Septimius Severus and the Church of Santa Martina, from the Views of Rome series, c.1760 (etching) by Piranesi

Background imageAvanzi Collection: View of the Basilica of Maxentius and Constantine, from the Views of Rome series, c

View of the Basilica of Maxentius and Constantine, from the Views of Rome series, c
XJF497213 View of the Basilica of Maxentius and Constantine, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageAvanzi Collection: View of the Remains of the Forum of Nerva, from the Views of Rome series

View of the Remains of the Forum of Nerva, from the Views of Rome series
XJF497211 View of the Remains of the Forum of Nerva, from the Views of Rome series, 1758 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)


All Professionally Made to Order for Quick Shipping

Avanzi, the remnants of ancient Rome, tell a tale of grandeur and resilience. In Firenze and Fiesole, these fragments transport us back in time to an era of architectural marvels. The Avanzi del Teatro Romano stands as a silent witness to the theatrical performances that once captivated audiences. Tempio del Sole della Luna, also known as Temples of Isis and other deities, evokes a sense of mystique and spirituality. Its ruins whisper stories of worshipers seeking solace in its sacred halls. The Veduta degli avanzi del Tempio della Pace Piranesi reveals the beauty hidden within decay. Through Francesco Piranesi's etching, we glimpse at the intricate details that adorned this temple dedicated to peace. The Frigidarium at the Baths of Diocletian showcases Roman engineering prowess. This monumental structure served as a testament to their advanced understanding of hydrotherapy and relaxation. Pompeii's Temple of Isis enchants with its engraved depiction by Francesco Piranesi in 1788. It transports us to a city frozen in time by volcanic ash but still pulsating with life through its well-preserved ruins. The Villa of Maecenas in Tivoli offers breathtaking views from every angle. As captured in the Views of Rome series, it invites us into an opulent world where luxury met natural splendor. Baths of Trajan stand tall amidst nature's embrace, reminding us that even emperors sought respite from their duties within these walls. The etchings from c. 1760 immortalize this place for generations to come. Aqueducts were lifelines for ancient Romans, none more impressive than Nero's Aqueduct depicted in another engraving from c. 1760. These towering structures ensured water supply throughout the empire's capital city. Ruins often hold secrets waiting to be discovered; such is true for Villa dei Sette Bassi's portico.