Atalante Collection

Great Women of Antiquity: Miriam, Rebecca, Semiramis, Penelope, Sappho, Cleopatra
MAL48987 Great Women of Antiquity:Miriam, Rebecca, Semiramis, Penelope, Sappho, Cleopatra, Cornelia, Phryne, Aspasia, Helen, Atalanta, Imogen and Boadicea by Walenn

Meleager and Atalante, 1617-18 (oil on canvas)
471345 Meleager and Atalante, 1617-18 (oil on canvas) by Jordaens, Jacob (1593-1678); 154.4x121.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Meleager and Atalanta (oil on canvas)
PWI90031 Meleager and Atalanta (oil on canvas) by Jordaens, Jacob (1593-1678); Prado, Madrid, Spain; ePeter Willi; Flemish, out of copyright

Atalanta and Hippomenes, 1572 (oil on slate)
BEN82528 Atalanta and Hippomenes, 1572 (oil on slate) by Marsili, Sebastiano (fl.1572); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Atalanta and Melanion
CMY40179 Atalanta and Melanion by Batten, John Dickson (1860-1932); 61.5x25.5 cm; Private Collection; English, out of copyright

Scene showing that those born under the sign of Gemini in conjuction with
BEN78469 Scene showing that those born under the sign of Gemini in conjuction with the constellation of the Hare are imparted with an aptitude for running fast

Atalanta and the Sons of the North Wind, c. 1900 (colour litho)
CHT247766 Atalanta and the Sons of the North Wind, c.1900 (colour litho) by Speed, Lancelot (1860-1931); Private Collection; (add.info)

Hippomenes (marble)
XIR154140 Hippomenes (marble) by Coustou, Guillaume I (1677-1746); Louvre, Paris, France; French, out of copyright

Landscape with the Hunt of the Calydonian Boar, before (oil on canvas)
SCP36854 Landscape with the Hunt of the Calydonian Boar, before (oil on canvas) by Rubens, Peter Paul (1577-1640); 160x260 cm; Prado, Madrid

Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology
XIR158662 Atalanta, 3rd-2nd century BC (marble), female athlete in Greek mythology by Greek; Louvre, Paris, France; (add.info.: challenged suitors to a race; ); Greek, out of copyright

Meleager Presents the Boars Head to Atalanta, 1731 (engraving)
STC134138 Meleager Presents the Boars Head to Atalanta, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

British retreat from Thermopylae to Athens by G. H. Davis
From Thermopylae to Athens: the last valiant British retreat. A relief map looking southwards, showing the last stages of a glorious rearguard action during the Battle of Greece, Second World War

Shell; Unknown; Atalante (?), Greece, Europe; about 425 B.C.; Marble with polychromy; Object: H: 20.2 x W: 24.5 x D: 4.7 cm (7 15/16 x 9 5/8 x 1 7/8 in.)

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Atalante, a prominent figure in ancient mythology, has captivated the minds of many throughout history. Known for her exceptional beauty and unmatched athletic prowess, she stands alongside other great women of antiquity like Miriam, Rebecca, Semiramis, Penelope, Sappho, and Cleopatra. One notable depiction is found in the painting "Meleager and Atalanta" from 1617-18. This oil on canvas masterpiece showcases their intense connection amidst a backdrop of mythical adventure. Another representation can be seen on Side B of the Francois Vase created by Ergotimos around 570 BC. Crafted with intricate pottery techniques, this artwork immortalizes Atalante's presence in Greek culture. The story continues to unfold through various artistic interpretations such as "Atalanta and Hippomenes" painted on slate in 1572. The delicate strokes bring to life their fateful race where love triumphs over speed. Even during times of hardship like the earthquakes in Greece depicted in an engraving titled "The Recent Earthquakes, " survivors find solace at Atalante. In another scene captured on The Francois Vase made by Ergotimos around 570 BC using ceramic materials; we witness those born under the sign of Gemini joining forces with Atalante - symbolizing strength through unity. Her legend extends beyond visual arts into literature as well. One example is portrayed in "Atalanta and Melanion, " showcasing their thrilling pursuit that ultimately leads to everlasting love against all odds. Furthermore, a vibrant lithograph called "Atalanta and the Sons of the North Wind" transports us to c. 1900 when artists embraced color printing techniques to enhance her tale's vividness. Hippomenes' marble sculpture further solidifies his crucial role alongside Atalante throughout mythological narratives while paintings like "Landscape with the Hunt of Calydonian Boar" capture the essence of her adventurous spirit.