Artois Collection

Place de la Bourse, Boulevard Anspach, Brussels, Belgium
Place de la Bourse and Boulevard Anspach, Brussels, Belgium. Date: circa 1910

Robert, Comte D artois
ROBERT DE FRANCE, comte d ARTOIS brother of Louis IX, military leader

Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468199 Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Werve, Claus de (1380-1439); 41.7x16.6x11.7 cm; Cleveland Museum of Art, OH

Portrait of Charles X of France
3523940 Portrait of Charles X of France; (add.info.: Portrait of King Charles X of France (1757-1836) also known as the Count of Artois. Dated 19th Century); Universal History Archive/UIG.

Flandre, Artois, Picardie (colour litho)
5209986 Flandre, Artois, Picardie (colour litho) by Pinchon, Joseph Porphyre (1871-1953); Private Collection; (add.info.: Flandre, Artois, Picardie)

With the die hards at Neuve Chapelle, the storming of a blockhouse by the 2nd Middlesex, from The Great War: A History
KW345553 With the die hards at Neuve Chapelle, the storming of a blockhouse by the 2nd Middlesex, from The Great War: A History, volume III, 1916 (litho) by Macpherson

Kevin Curren Stella Artois Queens Club 12 June 1984 Date: 12 June 1984

Battle of Guinegate, France, 7 August 1479 (engraving)
3646324 Battle of Guinegate, France, 7 August 1479 (engraving) by Burgkmair, Hans (c.1473-1531) (after); Private Collection; (add.info.: Battle of Guinegate, France, 7 August 1479)

General Petain commanding the army of Verdun, front cover illustration from
698803 General Petain commanding the army of Verdun, front cover illustration from Le Petit Journal, supplement illustre, 9th April 1916 (colour litho) by French School

Children of King Charles Philippe of France - Count of Artois, later King Charles X of France, and Marie Clotilde, later Queen of Sardinia Date: 1763

Cap Gris Nez (oil on panel)
BUT95945 Cap Gris Nez (oil on panel) by Daubigny, Charles Francois (1817-78); 33x56 cm; Berwick-upon-Tweed Borough Museum and Art Gallery, UK; eBerwick-Upon-Tweed Art Gallery; French, out of copyright

Willows and Farmhouse at Sainte-Catherine-les-Arras, 1871 (oil on canvas)
5672865 Willows and Farmhouse at Sainte-Catherine-lAs-Arras, 1871 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 36.3x44.4 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Decorative plate from Desvres, Artois, France, showing the crucifixion by Francois Caus, 1785. Angels catching blood spurting from his wounds

Count of Artois, Comte d Artois. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle

Henry Count of Chambord 1820-1883 and Louise
Henry, Count of Chambord, Duke of Bordeaux 1820-1883 and Louise Marie Therese of Artois, daughter of the Duke of Berry 1819-1870

Mourners from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468202 Mourners from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Werve, Claus de (1380-1439); height: 41.5 cm; Cleveland Museum of Art, OH

Two Weepers from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468201 Two Weepers from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Werve, Claus de (1380-1439); 41x12.7x15 cm; Cleveland Museum of Art, OH

Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468200 Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Huerta, Juan de la (fl.1443, d.c.1462); 41x20.3x12.4 cm; Cleveland Museum of Art, OH

Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster)
3468203 Mourner from the Tomb of Philip the Bold, Duke of Burgundy, 1404-10 (alabaster) by Werve, Claus de (1380-1439); 41.1x17.6x11 cm; Cleveland Museum of Art, OH

The Ramparts of Arras, 1852 (oil on canvas)
3956036 The Ramparts of Arras, 1852 (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875); 32.5 x 40.8 cm; Kunstmuseum, Basel, Switzerland; French, out of copyright

Brewery Artois
Gilbert Claes

Armee de l Air - Dassault Mirage IIIE (msn 410) of Escadron de chasse 1-13 Artois at Base aerienne 132 Colmar-Meyenheim, with Dassault Mystere IVas of Escadron de chasse 3-14 in the background

Philip, Count of Artois, 1265-1298.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

CHARLES X, KING OF FRANCE as a boy, Charles Philippe de France, comte dArtois with his sister, Marie- Adelaide-Clotilde-Xaviere, later queen of Sardinia Date: 1757 - 1836

Humphry Duke of Gloucester, (1909). Artist: Jacques Leboucq
Humphry Duke of Gloucester, (1909). Humphrey Duke of Gloucester (1391-1447), the first notable patron of Englands humanists, was the fourth son of King Henry IV of England by his first wife

Cardinal Wolsey, (1909). Artist: Jacques Leboucq
Cardinal Wolsey, (1909). Wolsey (c1475-1530), was an English statesman and a cardinal of the Roman Catholic Church. He was Henry VIIIs most important government minister

James IV, King of Scotland, (1909). Artist: Jacques Leboucq
James IV, King of Scotland, (1909). King James IV (1473-1513). From the drawing attributed to Jacques le Boucq of Artois in the Library of the town of Arras. Illustration from Historical Portraits

Krupp trench, Hill 140, Artois, northern France, c1915-c1916. French officer wearing waterproof overtrousers. Photograph from a series of glass plate stereoview images depicting scenes from World War

After the attack, Artois, northern France, c1914-c1918. Photograph from a series of glass plate stereoview images depicting scenes from World War I (1914-1918)

Advancing in the snow, Artois, northern France, c1914-c1918. Photograph from a series of glass plate stereoview images depicting scenes from World War I (1914-1918)

Trenches, Artois, northern France, c1914-c1918. Photograph from a series of glass plate stereoview images depicting scenes from World War I (1914-1918)

Prince Edward serves John of Artois at table after having defeated him at Poitiers, 1356 (1864). Edward the Black Prince (1330-1376) consoles John of Artois (1321-1387)

A batch of Neuve Chapelle wounded on a French railway station, 1915. The Battle of Neuve Chapelle (10-13 March 1915) was a British offensive in the Artois region of France

The miseries of the soldier, a muddy French trench in Artois, France, 1916

The Ruins of Ablain-Saint-Nazaire, Artois, France, 18 December 1915, (1926). Artist: Francois Flameng
The Ruins of Ablain-Saint-Nazaire, Artois, France, 18 December 1915, (1926)

Charge by a regiment of French Zouaves on the plateau of Touvent, Artois, France, 7 June 1915. The Zouaves were troops from Frances colonies of Algeria and Tunisia

The conquest of the fort, Notre-Dame de Lorette, Artois, France, 1915, (1926). Artist: Lucien Jonas
The conquest of the fort, Notre-Dame de Lorette, Artois, France, 1915, (1926). The struggle for the hill of Notre Dame de Lorette lasted from October 1914 until October 1915

The Funnel of Carency, Artois, France, June 1915, (1926). Artist: Francois Flameng
The Funnel of Carency, Artois, France, June 1915, (1926). Carency was captured by the French in May 1915 during their Artois Offensive of that year

The Church of Ablain and Souchez, Artois, France, 19 June 1915, (1926). Artist: Francois Flameng
The Church of Ablain and Souchez, Artois, France, 19 June 1915, (1926)

Rescue station at Mont St Eloi, Artois, France, 6 June 1915 (1926). Artist: Francois Flameng
Rescue station at Mont St Eloi, Artois, France, 6 June 1915 (1926)

Notre Dame de Lorette and St Nazaire, Ablain, during bombardment, Artois, France, 1915, (1926)
Notre Dame de Lorette and St Nazaire, Ablain, during the bombardment, Artois, France, 1915, (1926)

The Return of the Balloon, Artois, France, 10 June 1915, (1926). Artist: Francois Flameng
The Return of the Balloon, Artois, France, 10 June 1915, (1926). Observation balloons were used extensively by both sides on the Western Front as a means of determining enemy positions

House to House, Artois, France, 9 May 1915 (1926). Hand to hand fighting between French and German infantrymen

French 270 heavy artillery mortar, Artois, France, World War I, 1915. Mortars were regarded as more effective than conventional artillery during the First World War because the high trajectory of

Bombardment of a windmill with Incendiary shells, Artois, France, World War I, 1915. A print from the Le Flambeau (the Torch), 18 September 1915

French refugees return to their abandoned village, Artois, World War I, 1915. A print from the Le Flambeau (the Torch), 18 September 1915

French soldiers fight a fire started by German incendiary bombs, Artois, World War I, 1915. During World War I the front line between the opposing German

A farm on fire from German incendiary bombs, Artois, France, World War I, 1915. During World War I the front line between the opposing German and British armies in France ran through the province

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Artois, a region in northern France, holds a rich and diverse history that spans centuries. From the bustling streets of Brussels' Place de la Bourse to the grandeur of Boulevard Anspach, it has witnessed countless stories unfold. Intriguingly, even art itself has been intertwined with Artois. The exquisite alabaster sculpture of the Mourner from the Tomb of Philip the Bold, Duke of Burgundy, transports us back to 1404-10 when craftsmanship flourished. The storming of the trenches round Loos depicted by Fortunino Matania captures a momentous event during World War I. It reminds us of the bravery and sacrifice exhibited by soldiers on both sides. Delving further into history, we encounter members of royalty like the French Royal Family in 1814. The Count stands proudly among them as they navigate through an era filled with political turmoil and change. Moving forward in time yet again, Kevin Curren's artistic prowess shines through his work. His talent encapsulates not only landscapes like Cap Gris Nez but also historical events such as the Battle of Guinegate in 1479. General Petain's commanding presence on Verdun's front cover illustration evokes memories from World War I when he led troops with unwavering determination. This image serves as a reminder that leaders can shape destinies during times of conflict. Even children are partakers in Artois' narrative; their innocence juxtaposed against royal lineage is beautifully portrayed within paintings depicting King Charles Philippe's offspring. Artistic expression extends beyond traditional mediums too - decorative plates from Desvres showcase intricate designs originating from this very region. These pieces serve as tangible reminders connecting us to Artois' cultural heritage and craftsmanship traditions. Finally, Willows and Farmhouse at Sainte-Catherine-les-Arras transports viewers to rural landscapes painted on canvas in 1871.