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Arte Collection (page 8)

Arte, the essence of human creativity and expression, encompasses a vast array of forms throughout history

Background imageArte Collection: Gorgoneion

Gorgoneion
6263019 Gorgoneion by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: Gorgoneion.); Ghigo Roli; out of copyright

Background imageArte Collection: The monkey with glasses reading a book, 1501-03 (monochrome fresco)

The monkey with glasses reading a book, 1501-03 (monochrome fresco)
6262997 The monkey with glasses reading a book, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageArte Collection: Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)

Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)
6262987 Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageArte Collection: Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S)

Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S)
6262777 Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), 1500-04 (fresco) by Signorelli

Background imageArte Collection: Damned to hell, detail, 1500-02 (fresco)

Damned to hell, detail, 1500-02 (fresco)
6262768 Damned to hell, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageArte Collection: Resurrection of the flesh, detail, 1500-02 (fresco)

Resurrection of the flesh, detail, 1500-02 (fresco)
6262761 Resurrection of the flesh, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Background imageArte Collection: Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco)

Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco)
6255437 Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco) by Mezzastris, Pier Antonio (c.1430-1506); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

Background imageArte Collection: Portrait of ideal young divinity, or Youth, II century AD

Portrait of ideal young divinity, or Youth, II century AD
6255423 Portrait of ideal young divinity, or Youth, II century AD by Roman, (2nd century AD); Palazzo Trinci, Foligno, Umbria

Background imageArte Collection: The Hall of Liberal Arts and Planets

The Hall of Liberal Arts and Planets
6255415 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Background imageArte Collection: Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424

Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424
6253782 Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria

Background imageArte Collection: Detail of the Crucifixion, 1424

Detail of the Crucifixion, 1424
6253754 Detail of the Crucifixion, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: The chapel: frescoes by Ottaviano Nelli, realised in 1424)

Background imageArte Collection: The Loggia of Romulus and Remus, 1411-12

The Loggia of Romulus and Remus, 1411-12
6253636 The Loggia of Romulus and Remus, 1411-12 by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

Background imageArte Collection: The Hall of Liberal Arts and Planets

The Hall of Liberal Arts and Planets
6253537 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Background imageArte Collection: A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St

A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St
6204267 A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St

Background imageArte Collection: Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St

Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St
6204266 Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St

Background imageArte Collection: The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St

The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St
6204262 The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St. Bernardino of Siena, Church of St

Background imageArte Collection: Angels, detail of the Coronation of Mary, 1468-69 (fresco)

Angels, detail of the Coronation of Mary, 1468-69 (fresco)
6204135 Angels, detail of the Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)

Background imageArte Collection: Angels, detail of Coronation of Mary, 1468-69 (fresco)

Angels, detail of Coronation of Mary, 1468-69 (fresco)
6204123 Angels, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)

Background imageArte Collection: Saints, detail of Coronation of Mary, 1468-69 (fresco)

Saints, detail of Coronation of Mary, 1468-69 (fresco)
6204120 Saints, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)

Background imageArte Collection: Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)

Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)
6204117 Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageArte Collection: Saints and angels, detail of the Coronation of Mary, 1468-69 (fresco)

Saints and angels, detail of the Coronation of Mary, 1468-69 (fresco)
6204107 Saints and angels, detail of the Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S

Background imageArte Collection: Detail with two ladies, Camera Pinta (Painted Room) (fresco)

Detail with two ladies, Camera Pinta (Painted Room) (fresco)
6204082 Detail with two ladies, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Background imageArte Collection: Detail of the frescoes, Camera Pinta (Painted Room)

Detail of the frescoes, Camera Pinta (Painted Room)
6204068 Detail of the frescoes, Camera Pinta (Painted Room) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria, Italy; (add.info.: Frescoes realized between 1392 and 1416)

Background imageArte Collection: The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)

The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas)
6200624 The tuna fish mattanza in Solanto at the presence of the royal family, 1819 (oil on canvas) by Albertis, Paolo de (1770-1844); Museo Nazionale di San Martino & Certosa, Naples, Campania

Background imageArte Collection: The Chimney Sweep, 1840-05 (oil on canvas)

The Chimney Sweep, 1840-05 (oil on canvas)
6200621 The Chimney Sweep, 1840-05 (oil on canvas) by Molteni, Giuseppe (1800-67); Private Collection; (add.info.: Giuseppe Molteni: " Lo spazzacamino", olio su tela, 1840-5.); Ghigo Roli

Background imageArte Collection: Portrait of an oriental woman

Portrait of an oriental woman
6200616 Portrait of an oriental woman by Caffi, Ippolito (1809-66); Private Collection; (add.info.: Ippolito Caffi: " Ritratto di donna orientale: Fatima di Smirne", olio su tela)

Background imageArte Collection: Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble)

Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble)
6200603 Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble) by Vela, Vincenzo (1820-91); Private Collection; (add.info.: Vincenzo Vela)

Background imageArte Collection: Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding

Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas)
6200596 Lucia Mondella at the window, waiting for her betrothed to return on the day of their wedding, 1852 (oil on canvas) by Sala

Background imageArte Collection: Snow and Fog on the Grand Canal, 1849 (oil on canvas)

Snow and Fog on the Grand Canal, 1849 (oil on canvas)
6200579 Snow and Fog on the Grand Canal, 1849 (oil on canvas) by Caffi, Ippolito (1809-66); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice

Background imageArte Collection: View of the Church of St. Mark, 1823 (oil on canvas)

View of the Church of St. Mark, 1823 (oil on canvas)
6200578 View of the Church of St. Mark, 1823 (oil on canvas) by Bisi, Giuseppe (1787-1869); Private Collection; (add.info.: Giuseppe Bisi: " Veduta della Chiesa di S)

Background imageArte Collection: View of the Naviglio Canal from the bridge of St. Mark, c. 1850 (oil on canvas)

View of the Naviglio Canal from the bridge of St. Mark, c. 1850 (oil on canvas)
6200569 View of the Naviglio Canal from the bridge of St. Mark, c.1850 (oil on canvas) by Canella, Giuseppe (1788-1847); Private Collection; (add.info.: Giuseppe Canella)

Background imageArte Collection: Teodoro Duclere: 'Tassos House in Sorrento', oil painting, about 1862

Teodoro Duclere: "Tassos House in Sorrento", oil painting, about 1862
6200566 Teodoro Duclere: " Tassos House in Sorrento", oil painting, about 1862. by Duclere, Teodoro (1816-96); Museo Correale di Terranova, Sorrento

Background imageArte Collection: The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas)

The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas)
6200564 The Lake of Avernus, Aeneas, the Cumaean Sybil, detail, 1814-15 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Yale Center for British Art, Paul Mellon Collection

Background imageArte Collection: View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas)

View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas)
6200554 View of Duomo with the Coperto of Figini, detail, 1838 (oil on canvas) by Inganni, Angelo (1807-80); Palazzo Morando, Milano

Background imageArte Collection: Imaginary Landscape with gravestone dedicated to the poet Edoardo Valvo

Imaginary Landscape with gravestone dedicated to the poet Edoardo Valvo, 1804 (pencil and w / c on paper)
6200535 Imaginary Landscape with gravestone dedicated to the poet Edoardo Valvo, 1804 (pencil and w/c on paper) by Gubernatis, Giovanni Battista (1774-1837); Galleria Civica d Arte Moderna di Torino

Background imageArte Collection: Socrates drinks the cup of hemlock, 1787-90 (plaster)

Socrates drinks the cup of hemlock, 1787-90 (plaster)
6343154 Socrates drinks the cup of hemlock, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate beve la cicuta, 1787-90)

Background imageArte Collection: Crito closing Socrates Eyes, 1790-92 (plaster)

Crito closing Socrates Eyes, 1790-92 (plaster)
6343152 Crito closing Socrates Eyes, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Critone chiude gli occhi di Socrate, 1790-92)

Background imageArte Collection: Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)

Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)
6343150 Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Background imageArte Collection: Dance of Alcinous Children, 1790-02 (plaster)

Dance of Alcinous Children, 1790-02 (plaster)
6343144 Dance of Alcinous Children, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageArte Collection: Justice, 1792 (plaster)

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageArte Collection: Charity, 1792 (plaster)

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageArte Collection: Francis I of Austria, 1781-82 (marble)

Francis I of Austria, 1781-82 (marble)
6343116 Francis I of Austria, 1781-82 (marble) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Francesco I d Austria, 1822 di Antonio Canova (1757 - 1822)

Background imageArte Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343103 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageArte Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343102 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageArte Collection: 'Hebe as cupbearer of Jupiters Eagle', 1790 (oil on canvas)

"Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas)
6343073 " Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas) by Landi, Gaspare (1756-1830); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Ebe)

Background imageArte Collection: Pope Pius VII, detail of the mozzetta, 1804-5 (marble)

Pope Pius VII, detail of the mozzetta, 1804-5 (marble)
6343027 Pope Pius VII, detail of the mozzetta, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII)

Background imageArte Collection: Pope Pius VII, 1804-5 (marble)

Pope Pius VII, 1804-5 (marble)
6343026 Pope Pius VII, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII, 1804-5)



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Arte, the essence of human creativity and expression, encompasses a vast array of forms throughout history. From the captivating brushstrokes of Fabritius' "The Goldfinch" to the enchanting garden paintings from the so-called Villa of Livia, art transports us to different worlds. Pantomime characters from Commedia dell Arte dance across the stage, their vibrant costumes and exaggerated gestures bringing laughter and joy. A bust of goddess Tanit in Carthaginian art stands as a testament to ancient civilizations' devotion to divine beauty. The harmonious melodies played by Collegium Musicum of Jena fill our ears during a concert, reminding us that art transcends visual boundaries. Steinlen's whimsical depiction of Tourn饠du Chat Noir captures the mischievous spirit within all feline companions. Jos鮠 Gutierrez Solana's masks reveal hidden emotions beneath their painted surfaces, reflecting humanity's complex nature. The stela of royal scribe Ani in Egyptian art preserves stories etched into stone for eternity. Claude Lorrain invites us on a journey through time with his breathtaking view of Delphi, where ancient ruins whisper tales long forgotten. The statue of Djoser stands tall as an architectural marvel in Egyptian art - a symbol of power and innovation. Diego Rivera's portrayal of Totonaca Civilization immerses us in rich cultural heritage while Europa Anguissola gazes at us from her portrait, capturing her timeless beauty and grace. Arte is not merely an object or image but rather an invitation to explore diverse perspectives and narratives woven throughout history, and is through these artistic masterpieces that we connect with our past, present, and future - forever cherishing the boundless depths that lie within this extraordinary realm called "art.