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Armure Collection

"Armure: A Symbol of Power and Protection" Throughout history, it has been a powerful symbol representing strength, valor, and protection

Background imageArmure Collection: Pallas Athena or, Armoured Figure, 1664-65 (oil on canvas)

Pallas Athena or, Armoured Figure, 1664-65 (oil on canvas)
XIR178915 Pallas Athena or, Armoured Figure, 1664-65 (oil on canvas) by Rembrandt Harmensz. van Rijn, (1606-69) (attr. to); 118x81.1 cm; Museu Calouste Gulbenkian, Lisbon, Portugal; Dutch

Background imageArmure Collection: The capitulation of Calais (1346), 19th century (engraving)

The capitulation of Calais (1346), 19th century (engraving)
PCT5618253 The capitulation of Calais (1346), 19th century (engraving) by French School, (19th century); (add.info.: Hundred Years War: The capitulation of Calais (1346)

Background imageArmure Collection: Francois 1st, armed knight after the Battle of Marignan (1515). 19th century (engraving)

Francois 1st, armed knight after the Battle of Marignan (1515). 19th century (engraving)
PCT5618265 Francois 1st, armed knight after the Battle of Marignan (1515). 19th century (engraving) by French School, (19th century); (add.info.: Francois 1st (Francois Premier, Francois 1st)

Background imageArmure Collection: Joan of Arc at the Siege of Orleans

Joan of Arc at the Siege of Orleans
XEE556981 Joan of Arc at the Siege of Orleans. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: From " Histoire de Jeanne d Arc" by Louis Moland)

Background imageArmure Collection: Charles of Bourbon (1490-1527), supreme commander of the French armies

Charles of Bourbon (1490-1527), supreme commander of the French armies, engraving colourized document
1723447 Charles of Bourbon (1490-1527), supreme commander of the French armies, engraving colourized document by French School, (16th century) (after); (add.info.: Charles of Bourbon (1490-1527)

Background imageArmure Collection: Allegory of Value, end of the 18th century (polychrome wood sculpture)

Allegory of Value, end of the 18th century (polychrome wood sculpture)
7348835 Allegory of Value, end of the 18th century (polychrome wood sculpture) by Spanish School, (18th century); Museu Frederic Mares, Barcelona, Spain; (add.info.: Allegory of Value)

Background imageArmure Collection: Samurai Armour, Edo period (mixed media)

Samurai Armour, Edo period (mixed media)
1701211 Samurai Armour, Edo period (mixed media) by Japanese School; (add.info.: Armour of Samurai, japanese warrior, 17th century)

Background imageArmure Collection: Bertrand Du Guesclin (engraving)

Bertrand Du Guesclin (engraving)
1701500 Bertrand Du Guesclin (engraving) by French School; (add.info.: Bertrand du Guesclin (Breton: Beltram Gwesklin; c. 1320 - 13 July 1380)

Background imageArmure Collection: Defeated A shot rider crosses a tulip field after defeat. Painting by George Hitchcock (1850-1913)

Defeated A shot rider crosses a tulip field after defeat. Painting by George Hitchcock (1850-1913) (ec. am. ) 1898 Sun
JLJ4590984 Defeated A shot rider crosses a tulip field after defeat. Painting by George Hitchcock (1850-1913) (ec. am.) 1898 Sun

Background imageArmure Collection: Gilles de Raid (engraving)

Gilles de Raid (engraving)
1733991 Gilles de Raid (engraving) by French School; (add.info.: Gilles de Rais (date of birth unknown, not earlier than 1405 - 26 October 1440), Baron de Rais was a knight and lord from Brittany

Background imageArmure Collection: Samurai Armour of the Japanese warrior Li Notaka, Lord of Hikone (iron & red lacquer)

Samurai Armour of the Japanese warrior Li Notaka, Lord of Hikone (iron & red lacquer)
1721837 Samurai Armour of the Japanese warrior Li Notaka, Lord of Hikone (iron & red lacquer) by Edo Culture; (add.info.: Samurai armour made for Japanese warrior Li Noataka (1590-1659)

Background imageArmure Collection: First World War (1914-1918): the facade of war - a triumphant sculpture of war Germany directs

First World War (1914-1918): the facade of war - a triumphant sculpture of war Germany directs the guns
LSE4088820 First World War (1914-1918): the facade of war - a triumphant sculpture of war Germany directs the guns, but is only a decor that hides the battlefield where soldiers bodies lie under fire

Background imageArmure Collection: Costumes militaires des arsacids (Persia) - in 'Le Costume Antique et Moderne'by Jules Ferrario, ed

Costumes militaires des arsacids (Persia) - in "Le Costume Antique et Moderne"by Jules Ferrario, ed
LSE4108340 Costumes militaires des arsacids (Persia) - in " Le Costume Antique et Moderne" by Jules Ferrario, ed

Background imageArmure Collection: Louis XIII (1601-1643) King of France, 1610-1643

Louis XIII (1601-1643) King of France, 1610-1643
1729043 Louis XIII (1601-1643) King of France, 1610-1643 by Champaigne, Philippe de (1602-74); (add.info.: Louis XIII (1601-1643) french king in 1610-1643

Background imageArmure Collection: Crusade: depart of the Knights for the Crusade: representation of Saint George

Crusade: depart of the Knights for the Crusade: representation of Saint George
JLJ4669514 Crusade: depart of the Knights for the Crusade: representation of Saint George and Hugh I of Vermandois (1057-1102) (?) or Hugh XII of Lusignan (?)

Background imageArmure Collection: Gaston Jean Baptiste de France (Gaston d Orleans) (1608-1660), Duke of Orleans

Gaston Jean Baptiste de France (Gaston d Orleans) (1608-1660), Duke of Orleans
FLO4617091 Gaston Jean Baptiste de France (Gaston d Orleans) (1608-1660), Duke of Orleans, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902)

Background imageArmure Collection: Cycle of King Arthur: 'Battle of Lancelot and Tristan'

Cycle of King Arthur: "Battle of Lancelot and Tristan"
JLJ4582156 Cycle of King Arthur: " Battle of Lancelot and Tristan" Miniature taken from " The novel by Meliadus de Leonnoys

Background imageArmure Collection: Capture of Calais by Francois I of Guise, Duke of Aumale (1519-1563), January 9

Capture of Calais by Francois I of Guise, Duke of Aumale (1519-1563), January 9
JLJ4586998 Capture of Calais by Francois I of Guise, Duke of Aumale (1519-1563), January 9, 1558 The city was taken over from the English. Painting by Edouard Picot (1786-1868) 19th century Sun

Background imageArmure Collection: Musee retrospectif de 1865, Armure italienne du seizieme siecle (engraving)

Musee retrospectif de 1865, Armure italienne du seizieme siecle (engraving)
3645419 Musee retrospectif de 1865, Armure italienne du seizieme siecle (engraving) by French School, (19th century); Private Collection; (add.info.: Musee retrospectif de 1865)

Background imageArmure Collection: Ancienne armure chinoise, ou japonaise? du Musee de Madrid (engraving)

Ancienne armure chinoise, ou japonaise? du Musee de Madrid (engraving)
3645584 Ancienne armure chinoise, ou japonaise? du Musee de Madrid (engraving) by French School, (19th century); Private Collection; (add.info.: Ancienne armure chinoise, ou japonaise)

Background imageArmure Collection: Bayard knighting Francis I, illustration from Francois Ier: Le Roi Chevalier

Bayard knighting Francis I, illustration from Francois Ier: Le Roi Chevalier
STC441422 Bayard knighting Francis I, illustration from Francois Ier: Le Roi Chevalier, by George G. Toudouze, pub. 1909 (colour litho) by Robida

Background imageArmure Collection: Tarentine Sculpture depicting Thetis with the Armour of Achilles, c

Tarentine Sculpture depicting Thetis with the Armour of Achilles, c
HSC194646 Tarentine Sculpture depicting Thetis with the Armour of Achilles, c.350-320 BC (painted & gilded terracotta) by Greek School

Background imageArmure Collection: Suit of armour belong to Charles de Lorraine (1554-1611) 16th-17th century (metal)

Suit of armour belong to Charles de Lorraine (1554-1611) 16th-17th century (metal)
XIR180184 Suit of armour belong to Charles de Lorraine (1554-1611) 16th-17th century (metal) by French School; Musee de l Armee, Paris, France; French, out of copyright

Background imageArmure Collection: Achilles: among the daughters of Lycomedes (panel)

Achilles: among the daughters of Lycomedes (panel)
JKR69471 Achilles: among the daughters of Lycomedes (panel) by Francken, Frans II the Younger (1581-1642); 70x103 cm; Galerie de Jonckheere, Paris, France; Flemish, out of copyright

Background imageArmure Collection: B : Brigadier - Military Alphabet, c. 1835 (colored engraving)

B : Brigadier - Military Alphabet, c. 1835 (colored engraving)
DUV4221779 B : Brigadier - Military Alphabet, c.1835 (colored engraving) by French School, (19th century); 41x33 cm; Private Collection; (add.info.: manufacturer Pellerin, Printer, Epinal, s. d)

Background imageArmure Collection: Cycle des Medicis: 'the king of France Henry IV (1553-1610

Cycle des Medicis: "the king of France Henry IV (1553-1610
JLJ4574188 Cycle des Medicis: " the king of France Henry IV (1553-1610) receives the portrait of Marie de Medicis (1573-1642)" Painting by Pierre Paul (Pierre-Paul)

Background imageArmure Collection: Portrait of Louis de Bourbon, Fourth Prince of Conde dit le grand Conde (Bourbon-Conde

Portrait of Louis de Bourbon, Fourth Prince of Conde dit le grand Conde (Bourbon-Conde
JLJ4574898 Portrait of Louis de Bourbon, Fourth Prince of Conde dit le grand Conde (Bourbon-Conde) (1621-1686) Painting by David Teniers II Le Jeune (1610-1690) 1653 Sun

Background imageArmure Collection: A tournament near the pits of Steen Castle (Middle Ages)

A tournament near the pits of Steen Castle (Middle Ages)
JLJ4593258 A tournament near the pits of Steen Castle (Middle Ages). Flemish painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640), 1635. Oil on wood

Background imageArmure Collection: Italian gunman, 16th century - Lithography based on an illustration by Edmond

Italian gunman, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902)
FLO4616962 Italian gunman, 16th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Costumes historiques des 16th

Background imageArmure Collection: Musketeer of French Flanders, 17th century - Lithography based on an illustration by Edmond

Musketeer of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard
FLO4616654 Musketeer of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Costumes historiques des 16e

Background imageArmure Collection: Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight

Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight
XEE556115 Portrait of Geoffrey of Villehardouin (1150-1228), French historian and knight. by French School, (19th century); Private Collection; (add.info)

Background imageArmure Collection: Pierre du Terrail (1476-1524) Chevalier de Bayard knighting Francis I (1494-1547

Pierre du Terrail (1476-1524) Chevalier de Bayard knighting Francis I (1494-1547
CHT162754 Pierre du Terrail (1476-1524) Chevalier de Bayard knighting Francis I (1494-1547) 1909 (litho) by Robida, Albert (1848-1926); Private Collection; (add.info)

Background imageArmure Collection: Suit of armour thought to have belonged to Chevalier Bayard (1475-1524), c. 1510 (metal)

Suit of armour thought to have belonged to Chevalier Bayard (1475-1524), c. 1510 (metal)
XIR174844 Suit of armour thought to have belonged to Chevalier Bayard (1475-1524), c.1510 (metal) by Italian School, (16th century); Musee de l Armee, Paris

Background imageArmure Collection: Armure japonaise (engraving)

Armure japonaise (engraving)
3645696 Armure japonaise (engraving) by French School, (19th century); Private Collection; (add.info.: Armure japonaise. Illustration for Le Magasin Pittoresque (1873)

Background imageArmure Collection: Joan of Arc at the Siege of Paris

Joan of Arc at the Siege of Paris
XEE556987 Joan of Arc at the Siege of Paris. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: From " Histoire de Jeanne d Arc" by Louis Moland)

Background imageArmure Collection: Portrait en pied du Grand Conde, Louis II Prince of Bourbon (Bourbon-Conde) (1621-1686

Portrait en pied du Grand Conde, Louis II Prince of Bourbon (Bourbon-Conde) (1621-1686
JLJ4689798 Portrait en pied du Grand Conde, Louis II Prince of Bourbon (Bourbon-Conde) (1621-1686) - Painting by Juste D Egmont (Justus Van Egmont) (1601-1674) Ec Fl

Background imageArmure Collection: Portrait of Louis II of Bourbon, Prince of Conde (Bourbon-Conde) (Grand Conde) (1621-1686

Portrait of Louis II of Bourbon, Prince of Conde (Bourbon-Conde) (Grand Conde) (1621-1686
JLJ4689594 Portrait of Louis II of Bourbon, Prince of Conde (Bourbon-Conde) (Grand Conde) (1621-1686) formerly known as the Marechal of Berwick Painting by Robert Levrac Tournieres (1667-1752)

Background imageArmure Collection: Venus asking Vulcan for weapons for Enee Painting by Francois Boucher (1703-1770

Venus asking Vulcan for weapons for Enee Painting by Francois Boucher (1703-1770
JLJ4576402 Venus asking Vulcan for weapons for Enee Painting by Francois Boucher (1703-1770) 1732 Sun. 2, 52x1, 75 m by Boucher, Francois (1703-70); Louvre, Paris

Background imageArmure Collection: Portrait of Admiral Charles Henri Theodat, Count of Estaing (1729-1794

Portrait of Admiral Charles Henri Theodat, Count of Estaing (1729-1794
JLJ4603090 Portrait of Admiral Charles Henri Theodat, Count of Estaing (1729-1794) Painting by Jean Baptiste the Brun (1748-1813) 1769

Background imageArmure Collection: Cycle des Medicis: 'Portrait en pied de Marie de Medicis en Bellona

Cycle des Medicis: "Portrait en pied de Marie de Medicis en Bellona
JLJ4573248 Cycle des Medicis: " Portrait en pied de Marie de Medicis en Bellona (1573-1642) queen of France" Painting by Pierre Paul (Pierre-Paul) Rubens (ou Peter Paul ou Petrus Paulus)

Background imageArmure Collection: Military suit: armor of a rider of the military order of Santiago

Military suit: armor of a rider of the military order of Santiago
JLJ4563622 Military suit: armor of a rider of the military order of Santiago (San Jaime de la Espada or Santiago de l Epee), 12th-13th century. Madrid Museum of the Armee

Background imageArmure Collection: King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets)

King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets)
FLO4616937 King Louis XII of France (1462-1515), after a miniature by Jean Marot (or Desmarets, circa 1450-circa 1526) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902)

Background imageArmure Collection: French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671)

French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671)
FLO4616742 French cavalry, 17th century, based on a painting by Sebastien Bourdon (1616-1671) - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902)

Background imageArmure Collection: Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond

Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard
FLO4616688 Piquier of French Flanders, 17th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Costumes historiques des 16e

Background imageArmure Collection: Portrait of the marechal of Villars (1653-1734) even of France Painting by Hyacinthe

Portrait of the marechal of Villars (1653-1734) even of France Painting by Hyacinthe
JLJ4684877 Portrait of the marechal of Villars (1653-1734) even of France Painting by Hyacinthe Rigaud (1659-1743) 18th century Chateau de Vaux le Viscount

Background imageArmure Collection: Aimery de Guillaume Berard, French knight, condottiere and commander of the Florentine army at

Aimery de Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of
FLO4674037 Aimery de Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289

Background imageArmure Collection: Blason de la famille Greppi de Milan, casque d armure, fleurs de lys et dragon

Blason de la famille Greppi de Milan, casque d armure, fleurs de lys et dragon
GIA4801365 Blason de la famille Greppi de Milan, casque d armure, fleurs de lys et dragon. 18eme siecle Archive d etat de Milan by Italian School, (18th century); Archivio di Stato, Milan



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"Armure: A Symbol of Power and Protection" Throughout history, it has been a powerful symbol representing strength, valor, and protection. From the majestic Pallas Athena adorned in her Armoured Figure to the Battle of Poitiers depicted in vivid detail on canvas, these artworks capture the essence of this timeless concept. In 1664-65, an oil painting portrays Pallas Athena donning her armor, embodying wisdom and strategic prowess. The Battle of Poitiers in 1837 showcases armored warriors locked in a fierce struggle for victory. Charles of Bourbon, supreme commander of French armies during his time from 1490-1527 is immortalized through a colorized engraving document that highlights his military might. The Allegory of Value sculpture from the late 18th century demonstrates how armure extends beyond physical battles; it represents the value we place on honor and courage. Similarly, Samurai Armour from Japan's Edo period combines mixed media to create an awe-inspiring representation of their warrior culture. Bertrand Du Guesclin's engraved image captures another facet - resilience after defeat. As seen in George Hitchcock's painting "Defeated, " a despondent rider crosses tulip fields as he grapples with loss but perseveres nonetheless. Gilles de Raid's engraving further emphasizes the significance attached to armure throughout history. It serves as a reminder that even when faced with adversity or conflict, one can find strength within themselves. Samurai Armour belonging to Lord Li Notaka showcases both craftsmanship and functionality with its iron construction and red lacquer finish—a testament to Japanese warrior traditions. Moving forward into more recent times like World War I (1914-1918), war becomes not just about individuals but also about nations. A drawing depicting Germany directing guns while soldiers' bodies lie under fire reminds us that behind grandiose facades lies unimaginable suffering.