Arma Christi Collection

The Veiled Christ, 1753 (marble) (for detail see 306528)
ALI306529 The Veiled Christ, 1753 (marble) (for detail see 306528) by Sanmartino, Giuseppe (1720-93); Cappella di San Severo, Naples, Italy; Alinari

The Agony in the Garden (oil on canvas)
NGW185748 The Agony in the Garden (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 232.1x162.5 cm; National Museum Wales; National Museums & Galleries of Wales

Angel with the Arma Christi, c. 1480 (oak)
3545778 Angel with the Arma Christi, c. 1480 (oak) by Zwolle, Arnt von (fl.c.1460-d.1492); height: 83 cm; Rijksmuseum, Amsterdam

The Veiled Christ, 1753 (marble) (detail of 306529)
ALI306528 The Veiled Christ, 1753 (marble) (detail of 306529) by Sanmartino, Giuseppe (1720-93); Cappella di San Severo, Naples, Italy; Alinari

Prophets and Angels holding the instruments of the passion of Christ
498726 Prophets and Angels holding the instruments of the passion of Christ, from the cupola of the Sacristy of St. Mark, c.1477 (fresco) by Forli, Melozzo da (1438-94); Sanctuary of Santa Casa

Christ bears the cross, 1512 (Burin engraving on copper)
5890598 Christ bears the cross, 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

Christ Before Pilate (detail), 1400-25 (egg tempera on panel)
5938048 Christ Before Pilate (detail), 1400-25 (egg tempera on panel) by English School, (15th century); 29.8x33 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Leaf from a Book of Hours: The Mass of St Gregory, c. 1485-94 (parchment)
5938184 Leaf from a Book of Hours: The Mass of St Gregory, c.1485-94 (parchment) by Bourdichon, Jean (1457-1521); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Illuminated Manuscript)

Man of Sorrows with instruments of the Passion, 1404 (tempera on panel)
AII80546 Man of Sorrows with instruments of the Passion, 1404 (tempera on panel) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria dell Accademia & Museo degli Strumenti Musicali

The coronation of thorns, 1512 (Burin engraving on copper)
5890595 The coronation of thorns, 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; Luisa Ricciarini; German, out of copyright

Christ as the Man of Sorrows, 1450 (oil on panel)
BIR100696 Christ as the Man of Sorrows, 1450 (oil on panel) by Christus, Petrus (c.1410-1475/76); Birmingham Museums and Art Gallery; Netherlandish, out of copyright

Agony in the Garden, c. 1460 (tempera on panel)
3247722 Agony in the Garden, c.1460 (tempera on panel) by Mantegna, Andrea (1431-1506); 62.9x80 cm; National Gallery, London, UK; Italian, out of copyright

Triptych Virgin Child Saints center male Donor
Triptych with Virgin and Child with Saints (center), male Donor with Saint Martin (left, inner wing), female Donor with Saint Cunera (right, and the Annunciation (outer wings)

Holy Trinity God Father sits Christs body lap
Holy Trinity, God the Father sits with Christs body on his lap. The Holy Spirit floats above them in the form of a dove. They are surrounded by a ring of cherubim and angels with the Arma Christi

Christ clouds symbols evangelists agony tools
Christ in the clouds with symbols of evangelists, Christ in the clouds with symbols of evangelists and agony tools. Death is on the globe beneath the clouds, the four symbols of the evangelists

The Boulbon Altarpiece: The Trinity with a donor presented by St. Agricol, Provence School
XIR94901 The Boulbon Altarpiece: The Trinity with a donor presented by St. Agricol, Provence School (oil on panel transferred to canvas) by French School, (15th century); 172x228 cm; Louvre, Paris

Amos and the Angel holding the pincers of the Passion of Christ, from the cupola
XIR216448 Amos and the Angel holding the pincers of the Passion of Christ, from the cupola of the Sacristy of St. Mark, c.1477 (fresco) (detail of 498726) by Forli

St. Joan of Valois, print maker: Reinier van Persijn, Theodoor van Thulden, Pieter de Bailliu I, 1623 - 1668

H Joan of Valois, Reinier van Persijn, Gaspar Huybrechts, 1623 - 1668

Christ before Gods throne, Monogrammist AC (16e eeuw), 1520 - 1562

Christ sitting on the cross, Anonymous, 1490 - 1510

Frame for title with Christ Child and Christ dead and two angel with passion tools, Boetius Adamsz. Bolswert, 1590 - 1623

Holy Trinity and angels with instruments of the Passion, Schelte Adamsz. Bolswert, Gillis Hendricx, 1596 - 1659

Christ taken down from the Cross, 1874 (oil on canvas)
XKH150955 Christ taken down from the Cross, 1874 (oil on canvas) by Truebner, Heinrich Wilhelm (1851-1917); 95x109.5 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Christ as the Man of Sorrows (tempera on panel)
XKH148217 Christ as the Man of Sorrows (tempera on panel) by Mostaert, Jan (c.1475-c.1555); 44.2x33.4 cm; Hamburger Kunsthalle, Hamburg, Germany; Netherlandish, out of copyright

Last Judgment, Barbara van den Broeck, Hendrick Hondius, 1649

Mass of Saint Gregory, Anonymous, 1480 - 1500

Christ child carries the passion equipment, Hieronymus Wierix, 1563 - before 1619

Christ as the fountain of life (Fons Vitae), Hieronymus Wierix, 1563 - before 1619

Man of Sorrows, accompanied by angels, Hieronymus Wierix, 1563 - before 1619

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"Arma Christi: A Glimpse into the Passion of Christ" Step into a world where art intertwines with spirituality, as we explore the captivating realm of "arma christi. " This collection of religious artwork offers a profound insight into the suffering and sacrifice endured by Jesus Christ during his crucifixion. One masterpiece that demands attention is "The Veiled Christ, " sculpted from marble in 1753. Its intricate details bring forth an ethereal beauty, showcasing the veiled figure of Christ lying peacefully in death. The delicate folds and serene expression evoke a sense of reverence and contemplation. Another notable piece is "Angel with the Arma Christi, " created around 1480 using oak wood. This sculpture portrays an angel holding various instruments associated with Christ's passion, symbolizing divine protection amidst human suffering. "The Man of Sorrows, " a hand-colored woodcut from the late 15th century, depicts Jesus bearing his wounds while surrounded by symbols representing his torment. Each element serves as a reminder of his immense pain and unwavering love for humanity. Intriguingly, there are multiple detailed sections within "The Veiled Christ" that deserve special attention. These close-ups reveal exquisite craftsmanship and highlight specific aspects such as facial features or drapery folds, inviting viewers to appreciate every meticulous detail. Moving beyond sculptures, engravings like "Christ bears the cross" (1512) depict Jesus carrying his burden with determination and grace. The artist skillfully captures both physical strain and spiritual resilience through delicate lines etched onto copper plates. Meanwhile, paintings like "Christ Before Pilate" (1400-25) offer glimpses into pivotal moments leading up to Calvary's agonizing journey. Egg tempera on panel brings this scene to life; it showcases Pilate's conflicted expression while making decisions that would shape history forever. A leaf from a Book of Hours titled "The Mass of St Gregory" (c.