Apparel Collection (page 5)

Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper)
1766828 Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper) by Curtis, Edward Sheriff (1868-1952) ; 39.4x29.1 cm; Private Collection; (add.info.: Tapa (Antelope Water)

Miss Ginny and Polly, (oil on canvas)
985295 Miss Ginny and Polly, (oil on canvas) by Emmett, Lydia Field (1866-1952); 127x102.2 cm; Private Collection; (add.info.: Miss Ginny and Polly. Lydia Field Emmett (1866-1952). Oil on canvas

Bedtime Story, 1915 (oil on canvas)
989858 Bedtime Story, 1915 (oil on canvas) by Elsley, Arthur John (1861-1952); 108.6x74.9 cm; Private Collection; (add.info.: Bedtime Story. Arthur John Elsley (1861-1952). Oil on canvas

Two Women in an Arbor, (oil on canvas)
823059 Two Women in an Arbor, (oil on canvas) by Emmett, Lydia Field (1866-1952); 88.5x76.4 cm; Private Collection; (add.info.: Two Women in an Arbor. Lydia Field Emmett (1866-1952). Oil on canvas

On the Terrace (oil on canvas)
1767509 On the Terrace (oil on canvas) by Buehr, Karl Albert (1866-1952) ; 71.1x91.4 cm; Private Collection; (add.info.: On the Terrace. Karl Albert Buehr (1866-1952). Oil on canvas

Miss Suzanne, sitting; Mademoiselle Suzanne, assise, 1928 (oil on canvas)
828120 Miss Suzanne, sitting; Mademoiselle Suzanne, assise, 1928 (oil on canvas) by Valtat, Louis (1869-1952); 92x73 cm; Private Collection; (add.info.: Miss Suzanne, sitting; Mademoiselle Suzanne)

Woman with a Hair Chignon; Femme au Chignon, (oil on canvas)
656864 Woman with a Hair Chignon; Femme au Chignon, (oil on canvas) by Valtat, Louis (1869-1952); 65x45 cm; Private Collection; (add.info.: Woman with a Hair Chignon; Femme au Chignon)

The Seesaw, 1891 (oil on canvas)
BAL34154 The Seesaw, 1891 (oil on canvas) by Elsley, Arthur John (1861-1952); 88.2x73 cm; Josef Mensing Gallery, Hamm-Rhynern, Germany; (add.info.: by Arthur John Elsley)

The Sewing Room; Le Salon de Couture, c. 1920 (oil on canvas)
825849 The Sewing Room; Le Salon de Couture, c.1920 (oil on canvas) by Valtat, Louis (1869-1952); 56x46.5 cm; Private Collection; (add.info.: The Sewing Room; Le Salon de Couture)

A Corner in the Taos Plaza, c. 1925 (oil on canvas)
1767636 A Corner in the Taos Plaza, c.1925 (oil on canvas) by Berninghaus, Oscar Edward (1874-1952); 88.9x101.6 cm; Private Collection; (add.info.: A Corner in the Taos Plaza)

Goodnight, 1911 (oil on canvas)
989637 Goodnight, 1911 (oil on canvas) by Elsley, Arthur John (1861-1952); 99.3x72.3 cm; Private Collection; (add.info.: Goodnight. Arthur John Elsley (1861-1952). Oil on canvas

Mother and Child, (oil on canvas)
657292 Mother and Child, (oil on canvas) by Hankey, William Lee (1869-1952); Private Collection; (add.info.: Mother and Child. William Lee Hankey (1869-1952). Oil on canvas

Women on the Quayside, Etaples, (oil on canvas)
657218 Women on the Quayside, Etaples, (oil on canvas) by Hankey, William Lee (1869-1952); 26x36in cm; Private Collection; (add.info.: Women on the Quayside, Etaples. William Lee Hankey (1869-1952)

Portrait of a Boy seated full length in a Chair, (oil on canvas)
658273 Portrait of a Boy seated full length in a Chair, (oil on canvas) by Emmett, Lydia Field (1866-1952); 157.5x106.5 cm; Private Collection; (add.info)

Home Again, (oil on canvas)
991397 Home Again, (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x71 cm; Private Collection; (add.info.: Home Again. Arthur John Elsley (1861-1952). Oil on canvas

The New Dress, 1912 (oil on canvas)
989583 The New Dress, 1912 (oil on canvas) by Elsley, Arthur John (1861-1952); 91.5x65.5 cm; Private Collection; (add.info.: The New Dress. Arthur John Elsley (1861-1952). Oil on canvas

Lefthand-Comanche, 1907 (photogravure)
985769 Lefthand-Comanche, 1907 (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; (add.info.: Lefthand-Comanche)

The Old Cheyenne, 1907 (sepia photogravure)
985679 The Old Cheyenne, 1907 (sepia photogravure) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: The Old Cheyenne. Plate 672 from the book The North American Indian')

The Dancers; Les Danseurs, (oil on canvas)
656862 The Dancers; Les Danseurs, (oil on canvas) by Valtat, Louis (1869-1952); 57x45 cm; Private Collection; (add.info.: The Dancers)

Woman in Yellow sewing; Femme en Jaune Cousant, 1931 (oil on canvas)
652288 Woman in Yellow sewing; Femme en Jaune Cousant, 1931 (oil on canvas) by Valtat, Louis (1869-1952); 25.5x20.3 cm; Private Collection; (add.info.: Woman in Yellow sewing; Femme en Jaune Cousant)

Fishermen; Les Pecheurs - De Vissers (recto), c. 1923-24 (oil on canvas)
653481 Fishermen; Les Pecheurs - De Vissers (recto), c.1923-24 (oil on canvas) by Permeke, Constant (1886-1952); 100x129.5 cm; Private Collection; (add.info)

The Duck Hunters, (gouache on board)
985103 The Duck Hunters, (gouache on board) by Berninghaus, Oscar Edward (1874-1952); 22.4x30 cm; Private Collection; (add.info.: The Duck Hunters. Oscar Edward Berninghaus (1874-1952)

Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c
1197961 Your Holidays! Travel by the White Star Line, a poster advertising travel to United States and Canada, c.1927 (colour litho) by Mills

Casual Meeting, 1928 (oil on canvas)
1767764 Casual Meeting, 1928 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 51.4x61.6 cm; Private Collection; (add.info.: Casual Meeting. Kenneth Hayes Miller (1876-1952). Oil on canvas

Two Mende helmet masks
1765076 Two Mende helmet masks by African School; 38.1; 40.6 high cm; Private Collection; (add.info.: Two Mende helmet masks. 38.1cm and 40.6cm high.); Photo © Christie's Images

An Indian Boy, 1927 (oil on canvas)
657748 An Indian Boy, 1927 (oil on canvas) by Birley, Oswald Hornby Joseph (1880-1952); Private Collection; (add.info.: An Indian Boy. Oswald Hornby Joseph Birley (1880-1952). Oil on canvas

A Nymph, 1901 (oil on canvas)
651191 A Nymph, 1901 (oil on canvas) by Bisson, Edouard (1856-1939); 55.5x38 cm; Private Collection; (add.info.: Edouard Bisson (1856-1939) Signed and dated 1901); Photo © Christie's Images

The Young Rustem Slaying the White Elephant, c. 1545 (gouache with gold paint on paper)
1196797 The Young Rustem Slaying the White Elephant, c.1545 (gouache with gold paint on paper) by Iranian school (16th century); 21x11 cm; Private Collection; Photo © Christies Images

Artist Executing Designs for the Worlds Columbian Exposition, Chicago, 1893, 1894 (oil on canvas)
1767431 Artist Executing Designs for the Worlds Columbian Exposition, Chicago, 1893, 1894 (oil on canvas) by Turner, Charles Yardley (1850-1918)

Chivalry, 1885 (oil on canvas)
1767284 Chivalry, 1885 (oil on canvas) by Dicksee, Frank (1853-1928); 182.7x136.6 cm; Private Collection; Photo © Christies Images

Battle scene between archers and cavalry, with castle and ships, c. 1495-1500 (gouache and gold paint on vellum)
986282 Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum) by French School

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

The Young Krishna Kills the Demon Vatsasura, who came in the Guise of a Calf, c
1196882 The Young Krishna Kills the Demon Vatsasura, who came in the Guise of a Calf, c.1730-1740 (w/c & ink on orange paper) by Indian School

The Romans attacking Augsburg, c. 1490 (brown ink and pale coloured washes on paper)
986278 The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper) by German School, (15th century); 19.7x14.5 cm; Private Collection; (add.info)

Cinderella (oil on panel)
989955 Cinderella (oil on panel) by Pecrus, Charles Francois (1826-1907); 40.6x31.8 cm; Private Collection; (add.info.: Cinderella. Charles Francois Pecrus (1826-1907). Oil on panel

A Risque Passage; Un Passage Risque (oil on canvas)
827474 A Risque Passage; Un Passage Risque (oil on canvas) by Consuelo-Fould, Madame (1862-1927); 185.4x105.4 cm; Private Collection; (add.info.: A Risque Passage; Un Passage Risque)

Silk Robe, 1926 (colour etching)
1195044 Silk Robe, 1926 (colour etching) by Icart, Louis (1888-1950); 38x47 cm; Private Collection; Photo © Christies Images

A Satyr and a Young Girl, c. 1917 (black ink and watercolour on an oval card, framed)
985608 A Satyr and a Young Girl, c.1917 (black ink and watercolour on an oval card, framed) by Wegener, Gerda Marie Frederike (1885-1940); 18 (approx.width) cm; Private Collection; (add.info)

A Slap in the Face, (oil on canvas)
658199 A Slap in the Face, (oil on canvas) by Frangiamore, Salvatore (1853-1915); 67.3x46.3 cm; Private Collection; (add.info.: A Slap in the Face. Salvatore Frangiamore (fl. 1897). Oil on canvas

Fetishes; Les Fetiches, 1928 (oil on paper laid down on panel)
653566 Fetishes; Les Fetiches, 1928 (oil on paper laid down on panel) by Berghe, Frits van den (1883-1939); 49.5x38 cm; Private Collection; (add.info.: Fetishes; Les Fetiches)

After the Battle, (ink and wash on paper laid on board)
651007 After the Battle, (ink and wash on paper laid on board) by Remington, Frederic (1861-1909); 44.5x69.7 cm; Private Collection; (add.info.: After the Battle. Frederic Remington (1861-1909)

The Charge, c. 1893-1931 (woodcut)
1196621 The Charge, c. 1893-1931 (woodcut) by Vallotton, Felix Edouard (1865-1925); 20x26 cm; Private Collection; Photo © Christies Images

Best Friends, (etching, printed in colours)
1195026 Best Friends, (etching, printed in colours) by Icart, Louis (1888-1950); 50.5x42 cm; Private Collection; Photo © Christies Images

St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez
986337 St.James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez, 1606 (illuminated manuscript on vellum) by Spanish School

Cinderella and her Wicked Sisters, 1892 (oil on canvas)
827470 Cinderella and her Wicked Sisters, 1892 (oil on canvas) by Meyer, Emile (1823-1910); 113x125.7 cm; Private Collection; (add.info.: Cinderella and her Wicked Sisters. Emile Meyer (1823-1910)

La Resa dei Conti, 1912 (oil on panel)
823457 La Resa dei Conti, 1912 (oil on panel) by Torre, Giulio Del (1856-1932); 34x45 cm; Private Collection; (add.info.: La Resa dei Conti. Giulio Del Torre (1856-1932). Oil on panel

Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas)
990059 Tobit Burying the Dead in Defiance of the Orders of Sennacherib, (oil on canvas) by Castiglione, Giovanni Francesco (1641-1716); 65x80.6 cm; Private Collection; (add.info)

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

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"Apparel: A Timeless Reflection of Art and Life" Step into the world of apparel, where artistry and self-expression intertwine. Just like Titian's masterpiece "Noli Me Tangere, " clothing has the power to captivate and allure. It tells a story, evoking emotions that transcend time. In Sigmund Freud's sepia photograph, we see the evolution of fashion as a reflection of society. Attire becomes a window into our innermost thoughts and desires. Similarly, Paolo Uccello's depiction of "The Battle of San Romano" reminds us that even in times of conflict, garments can symbolize strength and resilience. Dorothea Lange's photographs transport us to Malheur County in 1939. Mrs. Cleaver bravely raises her five sons on their new farm while George Cleaver endeavors to tame raw land. Their attire speaks volumes about their determination and perseverance. Just as the Milky Way illuminates the night sky with its ethereal beauty, so too does fashion illuminate our lives with its endless possibilities for self-expression. Whether it be a lady walking in a garden or Sam Templeman atop Bloomsbury—a chestnut racehorse—apparel adds color to our existence. From India comes "A Peep at the Train, " showcasing how clothing transcends borders and cultures—uniting humanity through shared experiences. Meanwhile, Maria gazes at fishes in Granja; her dress mirroring nature’s vibrant palette—an artistic fusion between womanhood and aquatic wonders. As we journey through time, we encounter a woman on a train in 1950—a snapshot frozen forever—her ensemble capturing an era filled with elegance and gracefulness. Lastly, Leon Bakst's costume design for Nijinsky embodies fantasy brought to life—the Faun dances across stages adorned by breathtaking attire—an ode to creativity unbound by convention. In this vast tapestry woven by artists throughout history, apparel emerges as a testament to our desire for beauty and self-expression.