Apocalyptical Collection

After the Bacchanal, 1898 (oil on canvas)
658858 After the Bacchanal, 1898 (oil on canvas) by Richter, Robert (1861-1941); 120.7x180.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)
988078 Apocalyptic Virgin of Quito, c.1775 (oil on canvas) by Alcocer, Jose Cortez de (fl.18th century); 105.4x81 cm; Private Collection; (add.info.: Apocalyptic Virgin of Quito)

After the Bath, (oil on canvas)
989508 After the Bath, (oil on canvas) by Zatzka, Hans (1859-1945); 63.5x48.9 cm; Private Collection; (add.info.: After the Bath. Hans Zatzka (1859-1945). Oil on canvas

Scene in the Tent of Edward The Black Prince after the Battle of Poitiers
658318 Scene in the Tent of Edward The Black Prince after the Battle of Poitiers: He Treated King John like an Honoured Guest, When at the Feast He Sate, For with Reverend Air and Forehead Bare

After the Masked Ball, 1871 (oil on canvas)
659021 After the Masked Ball, 1871 (oil on canvas) by Chaplin, Charles Joshua (1825-91); 75.5x44.5 cm; Private Collection; (add.info.: After the Masked Ball. Charles Chaplin (1825-1891)

The Bondhus Glacier in Sunnhordland, 1878 (oil on canvas)
659688 The Bondhus Glacier in Sunnhordland, 1878 (oil on canvas) by Bodom, Erik (1829-79); 108.5x157.5 cm; Private Collection; (add.info.: The Bondhus Glacier in Sunnhordland. Erik Bodom (1829-1879)

St. John sees the resurrection of the two witness, as people flee the city walls, c
1767807 St. John sees the resurrection of the two witness, as people flee the city walls, c.1820 (Pen, ink, watercolour and gilt on paper) by Russian School (19th century)

Scheveningen, Boats Run Aground on the Shore; Scheveningen, Bateaux Echoues sur la Greve
656487 Scheveningen, Boats Run Aground on the Shore; Scheveningen, Bateaux Echoues sur la Greve, 1875 (oil on canvas) by Boudin

Blood flowing from the great winepress of Gods wrath, no
XIR208144 Blood flowing from the great winepress of Gods wrath, no.55 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl)

The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print)
1767104 The Harrowing of Hell or Christ in Limbo, from The Large Passion, 1510 (woodcut print) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c
1767808 A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c.1820 (pen, ink, watercolour and gilt on paper) by Russian School (19th century)

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"Apocalyptical: A Glimpse into the Chaos and Catastrophe" Step into a world of chaos and catastrophe, where art captures the essence of an apocalyptic era. From "After the Bacchanal, 1898" to "San Francisco after the Earthquake of 1906, " these masterpieces transport us to moments that echo destruction and despair. In "After the Bacchanal, 1898 (oil on canvas), " we witness a post-celebratory scene tainted with hints of impending doom. The revelry fades away as darkness looms over this once vibrant gathering. The "Apocalyptic Virgin of Quito, c. 1775 (oil on canvas)" portrays a divine figure amidst turmoil. With her sorrowful eyes and outstretched arms, she stands as a symbol of hope in times of devastation. "After the Bath (oil on canvas)" unveils vulnerability in its purest form. As figures emerge from their cleansing rituals, there is an underlying sense that they are preparing for what lies ahead – an uncertain future filled with foreboding shadows. In "Scene in the Tent of Edward The Black Prince after the Battle of Poitiers, " remnants of war linger within this makeshift refuge. It serves as a reminder that even victorious battles leave behind scars that shape destinies forever altered by conflict. "After the Masked Ball, 1871 (oil on canvas)" presents a haunting aftermath where masks fall off to reveal weary faces burdened by secrets untold. In this eerie silence following festivities, one can almost hear whispers echoing through empty halls. Through "San Francisco after the Earthquake of 1906, 1906 (silver gelatin print), " we glimpse at nature's wrath unleashed upon civilization's achievements. Buildings reduced to rubble stand testament to human fragility against forces beyond our control. "The Bondhus Glacier in Sunnhordland, 1878 (oil on canvas)" captures the frozen beauty of a world untouched by chaos.