Anvil Collection (page 8)

NORDIC SYMBOL: ANVIL. Nordic (Germanic) symbol of creation

We destroyed our enemy with weapons, we will earn our bread with labor - Comrades, roll up your sleeves for work
RUSSIA: SOVIET POSTER, 1920. We destroyed our enemy with weapons, we will earn our bread with labor - Comrades, roll up your sleeves for work! Color lithograph poster by Nikolai Kogout, 1920

Silent Still: Blacksmith

BUSN2A-00073
Iron foundry, circa 1803-1806. Hand-colored woodcut of a 19th-century illustration

BUSN2A-00085
Blacksmith making horse-nails by hand on an anvil. Hand-colored woodcut of a 19th-century illustration

BUSN2A-00086
Blacksmith and his assistant at a forge. Hand colored woodcut of a 19th-century illustration

BUSN2A-00087
Blacksmith working at an anvil. Hand-colored woodcut of a 19th-century illustration

BUSN2A-00171
Young blacksmith reading a newspaper, 1800s. Hand-colored woodcut of a 19th-century painting by F. B. Mayer

Blacksmith shop
Blacksmith and his apprentices at their forge. Hand-colored woodcut of a 19th-century illustration

Blacksmith (Series)
Le marechal ferrand - BLACKSMITH - hammers a horseshoe on his anvil

Manufacturing Armour (fresco)
XIR192863 Manufacturing Armour (fresco) by Poccetti, Bernardino Barbatelli (1542/8-1612); Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

French Railway Alphabet - U for Usine (workshop). 19th century

Two men and a horse in a blacksmiths forge. 19th century

Forge, Antrim - a view of a blacksmith at the Forge door using an anvil, other men are inside and looking at the camera. (Location: Northern Ireland; County Antrim; Antrim). Date: circa early 1900s

Cupids and hearts on nine Victorian scraps. Date: circa 1890s

Chinese Soldiers in Barracks - servicing their equipment Date: circa 1908

Book of Trades, The Farrier. 1841

The Village Blacksmith by G Carlton Wallace
The Village Blacksmith by G. Carlton Wallace. First produced Theatre Royal, Bury, 20th February 1903 and Theatre Royal, Stratford, 1st August 1904. Date: circa 1904

Illustration, The Youth who could not Shiver or Shake -- The Youth took the axe and split the anvil at one blow, catching the Old Mans beard in it. Date: 1909

Mucklestone Anvil
A plaque at Mucklestone, Shropshire, England, where a blacksmith reversed Queen Margarets horseshoes to aid her escape from the Battle of Blore Heath, 23 September 1459. Date: 15th century

Shaping a Horseshoe
A young farrier (blacksmith) uses a hammer and chisel on his anvil to shape a horseshoe. Date: 1960s

fate evil tongue seven putti stand anvil hammer
Artokoloro

Venus left holding golden apple right hand arrow
Artokoloro

Plate 19 Vulcan standing niche swinging hammer
Artokoloro

Five Men Around Anvil verso Figures Wood Preaching
Artokoloro

BLACKSMITHING, c1899. Blacksmithing students at Agricultural and Mechanical College in Greensboro, North Carolina. Photograph, c1899

SHAKER BLACKSMITH, 1935. Brother Ricardo Belden blacksmithing at the Hancock Shaker village near Pittsfield, Massachusetts. Photographed by Samuel Kravitt, c1935

IRAQ: BLACKSMITH, 1932. A Iraqi man working as a blacksmith, Iraq. Photograph, 1932

BLACKSMITH. A Middle Eastern blacksmith making horseshoes. Photograph, early or mid 20th century

BLACKSMITH: WOMAN. A woman working as a blacksmith, England. Photograph, late 19th or early 20th century

BLACKSMITH, c1855. Portrait of a blacksmith in his workshop. Daguerreotype, c1855

IRAQ: BLACKSMITH, 1932. A blacksmith at work in Iraq. Photograph, 1932

Illustration of cloud formations

ILLINOIS: BLACKSMITH, 1943. A blacksmith at his forge in the shop at the roundhouse, Rock Island Railroad, Blue Island, Illinois. Photograph by Jack Delano, April 1943

BLACKSMITH, c1920. A blacksmith standing at the kiln, Washington, D. C. Photograph
BLACKSMITH, c1920. A blacksmith standing at the kiln, Washington, D.C. Photograph, c1920

MAGNETIZING IRON, 1600. A blacksmith hammering a heated iron bar to be magnetized, with its ends pointing towards the magnetic north and south poles

LOCKSMITH, 1568. Woodcut, 1568, by Jost Amman

BLACKSMITH, 1483. Woodcut from William Caxtons edition, 1483, of Jacobus de Cessolis Game and Play of the Chess, 1483

BLACKSMITH, 1900. Oil over a photograph, c1900

BLACKSMITH, 1874. American lithograph by Louis Prang & Co

Red dragon and orcs attacking Royal Knights with archers in the valley

The Foundry of the God Vulcan, 1747 (oil on canvas)
XIR898130 The Foundry of the God Vulcan, 1747 (oil on canvas) by Boucher, Francois (1703-70); 94x12.7 cm; Louvre, Paris, France; (add.info.: Les Forges de Vulcain ); French, out of copyright

The Forge of Vulcan, or Vulcan presenting arms for Aeneas to Venus, tapestry cartoon
XIR82805 The Forge of Vulcan, or Vulcan presenting arms for Aeneas to Venus, tapestry cartoon, 1757 (oil on canvas) by Boucher, Francois (1703-70); 320x320 cm; Louvre, Paris

Goldsmiths Workshop, 1576 (engraving)
XJF441262 Goldsmiths Workshop, 1576 (engraving) by Delaune, Etienne (1518-83); Private Collection; (add.info.: This image shows two apprentices working at the table while another talks to a nobleman)

The Allegory of the Active and Triumphant Church, detail of a section to the lower
XIR439290 The Allegory of the Active and Triumphant Church, detail of a section to the lower right showing Tubal-cain, c.1366-68 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77)

The Forge, 1640 (oil on canvas)
XIR28021 The Forge, 1640 (oil on canvas) by Le Nain, Louis (1593-1648); 69x57 cm; Louvre, Paris, France; French, out of copyright

Forge of the Derosne and Cail Company, Grenelle, illustration from Les Grandes
XIR280190 Forge of the Derosne and Cail Company, Grenelle, illustration from Les Grandes Usines by Julien Turgan, engraved by Henry Duff Linton (1815-99) c.1880 (engraving) (b/w photo) by Morin

The French Republic (colour litho)
XIR269598 The French Republic (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Republique Francaise; ); French

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"Forging the Backbone of Craftsmanship: The Mighty Anvil" Coopers at work making wooden barrels, Bismarck as a Blacksmith, and Fittleworth Smithy interior with two blacksmiths - these iconic images depict the timeless artistry that revolves around the anvil. Just like the cross-section diagram of the human ear reveals its intricate workings, so does this humble tool unveil its significance in shaping our world. Step into the blacksmith's forge and witness their mastery unfold. In 1837, an oil on canvas painting captures the intense atmosphere within an Interior of the Forge. The heat radiates as sparks fly from metal meeting iron, showcasing a symphony of craftsmanship. In another scene from c1903, two skilled blacksmiths diligently craft a metal hoop for possibly a wagon wheel. Their rhythmic hammering echoes through time as they breathe life into raw materials with every strike. The wonders of cinema organ by G. H. Davis enchant audiences just like a Blacksmith/Chatterbox captivates listeners with tales forged in fire and steel. This captivating art form is akin to Rasmus Nielsen's strength showcased on an American sideshow poster from c1945 - both awe-inspiring displays of human skill and resilience. Travel back in time to witness Yorkshire Blacksmiths forging pieces that withstand generations; their creations etching stories into history itself. Even during colonial America's Revolutionary War outbreak, wood engravings reveal how these artisans played pivotal roles by forging weapons that would shape nations. Through centuries past and present, one constant remains - the mighty anvil stands tall as a symbol of craftsmanship and dedication, and is here where dreams are shaped by skilled hands wielding hammers against glowing hot metal; it is here where legends are born amidst fiery sparks illuminating creativity at its finest.