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Antonio Collection (page 3)

Antonio, a name that echoes through time and across continents

Background imageAntonio Collection: Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from the series The Labors of Hercules, 1608

Background imageAntonio Collection: St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518-20

Background imageAntonio Collection: Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphos

Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74, Published after 1606

Background imageAntonio Collection: St George Killing the Dragon, 1542. Creator: Enea Vico

St George Killing the Dragon, 1542. Creator: Enea Vico
St George Killing the Dragon, 1542

Background imageAntonio Collection: Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydr... ca

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydr... ca
Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, ca. 1500-1520

Background imageAntonio Collection: Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova

Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova
Three Graces, 1840s

Background imageAntonio Collection: Malta - Greetings Postcard

Malta - Greetings Postcard, featuring inset pictures of (from left): The Royal Opera House at Valletta - The Custom House and Barracca Lift - The Fountain at the St Antonio Garden

Background imageAntonio Collection: Fall / Japanese Chin / 1938

Fall / Japanese Chin / 1938
JUM OF ST OMER Owned by D Antonio. Date: 1938

Background imageAntonio Collection: Charles II, called the Bewitched (1661-1700). King of Spain

Charles II, called the Bewitched (1661-1700). King of Spain (1665-1700). It was believed that the king was under the influence of an evil spell

Background imageAntonio Collection: Battle of Otumba (7th July 7, 1520)

Battle of Otumba (7th July 7, 1520). Confrontation between the army of the Aztecs against Spanish troops led by Hernan Cortes

Background imageAntonio Collection: Montezuma is allowed to be seen in public

Montezuma is allowed to be seen in public, by going out to his Temples... Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Background imageAntonio Collection: Idol Vitzliputzli (Huitzilopochtli). Mexican idol

Idol Vitzliputzli (Huitzilopochtli). Mexican idol. Engraving. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional

Background imageAntonio Collection: The Great Aztec Temple at Tenochtitlan

The Great Aztec Temple at Tenochtitlan. Dedicated to the god of war. Built in a large square, with an ashlar wall, carved on the outside with different loops of chained snakes. Engraving

Background imageAntonio Collection: Map of the territory of New Spain

Map of the territory of New Spain. Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico)

Background imageAntonio Collection: Representation of the city of Mexico (Mexico-Tenochtitlan)

Representation of the city of Mexico (Mexico-Tenochtitlan). Divided into two neighborhoods. One called Tlatelulco (a), where most of the population lived, and the other Mexico (e)

Background imageAntonio Collection: Diego Velazquez de Cuellar (1465-1524)

Diego Velazquez de Cuellar (1465-1524) had the intention of ceasing Hernan Cortes. Cortes and his fleet left Cuba in haste for the coast of Mexico

Background imageAntonio Collection: History of the Conquest of Mexico

History of the Conquest of Mexico
Historia de la Conquista de Mexico, poblacion, y progresos de la America septentrional, conocida por el nombre de Nueva Espana (History of the Conquest of Mexico, population)

Background imageAntonio Collection: Ferdinand VII (1784-1833), 1808, by Antonio Carnicero

Ferdinand VII (1784-1833), 1808, by Antonio Carnicero
Ferdinand VII (1784-1833). King of Spain (1808-1833). Portrait by Antonio Carnicero (1748-1814), 1808. History Museum. Madrid. Spain

Background imageAntonio Collection: Masquerade Ball at the Coliseo del Principe, circa 1771-1802

Masquerade Ball at the Coliseo del Principe, circa 1771-1802
History of Spain. Masquerade Ball at the Coliseo del Principe, circa 1771-1802. By Juan Antonio Salvador Carmona (1740-1805). Etching and engraving on paper. History Museum. Madrid. Spain

Background imageAntonio Collection: Il Valor Vincitore

Il Valor Vincitore
A painting depicting a violent scene of battle, involving warriors with horned helmets and shields swathed in fired arrows, upon a chariot led by powerful, rearing warhorses

Background imageAntonio Collection: La Pensierosa

La Pensierosa
A portrait painting of a smiling woman, who seems to be deep in thought, wearing a white blouse. Date: circa 1918

Background imageAntonio Collection: Lyn Harding as Antonio, The Tempest, Shakespeare

Lyn Harding as Antonio, The Tempest, Shakespeare
Lyn Harding as Antonio in The Tempest by William Shakespeare Date: 1904

Background imageAntonio Collection: Antonio Valdes y Fernandez Bazan (1744-1816)

Antonio Valdes y Fernandez Bazan (1744-1816). Spanish military and marine. Illustration by Llanta. Lithography. Cronica General de Espana. Historia Ilustrada y Descriptiva de sus Provincias

Background imageAntonio Collection: Manuel Breton de los Herreros by Antonio Gomez Cros

Manuel Breton de los Herreros by Antonio Gomez Cros
Manuel Breton de los Herreros (1796-1873). Spanish dramatist. Member of the Royal Spanish Academy (1837). Portrait by Antonio Gomez Cros (1809-1863), 1839. Museum of Romanticism. Madrid. Spain

Background imageAntonio Collection: Antonio Ricardos (1727-1794), 1794, by Goya

Antonio Ricardos (1727-1794), 1794, by Goya
Antonio Ricardos (1727-1794). Spanish military. Portrait by Francisco de Goya y Lucientes (1746-1828), 1794. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageAntonio Collection: Mausoleum of Francisco de Goya in Bordeaux, 1828

Mausoleum of Francisco de Goya in Bordeaux, 1828
Antonio de Brugada (1804-1863). Spanish painter. Mausoleum of Francisco de Goya in Bordeaux, 1828. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Background imageAntonio Collection: Antropomorphic head. Head of the sacrificed. Palenque

Antropomorphic head. Head of the sacrificed. Palenque
Antropomorphic head. Head of the sacrificed. Drawn on the VIII sheet of the Excavation Memory. It was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico. Maya culture

Background imageAntonio Collection: Fragment of relief. It depicts the leg of the priest

Fragment of relief. It depicts the leg of the priest, wearing sandal. Drawn on the XI sheet of the Excavation Memory, was collected in 1787 by captain Antonio del Rio in Palenque, Chiapas, Mexico

Background imageAntonio Collection: Battle of Pichincha, 24 May 1822. Context of The Spanish Ame

Battle of Pichincha, 24 May 1822. Context of The Spanish American War of Independece. Pitted a patriot army under general Antonio Jose de Sucre agains a Royalist army commanded by Fied Marshal

Background imageAntonio Collection: POSADA, Jos頇uadalupe (1852-1913). La calavera

POSADA, Jos頇uadalupe (1852-1913). La calavera del editor popular Antonio Vanegas Arroyo (The calavera of popular editor Antonio Vanegas Arroyo)

Background imageAntonio Collection: FRANCE. Paris. Spanish Civil War (1936-1939)

FRANCE. Paris. Spanish Civil War (1936-1939). Paris International Exposition (1937). Meeting of the lehendakari Jose Antonio Aguirre (front of the table)

Background imageAntonio Collection: SPAIN. Madrid. Spanish Civil War (1936-1939)

SPAIN. Madrid. Spanish Civil War (1936-1939). Defence of Madrid. Antonio Ortega talking to other comandments in a barricade (1936)

Background imageAntonio Collection: Spanish Civil War (1936-1939). Meeting between

Spanish Civil War (1936-1939). Meeting between the Prime Minister Juan Negrin and the Subsecretary of War Antonio Cordon (1938)

Background imageAntonio Collection: Spanish Civil War (1936-1939). No-Do. Nationalist

Spanish Civil War (1936-1939). No-Do. Nationalist poster with portraits of (from up to down and from left to right): Francisco Franco, Queipo del Llano, Mola and Primo de Rivera

Background imageAntonio Collection: Tony Richardson, English film director and producer

Tony Richardson, English film director and producer
Tony Richardson (Cecil Antonio "Tony" Richardson, 1928-1991), English theatre and film director, and producer. Seen here (standing)

Background imageAntonio Collection: Antonio de Padua Maria Severino Lopez de Santa Anna y Perez de Lebro

Antonio de Padua Maria Severino Lopez de Santa Anna y Perez de Lebro, from The History of Our Country
2657622 Antonio de Padua Maria Severino Lopez de Santa Anna y Perez de Lebro, from The History of Our Country, published 1905 (engraving) by American School

Background imageAntonio Collection: Monsignor Antonio Cerri, c. 1630-40 (marble)

Monsignor Antonio Cerri, c. 1630-40 (marble)
3060067 Monsignor Antonio Cerri, c.1630-40 (marble) by Algardi, Alessandro (1598-54); 86x65x28 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageAntonio Collection: Gioacchino Antonio Rossini, 1792-1868. Italian composer. Portrait by Chase Emerson

Gioacchino Antonio Rossini, 1792-1868. Italian composer. Portrait by Chase Emerson, American artist, 1874-1922
3052810 Gioacchino Antonio Rossini, 1792-1868. Italian composer. Portrait by Chase Emerson, American artist, 1874-1922 by Emerson, Chase (1874-1922); Private Collection

Background imageAntonio Collection: Boeing T-43A 73-1153 Spirit of San Antonio

Boeing T-43A 73-1153 Spirit of San Antonio
United States Air Force - Boeing T-43A 73-1153 Spirit of San Antonio (MSN 20700/357, 737-253), of the 562nd FTS. Date: circa 1990

Background imageAntonio Collection: North American F-100D Super Sabre 56-3000

North American F-100D Super Sabre 56-3000
North American F-100D-65-NA Super Sabre 56-3000 (msn 325-98), at Texas ANG, Lackland AFB, Kelly Field, San Antonio, Texas. Date: circa 1995

Background imageAntonio Collection: Sino-Swearingen SJ30-2 N30SJ

Sino-Swearingen SJ30-2 N30SJ (msn 3), of Sino Swearingen Aircraft Corp. San Antonio TX Date: circa 2004

Background imageAntonio Collection: Portrait of Clemens XIII, 1784-86 (plaster)

Portrait of Clemens XIII, 1784-86 (plaster)
3359347 Portrait of Clemens XIII, 1784-86 (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Portrait of Clemens XIII, 1784-1786, Antonio Canova, 1757-1822)

Background imageAntonio Collection: Self portrait with basket, 1883 (oil on canvas)

Self portrait with basket, 1883 (oil on canvas)
3359254 Self portrait with basket, 1883 (oil on canvas) by Mancini, Antonio (1852-1930); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageAntonio Collection: Untitled (stained glass)

Untitled (stained glass)
5309536 Untitled (stained glass) by Gaudi, Antoni (1852-1926); Jahan Nama Museum and Gallery, Niavaran Palace Complex, Tehran, Iran; Photo © Stefano Baldini

Background imageAntonio Collection: Bust of the Catholic Religion (plaster)

Bust of the Catholic Religion (plaster)
3359351 Bust of the Catholic Religion (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Bust of the catholic religion, 1814, Antonio Canova, 1757-1822)

Background imageAntonio Collection: Socrates rescuing Alcibiades at Potidaea, 1797 (plaster)

Socrates rescuing Alcibiades at Potidaea, 1797 (plaster)
3359348 Socrates rescuing Alcibiades at Potidaea, 1797 (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Socrates rescuing Alcibiades at Potidaea, 1797)

Background imageAntonio Collection: Portrait of Pope Martin V Colonna

Portrait of Pope Martin V Colonna
3359318 Portrait of Pope Martin V Colonna by Pisanello, Antonio (1395-1455); Galleria Colonna, Rome, Italy; (add.info.: Portrait of pope Martin V Colonna, Antonio Pisani aka Pisanello)

Background imageAntonio Collection: Boeing B-52D Stratofortress 56-0689

Boeing B-52D Stratofortress 56-0689 (msn 464060) at the Imperial War Museum Duxford. before construction of the American Air Museum building



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Antonio, a name that echoes through time and across continents. From the enchanting city of Venice, where the Grand Canal weaves its way through ancient buildings, to the captivating paintings Maria Fabres y Costa depicting The Thief in all his mysterious glory. In the world of music, Antonio Vivaldi reigns supreme. His compositions transport us to another era, evoking emotions with every note. And let's not forget about Gioachino Antonio Rossini, an Italian composer whose melodies still resonate in our hearts today. But it doesn't stop there; history has witnessed great figures bearing this illustrious name. Benito Juarez's triumphant return to Mexico City after years of struggle is immortalized by Orozco's masterpiece. Jose Antonio Primo de Rivera stands as a symbol of Spanish politics and founder of the Falange movement. Travel takes us to Port Antonio in Jamaica, where Titchfield Hotel offers a glimpse into paradise on earth. With its pristine beaches and lush landscapes, it's no wonder why visitors are captivated by its beauty. Art lovers marvel at Canova's Eros and Psyche sculpture - a testament to love's enduring power captured in marble for eternity. Antonio - a name that encompasses artistry, resilience, and cultural significance throughout centuries past and present. Whether it be through canals or canvases or even political movements like Remembering the Alamo - this name leaves an indelible mark on our collective memory.