Annunciation Collection (page 7)

Face of annunciated Virgin, work by Domenico di Niccol dei Cori preserved in the Diocesan Museum in Montalcino Montalcino Diocesan Museum Statue Early Renaissance, Renaissance

Annunciated Virgin, work by Domenico di Niccol dei Cori preserved in the Diocesan Museum in Montalcino Montalcino Diocesan Museum Statue Early Renaissance, Renaissance

The Virgin Mary, detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence Florence Basilica of Santa Croce High Relief Early Renaissance, Renaissance

Herald Angel, work by Umbrian-sienese school, preserved in Diocesan Museum of Sacred Art in Montalcino Montalcino Diocesan Museum of Sacred Art Statue Early Renaissance, Renaissance

Annunciated Virgin, statue from Umbrian-Sienese School conserved in the Museo Diocesano d'Arte Sacra in Montalcino Montalcino Museo Diocesano d'Arte Sacra Statue Early Renaissance

Annunciating angel, work attributed to Domenico do Agostino, preserved in the Diocesan Museum in Montalcino Montalcino Diocesan Museum Statue Gothic, Middle Ages, Europe

Annunciation. Central detail of a Paten by Ugolino di Vieri and Viva di Lando, National Gallery of Umbria, Perugia Perugia National Gallery of Umbria Plate Late Medieval, Middle Ages, Europe

Annunciation. Wooden statues by fourteenth century umbrian school, in the National Gallery of Umbria, in Perugia Perugia National Gallery of Umbria Sculptural Group Early Renaissance, Renaissance

A terracotta work by the Robbia school representing the Annunciation of the Virgin and the altar, located in the chapel of the Vincigliata Castle

Annunciated Angel, detail from a work of Umbrian-Sienese School conserved in the Museo Diocesano d'Arte Sacra in Montalcino Montalcino Museo Diocesano d'Arte Sacra Statue Early Renaissance

Annunciated angel, work by umrian-sienese school, preserved at the Diocesan Museum in Montalcino Montalcino Diocesan Museum Statue Early Renaissance, Renaissance

The Annunciation (c.33v): illuminated letter of the Antiphonary 558, by Fra Angelico for the Monastery of San Domenico, now in the Monastery of San Marco

The Annunciation, bas-relief attributed to the Sperandio in the Cathedral of Faenza, Ravenna Faenza Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe

The angel Gabriel, detail of the ark by St.Savino, work by Benedetto da Maiano in the Cathedral of Faenza, Ravenna Faenza Sculpture Renaissance, Renaissance-Baroque styles and periods, Europe

The Virgin Mary, detail of the ark by San Savino, work by Benedetto and Maiano in the Cathedral of Faenza, Ravenna Faenza Sculpture Renaissance, Renaissance-Baroque styles and periods, Europe

Small ancon of bone representing the Annunciation, the Baptisim of Christ, Jesus in the Garden, the Crucifixtion and four Saints in the pinacoteca of Faenza

Triptych with scenes from the life of Jesus Christ ; work by the French school preserved in the Musee du Moyen-Age de Cluny, Paris France Paris, Musee du Moyen-Age de Cluny Triptych Gothic

Back of the mirrors and diptych with scenes depicting the passion of Jesus; works preserved in the Muse du Moyen-Age de Cluny, Paris France Paris, Muse du Moyen-Age de Cluny Dyptch Gothic

Two altar plates with the Crucifixion and the Annunciation to the Virgin. Limoges work preserved in the Muse de Cluny, Paris France Paris, Cluny Museum Low Relief, Basrelief Gothic, Middle Ages

Announcing angel; statue from the Pisan School, in the Muse du Moyen ge de Cluny, in Paris France Paris, Muse du Moyen Age de Cluny Statue Gothic, Middle Ages, Europe

Dome mosaic in the church of Daphni, in Greece, depicting the Annunciation Greece Daphni Mosaic Byzantine Style, Byzantine Art, Europe, First and Second Millennium A.D

The Annunciation, a piece of Renaissance artwork in the National Museum of San Martino, Naples Naples National Museum of San Martino High Relief Renaissance, Renaissance-Baroque styles and periods

Sacrifice of Abraham. Tile from the Pulpit of the Duomo in Volterra Volterra Cathedral Low Relief, Basrelief Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1931 ca

Relief depicting the Annunciation, in the Louvre Museum in Paris France Paris, Louvre Museum Relief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The Annunciation, mosaic ornamentation in the half-dome of the apse, in the Euphrasian Basilica, Porec, Croatia Croatia Porec, Euphrasian Basilica Mosaic Byzantine Art, Europe

Annunciation and saint; small enamel plaques of the Pala d'Oro, in St. Mark's Basilica in Venice Venice St. Mark's Basilica Byzantine Art, Europe, First and Second Millennium A.D

Ciborium of the altar of the Sacrament by Giovan Battista Foggini preserved in the Cathedral of Pisa. The sculptures of the Annunziata and the Archangel Gabriel in the niches are by Francesco Mosca

Annunciation; high-relief by Sienese School, from the Accademia di Belle Arti, and now preserved in the National Picture Gallery in Siena Siena Accademia di Belle Arti High Relief Gothic

Ciborium and altar of the Abbey of San Clemente, Casauria, Torre de Passeri Castiglione a Casauria Abbey of San Clemente Ciborium Romanesque, Middle Ages, Europe, First and Second Millennium A.D

The tabernacle of the holy oil, located in the Church of San Pietro in Civita Castellana, near Viterbo, in Lazio Civita Castellana Church of San Pietro Tabernacle Early Renaissance, Renaissance

The Eucharist shrine, from the School of Duccio di Bartolomeo, located in the crypt of the Cathedral of Santa Maria in Civita Castellana, near Viterbo

Tomb of Mary of Valois, by Tino di Camaino and assistants, in the church of Santa Chiara, in Naples Naples Church of Santa Chiara Tomb Gothic, Middle Ages, Europe, First and Second Millennium A.D

Altar of San Girolamo (St. Jerome); sculptural work attributed to Tommaso Malvito, in the church of San Domenico Maggiore, Naples Naples Church of San Domenico Maggiore Altar Early Renaissance

Annunciation, historiated initial from a Choir Book, work by Sano di Pietro and Pellegrino di Mariano. Cathedral museum, Pienza Pienza Cathedral Museum Tapestry Early Renaissance, Renaissance

The Angel Gabriel, detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany Florence Basilica of Santa Croce High Relief Early Renaissance, Renaissance

The Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany Florence Basilica of Santa Croce High Relief Early Renaissance, Renaissance

Annunciation, mosaic, Jacopo Torriti (active 1270-1300 ca.), apse of the Basilica of Santa Maria Maggiore, Rome Rome Basilica of S

A sideboard built in the Louis XII period. French ivory work preserved in the Cluny Museum, Paris France Paris, Cluny Museum Side Board Renaissance, Renaissance-Baroque styles and periods, Europe

Chest in enameled copper with the Stories of the Life of Christ. Limoges work preserved in the Muse de Cluny, Paris France Paris, Cluny Museum Box Middle Ages, Europe

Wooden panel with a bas-relief depicting the Annunciation of the Virgin. Muse du Moyen-Age de Cluny, Paris France Paris, Muse du Moyen-Age de Cluny Low Relief, Basrelief Renaissance

A door with the Annunciation, from Valencia: underneath the arch is a much restored Madonna and Child. Louvre Museum in Paris France Paris, Louvre Museum Door High Renaissance, Renaissance

Virgin of the Annunciation, work by Riemenschneider Tilman preserved in the Louvre Museum, Paris. France Paris, Louvre Museum Statue High Renaissance, Renaissance

The Annunciation to the Virgin. Bas-relief by Giroldo di Jacopo da Como, situated in the Cathedral of San Miniato, in the province of Pisa San Miniato Cathedral Low Relief, Basrelief Gothic

The Virgin Receiving the Annunciation; detail of the Lavabo in the right transept of the Certosa of Pavia. The medallions of the Annunciation are by Alberto Maffioli

Main entrance of the Church of St. Michael in Fano. The work was completed by Bernardino di Pietro da Carona Fano Door High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Left pinnacle of the Corporal Reliquary, in precious metal and enamels, work by Ugolino di Vieri. The reliquary is in the Cappella del Corporale, in Orvieto Cathedral Orvieto Cathedral

Central pinnacle of the Corporal Reliquary, in precious metal and enamels, work by Ugolino di Vieri. The reliquary is in the Cappella del Corporale, in Orvieto Cathedral Orvieto Cathedral

The visitation with saints Roch and Sebastian, work by Giovanni della Robbia, conserved in the Church of Santo Stefano in Lamporecchio near Pistoia Lamporecchio Church of Santo Stefano Altar High

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"The Annunciation: A Timeless Depiction of Divine Revelation" Throughout history, artists have been captivated by the profound moment of the Annunciation, when the angel Gabriel appeared to the Virgin Mary to announce that she would conceive and bear a son. This sacred event has been depicted in various forms and styles, each capturing its own unique essence. One such depiction is Henry Ossawa Tanner's "The Annunciation" from 1898. With his masterful use of light and shadow, Tanner transports us into this divine encounter, where Mary's humble acceptance shines through her eyes. Carlo Crivelli's panel from 1486 takes us back to Renaissance Italy. The intricate details in this piece showcase Crivelli's skill as he portrays both Gabriel and Mary with utmost reverence and grace. Fra Angelico also delves into this biblical narrative with his work from c1438-1445. His delicate brushstrokes create an ethereal atmosphere surrounding the scene, emphasizing the heavenly nature of this encounter between mortal and celestial beings. Moving eastward to Russia, we find an icon from the Moscow School dating back to the 16th century. Its Byzantine influence is evident in its rich colors and gold leaf accents, reminding us of Russia's deep religious heritage. In Nizhny Novgorod stands the majestic Annunciation Cathedral within Moscow Kremlin. Its grandeur echoes centuries of devotion as believers gather beneath its ornate domes to honor this pivotal moment in Christian history. Jean Bourdichon's manuscript leaf from ca. 1485-90 offers a glimpse into medieval book artistry. Through meticulous illumination techniques, Bourdichon brings life to every detail of Gabriel's visitation upon Mary. Sandro Botticelli invites us into his world with "The Cestello Annunciation" from 1489. Here we witness a tender interaction between angelic messenger and young maiden amidst lush surroundings, evoking a sense of serenity and wonder.