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Angelika Kauffman Collection

Angelika Kauffman was a renowned Swiss-Austrian painter who lived from 1741 to 1807

Background imageAngelika Kauffman Collection: Baron Gustaf Adolf Reuterholm, 1792. Creator: Angelica Kauffman

Baron Gustaf Adolf Reuterholm, 1792. Creator: Angelica Kauffman
Baron Gustaf Adolf Reuterholm, 1792

Background imageAngelika Kauffman Collection: Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School

Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School
Una and the lion, after Angelica Kauffman, between 1783 and 1800

Background imageAngelika Kauffman Collection: The Muse, 1766. Creator: Angelica Kauffman

The Muse, 1766. Creator: Angelica Kauffman
The Muse, 1766

Background imageAngelika Kauffman Collection: Reclining Girl Seen from the Back, 1780. Creator: Angelica Kauffman

Reclining Girl Seen from the Back, 1780. Creator: Angelica Kauffman
Reclining Girl Seen from the Back, 1780

Background imageAngelika Kauffman Collection: Juno and the Peacock, 1780. Creator: Angelica Kauffman

Juno and the Peacock, 1780. Creator: Angelica Kauffman
Juno and the Peacock, 1780

Background imageAngelika Kauffman Collection: Woman Resting Her Head on a Book, 1770. Creator: Angelica Kauffman

Woman Resting Her Head on a Book, 1770. Creator: Angelica Kauffman
Woman Resting Her Head on a Book, 1770

Background imageAngelika Kauffman Collection: Monsignor Giuseppe Spina (1756-1828), 1798. Creator: Angelica Kauffman

Monsignor Giuseppe Spina (1756-1828), 1798. Creator: Angelica Kauffman
Monsignor Giuseppe Spina (1756-1828), 1798

Background imageAngelika Kauffman Collection: Head of Woman, Turning Left, n. d. Creator: tyle of Angelica Kauffmann Swiss, 1741-1807

Head of Woman, Turning Left, n. d. Creator: tyle of Angelica Kauffmann Swiss, 1741-1807
Head of Woman, Turning Left, n.d

Background imageAngelika Kauffman Collection: Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815

Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815
Allegorie a l Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815. Possibly after Angelica Kauffman, manufactured by Favre-Petitpierre & Cie

Background imageAngelika Kauffman Collection: Mrs. Hugh Morgan and Her Daughter, c. 1771. Creator: Angelica Kauffman

Mrs. Hugh Morgan and Her Daughter, c. 1771. Creator: Angelica Kauffman
Mrs. Hugh Morgan and Her Daughter, c. 1771

Background imageAngelika Kauffman Collection: Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving

Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving
828647 Virgil Reading his Aeneid, 1796 (hand-coloured etching, engraving & stipple engraving) (also see 745998, 828646) by Bartolozzi

Background imageAngelika Kauffman Collection: The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching

The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching
828646 The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796 (hand-coloured etching, engraving & stipple engraving) (also see 745998, 828647) by Bartolozzi

Background imageAngelika Kauffman Collection: The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796

The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796
745998 The Death of Alcestis, after Angelika Kauffman (1741-1807), 1796, and Virgil Reading his Aeneid (hand-coloured etching, engraving & stipple engraving) (also see 828646, 828647) by Bartolozzi

Background imageAngelika Kauffman Collection: Dr. John Morgan, 1764. Creator: Angelica Kauffman

Dr. John Morgan, 1764. Creator: Angelica Kauffman
Dr. John Morgan, 1764

Background imageAngelika Kauffman Collection: Possibly Franciska Krasinska, Duchess of Courland, c. 1790. Creator: Angelica Kauffman

Possibly Franciska Krasinska, Duchess of Courland, c. 1790. Creator: Angelica Kauffman
Possibly Franciska Krasinska, Duchess of Courland, c. 1790

Background imageAngelika Kauffman Collection: Coriolanus: 'The God of Soldiers, to shame invulnerable... '(Shakespeare, Cori

Coriolanus: "The God of Soldiers, to shame invulnerable... "(Shakespeare, Cori
Coriolanus: " The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5), November 3, 1785

Background imageAngelika Kauffman Collection: Lady Hamilton as the Comic Muse, Thalia, 1791. Creator: Raphael Morghen

Lady Hamilton as the Comic Muse, Thalia, 1791. Creator: Raphael Morghen
Lady Hamilton as the Comic Muse, Thalia, 1791

Background imageAngelika Kauffman Collection: Madonna and Child, December 3, 1774. Creator: Valentine Green

Madonna and Child, December 3, 1774. Creator: Valentine Green
Madonna and Child, December 3, 1774

Background imageAngelika Kauffman Collection: The Sorrow of Telemachus, 1783. Creator: Angelica Kauffman

The Sorrow of Telemachus, 1783. Creator: Angelica Kauffman
The Sorrow of Telemachus, 1783

Background imageAngelika Kauffman Collection: Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman

Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman
Telemachus and the Nymphs of Calypso, 1782

Background imageAngelika Kauffman Collection: Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife and Their Son, c1776

Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife and Their Son, c1776
Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753-1797) and Their Son (Edward Smith Stanley, 1775-1851), ca. 1776

Background imageAngelika Kauffman Collection: Kauffman, (1741-1807), 1830. Creator: Unknown

Kauffman, (1741-1807), 1830. Creator: Unknown
Kauffman, (1741-1807), 1830. Angelica Kauffman (1741-1807) Swiss Neoclassical painter with a successful career in London and Rome

Background imageAngelika Kauffman Collection: The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff

The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff
The Three Graces and Cupid, c1775-c1792

Background imageAngelika Kauffman Collection: Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland

Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland
Juno borrowing the Cestus from Venus, c1782. In between the two goddesses stands Cupid

Background imageAngelika Kauffman Collection: Winter, c1782 Artist: Francesco Bartolozzi

Winter, c1782 Artist: Francesco Bartolozzi
Winter, c1782; showing four women and two children gathered round a fire to ward off the cold of winter

Background imageAngelika Kauffman Collection: Ceres, c1782. Artist: Francesco Bartolozzi

Ceres, c1782. Artist: Francesco Bartolozzi
Ceres, c1782; showing the ancient Italian corn goddess with women gathering corn

Background imageAngelika Kauffman Collection: Pomona, c1782. Artist: Francesco Bartolozzi

Pomona, c1782. Artist: Francesco Bartolozzi
Pomona, c1782; showing three women, one sits playing an instrument while the other two pick and collect fruit

Background imageAngelika Kauffman Collection: Grafin Potocka 1776-1867. - Gemalde von Kucharski, 1934

Grafin Potocka 1776-1867. - Gemalde von Kucharski, 1934
Grafin Potocka 1776-1867, 1934. Delfina Potocka, nee Komar (1807-1877), Polish countess, was a friend and muse to Polish expatriate artists Frederic Chopin and Zygmunt Krasinski

Background imageAngelika Kauffman Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Background imageAngelika Kauffman Collection: Morning Amusement, c1784. Artist: Angelica Kauffman

Morning Amusement, c1784. Artist: Angelica Kauffman
Morning Amusement, c1784. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Background imageAngelika Kauffman Collection: Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman

Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman
Self-Portrait of Angelica Kauffmann, c1780. Angelica Kauffman (1741-1807) was anAustrianNeoclassicalpainter who was one of two femalefounding membersof theRoyal Academyin London in 1768

Background imageAngelika Kauffman Collection: Portrait of Angelica Kauffman, c1777 (1904). Artist: Francesco Bartolozzi

Portrait of Angelica Kauffman, c1777 (1904). Artist: Francesco Bartolozzi
Portrait of Angelica Kauffman, c1777 (1904). Maria Anna Angelika Kauffmann (1741-1807), a Swiss-born Neoclassical painter who was one of the two female founding members of the Royal Academy in London


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Angelika Kauffman was a renowned Swiss-Austrian painter who lived from 1741 to 1807. She was highly regarded for her talent and versatility, excelling in various genres such as portraiture, history painting, and allegorical works. One of her notable creations is the portrait titled "Monsignor Giuseppe Spina (1756-1828)" painted in 1798. In this piece, Kauffman captures Monsignor Spina's dignified presence with meticulous attention to detail. Another intriguing artwork attributed to Kauffman is "Head of Woman, Turning Left. " Although the exact date is unknown, it showcases the artist's distinctive style that combines elegance and gracefulness. Kauffman's skill in portraying allegorical themes can be seen in "Allegorie al Amour (Homage to Love) (Furnishing Fabric), " created around 1815. This work reflects her ability to convey complex emotions through symbolic imagery. In "Mrs. Hugh Morgan and Her Daughter" from circa 1771, Kauffman depicts a tender moment between a mother and child. The soft colors and delicate brushwork exemplify her mastery of capturing human emotion on canvas. Her influence extended beyond traditional painting mediums; she also ventured into printmaking. One example is the hand-colored etching titled "Virgil Reading his Aeneid" from 1796. This piece demonstrates her ability to bring literary scenes to life through intricate details. "The Death of Alcestis, " another etching by Kauffman from the same year, explores themes of sacrifice and tragedy with great sensitivity. Among her many portraits is one depicting Dr. John Morgan in 1764 – a testament to both his stature as an individual and Kauffman's exceptional talent for capturing likeness while infusing personality into each subject she portrayed. Possibly one of her most famous subjects was Franciska Krasinska, Duchess of Courland, captured in a portrait from around 1790.