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Angelica Kauffmann Collection

Angelica Kauffmann, a renowned Swiss artist of the 18th century, left an indelible mark on the art world with her exceptional talent and versatility

Background imageAngelica Kauffmann Collection: Baron Gustaf Adolf Reuterholm, 1792. Creator: Angelica Kauffman

Baron Gustaf Adolf Reuterholm, 1792. Creator: Angelica Kauffman
Baron Gustaf Adolf Reuterholm, 1792

Background imageAngelica Kauffmann Collection: Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School

Una and the lion, after Angelica Kauffman, between 1783 and 1800. Creator: English School
Una and the lion, after Angelica Kauffman, between 1783 and 1800

Background imageAngelica Kauffmann Collection: The Muse, 1766. Creator: Angelica Kauffman

The Muse, 1766. Creator: Angelica Kauffman
The Muse, 1766

Background imageAngelica Kauffmann Collection: Reclining Girl Seen from the Back, 1780. Creator: Angelica Kauffman

Reclining Girl Seen from the Back, 1780. Creator: Angelica Kauffman
Reclining Girl Seen from the Back, 1780

Background imageAngelica Kauffmann Collection: Juno and the Peacock, 1780. Creator: Angelica Kauffman

Juno and the Peacock, 1780. Creator: Angelica Kauffman
Juno and the Peacock, 1780

Background imageAngelica Kauffmann Collection: Woman Resting Her Head on a Book, 1770. Creator: Angelica Kauffman

Woman Resting Her Head on a Book, 1770. Creator: Angelica Kauffman
Woman Resting Her Head on a Book, 1770

Background imageAngelica Kauffmann Collection: Monsignor Giuseppe Spina (1756-1828), 1798. Creator: Angelica Kauffman

Monsignor Giuseppe Spina (1756-1828), 1798. Creator: Angelica Kauffman
Monsignor Giuseppe Spina (1756-1828), 1798

Background imageAngelica Kauffmann Collection: Head of Woman, Turning Left, n. d. Creator: tyle of Angelica Kauffmann Swiss, 1741-1807

Head of Woman, Turning Left, n. d. Creator: tyle of Angelica Kauffmann Swiss, 1741-1807
Head of Woman, Turning Left, n.d

Background imageAngelica Kauffmann Collection: Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815

Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815
Allegorie a l Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815. Possibly after Angelica Kauffman, manufactured by Favre-Petitpierre & Cie

Background imageAngelica Kauffmann Collection: Mrs. Hugh Morgan and Her Daughter, c. 1771. Creator: Angelica Kauffman

Mrs. Hugh Morgan and Her Daughter, c. 1771. Creator: Angelica Kauffman
Mrs. Hugh Morgan and Her Daughter, c. 1771

Background imageAngelica Kauffmann Collection: Portrait of the Artist, bust length, wearing a Pink Dress

Portrait of the Artist, bust length, wearing a Pink Dress
990421 Portrait of the Artist, bust length, wearing a Pink Dress and a Gold embroidered blue robe, 1767 (oil on canvas) by Kauffmann

Background imageAngelica Kauffmann Collection: Portrait of Countess Catherine Skavronska, Seated Three-Quarter Length

Portrait of Countess Catherine Skavronska, Seated Three-Quarter Length
652120 Portrait of Countess Catherine Skavronska, Seated Three-Quarter Length, in Neo-Classical Dress, by a Draped Curtain, Adorning a Helmet, Inscribed Potemkin Taurico, with a Wreath

Background imageAngelica Kauffmann Collection: Ariadne Abandoned by Theseus, (oil on canvas)

Ariadne Abandoned by Theseus, (oil on canvas)
990305 Ariadne Abandoned by Theseus, (oil on canvas) by Kauffmann, Angelica (1741-1807); 71x89 cm; Private Collection; (add.info.: Ariadne Abandoned by Theseus. Angelica Kauffmann (1741-1807)

Background imageAngelica Kauffmann Collection: Angelica Kauffmann (engraving)

Angelica Kauffmann (engraving)
3634880 Angelica Kauffmann (engraving) by English School, (19th century); Private Collection; (add.info.: Angelica Kauffmann)

Background imageAngelica Kauffmann Collection: Winckelmann (engraving)

Winckelmann (engraving)
3644374 Winckelmann (engraving) by French School, (19th century); Private Collection; (add.info.: Winckelmann. Illustration for Le Magasin Pittoresque (1846)

Background imageAngelica Kauffmann Collection: Portrait of Angelica Kauffmann, bust length (oil on canvas)

Portrait of Angelica Kauffmann, bust length (oil on canvas)
990071 Portrait of Angelica Kauffmann, bust length (oil on canvas) by Maron, Anton von (1733-1808) (attr. to); 31.4x32.5 cm; Private Collection; Photo eChristies Images; Australian, out of copyright

Background imageAngelica Kauffmann Collection: The Lady Artist (engraving)

The Lady Artist (engraving)
2793277 The Lady Artist (engraving) by English School, (19th century); Private Collection; (add.info.: The Lady Artist. Illustration for Living Pages from Many Ages by Mary Hield (5th edn, Cassell)

Background imageAngelica Kauffmann Collection: 'Miss Angel', Angelica Kauffmann, introduced by Lady Wentworth

"Miss Angel", Angelica Kauffmann, introduced by Lady Wentworth, visits Mr Reynoldss Studio (engraving)
1063349 " Miss Angel", Angelica Kauffmann, introduced by Lady Wentworth, visits Mr Reynoldss Studio (engraving) by Dicksee

Background imageAngelica Kauffmann Collection: Tuccia, the Vestial Virgin, three quarter length, holding a lamp, (oil on canvas)

Tuccia, the Vestial Virgin, three quarter length, holding a lamp, (oil on canvas)
824218 Tuccia, the Vestial Virgin, three quarter length, holding a lamp, (oil on canvas) by Kauffmann, Angelica (1741-1807); 92x73.7 cm; Private Collection; (add.info.: Tuccia, the Vestial Virgin)

Background imageAngelica Kauffmann Collection: Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl

Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl
824254 Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl, Playing a Harp, in an Interior, c.1768-73 (oil on canvas) by Kauffmann

Background imageAngelica Kauffmann Collection: Portrait of Angelica Kauffmann, half length in white wearing a red shawl (oil on canvas)

Portrait of Angelica Kauffmann, half length in white wearing a red shawl (oil on canvas)
3711044 Portrait of Angelica Kauffmann, half length in white wearing a red shawl (oil on canvas) by Reynolds, Joshua (1723-92); 76.2x63.5 cm; Private Collection; (add.info)

Background imageAngelica Kauffmann Collection: Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders

Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders
827913 Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders, (oil on canvas) by Kauffmann, Angelica (1741-1807); 32.4x22.2 cm; Private Collection; (add.info)

Background imageAngelica Kauffmann Collection: Dr. John Morgan, 1764. Creator: Angelica Kauffman

Dr. John Morgan, 1764. Creator: Angelica Kauffman
Dr. John Morgan, 1764

Background imageAngelica Kauffmann Collection: Possibly Franciska Krasinska, Duchess of Courland, c. 1790. Creator: Angelica Kauffman

Possibly Franciska Krasinska, Duchess of Courland, c. 1790. Creator: Angelica Kauffman
Possibly Franciska Krasinska, Duchess of Courland, c. 1790

Background imageAngelica Kauffmann Collection: Coriolanus: 'The God of Soldiers, to shame invulnerable... '(Shakespeare, Cori

Coriolanus: "The God of Soldiers, to shame invulnerable... "(Shakespeare, Cori
Coriolanus: " The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5), November 3, 1785

Background imageAngelica Kauffmann Collection: Lady Hamilton as the Comic Muse, Thalia, 1791. Creator: Raphael Morghen

Lady Hamilton as the Comic Muse, Thalia, 1791. Creator: Raphael Morghen
Lady Hamilton as the Comic Muse, Thalia, 1791

Background imageAngelica Kauffmann Collection: Madonna and Child, December 3, 1774. Creator: Valentine Green

Madonna and Child, December 3, 1774. Creator: Valentine Green
Madonna and Child, December 3, 1774

Background imageAngelica Kauffmann Collection: The Sorrow of Telemachus, 1783. Creator: Angelica Kauffman

The Sorrow of Telemachus, 1783. Creator: Angelica Kauffman
The Sorrow of Telemachus, 1783

Background imageAngelica Kauffmann Collection: Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman

Telemachus and the Nymphs of Calypso, 1782. Creator: Angelica Kauffman
Telemachus and the Nymphs of Calypso, 1782

Background imageAngelica Kauffmann Collection: Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife and Their Son, c1776

Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife and Their Son, c1776
Edward Smith Stanley (1752-1834), Twelfth Earl of Derby, with His First Wife (Lady Elizabeth Hamilton, 1753-1797) and Their Son (Edward Smith Stanley, 1775-1851), ca. 1776

Background imageAngelica Kauffmann Collection: Kauffman, (1741-1807), 1830. Creator: Unknown

Kauffman, (1741-1807), 1830. Creator: Unknown
Kauffman, (1741-1807), 1830. Angelica Kauffman (1741-1807) Swiss Neoclassical painter with a successful career in London and Rome

Background imageAngelica Kauffmann Collection: The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff

The Three Graces and Cupid, c1775-c1792. Artist: Gavrila Ivanovitch Scorodomoff
The Three Graces and Cupid, c1775-c1792

Background imageAngelica Kauffmann Collection: Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland

Juno borrowing the Cestus from Venus, c1782. Artist: W Wynne Ryland
Juno borrowing the Cestus from Venus, c1782. In between the two goddesses stands Cupid

Background imageAngelica Kauffmann Collection: Winter, c1782 Artist: Francesco Bartolozzi

Winter, c1782 Artist: Francesco Bartolozzi
Winter, c1782; showing four women and two children gathered round a fire to ward off the cold of winter

Background imageAngelica Kauffmann Collection: Ceres, c1782. Artist: Francesco Bartolozzi

Ceres, c1782. Artist: Francesco Bartolozzi
Ceres, c1782; showing the ancient Italian corn goddess with women gathering corn

Background imageAngelica Kauffmann Collection: Pomona, c1782. Artist: Francesco Bartolozzi

Pomona, c1782. Artist: Francesco Bartolozzi
Pomona, c1782; showing three women, one sits playing an instrument while the other two pick and collect fruit

Background imageAngelica Kauffmann Collection: Self-portrait as Bacchante, before 1786. Artist: Kauffmann, Angelika (1741-1807)

Self-portrait as Bacchante, before 1786. Artist: Kauffmann, Angelika (1741-1807)
Self-portrait as Bacchante, before 1786. Found in the collection of Staatliche Museen, Berlin

Background imageAngelica Kauffmann Collection: Grafin Potocka 1776-1867. - Gemalde von Kucharski, 1934

Grafin Potocka 1776-1867. - Gemalde von Kucharski, 1934
Grafin Potocka 1776-1867, 1934. Delfina Potocka, nee Komar (1807-1877), Polish countess, was a friend and muse to Polish expatriate artists Frederic Chopin and Zygmunt Krasinski

Background imageAngelica Kauffmann Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Background imageAngelica Kauffmann Collection: Morning Amusement, c1784. Artist: Angelica Kauffman

Morning Amusement, c1784. Artist: Angelica Kauffman
Morning Amusement, c1784. From The Connoisseur Vol LIX, [Otto Limited, London, 1921]

Background imageAngelica Kauffmann Collection: Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman

Self-Portrait of Angelica Kauffmann, c1780. Artist: Angelica Kauffman
Self-Portrait of Angelica Kauffmann, c1780. Angelica Kauffman (1741-1807) was anAustrianNeoclassicalpainter who was one of two femalefounding membersof theRoyal Academyin London in 1768

Background imageAngelica Kauffmann Collection: Portrait of Angelica Kauffman, c1777 (1904). Artist: Francesco Bartolozzi

Portrait of Angelica Kauffman, c1777 (1904). Artist: Francesco Bartolozzi
Portrait of Angelica Kauffman, c1777 (1904). Maria Anna Angelika Kauffmann (1741-1807), a Swiss-born Neoclassical painter who was one of the two female founding members of the Royal Academy in London

Background imageAngelica Kauffmann Collection: Frontispiece Lettres familieres de M Winckelmann

Frontispiece Lettres familieres de M Winckelmann
Frontispiece, Lettres familieres de M. Winckelmann, Kauffmann, Angelica, 1741-1807, Winckelmann, Johann Joachim, 1717-1768, Engraving, 1781, Frontispiece of vol

Background imageAngelica Kauffmann Collection: Drawings Prints, Print, Ferdinand Miranda, Shakespeare, Tempest, Act 3, Scene 1, Artist

Drawings Prints, Print, Ferdinand Miranda, Shakespeare, Tempest, Act 3, Scene 1, Artist
Drawings and Prints, Print, Ferdinand and Miranda (Shakespeare, The Tempest, Act 3, Scene 1), Artist, Engraver, Publisher, Subject, After, Angelica Kauffmann, Peltro William Tomkins, James Birchall

Background imageAngelica Kauffmann Collection: Study Standing Woman 1792-96 Black chalk heightened

Study Standing Woman 1792-96 Black chalk heightened
Artokoloro

Background imageAngelica Kauffmann Collection: Drawings Prints, Print, Madonna Child, Engraver, Artist, Publisher, Valentine Green

Drawings Prints, Print, Madonna Child, Engraver, Artist, Publisher, Valentine Green
Drawings and Prints, Print, Madonna and Child, Engraver, Artist, Publisher, After, Valentine Green, Angelica Kauffmann, R. Sayer and J



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Angelica Kauffmann, a renowned Swiss artist of the 18th century, left an indelible mark on the art world with her exceptional talent and versatility. Born in 1741, she displayed prodigious artistic abilities from a young age. One of her notable works is "Monsignor Giuseppe Spina, " painted in 1798. In this portrait, Kauffmann captures Monsignor Spina's dignified presence and intellectual aura with remarkable precision. Another masterpiece by Kauffmann is "Portraits in the Characters of the Muses in the Temple of Apollo. " Painted in 1779, this oil on canvas showcases her ability to depict mythological figures with grace and elegance. In her self-portrait from around 1770-75, we see Kauffmann's own likeness captured on canvas. The painting reflects her confidence as an artist and reveals a glimpse into her personality. Kauffmann's skill extended beyond portraiture; she also excelled at capturing emotions through detailed depictions like "Head of Woman, Turning Left. " This artwork demonstrates both sensitivity and technical expertise that were characteristic of Kauffman's style. Not limited to traditional paintings alone, Kauffman also ventured into other forms of artistry. Her work titled "Allegorie al Amour (Homage to Love)" showcases her talent for creating intricate designs for furnishing fabrics. "Mrs. Hugh Morgan and Her Daughter, " created around 1771, exemplifies Kauffman's ability to capture familial love and tenderness within a single frame. The painting radiates warmth while showcasing delicate brushwork that brings each figure to life. Kauffman herself becomes the subject in another piece called "Portrait of the Artist. " Wearing a pink dress that exudes femininity and sophistication, she presents herself as confident yet approachable—a testament to both her artistic prowess and personal charm.