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Ancient Rome Collection (page 18)

Step back in time and explore the wonders of Ancient Rome

Background imageAncient Rome Collection: Deployment of the Roman army at the Battle of Zama (engraving)

Deployment of the Roman army at the Battle of Zama (engraving)
8635743 Deployment of the Roman army at the Battle of Zama (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Deployment of the Roman army at the Battle of Zama)

Background imageAncient Rome Collection: Ruins of the aqueduct of Carthage (engraving)

Ruins of the aqueduct of Carthage (engraving)
8635732 Ruins of the aqueduct of Carthage (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Ruins of the aqueduct of Carthage. Illustration from Rom)

Background imageAncient Rome Collection: Gallia, Roman Period (colour litho)

Gallia, Roman Period (colour litho)
8652278 Gallia, Roman Period (colour litho) by English School, (19th century); Private Collection; (add.info.: Gallia, Roman Period)

Background imageAncient Rome Collection: Ancient Rome: The Marriage of Claudia and Pudens (colour litho)

Ancient Rome: The Marriage of Claudia and Pudens (colour litho)
8673822 Ancient Rome: The Marriage of Claudia and Pudens (colour litho) by English School, (19th century); Private Collection; (add.info.: The Marriage of Claudia and Pudens)

Background imageAncient Rome Collection: 'Galerie de vues de la Rome Antique' Peinture de Giovanni Paolo Pannini (Panini) (1691-1765)

"Galerie de vues de la Rome Antique" Peinture de Giovanni Paolo Pannini (Panini) (1691-1765), 1759. Paris
AIS5384863 "Galerie de vues de la Rome Antique" Peinture de Giovanni Paolo Pannini (Panini) (1691-1765), 1759. Paris. Musee du Louvre; © Iberfoto

Background imageAncient Rome Collection: Solidus of emperors Flavius Arcadius (395-408) and Flavius Honorius (395-423), son of Theodosis I

Solidus of emperors Flavius Arcadius (395-408) and Flavius Honorius (395-423), son of Theodosis I
AIS5342638 Solidus of emperors Flavius Arcadius (395-408) and Flavius Honorius (395-423), son of Theodosis I, 4th century (gold coin); Museo de Burgos, Casa Miranda, Burgos

Background imageAncient Rome Collection: Portrait of Vespasian, Mattei collection, fine grained crystalline marble, National Roman Museum

Portrait of Vespasian, Mattei collection, fine grained crystalline marble, National Roman Museum, Palazzo Altemps
6384509 Portrait of Vespasian, Mattei collection, fine grained crystalline marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome

Background imageAncient Rome Collection: Statue of a boxer, 1st century AD after an original from the 4th century BC attributed to

Statue of a boxer, 1st century AD after an original from the 4th century BC attributed to Polykleitos
6384504 Statue of a boxer, 1st century AD after an original from the 4th century BC attributed to Polykleitos, insular greek marble, National Roman Museum, Palazzo Altemps, Rome

Background imageAncient Rome Collection: Satyr and Nymph, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome

Satyr and Nymph, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384494 Satyr and Nymph, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Satyr and Nymph)

Background imageAncient Rome Collection: Colossal sarcophagus with scenes of battle between romans and barbarians

Colossal sarcophagus with scenes of battle between romans and barbarians, so called grand Ludovisi sarcophagus
6384491 Colossal sarcophagus with scenes of battle between romans and barbarians, so called grand Ludovisi sarcophagus, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano

Background imageAncient Rome Collection: Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome

Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384461 Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Torso of Polyphemus)

Background imageAncient Rome Collection: Portrait of Caracalla, 210-213 AD, from via Cassia (marble)

Portrait of Caracalla, 210-213 AD, from via Cassia (marble)
6384337 Portrait of Caracalla, 210-213 AD, from via Cassia (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Caracalla, 210-213 AD, from via Cassia)

Background imageAncient Rome Collection: Portrait of Severus Alexander (marble)

Portrait of Severus Alexander (marble)
6384339 Portrait of Severus Alexander (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Severus Alexander, national museum of Rome at the Palazzo Massimo)

Background imageAncient Rome Collection: The suicide of Seneca the Younger

The suicide of Seneca the Younger
5616137 The suicide of Seneca the Younger; (add.info.: Woodcut depicting the suicide of Seneca the Younger (4 BC- 65 AD) a Roman Stoic philosopher, statesman, dramatist, and author, in the bathtub

Background imageAncient Rome Collection: Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome

Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384459 Torso of a satyr, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Torso of Polyphemus)

Background imageAncient Rome Collection: Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy

Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy
6384443 Pluto, Ludovisi collection, fine grained marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Pluto)

Background imageAncient Rome Collection: Aphrodite, 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Aphrodite, 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384438 Aphrodite, 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageAncient Rome Collection: Bust of Minatia Polla, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Bust of Minatia Polla, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384425 Bust of Minatia Polla, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageAncient Rome Collection: Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian

Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian, Rome, Italy (fresco)
6384412 Female figure on a chandelier, 2nd century AD, National Roman Museum at the Baths of Diocletian, Rome, Italy (fresco); Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Statue of Mithras, 4th century AD, marble, National Roman Museum at the Baths of Diocletian, Rome

Statue of Mithras, 4th century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384411 Statue of Mithras, 4th century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: The votive offer of a cashier, end of 2nd century AD, marble

The votive offer of a cashier, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome
6384408 The votive offer of a cashier, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Statue of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of

Statue of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384406 Statue of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Portrait of Lucius Verus, 160-169 AD, marble, National Roman Museum at the Baths of Diocletian

Portrait of Lucius Verus, 160-169 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384400 Portrait of Lucius Verus, 160-169 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Statue of Vestalis Maxima, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Statue of Vestalis Maxima, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384392 Statue of Vestalis Maxima, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageAncient Rome Collection: Portrait of Annia Aurelia Faustina, 3rd century AD, marble, National Roman Museum at the Baths of

Portrait of Annia Aurelia Faustina, 3rd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome
6384390 Portrait of Annia Aurelia Faustina, 3rd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Bust of young Caracalla, 3rd century AD, marble, National Roman Museum at the Baths of Diocletian

Bust of young Caracalla, 3rd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384388 Bust of young Caracalla, 3rd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Portrait of Marcus Aurelius on an extraneous bust, 175-180 AD, marble

Portrait of Marcus Aurelius on an extraneous bust, 175-180 AD, marble, National Roman Museum at the Baths of
6384387 Portrait of Marcus Aurelius on an extraneous bust, 175-180 AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384377 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageAncient Rome Collection: Satyr, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Satyr, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384367 Satyr, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageAncient Rome Collection: Wall panel depicting a consul riding a two horse chariot with four knights

Wall panel depicting a consul riding a two horse chariot with four knights, first half of the 4th century AD (mosaic)
6384363 Wall panel depicting a consul riding a two horse chariot with four knights, first half of the 4th century AD (mosaic); Palazzo Massimo alle Terme & Museum, Rome, Lazio

Background imageAncient Rome Collection: Triclinium of the house of Livia, 20 - 10 BC (fresco)

Triclinium of the house of Livia, 20 - 10 BC (fresco)
6384358 Triclinium of the house of Livia, 20 - 10 BC (fresco); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Triclinium of the house of Livia, fresco, 20 - 10 BC)

Background imageAncient Rome Collection: Torso of the Minotaur, portrayed as it succumbs to the attack by Theseus

Torso of the Minotaur, portrayed as it succumbs to the attack by Theseus, after a greek original of the 5th century BC
6384347 Torso of the Minotaur, portrayed as it succumbs to the attack by Theseus, after a greek original of the 5th century BC attributed to Myron

Background imageAncient Rome Collection: Portrait of Otacilia (marble)

Portrait of Otacilia (marble)
6384333 Portrait of Otacilia (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Otacilia, national museum of Rome at the Palazzo Massimo, Rome)

Background imageAncient Rome Collection: Portrait of Etruscilla (marble)

Portrait of Etruscilla (marble)
6384332 Portrait of Etruscilla (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Etruscilla, national museum of Rome at the Palazzo Massimo, Rome)

Background imageAncient Rome Collection: Portrait of a man, possibly Nerva, 98-138 AD (marble)

Portrait of a man, possibly Nerva, 98-138 AD (marble)
6384329 Portrait of a man, possibly Nerva, 98-138 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of a man, possibly Nerva, 98-138 AD)

Background imageAncient Rome Collection: Portrait of Vibia Sabina, 136-138 AD (marble)

Portrait of Vibia Sabina, 136-138 AD (marble)
6384318 Portrait of Vibia Sabina, 136-138 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Vibia Sabina, 136-138 AD)

Background imageAncient Rome Collection: Bust of Commodus, after 180 AD (marble)

Bust of Commodus, after 180 AD (marble)
6384313 Bust of Commodus, after 180 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Bust of Commodus, after 180 AD, national museum of Rome at the Palazzo Massimo)

Background imageAncient Rome Collection: Portrait of Faustina the Elder, 138-161 AD (marble)

Portrait of Faustina the Elder, 138-161 AD (marble)
6384309 Portrait of Faustina the Elder, 138-161 AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Faustina the Elder, 138-161 AD)

Background imageAncient Rome Collection: So called 'pseudo Seneca' portrait, could represent Seneca, Hesiod or Ennius

So called "pseudo Seneca" portrait, could represent Seneca, Hesiod or Ennius, 2nd century AD (marble)
6384296 So called "pseudo Seneca" portrait, could represent Seneca, Hesiod or Ennius, 2nd century AD (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio

Background imageAncient Rome Collection: Portrait of Nero, 54-59 AD, from Palatine hill (marble)

Portrait of Nero, 54-59 AD, from Palatine hill (marble)
6384288 Portrait of Nero, 54-59 AD, from Palatine hill (marble); Palazzo Massimo alle Terme & Museum, Rome, Lazio, Italy; (add.info.: Portrait of Nero, 54-59 AD, white marble, from Palatine hill)

Background imageAncient Rome Collection: Fight between beats and gladiators - Mosaic, 2nd century AD. JC, Villa Borghese, Rome

Fight between beats and gladiators - Mosaic, 2nd century AD. JC, Villa Borghese, Rome
FGL5456488 Fight between beats and gladiators - Mosaic, 2nd century AD. JC, Villa Borghese, Rome; Fototeca Gilardi

Background imageAncient Rome Collection: Page from the book Il Menecmi (Menaechmi) play written by Tito Maccio Plauto (259/251-184 BC)

Page from the book Il Menecmi (Menaechmi) play written by Tito Maccio Plauto (259/251-184 BC)
BEN5472527 Page from the book Il Menecmi (Menaechmi) play written by Tito Maccio Plauto (259/251-184 BC). Biblioteca Estense, Modena (Modena).; Biblioteca Estense Universitaria, Gallerie Estensi

Background imageAncient Rome Collection: Roman Art: Portrait of Titus Flavius Vespasianus (Vespasian, 9-79), Roman Emperor (marble)

Roman Art: Portrait of Titus Flavius Vespasianus (Vespasian, 9-79), Roman Emperor (marble)
AIS5339930 Roman Art: Portrait of Titus Flavius Vespasianus (Vespasian, 9-79), Roman Emperor (marble); Museo Archeologico dei Campi Flegrei a Baia, Bacoli, Naples, Italy; © Iberfoto

Background imageAncient Rome Collection: Gladiator fights during an imperial meal - Photo by 'enciclopedia illustrata divulgativa tedesca

Gladiator fights during an imperial meal - Photo by "enciclopedia illustrata divulgativa tedesca (Carlsruhe), 1825
FGL5483177 Gladiator fights during an imperial meal - Photo by "enciclopedia illustrata divulgativa tedesca (Carlsruhe), 1825; Fototeca Gilardi

Background imageAncient Rome Collection: Representation of Saint Seraphia (or serapia) (2nd century) and her mistress Saint Sabina (savina)

Representation of Saint Seraphia (or serapia) (2nd century) and her mistress Saint Sabina (savina), c.1900 (engraving)
FGL5502822 Representation of Saint Seraphia (or serapia) (2nd century) and her mistress Saint Sabina (savina), c.1900 (engraving); Private Collection; Fototeca Gilardi

Background imageAncient Rome Collection: Roman antiquity. Currency: Sestertius with the effigy of Mark Aurelio (Marco Aurelio, 121-180)

Roman antiquity. Currency: Sestertius with the effigy of Mark Aurelio (Marco Aurelio, 121-180)
BEN5468285 Roman antiquity. Currency: Sestertius with the effigy of Mark Aurelio (Marco Aurelio, 121-180), emperor and Roman Stoician philosopher. Inv. en 13953

Background imageAncient Rome Collection: Giuseppe Garibaldi with Giuseppe Fiorelli, director of the Pompei excavations

Giuseppe Garibaldi with Giuseppe Fiorelli, director of the Pompei excavations
FGL5467179 Giuseppe Garibaldi with Giuseppe Fiorelli, director of the Pompei excavations and part of his staff visit the excavations at Pompei. 22/10/1860. Anonymous photography.; Fototeca Gilardi

Background imageAncient Rome Collection: King Faustulus Shepherd discovers Romulus and Remus on the banks of the Tiber, 18th (engraving)

King Faustulus Shepherd discovers Romulus and Remus on the banks of the Tiber, 18th (engraving)
FGL5463688 King Faustulus Shepherd discovers Romulus and Remus on the banks of the Tiber, 18th (engraving); (add.info.: Engraving by Bartolomeo Pinelli from the end of the 18th century)



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Step back in time and explore the wonders of Ancient Rome. From the vast Roman Empire to its intricate city layout, this antique map takes us on a journey through history. Marvel at the grandeur with its impressive architecture and bustling streets depicted on this captivating map. Delve into the rich culture and mythology of Rome as you admire the stunning Roman seafood mosaic. This intricate artwork showcases not only their culinary delights but also their appreciation for beauty in everyday life. The presence of Janus, the two-faced Roman god symbolizing beginnings and endings, reminds us of their belief in duality. Immerse yourself in one of history's most significant battles with a glimpse at the Battle of Cannae plan from 216 BC. Witness how strategic planning played a crucial role in shaping empires during that era. Explore Europe under Roman rule through another detailed map, highlighting their extensive territorial reach and influence. Travel back to an era defined by conflict as you observe the clash between the Roman Republic and Carthage during the Second Punic War (218-201 BC). These maps offer insight into how these powerful civilizations fought for dominance over land and resources. Discover Dionysus, or Bacchus, seated regally on his throne—a testament to Rome's fascination with Greek mythology. This statue represents their admiration for artistry while paying homage to deities believed to govern various aspects of life. Reflect upon mortality with a poignant memento mori mosaic—an artistic reminder that death is inevitable even amidst opulence. Such artworks served as reminders for Romans to live fully each day while acknowledging life's impermanence. Lastly, explore Italy's ancient landscapes through historical maps—tracing Italy's evolution throughout different periods within ancient times offers glimpses into its diverse cultures before unification. Marvel at Asclepius' statue—the revered god associated with healing—as it stands tall among other artifacts representing Rome's reverence for medicine and well-being.