Ancient Near East Collection

Adam and Eve family tree, 18th century C013 / 7820
Adam and Eve family tree. 18th-century depiction of the family tree of Adam and Eve, the first humans according to the Judeo-Christian biblical tradition of Genesis

Assyrian archers shooting arrows, Neo Assyrian Empire, reign of Ashurnasirpal II (limestone with traces of painting)
3930115 Assyrian archers shooting arrows, Neo Assyrian Empire, reign of Ashurnasirpal II (limestone with traces of painting) by Assyrian School; Museo Barracco, Rome, Italy; (add.info.: From Nineveh)

Kneeling winged deity, Neo Assyrian Empire, reign of Ashurnasirpal II (alabastrine limestone)
3930116 Kneeling winged deity, Neo Assyrian Empire, reign of Ashurnasirpal II (alabastrine limestone) by Assyrian School; Museo Barracco, Rome, Italy; Photo © Stefano Baldini

Mighty was he to look upon, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence
STC323931 Mighty was he to look upon, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Daniel interprets the dream of Nebuchadnezzar, illustration from Myths and Legends of Babylonia
STC323929 Daniel interprets the dream of Nebuchadnezzar, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Tiglath-Pileser I directed by Ninib, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence
STC323933 Tiglath-Pileser I directed by Ninib, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

The Mother Goddess Ishtar, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence
STC323932 The Mother Goddess Ishtar, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Sacrificing to Bel, frontispiece from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho)
STC323928 Sacrificing to Bel, frontispiece from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Capture of Sarrapanu by Tiglath-Pileser II, illustration from Myths and Legends of Babylonia
STC323934 Capture of Sarrapanu by Tiglath-Pileser II, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Winged bull from court VIII at the palace of King Sargon II, Khorsabad
3287604 Winged bull from court VIII at the palace of King Sargon II, Khorsabad, 721-705 BC (gypsum?) by Neo-Assyrian; 495.3x491.4 cm; Oriental Institute Museum, University of Chicago, IL

Noah family tree, 18th century C013 / 7821
Noah family tree. 18th-century depiction of the family tree of Noah according to the Judeo-Christian biblical tradition of Genesis

Entrance to the royal palace in Nineveh. Imaginary reconstruction. After an illustration by an unidentified artist in Illustrierte Weltgeschichte fur das Volk

Median and Persian foot-soldiers. The Medes were a Mesoptamian people who after their tribes formed the Median Kingdom became Neo-Assyrian vassals

Historic illustration of the Assyrian army on the march. After an illustration by Herman Vogel in Illustrierte Weltgeschichte fur das Volk, published 1883; Illustration

Historic illustration of Assyrian archers on horseback. After an illustration by an unidentified 19th century artist from a bas relief in Nimrud; Illustration

Eagle-headed deity. Illustration by an unidentified 19th century artist based on a bas-relief from the North West Palace of Ashurnasirpal, Nimrud, Iraq dating from the Neo-Assyrian period

Illustration of an Assyrian king seated on his throne attended by eunuchs and winged figures; Illustration

Illustration of an Assyrian king and his retinue descending the steps of his palace in Nineveh. After a 19th century work by Heinrich Leutemann; Illustration

An Assyrian king travelling. After an illustration by an unidentified 19th century artist from a bas relief on the walls of the Royal Palace at Ninevah; Illustration

Artists impression of the restored palace at Kouyunjik, Nineveh, Assyria. From Cassells Universal History, published 1888; Artwork

Artists impression of an Assyrian palace. From Cassells Universal History, published 1888

An Assyrian king. Illustration by an unidentified 19th century artist based on a bas-relief from the North West palace at Nimrud

The royal chariot awaits at the palace gate in Nineveh, Assyria. From a 19th century engraving by Nikolaus Knilling after a work by Heinrich Leutemann

Assyrians hunting lion from a chariot. After an illustration by an unidentified 19th century artist from a bas relief in Nimrud

Two Assyrian men in their national dress. After a 19th century work by an unidentified artist

Assyrian scribes note the numbers of enemy dead, prisoners and the spoils from a recent victory. After an unidentified 19th century artist

The Tabernacle, artwork C017 / 7197
The Tabernacle. See-through artwork of the Tabernacle, the portable temple used by the Israelites led by Moses journeying from Egypt to the Promised Land (around the 15th century BC)

Map of biblical locations, 18th century C013 / 7822
Map of biblical locations. 18th-century map showing the suggested Middle Eastern location of the Garden of Eden, the Plain of Shinaar, and Mount Ararat (where the ark came to rest after the deluge)

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"Exploring the Ancient Near East: A Glimpse into a Rich and Powerful Civilization" Step back in time to the reign of Ashurnasirpal II, where Assyrian archers skillfully shoot arrows, showcasing their military might. The Neo Assyrian Empire rises, leaving an indelible mark on history. Witness the awe-inspiring presence of a kneeling winged deity carved from alabastrine limestone during Ashurnasirpal II's rule. This artwork reflects their deep religious beliefs and reverence for divine beings. Delve into captivating myths and legends with illustrations from Lewis Spence's book on Babylonia and Assyria. Immerse yourself in vivid color lithographs depicting "The Murder of Setapo, " "Mighty was he to look upon, " "Daniel interprets the dream of Nebuchadnezzar, " "Tiglath-Pileser I directed by Ninib, " "The Mother Goddess Ishtar, " "Sacrificing to Bel, " and more. Marvel at the capture of Sarrapanu by Tiglath-Pileser II as depicted in Spence's work, offering glimpses into historical conquests that shaped empires. Behold the grandeur of King Sargon II's palace at Khorsabad, adorned with magnificent winged bulls guarding its entrance. These sculptures symbolize power and protection within ancient Mesopotamian society. Lastly, explore an 18th-century family tree tracing Adam and Eve's lineage—a testament to how ancient narratives continue to influence our understanding of human origins today. Join us on this journey through time as we unravel mysteries, admire artistic masterpieces, and gain insights into one of humanity's most fascinating civilizations—the Ancient Near East.