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Ammanati Collection

EDITORS COMMENTSBartolomeo Ammanati, a renowned Italian sculptor and architect of the 16th century

Background imageAmmanati Collection: Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome

Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome
STC120296 Palazzo of Giovanni Francesco Negroni, Treasurer to Pope Innocent XI (1611-89), Rome, from Palazzi di Roma, part I, published 1655 (engraving) by Ferrerio, Pietro (1600-54) or Falda, G.B

Background imageAmmanati Collection: Fountain of Hercules, Villa Reale, Castello, near Florence, Italy (b / w photo)

Fountain of Hercules, Villa Reale, Castello, near Florence, Italy (b / w photo)
6016689 Fountain of Hercules, Villa Reale, Castello, near Florence, Italy (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Fountain of Hercules)

Background imageAmmanati Collection: Statue of Neptune, Fonte del Nettuno in the Piazza della Signoria, Florence, Italy

Statue of Neptune, Fonte del Nettuno in the Piazza della Signoria, Florence, Italy. The marble sculpture of the Fountain of Neptune was created by Bartolomeo Ammanati between 1565 and 1575

Background imageAmmanati Collection: Fountain of Neptune by Bartolomeo Ammanati and the Loggia dei Lanzi

Fountain of Neptune by Bartolomeo Ammanati and the Loggia dei Lanzi, Florence, Italy, 1927

Background imageAmmanati Collection: The Ponte Santa Trinita, Florence, Italy, 19th century. Artist: J Redaway

The Ponte Santa Trinita, Florence, Italy, 19th century. Artist: J Redaway
The Ponte Santa Trinita, Florence, Italy, 19th century. The Ponte Santa Trinita is a Renaissance bridge spanning the Arno and is the oldest elliptic arch bridge in the world

Background imageAmmanati Collection: The facade of the Ammanati, Pitti Palace, Florence, Italy, 1882

The facade of the Ammanati, Pitti Palace, Florence, Italy, 1882. As seen from the gardens. From Florence, by Charles Yriarte, translated by CB Pitman and published by Sampson Low (London, 1882)

Background imageAmmanati Collection: The Villa Medici, Rome, 1784 (w / c over graphite on paper)

The Villa Medici, Rome, 1784 (w / c over graphite on paper)
XYC252084 The Villa Medici, Rome, 1784 (w/c over graphite on paper) by Smith, John Warwick (1749-1831); 41.3x75.6 cm; Yale Center for British Art, Paul Mellon Collection

Background imageAmmanati Collection: Neptune, Roman gold of the Sea (Greek Poseidon). White marble sculpture on top of

Neptune, Roman gold of the Sea (Greek Poseidon). White marble sculpture on top of the fountain by Bartolomeo Ammanati (1511-1592) in the Piazza della Signoria, Florence, Italy. Male Nude

Background imageAmmanati Collection: Bartolomeo Ammanati

Bartolomeo Ammanati
BARTOLOMEO AMMANATI Italian architect and sculptor Date: 1511 - 1592


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EDITORS COMMENTS

Bartolomeo Ammanati, a renowned Italian sculptor and architect of the 16th century, left an indelible mark on the artistic landscape with his magnificent works. One of his most notable creations is the Neptune sculpture, also known as Roman gold of the Sea or Greek Poseidon. Standing proudly atop a fountain in Piazza della Signoria, Florence, this white marble masterpiece captures the essence of Neptune's power and majesty. With its intricate details and lifelike portrayal, it transports viewers to ancient times when gods ruled over land and sea. Ammanati's talent extended beyond Florence; he adorned various locations across Italy with his extraordinary sculptures. In Rome, at the Palazzo of Giovanni Francesco Negroni - Treasurer to Pope Innocent XI - another male nude sculpture by they are be admired. Its beauty is a testament to Ammanati's ability to breathe life into stone. The Fountain of Hercules in Villa Reale near Florence showcases yet another remarkable creation by Ammanati. Though captured in black and white photography, its grandeur shines through as if frozen in time. In collaboration with Eugen Poppel, Ammanati contributed to the iconic Fountain of Neptune at Fonte del Nettuno in Piazza della Signoria once again. This collaborative effort resulted in a stunning display that continues to captivate visitors today. Amidst all these masterpieces lies Ponte Santa Trinita – a bridge spanning across River Arno – which stands as an architectural marvel created during the 19th century under Bartolomeo Ammanati's influence. Even beyond sculptures and fountains, Ammanati made significant contributions as an architect. The facade of Pitti Palace bears witness to his skillful touch that has stood strong since 1882. His work was not limited solely within Italy; even Padua boasts one of his incredible pieces called Hercules Colossus featured in Speculum Romanae Magnificentiae.

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