Allegoric Collection

Worker and Kolkhoz Woman, sculpture by Vera Mukhina, Moscow (b / w photo)
7200710 Worker and Kolkhoz Woman, sculpture by Vera Mukhina, Moscow (b/w photo) by Russian Photographer, (20th century); Private Collection; (add.info.: Worker and Kolkhoz Woman)

Work, 1852-65 (oil on canvas) (see also 3927271 and 324488)
MAN198054 Work, 1852-65 (oil on canvas) (see also 3927271 and 324488) by Brown, Ford Madox (1821-93); 137x197.3 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The Invention of the Art of Drawing (oil on canvas)
490133 The Invention of the Art of Drawing (oil on canvas) by Suvee, Joseph Benoit (1743-1807); 267x131.5 cm; Groeningemuseum, Bruges, Belgium; (add.info.: In this painting)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
AIS5356057 Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho) by Beardsley, Aubrey (1872-98); 32x25 cm; (add.info)

Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas)
490014 Mars, surrounded by the Arts and Sciences, conquers Ignorance, 1605 (oil on canvas) by Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613); 197.5x280 cm; Groeningemuseum, Bruges

Statue of St Luke as a bull, La Sagrada Familia, begun 1882 (photo)
7268944 Statue of St Luke as a bull, La Sagrada Familia, begun 1882 (photo) by Gaudi, Antoni (1852-1926); Sagrada Familia, Barcelona

Allegory of Music, 1649 (oil on canvas)
7259975 Allegory of Music, 1649 (oil on canvas) by La Hire or La Hyre, Laurent de (1606-56); 105.7 x 144.1 cm; Metropolitan Museum of Art, New York

The Spirit of Chivalry, c. 1845 (oil on canvas)
BAL8021 The Spirit of Chivalry, c.1845 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 125.8x84.8 cm; Sheffield Galleries and Museums Trust

Scene from Petrarch's I Trionfi (colour litho)
8626248 Scene from Petrarch's I Trionfi (colour litho) by Italian School, (15th century) (after); Private Collection; (add.info.: The Triumph of Time)

But Jesus said, Suffer little children, and come unto me, c1920 (stained glass)
8714198 But Jesus said, Suffer little children, and come unto me, c1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s. Glass by Franz Mayer Germany)

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683537 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Autumn, 14th century (fresco)
8683334 Autumn, 14th century (fresco) by Bindoccio, Cristoforo di & Piero, Meo di (14th century); Museo di palazzo Corboli (Museo civico archeologico e d'arte sacra), Asciano, Tuscany

"The ages of man" or "the scale of life", late 19th century (illustration)
AIS5363677 "The ages of man" or "the scale of life", late 19th century (illustration); (add.info.: "The ages of man" or "the scale of life")

Allegorie de la Franc maconnerie : celle ci montre la lumiere du savoir et de la verite. Gravure. Biblioteca Nacional
AIS5373344 Allegorie de la Franc maconnerie : celle ci montre la lumiere du savoir et de la verite. Gravure. Biblioteca Nacional. Madrid.; © Iberfoto.

"Triumph of Renown" Allegory on the frontispiece of a manuscript by Francesco Petrarca (Petrarch) (1304-1374)
AIS5386913 "Triumph of Renown" Allegory on the frontispiece of a manuscript by Francesco Petrarca (Petrarch) (1304-1374) 15th century.

A Garland of Roses (June) 1897 (Oil, pastel, and pencil on canvas)
8766668 A Garland of Roses (June) 1897 (Oil, pastel, and pencil on canvas) by Blum, Robert Frederick (1857-1903); 71.1x34.3 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Enlisment during WW I, c.1914-1917 (poster)
8698393 Enlisment during WW I, c.1914-1917 (poster); (add.info.: History. United Kingdom. First World War. "Come lad, Step across and help." Poster about the enlisment, United Kingdom)

Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco)
7292622 Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: Civic Museum of Chiericati Palace)

Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco)
7292512 Ceiling with allegorical subject, Hall of the Firmament, 1557-58 (fresco); Museo Civico Palazzo Chiericati, Vicenza, Italy; (add.info.: Civic Museum of Chiericati Palace)

Symbolic female figure with an anchor, representing 'Hope', c.1800 (leather, gold)
7340089 Symbolic female figure with an anchor, representing 'Hope', c.1800 (leather, gold) by Unknown Artist, (19th century); 2.7x1.5 cm; National Maritime Museum, London

The immortality of Nelson, 1807 (oil on canvas)
7337998 The immortality of Nelson, 1807 (oil on canvas) by West, Benjamin (1738-1820); 90.8x76.2 cm; National Maritime Museum, London

Engraving depicting an allegorical figure representing Astronomy, shown holding an armillary sphere. Dated 19th Century
UIG5426039 Engraving depicting an allegorical figure representing Astronomy, shown holding an armillary sphere. Dated 19th Century; UIG.

Portrait of Euclid (3rd century BC). Greek mathematician, detail of a page of a manuscript representing the allegories
BEN5464424 Portrait of Euclid (3rd century BC). Greek mathematician, detail of a page of a manuscript representing the allegories of Arithmetic and geometry

The Apotheosis by Horatio Nelson (1758-1805)
MMM5481976 The Apotheosis by Horatio Nelson (1758-1805) by West, Benjamin (1738-1820) (after); National Maritime Museum, London, UK; (add.info.: The apotheosis of Horatio Nelson (1758-1805)

Florence's victory over Pisa. Allegory and personification of the powerful cities of Tuscany in the Italian
BEN5476947 Florence's victory over Pisa. Allegory and personification of the powerful cities of Tuscany in the Italian Mannerist style

Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver)
MMM5474534 Horizontal sundial, open, with an allegorical representation of justice (IUSTITIA) and mirror, c.1575 (silver, leather and paper); National Maritime Museum, London

The art of building (low relief)
BEN5471582 The art of building (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany

Allegory of medicine (low relief)
BEN5471493 Allegory of medicine (low relief) by Pisano, Andrea (1270-1349); Museo dell'Opera di Santa Maria del Fiore (Duomo), Florence, Tuscany, Italy; (add.info.: Allegory of medicine)

Saucer and tea cup, c.1806 (pottery)
MMM5471401 Saucer and tea cup, c.1806 (pottery); National Maritime Museum, London, UK; (add.info.: Saucer of a tea cup, decorated in various patterns around a ribbon bearing the inscription)

Republic of Venice: Decision of the Council of 40 Senators of Venice (Council of Forty also known as Quarantia or)
BEN5481293 Republic of Venice: Decision of the Council of 40 Senators of Venice (Council of Forty also known as Quarantia or Quarantia). Extract from the registers of May 3, 1761

Allegory of German Unity 1871 (Germany and Prussia reunited): The Reich 1871
FGL5479410 Allegory of German Unity 1871 (Germany and Prussia reunited): The Reich 1871. Sadowa's victory on 03/07/1866, won by the Prussians over the Austrians

The love tree, ca 1850 (illustration)
7422852 The love tree, ca 1850 (illustration); (add.info.: Society. The love tree. Seduction between men and women in the 19th century. Imagery, Epinal (France), ca 1850.); © Archives Charmet.

Soldier, look at this enemy! Worse than Boche. Fight it! 1917 (illustration)
7415700 Soldier, look at this enemy! Worse than Boche. Fight it! 1917 (illustration); Private Collection; (add.info.: The enemy mosquito)

Allegorical Picture Of Excesses Said To Have Been Committed By The Huguenots
UIG5420527 Allegorical Picture Of Excesses Said To Have Been Committed By The Huguenots. The Tame Lion Represents A France Reduced By The Heretics And Their Practices

An allegorical figure representing Astronomy
5309981 An allegorical figure representing Astronomy; (add.info.: Engraving depicting an allegorical figure representing Astronomy shown holding an armillary sphere)

Dictionary of weather vanes. Satire of the various governments in France from 1790 to 1815, 1815 (engraving)
8672354 Dictionary of weather vanes. Satire of the various governments in France from 1790 to 1815, 1815 (engraving); Private Collection; (add.info)

Christian's fight with Appolyon. From The Pilgrim's Progress by John Bunyan. 19th century print
2603551 Christian's fight with Appolyon. From The Pilgrim's Progress by John Bunyan. 19th century print.; (add.info)

Christian relieved of his burden. From The Pilgrim's Progress by John Bunyan. 19th century print
2603526 Christian relieved of his burden. From The Pilgrim's Progress by John Bunyan. 19th century print.; (add.info)

Giant Grim and Feeble-Mind. From The Pilgrim's Progress by John Bunyan. 19th century print
2603513 Giant Grim and Feeble-Mind. From The Pilgrim's Progress by John Bunyan. 19th century print.; (add.info.: Illustration from the theological fiction 'The Pilgrim's Progress' by)

Charity, c.1590 (oil on wood)
XOS5882001 Charity, c.1590 (oil on wood) by Bloemaert, Abraham (1566-1651); 87x100 cm; Cleveland Museum of Art, OH, USA; (add.info)

Muse (engraving)
8629333 Muse (engraving) by English School, (19th century); Private Collection; (add.info.: Muse. Illustration for The History of the Irish Nation by M F Cusack (J G Murdoch)

Scenes from The Pilgrim's Progress (engraving)
8635377 Scenes from The Pilgrim's Progress (engraving) by English School, (19th century); Private Collection; (add.info.: Scenes from The Pilgrim's Progress)

Evolution of Uncle Sam (colour litho)
8656453 Evolution of Uncle Sam (colour litho) by American School, (20th century); Private Collection; (add.info.: Evolution of Uncle Sam. Postcard, early 20th century.); © Look and Learn.

Wasted Effort (colour litho)
8673243 Wasted Effort (colour litho) by German School, (19th century) (after); Private Collection; (add.info.: Wasted Effort)

Las Vegas cigar box label (chromolitho)
8677610 Las Vegas cigar box label (chromolitho) by American School, (20th century); Private Collection; (add.info.: Las Vegas cigar box label.); Look and Learn / Barbara Loe Collection.

Statue, the Aurora of Italian Independence by Innocenzo Fraccaro (engraving)
8677126 Statue, the Aurora of Italian Independence by Innocenzo Fraccaro (engraving) by English School, (19th century); Private Collection; (add.info.: Statue)

P: a soldier (Praeliator) - The Alphabet of Death, c.1856 (engraving)
DUV4221994 P: a soldier (Praeliator) - The Alphabet of Death, c.1856 (engraving); 8x23 cm; Private Collection; (add.info.: Drawing by H)

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"Exploring the Depths of Allegory: From Sculptures to Paintings, a Journey through Symbolism" Delve into the world of allegory as we embark on a visual journey that transcends time and mediums. Starting with Vera Mukhina's iconic sculpture "Worker and Kolkhoz Woman, " we witness the power of unity and collective strength captured in black and white. Moving forward, we encounter an enchanting masterpiece from 1649, "Allegory of Music. " This oil on canvas painting transports us to a realm where melodies come alive, evoking emotions beyond words. The allure continues with "The Temptation of Saint Anthony, " an exquisite portrayal in oil on canvas. Here, temptation takes shape as various symbolic figures dance around the saint, testing his faith and resilience. Intriguingly contrasting this is "Mars, surrounded by the Arts and Sciences conquers Ignorance. " Painted in 1605, this captivating artwork showcases Mars triumphing over ignorance with knowledge as his weapon. A powerful reminder that enlightenment can overcome darkness. Our exploration then leads us to La Sagrada Familia's Statue of St Luke depicted as a bull—a symbol rich in meaning within religious iconography. Its presence amidst Gaudi's architectural marvel adds another layer to its allegorical significance. Eugenio Lucas Velazquez invites us into his enigmatic world through "Allegoric Capricho" from 1852—an intricate piece that challenges our perception while leaving room for interpretation. Venturing further back in time, we discover ancient symbolism within Virgil's epic poem Aeneid—specifically referencing the mythical river Acheron—a profound allegorical representation dating back to the 4th century BC. Dante Alighieri accompanies us next on our quest for allegorical understanding through his Divine Comedy. In its fifth canto of Purgatory, Dante engages in thought-provoking conversations, shedding light on the complexities of human nature.