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Alfred William Amandus Collection

Alfred William Amandus, a talented artist from the late 19th century, captured the essence of Tamil culture and Sri Lankan landscapes in his stunning plates

Background imageAlfred William Amandus Collection: Tamil Ladies with Far and Toe Ornaments, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Ladies with Far and Toe Ornaments, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Ladies with Far and Toe Ornaments, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Banyan Tree at Kalutara, c1890, (1910). Artist: Alfred William Amandus Plate

Banyan Tree at Kalutara, c1890, (1910). Artist: Alfred William Amandus Plate
Banyan Tree at Kalutara. c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Rickshaw and Racing Hackery, c1890, (1910). Artist: Alfred William Amandus Plate

Rickshaw and Racing Hackery, c1890, (1910). Artist: Alfred William Amandus Plate
Rickshaw and Racing Hackery, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Typical Pearl Drivers, c1890, (1910). Artist: Alfred William Amandus Plate

Typical Pearl Drivers, c1890, (1910). Artist: Alfred William Amandus Plate
Typical Pearl Drivers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910)

Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910). Artist: Alfred William Amandus Plate
Pearling Fleet Coming Back to Anchorage at Sunset, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). Artist: Alfred William Amandus Plate

Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). Artist: Alfred William Amandus Plate
Sunset on the Pearling Banks, Marrichikaddi, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Attempting to Rescue the Bound Cow, c1890, (1910). Artist: Alfred William Amandus Plate

Attempting to Rescue the Bound Cow, c1890, (1910). Artist: Alfred William Amandus Plate
Attempting to Rescue the Bound Cow, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). Artist: Alfred William Amandus Plate

Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon - Free No Longer, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Elephant Kraaling in Ceylon - Noosed, c1890, (1910). Artist: Alfred William Amandus Plate

Elephant Kraaling in Ceylon - Noosed, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon - Noosed, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910)

Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon Towards the Stockade, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910)

Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910). Artist: Alfred William Amandus Plate
Elephant Kraaling in Ceylon at a Waterhole inside the Stockade, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Tamil Estate Children, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Estate Children, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Estate Children, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Sinhalese Village Beauty, c1890, (1910). Artist: Alfred William Amandus Plate

Sinhalese Village Beauty, c1890, (1910). Artist: Alfred William Amandus Plate
Sinhalese Village Beauty, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate

A Ceylon Shave, c1890, (1910). Artist: Alfred William Amandus Plate
A Ceylon Shave, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Pluckers on Tea Estate, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate

Pluckers on Tea Estate, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
Pluckers on Tea Estate, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Simple Life, c1890, (1910). Artist: Alfred William Amandus Plate

The Simple Life, c1890, (1910). Artist: Alfred William Amandus Plate
The Simple Life, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Ceylon Bullock Cart, c1890, (1910). Artist: Alfred William Amandus Plate

A Ceylon Bullock Cart, c1890, (1910). Artist: Alfred William Amandus Plate
A Ceylon Bullock Cart, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Snake Charmers, c1890, (1910). Artist: Alfred William Amandus Plate

Snake Charmers, c1890, (1910). Artist: Alfred William Amandus Plate
Snake Charmers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Village Idleness, c1890, (1910). Artist: Alfred William Amandus Plate

Village Idleness, c1890, (1910). Artist: Alfred William Amandus Plate
Village Idleness, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Buffaloes Ploughing Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate

Buffaloes Ploughing Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate
Buffaloes Ploughing Paddy Fields, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Fisherman, c1890, (1910). Artist: Alfred William Amandus Plate

Fisherman, c1890, (1910). Artist: Alfred William Amandus Plate
Fisherman, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Toddy Drawers, c1890, (1910). Artist: Alfred William Amandus Plate

Toddy Drawers, c1890, (1910). Artist: Alfred William Amandus Plate
Toddy Drawers, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Mohammedan Fakir or Conjurer, c1890, (1910). Artist: Alfred William Amandus Plate

A Mohammedan Fakir or Conjurer, c1890, (1910). Artist: Alfred William Amandus Plate
A Mohammedan Fakir or Conjurer, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Hindu Sanywassi or Religious Ascetic, c1890, (1910). Artist: Alfred William Amandus Plate

A Hindu Sanywassi or Religious Ascetic, c1890, (1910). Artist: Alfred William Amandus Plate
A Hindu Sanywassi or Religious Ascetic, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Mendicant, c1890, (1910). Artist: Alfred William Amandus Plate

Mendicant, c1890, (1910). Artist: Alfred William Amandus Plate
Mendicant, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Pingo Carrier, c1890, (1910). Artist: Alfred William Amandus Plate

Pingo Carrier, c1890, (1910). Artist: Alfred William Amandus Plate
Pingo Carrier, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Nauch Dancing Girl, c1890, (1910). Artist: Alfred William Amandus Plate

Nauch Dancing Girl, c1890, (1910). Artist: Alfred William Amandus Plate
Nauch Dancing Girl, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Veddahs or Wild Men, c1890, (1910). Artist: Alfred William Amandus Plate

Veddahs or Wild Men, c1890, (1910). Artist: Alfred William Amandus Plate
Veddahs or Wild Men, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: High Caste Tamil Lady, c1890, (1910). Artist: Alfred William Amandus Plate

High Caste Tamil Lady, c1890, (1910). Artist: Alfred William Amandus Plate
High Caste Tamil Lady, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Path Through Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate

A Path Through Paddy Fields, c1890, (1910). Artist: Alfred William Amandus Plate
A Path Through Paddy Fields, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Road Beside the Kelaniya River, c1890, (1910). Artist: Alfred William Amandus Plate

Road Beside the Kelaniya River, c1890, (1910). Artist: Alfred William Amandus Plate
Road Beside the Kelaniya River, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Tamil Lady in Rickshaw, c1890, (1910). Artist: Alfred William Amandus Plate

Tamil Lady in Rickshaw, c1890, (1910). Artist: Alfred William Amandus Plate
Tamil Lady in Rickshaw, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910)

The Ruined Cities of Anuradhapura. Ruanwella Dagoba, Elephant Platform, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910)

The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910). Artist: Alfred William Amandus Plate
The Ruined Cities of Anuradhapura. Moonstone and Steps, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Rangiri Rock Temple, Dambulla, c1890, (1910). Artist: Alfred William Amandus Plate

Rangiri Rock Temple, Dambulla, c1890, (1910). Artist: Alfred William Amandus Plate
Rangiri Rock Temple, Dambulla, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910)

The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). Artist: Alfred William Amandus Plate
The Ruined Cities of Anuradhapura. Thuparama Dagoba, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Laxapana Falls, c1890, (1910). Artist: Alfred William Amandus Plate

Laxapana Falls, c1890, (1910). Artist: Alfred William Amandus Plate
Laxapana Falls, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: 18th Hole and Club House, Golf Links, Nuwara Eliya, Elevation 6, 200 Feet, c1890, (1910)

18th Hole and Club House, Golf Links, Nuwara Eliya, Elevation 6, 200 Feet, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Grand Hotel, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Grand Hotel, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Grand Hotel, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910)

On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). Artist: Alfred William Amandus Plate
On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910)

Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Early Morning Mist Rising at Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate

A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate
A Corner of Nuwara Eliya Lake, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Lotus Pond, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: The Moon Plains, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Moon Plains, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Moon Plains, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
General View of Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageAlfred William Amandus Collection: A Scene on the Up-Country Railway. Passing a Tea Estate at Nanu Oya, c1890, (1910)

A Scene on the Up-Country Railway. Passing a Tea Estate at Nanu Oya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]



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Alfred William Amandus, a talented artist from the late 19th century, captured the essence of Tamil culture and Sri Lankan landscapes in his stunning plates. In "Tamil Ladies with Far and Toe Ornaments, " we are transported back to c1890 as we witness the beauty and grace of these women adorned with intricate jewelry. Moving on to "Banyan Tree at Kalutara, " Amandus takes us on a journey through time, showcasing the majestic grandeur of this ancient tree that has stood tall for centuries. Its sprawling branches provide shade and shelter to those who seek solace beneath its magnificent canopy. In "Rickshaw and Racing Hackery, " we catch a glimpse of bustling streets filled with vibrant energy. The artist skillfully captures the fast-paced nature of transportation in c1890, where rickshaws race alongside hackeries, creating an exhilarating scene that transports us back in time. Amandus also sheds light on the pearl diving industry in his work. In "Typical Pearl Drivers, " he portrays hardworking individuals who brave the depths of the ocean to retrieve precious pearls. Their determination is palpable as they dive into treacherous waters, their livelihood dependent on what lies beneath. As day turns into night, Amandus presents us with two breathtaking scenes: "Pearling Fleet Coming Back to Anchorage at Sunset" and "Sunset on the Pearling Banks. " These paintings capture moments when nature's beauty intertwines with human endeavors. The sun sets over tranquil waters as boats return home after a long day's work – truly a sight worth beholding. The artist also delves into more somber themes such as animal cruelty depicted in works like "Attempting to Rescue the Bound Cow. " With compassion radiating from his brushstrokes, Amandus raises awareness about our responsibility towards animals' welfare by portraying individuals striving to free an innocent creature from captivity.