After Pieter Van Avont Collection

Titlepage hounds hunting equipment 1646 Etching
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Sleeping figure Diana huntress 1644-52 Etching
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Seated figure Diana huntress 1644-52 Etching
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Fire Four Elements 1647 Etching Prints After Pieter van Avont
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Three Cherubs Two Boys Clouds 1620-77 Etching
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Wooded Landscape 1644 Etching third state four
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Water four elements Avont 1647 Etching state
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Five boys satyr 1646 Etching first state two
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Sleeping Huntress 1625-77 Etching engraving added
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Air Four Elements ca 1647 Etching second state
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Seated figure Diana huntress 1625-77 Etching
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Water Four Elements ca 1647 Etching Prints After Pieter van Avont
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"After Pieter van Avont: A Captivating Collection of Etchings" Step into the world of Pieter van Avont, a renowned artist whose masterful etchings have captivated art enthusiasts for centuries. This collection showcases some of his most iconic works, each offering a glimpse into his artistic brilliance. The title page sets the tone with its depiction of hounds and hunting equipment, transporting us to an era where hunting was not just a sport but a way of life. The intricate details in this 1646 etching leave no doubt about Van Avont's meticulous craftsmanship. Moving on, we encounter the sleeping figure of Diana huntress in two separate etchings from 1644-52. In one, she rests peacefully amidst nature's beauty while in another, she is seated gracefully. Both pieces showcase Van Avont's ability to capture the essence and serenity of this mythical goddess. In "Fire Four Elements" from 1647, we witness Van Avont's mastery over capturing movement and energy through etching. Flames dance across the paper as fire takes center stage among the four elements - earth, air, water - reminding us of their eternal presence in our lives. The cherubs and boys floating amidst clouds bring an element of innocence and playfulness to this collection. Created between 1620-77 by Van Avont himself or perhaps inspired by his style, these etchings evoke feelings of joy and wonderment. A change in scenery reveals a wooded landscape from 1644 that transports us deep into nature's embrace. With every stroke on paper meticulously crafted by Van Avont’s hand during its third state print run; it captures both tranquility and mystery found within forests around Europe at that time period. Water comes alive through another set depicting four elements created circa 1647 after Pieter van Avont’s original work.