Aegidius Collection

Family Tree of the House of Habsburg, 1629. Creator: Aegidius Sadeler II
Family Tree of the House of Habsburg, 1629

Basilica of St. Aegidius in Mittelheim, Rheingau, Hesse, Germany

Page of Advertisements (engraving)
1596154 Page of Advertisements (engraving) by English School, (19th century); Private Collection; (add.info.: Page of Advertisements. Illustration for The Illustrated London News, 21 September 1889)

Page of Advertisements (engraving)
1041207 Page of Advertisements (engraving) by English School, (19th century); Private Collection; (add.info.: Page of Advertisements)

The Holy Trinity between the Lady of Sorrows and Saint Giles, c. 1513-16 (oil on wood)
5055823 The Holy Trinity between the Lady of Sorrows and Saint Giles, c.1513-16 (oil on wood) by Baldung Grien, Hans (1484/5-1545) (studio of); 60.2 x 48.6 cm; Kunstmuseum, Basel

Page of Advertisements (engraving)
1045907 Page of Advertisements (engraving) by English School, (19th century); Private Collection; (add.info.: Page of Advertisements)

A man holding a staff and seated on a tree trunk; with two goats to either side; surrounded by downed trees, foliage, and a stream; from a series of six landscapes after Roelandt Savery, ca. 1600

Woodland scene with marshy banks, two men and a dog in profile at left, two-long-necked birds at right, from the series Six landscapes in Tyrol after Roelandt Savery, ca. 1600

Ruined aqueduct with water spilling from it to a stream below, ships at sea beyond, a man reclining on the ground with three goats in the foreground

Plate 31: view of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, from the series Ruins of the antiquity of Rome

Plate 37: view of the church of San Bartolomeo all Isola on Tiber Island, Rome, flanked by bridges, from the series Ruins of the antiquity of Rome, Tivoli, Pozzuoli

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series Ruins of the antiquity of Rome, Tivoli, Pozzuoli

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter A the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence

Mountainous Landscape with a Group of Gypsies, 1586-1629. Creator: Aegidius Sadeler II
Mountainous Landscape with a Group of Gypsies, 1586-1629

Madonna and Child. n. d. Creator: Aegidius Sadeler II
Madonna and Child.n.d

Landscape with Christ Tempted by the Devil. n. d. Creator: Aegidius Sadeler II
Landscape with Christ Tempted by the Devil.n.d

Mountainous Landscape with the Rest on the Flight into Egypt. n. d
Mountainous Landscape with the Rest on the Flight into Egypt.n.d

Coast Scene with a Windmill. n. d. Creator: Aegidius Sadeler II
Coast Scene with a Windmill.n.d

Rocky Landscape with the Stigmatisation of Saint Francis. n. d
Rocky Landscape with the Stigmatisation of Saint Francis.n.d

Harbor Scene. Creator: Aegidius Sadeler II
Harbor Scene

Landscape with Tobias and the Angel and Gypsies. Creator: Aegidius Sadeler II
Landscape with Tobias and the Angel and Gypsies

Landscape with Gypsy Camp, n. d. Creator: Aegidius Sadeler II
Landscape with Gypsy Camp, n.d

Rocky Landscape with St. Jerome. Creator: Aegidius Sadeler II
Rocky Landscape with St. Jerome

Rocky Landscape with the Stigmatization of St. Francis (reverse copy). Creator: Unknown
Rocky Landscape with the Stigmatization of St. Francis (reverse copy)

Path Through a Village. Creator: Aegidius Sadeler II
Path Through a Village

Virgin and Child in a Landscape, ca. 1597. Creator: Aegidius Sadeler II
Virgin and Child in a Landscape, ca. 1597

Joachim Patinir, n. d. Creator: Aegidius Sadeler II
Joachim Patinir, n.d

Nativity, 1588. Creator: Aegidius Sadeler II
Nativity, 1588

Hercules and Cerberus, 1586-1629. Creator: Aegidius Sadeler II
Hercules and Cerberus, 1586-1629

A Forest with a Rabbit Hunt, . n. d. Creator: Aegidius Sadeler II
A Forest with a Rabbit Hunt, .n.d

Allegorical figure of a warrior standing on a globe with the papal coat of arms a... ca
Allegorical figure of a warrior standing on a globe with the papal coat of arms at his feet, ca. 1588-1629

Interior View of Vladislav Hall at Prague Castle during the Annual Fair, 1607. 1607
Interior View of Vladislav Hall at Prague Castle during the Annual Fair, 1607

The Flagellation of Christ, with floggers on either side and figures watching from a balcony above in the background, 1593

Angelica and Medoro; they stand next to a stream as Medoro carves their names into a tree, a putto is seated at left with a torch and another putto walks towards them with a goat, 1590-98

Anagram in Honor of Charles III, Duke of Lorraine and Bar, ca. 1595-1605

Design for a ceiling-painting, Austria, (1928). Creator: Unknown
Design for a ceiling-painting, Austria, (1928). Last Third of 17th Century...Egidius Schor, b. 1627 at Innsbruck, went to Rome about 1645

Augustus, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Augustus, Roman Emperor, (c1590-1629). Gaius Julius Caesar Octavianus (63 BC-14 AD) became one of a triumvirate of rulers after the death in 44 BC of Julius Caesar, his great-uncle

Titus, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Titus, Roman Emperor, (c1590-1629). Titus (40-81 AD) succeeded his father Vespasian as Emperor in 79. He is best remembered for his command of the suppression of the Jewish revolt in 70 which saw

Tiberius, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Tiberius, Roman Emperor, (c1590-1629). Tiberius (42 BC-37 AD) was the Second Emperor of Rome, succeeding Augustus in 14 AD

Caligula, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Caligula, Roman Emperor, (c1590-1629). Caligula (12-41 AD) was the third Roman Emperor, ruling from 37 until he was assassinated in 41

Claudius Caesar, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Claudius Caesar, Roman Emperor, (c1590-1629). Claudius (10 BC-54 AD) was the fourth Emperor of the Julio-Claudian dynasty, becoming Emperor in 41 after the assassination of Caligula

Flavius Domitian, Roman Emperor, (c1590-1629). Artist: Aegidius Sadeler II
Flavius Domitian, Roman Emperor, (c1590-1629). Domitian (51-96) became Emperor in 81. He was the last Emperor of the Flavian dynasty

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Landscape with Houses, c1643-1687. Artist: Gillis Neyts
Landscape with Houses, c1643-1687

Venus and Cupid, 1600. Artist: Aegidius Sadeler II
Venus and Cupid, 1600. According to Roman Mythology, Cupid was the son of Venus, the goddess of love, and Mars, the god of war

Portrait of Rudolph II, 1603. Creator: Aegidius Sadeler II
Portrait of Rudolph II, 1603

Vincenz Muschinger, Council to Emperor Rudolph II, 1611. 1611
Vincenz Muschinger, Council to Emperor Rudolph II, 1611

Madonna and Child with St. John. Creator: Aegidius Sadeler II
Madonna and Child with St. John

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"Aegidius: A Multifaceted Legacy" Aegidius, a name that echoes through time, is associated with various remarkable works and places. One such mention is found in the Family Tree of the House of Habsburg from 1629, where Aegidius Sadeler II left his artistic imprint. As an engraver, he skillfully crafted intricate details that immortalized this noble lineage. In Mittelheim, Rheingau, Hesse, Germany stands the Basilica of St. Aegidius—a testament to devotion and architectural grandeur. This sacred place bears witness to centuries of worship and spiritual solace sought by countless souls. Amidst pages filled with advertisements in engravings lies a treasure showcasing the mastery Sadeler's brush strokes. "The Holy Trinity between the Lady of Sorrows and Saint Giles" captivates viewers with its ethereal beauty painted on wood during the early 16th century. Delving further into these pages reveals another intriguing scene—an enigmatic man seated on a tree trunk holding a staff while two goats accompany him on either side. The symbolism behind this woodland setting remains open to interpretation but undoubtedly sparks curiosity within those who behold it. Venturing into nature's embrace brings us to a serene landscape featuring marshy banks adorned by two men and their loyal canine companion in profile at left. This idyllic portrayal invites contemplation about humanity's connection with nature throughout history. An aqueduct in ruins becomes yet another canvas for exploration as water spills from its remnants into a flowing stream below. Ships sailing beyond remind us of our ever-changing world—where past meets present—and how even decay can hold beauty if we choose to see it. Artistic prowess extends beyond religious themes as evidenced by Aegidius Sadeler's reduced and reversed copy depicting the harrowing "Massacre of the Innocents.