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Adoring Collection (page 11)

"Adoring: A Timeless Expression of Reverence and Devotion" In the realm of art, there exists a multitude of masterpieces that capture the essence of adoration

Background imageAdoring Collection: How Happy Could I be with Either

How Happy Could I be with Either
How happy could I be with either - Were t other dear charmer away - But while you thus teaze me together - To neither a word will I say (The Beggars Opera - John Gay, 1728). Date: 1906

Background imageAdoring Collection: The Israelites during Moses absence adoring the idol of Go

The Israelites during Moses absence adoring the idol of Go
Old Testament. The Israelites during Moses absence adoring the idol of Golden calf. Miniature of Saint Louis. 13th century

Background imageAdoring Collection: Cardinal Odoardo Farnese

Cardinal Odoardo Farnese
Cardinal ODOARDO FARNESE Illustrious and reverend Italian churchman, member of the ducal family who ruled Parma; surrounded by adoring females... Date: 17th century ?

Background imageAdoring Collection: Drawings Prints, Print, Four, Saints, Adoring, Christ, Crucified, Sacred, Heart, Artist

Drawings Prints, Print, Four, Saints, Adoring, Christ, Crucified, Sacred, Heart, Artist
Drawings and Prints, Print, Four Saints Adoring Christ Crucified on the Sacred Heart, Artist, Lucas Cranach the Elder, German, Kronach 1472-1553 Weimar, Cranach, Lucas, the Elder, German, 1472, 1553

Background imageAdoring Collection: Vase Veneration Bull 17th century late Engraving

Vase Veneration Bull 17th century late Engraving
Artokoloro

Background imageAdoring Collection: Source Size = 2034 x 2838

Source Size = 2034 x 2838
" the Virgin Adoring the Infant Saviour" by Ghirlandajo, in the National Gallery

Background imageAdoring Collection: Marco Basaiti, Italian (active 1496-1530), Madonna Adoring the Child, c

Marco Basaiti, Italian (active 1496-1530), Madonna Adoring the Child, c. 1520, oil on panel

Background imageAdoring Collection: Michael Wenzel Halbax, Two Soldier Saints Adoring the Host, German, 1661 - 1711, c

Michael Wenzel Halbax, Two Soldier Saints Adoring the Host, German, 1661 - 1711, c. 1690(?), pen and brown ink over black chalk, heightened with white, on brown paper

Background imageAdoring Collection: Adoration of the Shepherds, 1516 (oil on panel)

Adoration of the Shepherds, 1516 (oil on panel)
XIR438820 Adoration of the Shepherds, 1516 (oil on panel) by Correggio, (Antonio Allegri) (c.1489-1534); 50x38.5 cm; Museo Horne, Florence, Italy; (add.info.: Adoration des Bergers; ); Italian

Background imageAdoring Collection: Adoration of the Magi (oil on panel) (see also 404574 / 75)

Adoration of the Magi (oil on panel) (see also 404574 / 75)
XIR404573 Adoration of the Magi (oil on panel) (see also 404574/75) by Sint Jans (de Saint-Jean), Gerrit tot (c.1465-c.95); Narodni Galerie, Prague

Background imageAdoring Collection: Life of Christ, Adoration of the shepherds, preparatory study of tapestry cartoon

Life of Christ, Adoration of the shepherds, preparatory study of tapestry cartoon
XIR383191 Life of Christ, Adoration of the shepherds, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris

Background imageAdoring Collection: The Gonzaga Family in Adoration of the Holy Trinity (oil on canvas)

The Gonzaga Family in Adoration of the Holy Trinity (oil on canvas)
XAL78804 The Gonzaga Family in Adoration of the Holy Trinity (oil on canvas) by Rubens, Peter Paul (1577-1640); 430x700 cm; Palazzo Ducale, Mantua, Italy; Flemish, out of copyright

Background imageAdoring Collection: The Adoration of the Shepherds, 1505-10 (oil on panel)

The Adoration of the Shepherds, 1505-10 (oil on panel)
XOS741922 The Adoration of the Shepherds, 1505-10 (oil on panel) by Giorgione, (Giorgio da Castelfranco) (1476/8-1510); 90.8 x 110.5 cm; National Gallery of Art, Washington DC

Background imageAdoring Collection: Sir Thomas Urquhart (1611-1660) (engraving) (b / w photo)

Sir Thomas Urquhart (1611-1660) (engraving) (b / w photo)
XJF268061 Sir Thomas Urquhart (1611-1660) (engraving) (b/w photo) by Glover, George (fl.1625-50); Private Collection; (add.info.: Scotish writer and translator; ); English, out of copyright

Background imageAdoring Collection: Madonna and Child with St. John the Baptist (oil on panel)

Madonna and Child with St. John the Baptist (oil on panel)
XIR212397 Madonna and Child with St. John the Baptist (oil on panel) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); Galleria Borghese, Rome, Italy; Italian, out of copyright

Background imageAdoring Collection: Head of the Shepherds, detail from the central panel of the Portinari Altarpiece, c

Head of the Shepherds, detail from the central panel of the Portinari Altarpiece, c
XIR210203 Head of the Shepherds, detail from the central panel of the Portinari Altarpiece, c.1479 (oil on panel) (detail of 9619) by Goes, Hugo van der (c.1440-82); Galleria degli Uffizi, Florence

Background imageAdoring Collection: Adoration of the Magi, c. 1490 (oil on canvas)

Adoration of the Magi, c. 1490 (oil on canvas)
XOS1765752 Adoration of the Magi, c.1490 (oil on canvas) by Giorgione, (Giorgio da Castelfranco) (1476/8-1510); 29.8x81.3 cm; National Gallery, London, UK; Italian, out of copyright

Background imageAdoring Collection: The Adoration of the Shepherds, detail, 1646 (oil on canvas) (detail of 142128)

The Adoration of the Shepherds, detail, 1646 (oil on canvas) (detail of 142128)
XIR159272 The Adoration of the Shepherds, detail, 1646 (oil on canvas) (detail of 142128) by Rembrandt Harmensz. van Rijn (1606-69); 97x71.3 cm; Alte Pinakothek, Munich, Germany; Dutch

Background imageAdoring Collection: Annunciation, Paulus Mondekens, Cornelis Cort, Federico Zuccaro, 1600 - 1699

Annunciation, Paulus Mondekens, Cornelis Cort, Federico Zuccaro, 1600 - 1699

Background imageAdoring Collection: The Adoration of the Shepherds, 1646 (oil on canvas)

The Adoration of the Shepherds, 1646 (oil on canvas)
XOS1191982 The Adoration of the Shepherds, 1646 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 97x71.3 cm; Alte Pinakothek, Munich, Germany; Dutch, out of copyright

Background imageAdoring Collection: Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)

Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
XAL152901 Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Italy; Italian, out of copyright

Background imageAdoring Collection: Madonna Adoring the Child with Musical Angels

Madonna Adoring the Child with Musical Angels; Bernardino Zenale, Italian, about 1456 - 1526; about 1502; Oil on panel; Unframed: 143.5 x 85.7 cm (56 1/2 x 33 3/4 in.)

Background imageAdoring Collection: The Seventh Trumpet: The Twenty-Four Elders Adoring the Throne o

The Seventh Trumpet: The Twenty-Four Elders Adoring the Throne of God; Unknown; London (probably), England, Europe; about 1255 - 1260; Tempera colors, gold leaf, colored washes

Background imageAdoring Collection: Young couple arm in arm in studio, woman looking at man, smiling, (B&W)

Young couple arm in arm in studio, woman looking at man, smiling, (B&W)

Background imageAdoring Collection: The Virgin with Angels, 1900. William-Adolphe Bouguereau (1825-1905) French academic painter

The Virgin with Angels, 1900. William-Adolphe Bouguereau (1825-1905) French academic painter. Virgin enthroned, holding infant Jesus, surrounded by adoring angels. Religion Christian

Background imageAdoring Collection: The Nativity (Durer)

The Nativity (Durer)
THE NATIVITY Nativity scene, with Mary adoring baby Jesus in his manger

Background imageAdoring Collection: To Baby -- mother with child on her lap

To Baby -- mother with child on her lap
An adoring Victorian mother with her baby daughter on her lap. 1885

Background imageAdoring Collection: Lindberghs heros welcome, Croydon, 1927

Lindberghs heros welcome, Croydon, 1927
Lindberghs heros welcome, Croydon, London, 1927. Charles Lindbergh (1902-1974, on balcony at upper right) made the first solo transatlantic flight

Background imageAdoring Collection: Adoring the Cross

Adoring the Cross
On Good Friday, Catholics go to the altar to adore the crucifix

Background imageAdoring Collection: Magi Adoring (Card)

Magi Adoring (Card)
The three magi kneel in front of the baby Jesus, presenting him with his birthday presents

Background imageAdoring Collection: Mother & Children, 1867

Mother & Children, 1867
A Victorian mother surrounded by her many adoring children

Background imageAdoring Collection: B. C (Before Crinoline)

B. C (Before Crinoline)
At a time prior to 1857 when the cage crinoline became available (patented December 1856) Adolphus and his beloved Kitty could walk intimately side by side



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"Adoring: A Timeless Expression of Reverence and Devotion" In the realm of art, there exists a multitude of masterpieces that capture the essence of adoration. From the tender embrace in "The Return of the Prodigal Son" by Rembrandt Harmensz van Rijn to the divine connection depicted in "Noli Me Tangere" by Titian, these works transport us into a world where love and devotion reign supreme. Even ancient civilizations understood the power of adoration, as seen in their intricate hieroglyphics and writings found on ancient Egyptian artifacts. These symbols reveal a deep reverence for their gods and an unwavering faith passed down through generations. Religious devotion is also beautifully portrayed in artworks such as "Our Lady Worshipping the Child, " where a mother's love for her child transcends time. Similarly, Odysseus' unwavering loyalty to Penelope echoes throughout history as a testament to enduring love. The bond between mother and child is further exemplified in depictions like "Virgin and Child, " showcasing Mary's profound adoration for baby Jesus. Such images evoke feelings of warmth, tenderness, and unconditional love. Artistic expressions can take various forms beyond paintings; they extend into literature too. Aubrey Beardsley's play Volpone explores themes of worship, greed, and manipulation – reminding us how easily adoration can be twisted or misused when placed upon false idols or material possessions. Moving back to visual representations, we encounter religious scenes like "The Nativity" by Lorenzo Monaco or "Christ Appearing to His Mother" by Rogier Van der Weyden that depict moments filled with awe-inspiring divinity. These artworks invite viewers to witness sacred encounters that inspire both humility and admiration. However, not all instances of adoration are rooted solely in spirituality; sometimes it takes on unexpected forms.