Adoration Collection (page 6)

Le Premier Miroir (colour litho)
2802026 Le Premier Miroir (colour litho) by French School, (19th century); Private Collection; (add.info.: Le Premier Miroir)

The Adoration of the Eucharist, c. 1626 (oil on panel)
2968634 The Adoration of the Eucharist, c.1626 (oil on panel) by Rubens, Peter Paul (1577-1640); 31.5x32 cm; The Art Institute of Chicago, IL, USA; Mr. and Mrs. Martin A

The Adoration of the Magi (engraving)
1608562 The Adoration of the Magi (engraving) by Veronese, (Paolo Caliari) (1528-88) (after); Private Collection; (add.info.: The Adoration of the Magi)

The National Gallery, New Pictures (engraving)
1607952 The National Gallery, New Pictures (engraving) by Velazquez, Diego Rodriguez de Silva y (1599-1660) (after); Private Collection; (add.info.: The National Gallery, New Pictures)

Stela depicting a couple adoring The Cat of the god Re, and The Great Cat
AMQ367691 Stela depicting a couple adoring The Cat of the god Re, and The Great Cat, the peaceful one, in his perfect name of Atum, New Kingdom

Baby-worship, 1904 (colour litho)
STC363490 Baby-worship, 1904 (colour litho) by Jungman, Nico (1872-1935); Private Collection; (add.info.: From a portfolio of prints from the original watercolours;)

The Virgin, 1887 (coloured chalks and gold)
AGN81571 The Virgin, 1887 (coloured chalks and gold) by Burne-Jones, Edward Coley (1833-98); 31.8x19.7 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

King Caspar, 1887 (coloured chalks and gold)
AGN81568 King Caspar, 1887 (coloured chalks and gold) by Burne-Jones, Edward Coley (1833-98); 35.6x18.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

King Balthazar, 1887 (coloured chalks and gold)
AGN81567 King Balthazar, 1887 (coloured chalks and gold) by Burne-Jones, Edward Coley (1833-98); 35.6x18.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

But am I not the nobler thro thy love. Illustration by Florence Harrison to Tennyson s
But am I not the nobler thro thy love. Illustration by Florence Harrison to Tennysons poem, Love and Duty. Date: c.1920

The Discovery of the Wood of the True Cross, from the Legend of the True Cross cycle
ALI79339 The Discovery of the Wood of the True Cross, from the Legend of the True Cross cycle, completed 1464 (fresco) (detail of 58294) by Francesca, Piero della (c.1415-92); Basilica San Francesco

Nativity (oil on panel)
AII135230 Nativity (oil on panel) by Caravaggio, Polidoro da (1490/1500-1543); Museo Regionale, Messina, Sicily, Italy; Italian, out of copyright

Sacred Conversation with Saints Barbara and Justina (oil on panel)
AII135268 Sacred Conversation with Saints Barbara and Justina (oil on panel) by Palma, Jacopo (Il Vecchio) (c.1480-1528); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Adoration of the Magi detail, 1423 (tempera on panel)
BBC193352 Adoration of the Magi detail, 1423 (tempera on panel) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Also known as the Pala Strozzi)

Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal
NCO193135 Disciples catching the Mantle: the Spirit of Darkness overshadowing the Priests of Baal, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray

The Nativity (pen and ink wash heightened with white on paper)
AGN218400 The Nativity (pen and ink wash heightened with white on paper) by Boucher, Francois (1703-70); 29x37 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Piero de Medici (1416-69) as Caspar, detail from The Procession of the Magi, c
BAT158943 Piero de Medici (1416-69) as Caspar, detail from The Procession of the Magi, c.1459-60 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Palazzo Medici-Riccardi, Florence

Adoration of the Magi, c. 1450 (paint and ink on vellum)
986371 Adoration of the Magi, c.1450 (paint and ink on vellum) by Netherlandish School, (15th century); 21x14.5 cm; Private Collection; (add.info.: Adoration of the Magi)

Spring Love; Liebesfrshling, 1917 (oil on canvas)
1197544 Spring Love; Liebesfrshling, 1917 (oil on canvas) by Stuck, Franz von (1863-1928); 106.3x116.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Adoration of the Child with Saint Luke, c. 1700 (oil on canvas)
1136813 Adoration of the Child with Saint Luke, c.1700 (oil on canvas) by Donelli, Carlo (Il Vimercati) (1661-1715); 190x268 cm; Private Collection; (add.info)

Des Caresses, (coloured crayons heightened with white on grey paper)
653540 Des Caresses, (coloured crayons heightened with white on grey paper) by Khnopff, Fernand (1858-1921); Private Collection; (add.info.: Des Caresses. Fernand Khnopff (1858-1921)

Diptych in Carved Ivory, of Fourteenth-century Work, representing the Adoration of the Magi and the Crucifixion
5221772 Diptych in Carved Ivory, of Fourteenth-century Work, representing the Adoration of the Magi and the Crucifixion (chromolitho) by English School

Adoration (engraving)
5220317 Adoration (engraving) by Murillo, Bartolome Esteban (1618-82) (after); Private Collection; (add.info.: Adoration. Illustration for Royal Gems from the Galleries of Europe engraved after)

Adoration of the Shepherds (chromolitho)
5217892 Adoration of the Shepherds (chromolitho) by English School, (19th century); Private Collection; (add.info.: Adoration of the Shepherds)

Elaine with the Armour of Lancelot, 1870 (oil on panel)
884769 Elaine with the Armour of Lancelot, 1870 (oil on panel) by Hughes, Arthur (1832-1915) (after); 44.2x22.2 cm; Private Collection; (add.info.: Painted by Florence Bell)

Triptych: Adoration of the Magi, with St. James presenting the donor and St
622740 Triptych: Adoration of the Magi, with St. James presenting the donor and St. Catherine of Alexandria presenting the donors wife and two daughters (oil on panel) by Master of the Holy Blood

The Adoration of the Magi: The Virgin in the Grotto, c. 1475-80 (engraving)
659469 The Adoration of the Magi: The Virgin in the Grotto, c.1475-80 (engraving) by Mantegna, Andrea (1431-1506) (school of); 38.5x28.6 cm; Private Collection; Photo eChristies Images; Italian

The Apple of His Eye, 1910 (oil on panel)
659108 The Apple of His Eye, 1910 (oil on panel) by Kauffmann, Hugo (1844-1915); 25x14 cm; Private Collection; (add.info.: The Apple of His Eye. Hugo Wilhelm Kauffmann (1844-1915). Oil on panel

Mother and Child, (oil on canvas)
987375 Mother and Child, (oil on canvas) by Jacobides, Georg (1853-1932); 90.2x66 cm; Private Collection; (add.info.: Mother and Child. Georges Jacobides (1853-1932). Oil on canvas

The Adoration of the Shepherds (oil on canvas)
990223 The Adoration of the Shepherds (oil on canvas) by Sustris, Friedrich (c.1540-99); 115.5x96.5 cm; Private Collection; (add.info.: The Adoration of the Shepherds)

The Adoration of the Magi (oil on canvas)
780687 The Adoration of the Magi (oil on canvas) by Ferrari, Orazio de (1606-57) (circle of); 91.5x125.7 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Venus and her Satellites (Venus at her Toilet) (oil on panel)
1772138 Venus and her Satellites (Venus at her Toilet) (oil on panel) by Etty, William (1787-1849); 80.6x111 cm; Private Collection; (add.info.: Venus and her Satellites (Venus at her Toilet)

The Nativity (oil on canvas)
CH27463 The Nativity (oil on canvas) by Le Nain, Antoine and Louis (d.1648) & Mathieu (1607-77); Private Collection; Photo eChristies Images; French, out of copyright

Adoration of the Virgin Mary. (engraving, ca. 1850)
5975819 Adoration of the Virgin Mary. (engraving, ca. 1850) by Unknown Artist, (19th century); Private Collection; (add.info.: Religion. Catholic religion. The Virgin Mary worship by the druids)

The Adoration of the Shepherds, c. 1633 (oil on canvas)
4071672 The Adoration of the Shepherds, c.1633 (oil on canvas) by Poussin, Nicolas (1594-1665); 97.2x74 cm; National Gallery, London, UK; French, out of copyright

Madonna of the Treasurers, 1567 (oil on canvas)
5058797 Madonna of the Treasurers, 1567 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 221x520 cm; Gallerie dell Accademia, Venice

Nativity scene and the Virtues (stained glass)
NCO394995 Nativity scene and the Virtues (stained glass) by Jervais, Thomas (d.1799); Courtesy of the Warden and Scholars of New College

The Madonna del Rosario with St. Dominic and St
CTS413004 The Madonna del Rosario with St. Dominic and St. Catherine of Siena (red chalk on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 33.4x21.5 cm; eThe Devonshire Collections

Adoration of the Magi, Chapel of Our Lady (fresco)
828727 Adoration of the Magi, Chapel of Our Lady (fresco) by Italian School, (14th century); Monastero di San Benedetto (Santuario Sacro Spero), Subiaco, Rome, Lazio, Italy; Italian, out of copyright

Adoration of the Shepherds (oil on panel)
875169 Adoration of the Shepherds (oil on panel) by Weyden, Rogier van der (1399-1464); Galleria degli Uffizi, Florence, Tuscany, Italy; eGiuliano Valsecchi; Netherlandish, out of copyright

The Adoration of Christ, plate from Giulio Alenis "
880690 The Adoration of Christ, plate from Giulio Alenis " Tianzhu jiangsheng zhuxiang jingjie" (An Illustrated History of the Lord of Heaven Who Became Incarnate in the Flesh)

Adoration of the Shepherds, c. 1650 (oil on canvas)
499714 Adoration of the Shepherds, c.1650 (oil on canvas) by Cavallino, Bernardo (1616-54); 151x172 (framed) 126.8x148.3 (unframed) cm; Cleveland Museum of Art, OH

Nativity, c. 1484-92 (fresco)
703070 Nativity, c.1484-92 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Madonna and the Infant St. John the Baptist adoring the Christ Child (panel)
AII80387 Madonna and the Infant St. John the Baptist adoring the Christ Child (panel) by Giovanni, Gherardo di (c.1446-97); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence

Adoration of the Magi detail, 1423 (tempera on panel)
BEN209291 Adoration of the Magi detail, 1423 (tempera on panel) by Fabriano, Gentile da (c.1370-1427); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Also known as the Pala Strozzi)

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"Captivated by Devotion: Exploring the Essence of Adoration" In the realm of art, adoration takes on various forms, captivating hearts and minds throughout history. From the masterpieces crafted by Jan van Eyck and Hubert van Eyck in "The Ghent Altarpiece or Adoration of the Mystic Lamb, " to Rembrandt Harmensz van Rijn's poignant portrayal of "The Return of the Prodigal Son, " we witness a profound reverence for humanity. As we delve deeper into this theme, our journey leads us to unexpected places. In Montreux, Switzerland, a statue stands tall - Freddie Mercury immortalized in bronze. A symbol not only of his musical genius but also an embodiment from millions around the world. Returning to the Flemish masters, Jan van Eyck's brushstrokes transport us back to 1432 with "The Adoration of the Mystic Lamb. " The intricate details and vibrant colors evoke a sense of awe and wonder as we witness this sacred scene unfold before our eyes. Titian's masterpiece "Noli Me Tangere" invites contemplation on love and devotion through its depiction of Christ's encounter with Mary Magdalene. The tender exchange between them resonates deeply within our souls. Moving beyond specific artists' works, we discover anonymous creations that continue to inspire adoration across time. An unknown artist captures pure innocence in "The Adoration of the Christ Child, " reminding us that even in simplicity lies great beauty. Romanesque altars from Sagas bring together scenes like "The Visitation" and "Nativity, " inviting us to contemplate divine encounters amidst earthly surroundings. These ancient artworks speak volumes about human longing for connection with something greater than ourselves. Lastly, an enchanting glimpse into medieval France reveals an illuminated manuscript showcasing the exquisite artwork titled "ADORATION OF MAGI. " Its delicate strokes convey both majesty and humility as kings bow before the newborn King.