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Acoustics Collection (page 2)

"Unveiling the Art of Acoustics: From Needles to Theaters, a Journey through Sound" Needle playing a record: As the needle delicately touches the vinyl

Background imageAcoustics Collection: Sound waves, artwork F008 / 3438

Sound waves, artwork F008 / 3438
Saturns rings. Ultraviolet Cassini spacecraft image of part of Saturns rings. It shows the outer portion of Saturns C ring (left) and the inner portion of the B ring (right)

Background imageAcoustics Collection: Sound waves, artwork F008 / 3437

Sound waves, artwork F008 / 3437
Sound waves, computer artwork

Background imageAcoustics Collection: Sound waves, artwork F008 / 3439

Sound waves, artwork F008 / 3439
Sound waves, computer artwork

Background imageAcoustics Collection: Wilhelm Weber, German physicist

Wilhelm Weber, German physicist
Wilhelm Eduard Weber (1804-1891), German physicist. Weber spent most of his career as professor of physics at the University of Gottingen from 1831 to 1837, and again from 1849

Background imageAcoustics Collection: Pipeline bubble research C016 / 3741

Pipeline bubble research C016 / 3741
Pipeline bubble research. Professor Tim Leighton studying underwater bubble clouds generated by a gas leak in a pipe. This is part of research into measuring gas bubbles in underwater pipelines

Background imageAcoustics Collection: Waves, abstract artwork C014 / 0008

Waves, abstract artwork C014 / 0008
Waves, abstract artwork

Background imageAcoustics Collection: Syracuse, Italy - Ear of Dionysius

Syracuse, Italy - Ear of Dionysius
Syracuse, Italy (Siracusa) - This card shows an artificial cave, 65 m long and 23 m high, which was given the name of The Ear of Dionysius by Michelangelo Merisi, known as Caravaggio, when in 1586

Background imageAcoustics Collection: Acoustics 1882

Acoustics 1882
Various demonstrations of acoustics. Date: 1882

Background imageAcoustics Collection: Mobile acoustics laboratory, 1940s

Mobile acoustics laboratory, 1940s
Mobile acoustics laboratory. This mobile laboratory was developed by the National Physical Laboratory soon after the Second World War and was the first of its kind in the UK

Background imageAcoustics Collection: Acoustics laboratory

Acoustics laboratory. The upper transmission room in an acoustics laboratory, part of a special building designed for the accurate testing of the acoustic properties of building materials

Background imageAcoustics Collection: Measuring noise, 1932

Measuring noise, 1932
Measuring noise. Technician measuring noise levels using a portable device. Photographed at the National Physical Laboratory, Teddington, UK, in 1932

Background imageAcoustics Collection: Testing an audio system, 1954

Testing an audio system, 1954
Testing an audio system. The thresholds of loudness and high frequency are being tested by projecting progressive plane sound waves at a listener

Background imageAcoustics Collection: Loudspeaker

Loudspeaker and polystyrene balls. A loudspeaker takes an electrical input and converts it into a series of vibrations. This is done using electromagnets that produce vibrations in the speaker which

Background imageAcoustics Collection: Technician testing a panels sound reflection

Technician testing a panels sound reflection
Acoustics test. Technician holds a microphone behind a plexiglass panel to test its sound reflective properties. Sound is being broadcast at the front of the panel

Background imageAcoustics Collection: Acoustics test on a model of a new concert hall

Acoustics test on a model of a new concert hall

Background imageAcoustics Collection: Magnetic pickup cartridge

Magnetic pickup cartridge of a record player. The cartridge holds the stylus or needle (not seen), which transforms the grooves in a record (black, lower centre) into sound

Background imageAcoustics Collection: Acoustic testing chamber

Acoustic testing chamber. Tiles on the wall of an anechoic chamber, a room used for testing acoustic equipment. The arrangement of the tiles minimises echoes (the reflection of sound waves)

Background imageAcoustics Collection: Charles Wheatstone, British physicist

Charles Wheatstone, British physicist
Charles Wheatstone (1802-1875), British physicist. Wheatstone study of acoustics and the theory of resonance of columns of air, lead to his 1829 invention of the concertina musical instrument

Background imageAcoustics Collection: Jim West

Jim West. Portrait of the American acoustic engineer James Edward West (born 1931) in his laboratory at Bell Labs, USA. West joined Bell Labs after graduating in 1957

Background imageAcoustics Collection: Record stylus playing record, SEM

Record stylus playing record, SEM
Record stylus playing record. Coloured scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record

Background imageAcoustics Collection: Acoustic smoke rings, 19th century

Acoustic smoke rings, 19th century
Acoustic smoke rings. The device at lower right, seen mounted on a metal bar and a tuning fork, is designed to blow acoustic smoke rings

Background imageAcoustics Collection: Steam-powered musical garden ornament

Steam-powered musical garden ornament. Historical artwork of a 17th Century garden ornament that uses the suns heat to boil water and generate steam

Background imageAcoustics Collection: Acoustic echo

Acoustic echo
Illustration from " The Artisan; or, the Mechanics Instructor" London 1825, edited by George G. Carey. The sound wave ac is reflected at d by the oblique wall causing an echo to be heard at

Background imageAcoustics Collection: Noise-reducing fence

Noise-reducing fence

Background imageAcoustics Collection: Acoustic Sound Patterns

Acoustic Sound Patterns
Acoustic sound patterns



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"Unveiling the Art of Acoustics: From Needles to Theaters, a Journey through Sound" Needle playing a record: As the needle delicately touches the vinyl, it sets in motion a symphony that resonates with our souls. #AcousticWonders SEM (Scanning Electron Microscope): Peering into the microscopic world reveals intricate patterns and structures that shape sound waves. #HiddenMelodies Ostia Antica Theater, Italy: Echoes of ancient performances still linger within these historic walls, showcasing how acoustics shaped theatrical experiences centuries ago. #TimelessResonance Music room by Oliver Hill: Step into this enchanting space where every note is embraced by carefully designed acoustics, creating an immersive musical haven for artists and listeners alike. #HarmonyInDesign The Tarentella (engraving): A visual representation of dance intertwined with music; its lively rhythm reverberates through time, reminding us of the power of acoustic vibrations in cultural expressions. Hall at Simonetta near Milan (engraving): This grand hall stands as a testament to architectural marvels that enhance sound propagation, enveloping audiences in an auditory feast fit for royalty. The Invisible Woman (engraving): Unseen but heard – she embodies the essence of acoustics' magic; her ethereal voice captivates hearts without revealing her presence. The Horn of Alexander (engraving): Legend has it that this mystical horn possessed extraordinary acoustic properties capable of amplifying even whispers to thunderous roars—a symbol of nature's sonic wonders. Chladni (engraving): Through captivating patterns formed on vibrating plates sprinkled with sand or salt, Chladni revealed mesmerizing insights into sound resonance—an artist painting melodies with physics. A Discovery in Acoustics - A Traveler's Story (litho).