75 Cm Collection

Ivar Nyberg Carolina Johanna Gustava Calla) Geijer
Ivar Nyberg, Carolina Johanna Gustava (Calla) Geijer (1869-1934), born Branting, married to Professor Karl Reinhold Geijer, painting, Karolina Johanna Gustava Branting, Pastel, Height: 75 cm (29.5)

Susanna Elders Engraving Sheet 1 7 / 8 2 15 / 16
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Christ profile facing right sign blessing right hand
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apostle long beard looking down open book oval frame
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Saint Simon turning right holding saw oval frame
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apostle resting head left hand reading book oval frame
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Saint Matthew Four Evangelists 1539 Engraving
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Death Bishop Power Allegory Original Sin 1541
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Saint Peter turning face outwards holding key
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Saint John Evangelist holding goblet snake emerging
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Prudence Die Firsichtikait Seven Virtues Woodcut
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Virgin Child Seated Tree copy 1513 Engraving
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Copy Attilius Regulus Roman Heroes Engraving
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Francois de La Mothe le Vayer 17th century Engraving
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Seething Lane early 20th century Etching Plate
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Sectioned skull profile left left side cranium removed
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Pyramus Thisbe 1553 Engraving Sheet 4 5 / 8 2 15 / 16
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Philipp Herbert Earl Pembroke 1625-77 Etching
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Female figure 1645 Etching state Sheet 4 5 / 8
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Titus Manlius Roman Heroes 1535 Engraving Sheet
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apostle short beard holding closed book Christ
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Joseph Describing Dream Story Joseph 1544 Engraving
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Woman coiffed sultana Several heads Persian style
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"Exploring the Intricate Details: Unveiling the Enigmatic 75 cm" In this captivating woodcut artwork titled "Prudence Die Firsichtikait Seven Virtues, " created by Ivar Nyberg and Carolina Johanna Gustava Calla, we are transported to a realm of wisdom and foresight. The meticulous craftsmanship of Geijer is evident in every stroke, as he masterfully depicts Prudence with her serene expression. Moving on to Susanna Elders' enchanting engraving, Sheet 1 reveals an intriguing measurement - 7/8 inches by 2 15/16 inches. This delicate size adds an air of mystery to the piece, leaving us yearning for more. Our attention then shifts towards a Christ profile facing right, his blessed right hand raised in benediction. Alongside him stands an apostle with a long beard, engrossed in reading from an open book within an oval frame. The profound symbolism behind their presence invites contemplation and reflection. Saint Simon turning right captures our gaze next; his firm grip on a saw within another oval frame signifies determination and dedication. Meanwhile, another apostle rests his head upon his left hand while immersed in reading yet another book enclosed within its own oval frame – truly a scene that evokes tranquility and intellectual pursuit. The Saint Matthew Four Evangelists engraving from 1539 takes us back through time as we witness the harmonious collaboration between artistry and spirituality. Its intricate details weave together seamlessly to tell tales of faith and devotion. A thought-provoking allegory awaits us next – Death Bishop Power Allegory Original Sin (1541). This powerful depiction delves into themes of mortality and sinfulness while urging introspection about our own human nature. As our journey continues, we encounter Saint Peter turning face outwards while firmly holding onto a key symbolizing divine authority bestowed upon him.