Fraud Blocker Skip to main content

50s Style Collection (page 2)

Step back in time to the fabulous 50s, where style and glamour reigned supreme. Joseph Tomelty as Mr. Pedelty in Meet Mr

Background image50s Style Collection: Diana Dors at Elstree Studios

Diana Dors at Elstree Studios
with Studio hairdresser A.G. Scott during the filming of Yield to the Night in 1956

Background image50s Style Collection: Diana Dors as Mary Hilton

Diana Dors as Mary Hilton
in a portrait taken for the release of the drama Yield to the Night written by Joan Henry and John Cresswell

Background image50s Style Collection: An image of Michael Craig

An image of Michael Craig
who played the character Jim Lancaster in J. Lee Thompsons Yield to the Night in 1956

Background image50s Style Collection: log1956 bw pri 022 edited-1

log1956 bw pri 022 edited-1
LONG ARM, THE (1956), log1956 bw pri 022 edited-1

Background image50s Style Collection: log1956 bw neg 004 edited-1

log1956 bw neg 004 edited-1
LONG ARM, THE (1956), log1956 bw neg 004 edited-1

Background image50s Style Collection: log1956 bw neg 009 edited-1

log1956 bw neg 009 edited-1
LONG ARM, THE (1956), log1956 bw neg 009 edited-1

Background image50s Style Collection: log1956 bw neg 013 edited-1

log1956 bw neg 013 edited-1
LONG ARM, THE (1956), log1956 bw neg 013 edited-1

Background image50s Style Collection: Bitter Springs (1950)

Bitter Springs (1950)
An image from the Ealing Studios film directed by Ralph Smart

Background image50s Style Collection: Michael Craig as Jim Lancaster

Michael Craig as Jim Lancaster
in a portrait taken for the release of Yield to the Night in 1956

Background image50s Style Collection: a fashion portrait of Yvonne Mitchell

a fashion portrait of Yvonne Mitchell
part of the publicity shoot for the release of Yield To The Night in 1956

Background image50s Style Collection: log1956 bw pri 015 edited-1

log1956 bw pri 015 edited-1
LONG ARM, THE (1956), log1956 bw pri 015 edited-1

Background image50s Style Collection: log1956 bw neg 001 edited-1

log1956 bw neg 001 edited-1
LONG ARM, THE (1956), log1956 bw neg 001 edited-1

Background image50s Style Collection: log1956 bw neg 002 edited-1

log1956 bw neg 002 edited-1
LONG ARM, THE (1956), log1956 bw neg 002 edited-1

Background image50s Style Collection: log1956 bw neg 003 edited-1

log1956 bw neg 003 edited-1
LONG ARM, THE (1956), log1956 bw neg 003 edited-1

Background image50s Style Collection: log1956 bw neg 005 edited-1

log1956 bw neg 005 edited-1
LONG ARM, THE (1956), log1956 bw neg 005 edited-1

Background image50s Style Collection: log1956 bw neg 006 edited-1

log1956 bw neg 006 edited-1
LONG ARM, THE (1956), log1956 bw neg 006 edited-1

Background image50s Style Collection: log1956 bw neg 007 edited-1

log1956 bw neg 007 edited-1
LONG ARM, THE (1956), log1956 bw neg 007 edited-1

Background image50s Style Collection: log1956 bw neg 010 edited-1

log1956 bw neg 010 edited-1
LONG ARM, THE (1956), log1956 bw neg 010 edited-1

Background image50s Style Collection: log1956 bw neg 011 edited-1

log1956 bw neg 011 edited-1
LONG ARM, THE (1956), log1956 bw neg 011 edited-1

Background image50s Style Collection: log1956 bw neg 012 edited-1

log1956 bw neg 012 edited-1
LONG ARM, THE (1956), log1956 bw neg 012 edited-1

Background image50s Style Collection: log1956 bw neg 021 edited-1

log1956 bw neg 021 edited-1
LONG ARM, THE (1956), log1956 bw neg 021 edited-1

Background image50s Style Collection: log1956 bw neg 022 edit

log1956 bw neg 022 edit
LONG ARM, THE (1956), log1956 bw neg 022 edit

Background image50s Style Collection: log1956 bw neg 023 edit

log1956 bw neg 023 edit
LONG ARM, THE (1956), log1956 bw neg 023 edit

Background image50s Style Collection: log1956 bw neg 024 edit

log1956 bw neg 024 edit
LONG ARM, THE (1956), log1956 bw neg 024 edit

Background image50s Style Collection: log1956 bw neg 025 edit

log1956 bw neg 025 edit
LONG ARM, THE (1956), log1956 bw neg 025 edit

Background image50s Style Collection: log1956 bw neg 026 edit

log1956 bw neg 026 edit
LONG ARM, THE (1956), log1956 bw neg 026 edit

Background image50s Style Collection: log1956 bw neg 028 edit

log1956 bw neg 028 edit
LONG ARM, THE (1956), log1956 bw neg 028 edit

Background image50s Style Collection: A scene from The Maggie

A scene from The Maggie
directed in 1954 by Alexander MacKendrick

Background image50s Style Collection: Tommy Kearins as the wee boy

Tommy Kearins as the wee boy
in a scene from The Maggie (1954)

Background image50s Style Collection: Hubert Gregg and Abe Barker

Hubert Gregg and Abe Barker
as Pusey and the engineer in a scene from The Maggie (1954)

Background image50s Style Collection: James Copeland as The Mate

James Copeland as The Mate
in a scene from The Maggie (1954)

Background image50s Style Collection: Sergeant Grimshawe shouts at Charlie Sage

Sergeant Grimshawe shouts at Charlie Sage
William Hartnell and Bob Monkhouse in Carry On Sergeant (1958)

Background image50s Style Collection: Eric Barker and William Hartnell

Eric Barker and William Hartnell
in as scene from Carry On Sergeant (1958)

Background image50s Style Collection: Kenneth Williams as James Bailey

Kenneth Williams as James Bailey
in as scene from Carry On Sergeant (1958)

Background image50s Style Collection: Eric Barker Charles Hawtrey and William Hartnell

Eric Barker Charles Hawtrey and William Hartnell
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Bob Monkhouse

Bob Monkhouse
as hapless Charlie Sage in Carry On Sergeant (1958)

Background image50s Style Collection: First Day in the Barracks

First Day in the Barracks
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Reviewing the barracks

Reviewing the barracks
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Bob Monkhouse as Charlie Sage

Bob Monkhouse as Charlie Sage
in a group photo from Carry On Sergeant (1958)

Background image50s Style Collection: Charles Hawtrey as Peter Golightly

Charles Hawtrey as Peter Golightly
in a scene from Carry On Sergeant (1958)

Background image50s Style Collection: Bob Monkhouse and William Hartnell

Bob Monkhouse and William Hartnell
in Carry On Sergeant (1958)

Background image50s Style Collection: Kenneth Connor and Bill Owen

Kenneth Connor and Bill Owen
in Carry On Sergeant (1958)

Background image50s Style Collection: Kenneth Connor

Kenneth Connor
as Horace Strong in Carry On Sergeant (1958)

Background image50s Style Collection: Hattie Jacques and Kenneth Connor

Hattie Jacques and Kenneth Connor
in Carry On Sergeant (1958)



All Professionally Made to Order for Quick Shipping

Step back in time to the fabulous 50s, where style and glamour reigned supreme. Joseph Tomelty as Mr. Pedelty in Meet Mr. Lucifer (1953) exudes charm and sophistication, capturing the essence of this iconic era. Mary Hilton shoots with confidence, showcasing her timeless beauty and elegance. Diana Dors, a true epitome of Hollywood glamour, mesmerizes in glamorous publicity portraits that highlight her undeniable allure. Her fashion portrait radiates grace and poise while embodying the essence of 50s style. Yvonne Mitchell adds a touch of whimsy to the scene as she poses alongside an adorable bulldog, effortlessly blending classic elegance with playful charm. Bob Monkhouse, Shirley Eaton, and Dora Bryan captivate us with their infectious smiles and impeccable fashion sense. Their collective energy captures the spirit of joy that defined this vibrant decade. Michael Craig's portrait exudes masculinity and strength while remaining undeniably suave – a perfect embodiment of the dashing gentlemen who graced every corner during this golden age. And then there is Diana Dors once again – sultry yet sophisticated – captivating our hearts with her enchanting gaze. Her glamorous presence remains etched in our memories as she embodies everything we love about 50s style. In these snapshots from yesteryear, we are transported to an era filled with timeless elegance and refined aesthetics. The 50s were truly a remarkable time when fashion was elevated to an art form – each photograph encapsulating its unique magic for all eternity.