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300bc Collection

"Exploring the Rich Artistic Legacy of 300 BC: From Oscan Inscriptions to Etruscan Treasures" Step back in time to the ancient world of 300 BC

Background image300bc Collection: Stela with Oscan inscription. 300-100 BC

Stela with Oscan inscription. 300-100 BC
Stela with Oscan inscription. Fragment located in the inner arch of Nola Gate. Pompeii, Italy. The inscription say: Vibius Popidius

Background image300bc Collection: Boundary-marker in Oscan language. 300-100 BC

Boundary-marker in Oscan language. 300-100 BC
Boundary-marker with Oscan inscription. Used to mark the confines of sacred area. Decorated with reliefs depicting helmeted goddess Athena and a boar. Terracotta. 300-100 BC. From a tomb near Capua

Background image300bc Collection: Gold etruscan jewelry. 350-300 BC

Gold etruscan jewelry. 350-300 BC
Gold etruscan jewelry. Rings. 350-300 BC. From a tomb near Tarquinia. British Museum. London. England. United Kingdom

Background image300bc Collection: Etruscan votive head of a woman. Terracotta. 325-300 BC

Etruscan votive head of a woman. Terracotta. 325-300 BC
Etruscan votive head of a woman wearing earrings. Terracotta. 325-300 BC. British Museum. London. England. United Kingdom

Background image300bc Collection: Statue of the goddess Artemis, perhaps Artemis Bendis wearin

Statue of the goddess Artemis, perhaps Artemis Bendis wearing a Phrygian cap. Limestone. Made in Cyprus. 300-200 BC. From the Sanctuary of Apollo at Pyla. British Museum. London. England

Background image300bc Collection: Head of an statue of Aphrodite. Ca. 300-290 BC

Head of an statue of Aphrodite. Ca. 300-290 BC
Head of an statue of the Aphrodite goddess. Ca. 300-290 BC. Glyptothek. Munich. Germany

Background image300bc Collection: Votive bust of a woman. Terracotta. 300-200 BC. Etruscan art

Votive bust of a woman. Terracotta. 300-200 BC. Etruscan art
Votive bust of a woman. Terracotta. 300-200 BC. Sculpted in Cerveteri. Etruscan art. British Museum. London. England. United Kingdom

Background image300bc Collection: Limestone grave stele with greek epitaph of Theudaisios of E

Limestone grave stele with greek epitaph of Theudaisios of E
Limestone grave stele with greek inscription, epitaph of Theudaisios of Euesperides. 300-50 BC. From Amathus, Cyprus. British Museum. London. England, United Kingdom

Background image300bc Collection: Head of a horse. 4st century BC. Greek art

Head of a horse. 4st century BC. Greek art
Head of a horse. Marble. 350-300 BC. From Taranto. British Museum. London. England. United Kingdom

Background image300bc Collection: Golden necklace with lion-head terminals. C. 300 BC

Golden necklace with lion-head terminals. C. 300 BC
Necklace with lion-head terminals. Gold. C. 300 BC. Probably made in Taranto. British Museum. London. England. United Kingdom

Background image300bc Collection: Euclid / Profile / Anon

Euclid / Profile / Anon
EUCLID Greek mathematician Date: FLOURISHED 300BC

Background image300bc Collection: Euclid / Wilcox / 1732

Euclid / Wilcox / 1732
EUCLID Mathematician of Alexandria

Background image300bc Collection: Euclid / Thevet / 1584

Euclid / Thevet / 1584
EUCLID Mathematician of Alexandria


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"Exploring the Rich Artistic Legacy of 300 BC: From Oscan Inscriptions to Etruscan Treasures" Step back in time to the ancient world of 300 BC, where a plethora of captivating artifacts and masterpieces await. Delve into the mysteries of this era through a diverse range of historical treasures that provide glimpses into different cultures and artistic expressions. One such artifact is the Stela with Oscan inscription, dating from 300-100 BC. This boundary-marker reveals traces of an ancient language, offering valuable insights into the linguistic landscape of that period. Another remarkable find is the exquisite gold Etruscan jewelry from around 350-300 BC. Crafted with meticulous detail, these pieces showcase the exceptional skill and craftsmanship possessed by Etruscan artisans. A statue depicting Artemis Bendis wearing her divine attire also captures our attention. This sculpture stands as a testament to both Greek and Roman influence on art during this time period. The head of Aphrodite, sculpted around 300-290 BC, emanates beauty and grace. It serves as a reminder of how ancient artists sought to immortalize their deities through breathtaking works like this one. Etruscan votive heads further demonstrate their devotion to religious practices during this era. These terracotta sculptures offer us a glimpse into their spiritual beliefs and rituals. Moving beyond figurative representations, we encounter a limestone grave stele adorned with a Greek epitaph dedicated to Theudaisios. This poignant memorial provides insight into burial customs prevalent at that time. Greek art makes its presence felt through an intricately carved head representing a majestic horse from the fourth century BC. Its lifelike features speak volumes about Hellenistic artistic techniques employed during this period. Amongst all these treasures lies an opulent golden necklace featuring lion-head terminals—a symbol often associated with power—influenced by various cultural influences prevalent around 300 BC.